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This drawing machine was designed and built by Ben Hopson, a product designer and kinetic sculptor based in NYC. The tool is an essential part of the story in the music video and was built with custom measurements to fit Isaac's arm.
To see more of Ben's work please go to benhopson.com.
This is a still from the production of the music video "Whale Song" for Modest Mouse.
Produced by Bent Image Lab
Directed by Nando Costa
Music by Modest Mouse
Premiered on Pitchfork
Maytag Maxima Front Load Washer and Dryer Infomercial. Watch to see a quick video covering the Maxima Series front load washer and dryer pair. SuperSize Capacity! PowerWash Cycle! Steam Refresh Cycles! FreshHold Option! SoundGuard Option! For more info on Maytag home appliances visit one of our appliance stores or point your mouse to our website at www.karlsappliance.com
This was the debut performance of Chris May's (aka Chris Catalyst) new band Eureka Machines. They were pure rock and roll joy: matching suits, ties and shoes, with every song choerographed, they used every cheap trick in the book (plus some special originals) to blast out a string of really fine tunes. I think that if this picture grabs you even a little bit then you are going to love Eureka Machines.
Front and back of a carte de visite featuring the portrait of an unidentified man. The photograph was taken at William Cooke's Studio in Strawberry Cottage, Keighley, in the 1860s. The card measures approximately 65mm by 105mm.
William Cooke is one of six photographers listed in William White’s 1870 General and Commercial Trades Directory for Keighley. He was one of the first commercial photographers in the town, with a studio off Skipton Road. This allowed him to benefit from the emerging trend for carte de visites (small photographic portraits), or the larger cabinet cards, that was triggered by Queen Victoria herself taking up the trend in the early 1860s.
The earliest found mention of Cooke as a photographer is in an 1861 copy of White’s directory where he is listed as an optician and photographer, working from Turkey Street. However the census of 7th April 1861 describes his occupation as a Tinner (likely making and repairing things made of tin or other light metals from needle cases and candle moulds to stovepipes and guttering). He was described as such at the baptism of his son Francis at Keighley Parish Church in March 1860. So it seems he made the move into optics in 1861.
In 1866 he advertises in White’s Leeds and Bradford Directory as being a “telescope, microscope and drawing instrument maker” based at Strawberry Cottage off Strawberry Street in Keighley. The advert says he offers “magnetic machines and every description of optical and mathematical instruments wholesale and for exportation”. He moved to Earl Street, at the corner with Skipton Road, in around 1870 and as well as the photography studio he held exhibitions of works of art at various times.
He is mentioned in the Keighley News of 13th January 1872, but not in connection with his photography work. He was taken to Keighley County Court by a Mr Hiram Brooksbank of Bradford who alleged that Cooke had not paid him for some plastering work carried out on the house Cooke had had built on Earl Street, to the tune of £16 and 8 shillings. The judge, Mr W. T. S. Daniel, Q.C., found in the plaintiff’s favour and Cooke was expected to pay up.
Many examples of his portrait photography work have survived from the 1860s up to the 1880s. Men, women and children wishing to have their portrait taken would have to attend his studio and pose absolutely still for a number of seconds in rooms that allowed plenty of natural light. Sometimes it would be simple head and shoulders shots, but more elaborate portraits required set dressing with chairs and small tables, props such as books or boxes, drapes and/or painted backdrops.
His carte de visite were produced on stiff card with the photographs printed on thin paper and then glued to the mounts. The backs of the carte de visite featured a coloured surround with the studio name printed in the centre (Strawberry Cottage initially and then Skipton Road). The name was surrounded by a garland of leaves and a ribbon bearing the Latin phrase “arte & labore” (by art and by labour – which seems a fair summary of Cooke’s skills). Sadly, most of the images that survive are of unknowns, but one of his sitters was Robert Holmes, J. P., who was the fifth Mayor of Keighley between 1886 and 1887. He is photographed wearing his chain of office.
It is known that Cooke was still at the Earl Street premises in December 1896 but by 1901 he seems to have moved / retired to Addingham. With thanks to Eddie Kelly for his research into many of the listings.
The item was loaned to the History Society for scanning by Tim Neal in February 2022.
time machine #0.5 --....................................................................................................................
Part 1. Lasso the moon.
Part 2. Pull hard.
Part 3. [ I am currently searching antiquated scientific documents for further instructions. ]
Techserv HS4000 gas and plasma cutting machines installed in Czech Republic
5m wide x 12 metre long, fitted with the Techserv pc based cnc system
Machine gun in the ventral hatch of PBY-5A Catalina 46624 at the Aviation Heritage Museum, Bull Creek, Western Australia
Commissioned Transformer custom. Commissioner wanted Universe Countdown repainted as Machine Wars Soundwave.
Installation photo by Paloma Villamil
From May 29th to June 2nd, at Dabbah-Torrejon's in ArteBa 2008. La Rural, Buenos Aires
WW2 machine Gun
ONLY Emergency Services Departments are allowed to use my photos. All others must ask permission.
A basic machine machine.. Each machine has only enough power to replicate one new machine, though each new machine born does have sufficient power to replicate once also, and so on..
After switching on, a machine cannot be switched off..
Upgrades for off switch available soon..
18 inch piece that I serged edges to use for cat beds. Not sure you can see the stitching but it is the best I have done free motion. I should have used a solid fabric but one of my goals this year is to clear out my old stuff from the stash! Even doing this small piece gave me a pain in the neck. I can quilt much longer on the frame without pain.
sewcalgal.blogspot.com/2012/01/welcome-to-2012-free-motio...
how technology has changed is that, before the war, people could tell how something worked by looking at it, and probably repair it themselves: bicycles, sewing machines, motorbikes, cars...
Now that is no longer the case, and some people feel alienated.
October 1, 2014
Indianapolis, Indiana
Egyptian Room @ Old National Centre
Taken by Shana Lynn Photography
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1st Release MACHINE Putter #37. M3A Transformer in satin 303 Stainless Steel and adjustable DIAL weights inboard and outboard, with Aluminum Alloy plumber neck hosel.
Original VMG face mill pattern. Hand stamped "D.P.B. '06.7" on face / heel by the artist.
Anders Wood Th'08 (front) and Andrew Herchek Th'09 (back) at work on the Bridgeport mill in Thayer School's machine shop.
Photo by John Sherman.
Here's another picture of parts that I took at Neil's Machining. I've been trying to get some better pictures to use on the website.
> > > See setup shot below.
I had to move the umbrellas around a lot to get the reflections to look like this. With a machined finish like this, the reflections completely change if you adjust your lighting just a little bit, or if you move the camera. Basically, if you want to see more white, move your umbrellas closer and shoot from an angle where the light will bounce into your camera more directly.
Strobist:
☂ LP160 @ full power through 43" shoot-through umbrella to the left
☂ LP160 @ full power through 60" shoot-through umbrella to the right
● 50" diffusor/reflector sort of to the right
● Triggered with pocket wizard plus ii tranceivers and LP160 optical slave
I'm almost afraid this picture looks too fake, even though I didn't do any painting on it. The only editing I did was desaturating, adjusting the curves and sharpening it a little bit.