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Música (abrir en nueva pestaña) / Music (Open link in new tab): Loreena - The Mystic's Dream.
La fachada trasera de un edificio de Benidorm muestra como, hoy día, en estos materialistas tiempos de culto a la tecnología, es más fácil que nunca el ascenso al encuentro de la divinidad :-)
-English:
The back facade of a building in Benidorm shows how today, in these materialistic times of worship of technology, is easier than ever to ascent and meet the divinity :-)
Imagen protegida por Plaghunter / Image protected by Plaghunter
© Francisco García Ríos 2017- All Rights Reserved / Reservados todos los derechos.
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Beauvale Priory, Nottinghamshire, UK. The limited remains of this historic priory date to 1343. It was one of nine Carthusian priories in England and may have played a central role in the development of late medieval English mysticism. The site is now part of a farm, largely built with reclaimed priory stone. The priory ruins were mentioned in DH Lawrence's novel, Sons and Lovers and were the setting for his short story A Fragment of Stained Glass. The image was processed using Pixelmator software.
photo rights reserved by Ben
The David Gareja Monastery complex is hidden deep in the rugged, semi-desert landscape of eastern Georgia, near the border with Azerbaijan. The area is characterized by dry hills, barren plains and steep sandstone cliffs — far from any town or village. It is this remoteness that enhances the spiritual atmosphere of the place, which for centuries has been a refuge for monks seeking refuge from the world. The photo shows the heart of the complex, with the round towers and roofs of the Lavra monastery, flanked by an imposing, steep rock face with carved cells and chapels. At the very top of the rock stands an old watchtower — a reminder of the defensive role this monastery has played over the centuries. In the middle of the green courtyard a Georgian Orthodox monk crouches by the grass, silent and unobtrusive as a shadow in the landscape. In the foreground Kanitha walks quietly up the path, accompanied by a local dog that faithfully follows her — a small, lively detail that softens the human presence in this silent landscape. The complex is partly carved out of the sandstone cliffs, and is still actively inhabited by monks who live a simple and dedicated life. David Gareja is therefore not an abandoned ruin, but a living monastery, rooted in centuries-old tradition and connected to the rhythms of nature. During our visit we were the only visitors, which made it possible to experience the site in complete tranquility. The monastery offers breathtaking views across the vast semi-desert plains — a place of tranquility, contemplation and mysticism, where stone, silence and spirituality merge.
Tucked into the rugged, semi-desert hills of eastern Georgia, near the Azerbaijani border, the David Gareja Monastery blends silence, stone, and devotion. In this scene, the Lavra complex rises beside a steep sandstone cliff carved with ancient monk cells. A Georgian Orthodox monk crouches quietly in the courtyard. In the foreground, Kanitha walks the path with a loyal local dog — a tender moment in a timeless place of solitude and reflection.
Het David Gareja-kloostercomplex ligt diep verscholen in het ruige, halfwoestijnachtige landschap van Oost-Georgië, vlak bij de grens met Azerbeidzjan. De omgeving wordt gekenmerkt door droge heuvels, kale vlaktes en steile zandsteenkliffen — ver verwijderd van steden of dorpen. Juist deze verlaten ligging versterkt de spirituele sfeer van de plek, die eeuwenlang een toevluchtsoord is geweest voor monniken die zich wilden terugtrekken uit de wereld. Op de foto zie je het hart van het complex, met de ronde torens en daken van het Lavra-klooster, geflankeerd door een imposante, steil oprijzende rotswand met uitgehouwen cellen en kapellen. Helemaal boven op de rots staat een oude wachttoren — een herinnering aan de verdedigingsfunctie die dit klooster door de eeuwen heen heeft gehad. In het midden van het groene binnenhof zit een Georgisch-Orthodoxe monnikgehurkt bij het gras, stil en onopvallend als een schaduw in het landschap. Op de voorgrond loopt Kanitha rustig over het pad naar boven, vergezeld door een lokale hond die haar trouw volgt — een klein, levendig detail dat de menselijke aanwezigheid verzacht in dit stille landschap. Het complex is deels uitgehouwen in de zandsteenrotsen, en nog altijd actief bewoond door monniken die er een sober en toegewijd leven leiden. David Gareja is dus geen verlaten ruïne, maar een levend klooster, geworteld in eeuwenoude traditie en verbonden met het ritme van de natuur. Tijdens ons bezoek waren we de enige bezoekers, wat het mogelijk maakte het terrein in volledige rust te ervaren. Vanaf het klooster strekt zich een adembenemend uitzicht uit over de uitgestrekte semi-woestijnvlakten — een plek van verstilling, bezinning en mystiek, waar steen, stilte en spiritualiteit in elkaar overvloeien.
" The subconscious mind became much more active and important. And this in the form of dreams, feelings. A growing awareness of the character of a particular place, whether it was a good place to be with a calming influence, or whether it gave me the creeps.
And this all linked up with Aboriginal reality, their vision of the world as something they could never be separate from, which showed in their language. In Pitjantjara and, I suspect, all other Aboriginal languages, there is no word for 'exist'. Everything in the universe is in constant interaction with everything else. You cannot say, this is a rock. You can only say, there sits, leans, stands, falls over, lies down, a rock.
The self did not seem to be an entity living somewhere inside the skull, but a reaction between mind and stimulus. And when the stimulus was not social, the self had a hard time defining its essence and realizing its dimensions. The self in a desert becomes more and more like the desert. It has to, to survive. It becomes limitless, with its roots more and more in the subconscious than the conscious - it gets stripped of non-meaningful habits and becomes more concerned with realities related to survival. But as is its nature, it desperately wants to assimilate and make sense of the information it receives, which in a desert is almost always going to be translated into the language of mysticism.
What I'm trying to say is, when you walk on, sleep on, stand on, defecate on, wallow in, get covered in and eat the dirt around you, and when there is no-one to remind you what society's rules are, and nothing to keep you linked to that society, you had better be prepared for some startling changes. And just as Aborigines seem to be in perfect rapport with themselves and their country, so the embryonic beginnings of that rapport were happening to me. I loved it.....Although I talked constantly to myself, or Diggity or the country around me, I was not lonely - on the contrary, had I stumbled suddenly across another human being, I would have either hidden or treated it as if it were just another bush or rock or lizard." ~ from Tracks
- All'interno del tempio il brahmino illustra le antichità e l'intrinseco misticismo del luogo.
- Inside the temple the brahmin illustrates the antiquities and the mysticism of the place.
(Slide Scan)
10°56'54"N 79°21'24"E
photo rights reserved by Ben
The David Gareja Monastery complex lies in a remote and isolated part of the rugged, semi-desert landscape of eastern Georgia, near the border with Azerbaijan. The surroundings are marked by dry hills, barren plains, and steep rock formations — far removed from any village or town. This very secluded location enhances the spiritual atmosphere of the site, which has served for centuries as a retreat for monks seeking to withdraw from the world. The monastery was founded in the 6th century by the Syrian monk David Garejeli and is partially carved into the soft sandstone cliffs. On the left side of the photo, you can see the dramatic, sloping rock wall with carved cells, chapels, and caves that once served as living and prayer quarters for the monks. Some of them are still adorned with delicate, centuries-old frescoes. On the right, the fortified walls and round watchtowers can be seen — silent witnesses to the monastery’s defensive function throughout history. In the center, a green, open courtyard connects nature and architecture in a harmonious way. Beyond its historical and architectural value, David Gareja is still a living religious site. Today, it is home to Georgian Orthodox monks who lead a modest, secluded life devoted to prayer, study, and the maintenance of the monastery. Their presence reminds us that David Gareja is not merely a ruin, but an active spiritual community. Their daily routines continue almost undisturbed — in silence, in stone, and in harmony with the land. During our visit, we were the only visitors, allowing us to explore the entire site in complete peace. From the monastery, there is a breathtaking view over the silent, endless semi-desert plains — a place of stillness, reflection, and mysticism.
Hidden in Georgia’s remote semi-desert near the Azerbaijani border, the David Gareja Monastery is a centuries-old complex carved into sandstone cliffs. Still home to Orthodox monks, it blends ancient history with quiet spiritual life. Surrounded by stark, rugged landscapes, the site offers solitude, breathtaking views, and a deep sense of timelessness.
Het David Gareja-kloostercomplex ligt afgelegen en geïsoleerd in het ruige, halfwoestijnachtige landschap van Oost-Georgië, vlak bij de grens met Azerbeidzjan. De omgeving wordt gekenmerkt door droge heuvels, kale vlaktes en steile rotspartijen — ver verwijderd van dorpen of steden. Juist deze verlaten ligging versterkt de spirituele sfeer van de plek, die eeuwenlang een toevluchtsoord is geweest voor monniken die zich wilden terugtrekken uit de wereld. Het klooster werd in de 6e eeuw gesticht door de Syrische monnik David Garejeli en is deels uitgehouwen in de zachte zandsteenrotsen. Links op de foto zie je de spectaculaire, schuin oplopende rotswand, vol uitgehouwen cellen, kapellen en grotten die ooit dienden als woon- en gebedsruimten voor monniken. Sommige zijn nog versierd met verfijnde, eeuwenoude fresco’s. Rechts zijn de versterkte muren en ronde wachttorens zichtbaar — stille getuigen van de verdedigingsfunctie die het complex door de eeuwen heen ook heeft vervuld. In het midden ligt een groen, open binnenplein dat op harmonieuze wijze natuur en architectuur met elkaar verbindt. Naast zijn historische en architectonische waarde is David Gareja nog altijd een levendige religieuze plek. Er wonen vandaag de dag nog steeds Georgisch-Orthodoxe monniken, die er een teruggetrokken en sober leven leiden, toegewijd aan gebed, studie en het onderhoud van het klooster. Hun aanwezigheid onderstreept dat David Gareja geen verlaten ruïne is, maar een actieve spirituele gemeenschap. Hun dagelijkse rituelen gaan haast ongestoord verder — in stilte, in steen, en in verbondenheid met de natuur. Tijdens ons bezoek waren we de enige bezoekers, wat het mogelijk maakte het hele terrein in volledige rust te verkennen. Vanaf het klooster strekt zich een adembenemend uitzicht uit over de stille, eindeloze semi-woestijnvlakten — een plek van verstilling, bezinning en mystiek.
In downtown Paprihaven, the girls are headed to Duper's Super as preparations for Thanksgiving at the Simmons continue.
Buckley: Oh, let's stop at Reigny Daze!
Tracy: We don't have time, Buckley! Thanksgiving is toMORow! Hello? This is our third trip to Dupers!
Buckley: Hey, it wasn't my idea to add lemon meringue pie to the list.
Briar: Oh, look, Creepers Sneakers is having a big Thanksgiving sale!
Tracy: Lemon meringue is SO good!
Buckley: HAHAAHA!!
Tracy: What's so funny??
Buckley: On Paprichat, Erin said some action guy's been hitting on Trajetta... and she's been really dressing up now!
Tracy: Those girls always dress up.* And... I've never been sure about Fashions dating Actions.**
Briar: I think RC's dad is dating a Fashion.***
Tracy: Mr. Cooper was married to an Fashion. But she died in the war.
Briar: Oh, that's sad.
Buckley: RC looks very Action.
Briar: *giggles* RC is totally action! There's a looooot of Fashions waiting out his on/off with Shasta.
Tracy: RC definitely takes after his dad, but Cloe and Cici are definitely Fashions.
Buckley: Some big, hunky Action starts giving me attention, I'm all for that! I'm like, "WHUT UUUUP!"
Briar: HAHA!
Tracy: You don't think that's weird? I mean, crossing that boundary with Actions?
Buckley: I guess it's weird coz you don't have many nexus like Paprihaven or Coopers Town where they coexist. But there's nothing wrong with it, right?
Briar: Yeah, when we were watching Cooperstown on TV, wasn't that really good lookin action dating a fashion? What was his name? 'Hawk Fang'?
Buckley: Hawk Fang??
Tracy: Are you talking about Pierce Falcon and Vinona??****
Buckley: HAWK FANG!! GWAAHAHAA!
Briar: *giggles*
Buckley: Was Vinona a fashion??
Tracy: Totally. Slim, non-gripping hands. Big anime eyes.
Buckley: That's right...
Briar: Well, like Buck said, it's rare just because of circumstances, but there can't be anything wrong with it. The Bible says somewhere that in Jesus, there's no difference.
Tracy: True that. Galatians 3:28, "There is neither Jew nor Greek, there is neither slave nor free man, there is neither male nor female; for you are all one in Christ Jesus." It just warns not to be unequally yoked.
Buckley: I dunno how many actions you're gonna find that read the Bible.
Briar: Cam and RC do! Pastor Calvin is an action.
Tracy: Well, whether this question, or anything else, God always has the answer in His Word.
Briar: Yep! And we can always ask Him! James 1:5 , "But if any of you lacks wisdom, let him ask of God, who gives to all generously and without reproach, and it will be given to him. "
Buckley: HAAAHAHA!!
Tracy: What now??
Buckley: Erin posted a pic of Trajetta with a meme, 'Ready for ACTION!'
Briar: HAHAHA!!
Tracy: Oh, dear.
•───────────︵‿︵‿୨♡୧‿︵‿︵────────────•
A year of the shows and performers of the Bijou Planks Theater.
___________________________________________________
Subjectivity and the Will of God
If you rely on internal, subjective messages and promptings from the Lord, what prevents you from imagining the input you want from Him? Moreover, what reliable, objective mechanism exists to keep you from misinterpreting your own imagination as divine instruction?
Many good souls and even some heroes of our faith fall into that same error, mistaking imagination for revelation. Many—perhaps most—Christians believe God uses subjective promptings to guide believers in making major decisions. But, a thorough search of church history would undoubtedly confirm that most believers who lean heavily on immediate “revelations” or subjective impressions ostensibly from God end up embarrassed, confused, disappointed, and frustrated.
So how are we supposed to determine the divine will? Virtually every Christian grapples with the question of how to know God’s will in any individual instance. We particularly struggle when faced with the major decisions of adolescence—what occupation or profession we will pursue, whom we will marry, whether and where we will go to college, and so on. Most of us fear that wrong decisions at these points will result in a lifetime of disaster.
Unfortunately, many of the books and pamphlets on discerning God’s will are filled with mystical mumbo-jumbo about seeking a sense of peace, listening for a divine “call,” putting out a “fleece,” and other subjective signposts pointing the way to God’s will. That kind of “discernment” is not at all what Scripture calls for. If we examine everything the Bible has to say about knowing God’s will, what we discover is that everywhere Scripture expressly mentions the subject, it sets forth objective guidelines. If we put those guidelines together, we get a fairly comprehensive picture of the will of God for every Christian. We can summarize them like this:
It is God’s will that we be saved. “The Lord is . . . not wishing for any to perish but for all to come to repentance” (2 Peter 3:9). “God our Savior . . . desires all men to be saved and to come to the knowledge of the truth” (1 Timothy 2:3–4).
It is God’s will that we be Spirit-filled. “Do not be foolish, but understand what the will of the Lord is. . . . Be filled with the Spirit” (Ephesians 5:17–18).
It is God’s will that we be sanctified. “For this is the will of God, your sanctification” (1 Thessalonians 4:3).
It is God’s will that we be submissive. “Submit yourselves for the Lord’s sake to every human institution, whether to a king as the one in authority, or to governors as sent by him for the punishment of evildoers and the praise of those who do right. For such is the will of God that by doing right you may silence the ignorance of foolish men” (1 Peter 2:13–15).
It is God’s will that we suffer. “Therefore, let those also who suffer according to the will of God entrust their souls to a faithful Creator in doing what is right” (1 Peter 4:19). “For to you it has been granted for Christ’s sake, not only to believe in Him, but also to suffer for His sake” (Philippians 1:29). “Indeed, all who desire to live godly in Christ Jesus will be persecuted” (2 Timothy 3:12).
If all those objective aspects of God’s will are realities in your life, you needn’t fret over the other decisions you must make. As long as the options you face do not involve issues directly forbidden or commanded in Scripture, you are free to do whatever you choose.
Whatever you choose? Yes, within the limits expressly set forth in God’s Word. If those five objective principles are consistently true in your life—if you are saved, Spirit-filled, sanctified, submissive, and suffering for righteousness’ sake—you are completely free to choose whatever you desire.
In fact, God providentially governs your choice by molding your desires. Psalm 37:4 says, “Delight yourself in the Lord; and He will give you the desires of your heart.” That doesn’t mean merely that He grants the desires of your heart; it suggests that He puts the desires there. So even when we choose freely, His sovereign providence guides the free choices we make! What confidence that should give us as we live our lives before God!
Haddon Robinson wrote: “When we lift our inner impressions to the level of divine revelation, we are flirting with divination.” In other words, those who treat subjective impressions as revelatory prophecy are actually practicing a form of fortune-telling. Those willing to heed inner voices and mental impressions may be listening to the lies of a deceitful heart, the fantasies of an overactive imagination, or even the voice of a demon. Once objective criteria are cast aside, there is no way to know the difference between truth and falsehood. Those who follow subjective impressions are by definition undiscerning. Mysticism and discernment simply do not mix.
- John MacArthur, Adapted from Reckless Faith
___________________________________________________
* They certainly do! Trajetta enjoying the azaleas:
[https://www.flickr.com/photos/paprihaven/33094283862/]
** An ongoing debate in Paprihaven, seen in various scenes such as Paprihaven 1620!
www.flickr.com/photos/paprihaven/52683654653
*** Cam Cooper is indeed dating the lovely Bonnie Bailey, as seen two days ago!
www.flickr.com/photos/paprihaven/54945142388
**** Yep, that was it! Def not 'Hawk Fang'.
www.flickr.com/photos/135742756@N07/39528612572/
Previous Days of Thanksgiving on Paprihaven:
2015:
www.flickr.com/photos/paprihaven/23317265455/
2016:
www.flickr.com/photos/paprihaven/31221411415/
2017:
www.flickr.com/photos/paprihaven/38546781536/
2018:
www.flickr.com/photos/paprihaven/44152794180/
2019:
www.flickr.com/photos/paprihaven/49128237531/
2020:
www.flickr.com/photos/paprihaven/50641046658/
2021:
www.flickr.com/photos/paprihaven/51701007283/
2022:
www.flickr.com/photos/paprihaven/52517742153/
2023:
www.flickr.com/photos/paprihaven/53346631177/
2024:
What I love most about photography is the way it guides me into scenes such as this. Time and again I marvel at the thought that, absent a camera, I would simply not find myself in so many incredible situations and environments. Along with this goes the often 'fire drill' reactions that literally yank me from routine tasks with little or no advance notice. On this particular morning I was sipping coffee and reading email when suddenly I noticed fog forming out in the yard. Minutes later I found myself out in the woods behind my house, mesmerized by the eeriness of the scene, email completely forgotten. Times like this I feel a heightened sense of awareness that has me truly living in the moment. I try to assimilate into the scene rather than just spectator it. Better to appreciate the moment as a life event as much as a photo op. But as far as photos go, far more likely to produce compelling images. Funny thing about these woods is that I've been back here thousands of times, and 99 percent of the time they look exactly the same. And while a neat place, not particularly remarkable. The key is to focus on the 1 percent, the times that are extraordinary. That's how it felt standing here. It's as if I was in some other place, one filled with mystery and intrigue. I wandered about, pausing here and there, composing and shooting based totally on the mystical feeling of the place. My conscious mind told me that soon the dimension would shift and the woodland would return to its ordinary state (which it soon did). Since then I keep thinking about the 1 percent rule as I go about my photo explorations. It's not so much about what you photograph but when.
The Heart Of Darkness-3
As dense as the night encloses you
in its firm grasp
life evolves with sunrise
and a new day.
Light enters the darkest moment
fulfilling the need for resurrection
setting free the entombed cavity
where resides
pain and nonacceptance
Fly you must from this sticky ruin
where you are unable to struggle free
trapped in a void of loneliness
the answers completely devoid of reason
The Heart of Darkness
beats in a strange flutter
until you seek the Calming Light
succumb to the mystical forces
at your command.
Author Notes
From self-knowledge comes acceptance of how vulnerable every person is. This is the Darkness. This can be dispelled with knowing yourself and setting yourself free by using the Mystical forces that you were born with. Its just a matter of recognizing what forces you have at your command. These could be an understanding of supernatural things, like numbers, colours, insight,
prophecies and clairvoyance, instinct, sympathy, compassion and silence or solitude. In using these forces, either singularly or in in conjunction with each other you can build a gigantic wall that will prevent darkness from settling into yourself permanently.
This is mysticism at its best.
by.
Marshall Gass
Wednesday, October 15, 2014
No electronic gadgets needed scanning the airwaves, I do it the true "hands on way".
Using a traditional Ouija board instead of an Ovilus can be a fascinating exploration into the realms of the supernatural, blending antiquity with mystery. The Ouija board, also known as a spirit board or talking board, has a rich history dating back to the late 19th century when spiritualism was at its peak. Its simple yet enigmatic design consists of letters, numbers, and other symbols arranged in a systematic layout, accompanied by a planchette, a heart-shaped piece typically made of wood or plastic, which serves as a conduit for spirit communication.
Engaging with a Ouija board often involves a group of individuals lightly placing their fingertips on the planchette, asking questions aloud, and awaiting its movement across the board to spell out answers. This process is believed to facilitate communication with spirits or entities from beyond, tapping into a realm inaccessible to our normal senses. The experience can be both thrilling and unsettling, as participants feel a tangible connection with the unknown.
Contrastingly, the Ovilus operates on a different principle, employing modern technology rather than the age-old mystique of the Ouija board. Developed in the early 2000s, the Ovilus is an electronic device that purportedly detects changes in environmental conditions, such as electromagnetic fields and temperature, and converts these fluctuations into audible speech. It's marketed as a tool for paranormal investigation, providing instant responses to questions asked by users.
While the Ovilus offers a more streamlined approach to spirit communication, some enthusiasts argue that it lacks the charm and authenticity of the traditional Ouija board. The tactile sensation of moving the planchette, the anticipation of its response, and the eerie atmosphere created during a Ouija session contribute to its enduring appeal. There's a sense of tradition and ritual associated with using the Ouija board, invoking a sense of mysticism that can't be replicated by a digital device.
Moreover, skeptics often question the reliability of the Ovilus, attributing its responses to random environmental fluctuations rather than genuine paranormal activity. In contrast, the subjective experience of using a Ouija board can be deeply personal and profound, fostering a sense of connection with the supernatural world.
Ultimately, whether one chooses to use a traditional Ouija board or a modern Ovilus depends on personal preference and belief systems. Both methods offer unique insights into the unknown, inviting participants to explore the mysteries of the spirit world in their own way. I dare you....remember to close the session with "goodbye".
“In that day the mountains shall drop down sweetness.” And, “Drop down dew, ye heavens, from above, and let the clouds rain the just: let the earth be opened, and bud forth a savior” (Isa. 45:8). What is the import of these quotes? They are the substance of the mystery itself, a poetic expression for the mystery of the Incarnation, which is to be experienced in our hearts by faith…
… “Would then that God would now also send forth his word and melt these spices for us and make the words of the gospel understandable for us: may they then become in our hearts more desirable than gold and very precious stones, and may they become more sweet than honey and the honeycomb.”
-A course in Christian mysticism : thirteen sessions with the famous Trappist monk Thomas Merton / edited by Jon M. Sweeney.
photo rights reserved by Ben
The David Gareja Monastery complex lies in a remote and isolated part of the rugged, semi-desert landscape of eastern Georgia, near the border with Azerbaijan. The surroundings are marked by dry hills, barren plains, and steep rock formations — far removed from any village or town. This very secluded location enhances the spiritual atmosphere of the site, which has served for centuries as a retreat for monks seeking to withdraw from the world. The monastery was founded in the 6th century by the Syrian monk David Garejeli and is partially carved into the soft sandstone cliffs. On the left side of the photo, you can see the dramatic, sloping rock wall with carved cells, chapels, and caves that once served as living and prayer quarters for the monks. Some of them are still adorned with delicate, centuries-old frescoes. On the right, the fortified walls and round watchtowers can be seen — silent witnesses to the monastery’s defensive function throughout history. In the center, a green, open courtyard connects nature and architecture in a harmonious way. Beyond its historical and architectural value, David Gareja is still a living religious site. Today, it is home to Georgian Orthodox monks who lead a modest, secluded life devoted to prayer, study, and the maintenance of the monastery. Their presence reminds us that David Gareja is not merely a ruin, but an active spiritual community. Their daily routines continue almost undisturbed — in silence, in stone, and in harmony with the land. During our visit, we were the only visitors, allowing us to explore the entire site in complete peace. From the monastery, there is a breathtaking view over the silent, endless semi-desert plains — a place of stillness, reflection, and mysticism.
Hidden in Georgia’s remote semi-desert near the Azerbaijani border, the David Gareja Monastery is a centuries-old complex carved into sandstone cliffs. Still home to Orthodox monks, it blends ancient history with quiet spiritual life. Surrounded by stark, rugged landscapes, the site offers solitude, breathtaking views, and a deep sense of timelessness.
Het David Gareja-kloostercomplex ligt afgelegen en geïsoleerd in het ruige, halfwoestijnachtige landschap van Oost-Georgië, vlak bij de grens met Azerbeidzjan. De omgeving wordt gekenmerkt door droge heuvels, kale vlaktes en steile rotspartijen — ver verwijderd van dorpen of steden. Juist deze verlaten ligging versterkt de spirituele sfeer van de plek, die eeuwenlang een toevluchtsoord is geweest voor monniken die zich wilden terugtrekken uit de wereld. Het klooster werd in de 6e eeuw gesticht door de Syrische monnik David Garejeli en is deels uitgehouwen in de zachte zandsteenrotsen. Links op de foto zie je de spectaculaire, schuin oplopende rotswand, vol uitgehouwen cellen, kapellen en grotten die ooit dienden als woon- en gebedsruimten voor monniken. Sommige zijn nog versierd met verfijnde, eeuwenoude fresco’s. Rechts zijn de versterkte muren en ronde wachttorens zichtbaar — stille getuigen van de verdedigingsfunctie die het complex door de eeuwen heen ook heeft vervuld. In het midden ligt een groen, open binnenplein dat op harmonieuze wijze natuur en architectuur met elkaar verbindt. Naast zijn historische en architectonische waarde is David Gareja nog altijd een levendige religieuze plek. Er wonen vandaag de dag nog steeds Georgisch-Orthodoxe monniken, die er een teruggetrokken en sober leven leiden, toegewijd aan gebed, studie en het onderhoud van het klooster. Hun aanwezigheid onderstreept dat David Gareja geen verlaten ruïne is, maar een actieve spirituele gemeenschap. Hun dagelijkse rituelen gaan haast ongestoord verder — in stilte, in steen, en in verbondenheid met de natuur. Tijdens ons bezoek waren we de enige bezoekers, wat het mogelijk maakte het hele terrein in volledige rust te verkennen. Vanaf het klooster strekt zich een adembenemend uitzicht uit over de stille, eindeloze semi-woestijnvlakten — een plek van verstilling, bezinning en mystiek.
The Enchanted Pueblo is a secluded village tucked in the desert southwest. Its colorful adobe houses reflect the magical mysticism of the land and its people. At the highest point is the bell tower of a Spanish mission. Travelers of the desert often hear the ringing of the bell, only to find the village itself was a mirage.
I’ve been wanting to build a pastel-colored pueblo based on the architecture of Taos Pueblo. The AdoraBuild contest gave me the push to enter the creation in the Sweet Scenes category. The build took about 60 hours over two months and was entirely planned in my head without any drawings or renderings. For the first time, I reviewed numerous AI-generated images to get a feel for the theme. The buildings were first constructed on standard baseplates, and then the custom base was built for the main structure to be transplanted onto.
Christian mysticism, even if it can benefit from extraordinary insights, does not stray from faith. Authentic mysticism, as a unique phenomenon, is not different from the vision of faith (given from Revelation) but is this very same faith experienced with greater clarity and intensity. In the revealed texts (and especially in Paul and John) there is consistency between faith and mysticism. This is an invitation not to separate the life of faith and mystical experiences, because the two share the same root: the indwelling of the Holy Trinity in the deepest recesses of each member of the Body of Christ.
-Reflections on Chiara Lubich’s
Mystical Journey Foreword Peter Casarella Preface Piero Coda Edited and with an Introduction by Donald W. Mitchell
Though many consider Snæfellsjökull to simply be a particularly impressive ice cap, it is, in fact, a 700,000-year-old glacier-capped stratovolcano. The mountain is actually called "Snæfell" (Snowy Mountain), though the “jökull” (Glacier) is often added to help distinguish it from other mountains of the same name. For the first time in recorded history, Snæfellsjökull had no snow or ice at its peak in August 2012, causing concern amongst locals that climate change is threatening the nature of the mountain.
Snæfellsjökull has, for centuries, been considered to be one of the world’s ancient power sites, a source of mysticism, energy and mystery for the peninsula’s superstitious population. This likely has something to do with the stratovolcanoes place in the Icelandic sagas; the feature takes a prominent role in Bárðar saga Snæfellsáss, a late 14th-century saga that tells the story of Bárður, half-human-half-troll, who became the “guardian spirit of Snæfellsjökull.”
Snæfellsjökull serves as the entrance to a fantastical subterranean world in Jules Verne’s classic 1864 novel “Journey to The Centre of The Earth.” Given its central place in the novel, Snæfellsjökull has become one of the most popular spots for visitors in Iceland and has inspired a wealth of writers, poets and artists. guidetoiceland.is
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Lewis and Harris.. Callanish Standing Stones were our main thing that we were going to visit on Lewis. I have always liked standing stones. Perhaps the fact that we don't exactly know what they were erected for, no matter what part of Europe they are located at, has always sparked my imagination. The mystery of them, the legends and myths associated with them, a bit of mysticism have always been a draw for me. That's why I have made a point of visiting a set of them this time around in Scotland. Callanish consists of 3 sets of standing stones, which you can all see from each location. This set is Callanish I. It's the largest set, and very busy with tourists. A bit of a problem if you want to take any kind of artistic shots, that would exclude people ;D Fear not, with a bit of patience and multiple visits to the location we have managed to get a few of those and I will share them with you a little later. I'm sure, by the time I'm done you will be sick and tired with them ;D
Photographed at Cerriwens Cauldron
maps.secondlife.com/secondlife/Cerridwens%20Cauldron/127/...
Charity event to help support the creator of this wonderful SIM.
Style Spotlight: Ohmai Una Outfit + VESTA Raga Bag – Lunar Chic Meets Urban Cool
Step into celestial elegance with the Ohmai Una Outfit, a stunning blend of mysticism and modern chic. Let the stars guide your style with this dreamy ensemble:
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The Boots: Your look isn’t complete without these bold, modern boots that are also included in the Ohmai Una Outfit. With their open-toe design and chunky platform sole, they add a playful, edgy touch to the outfit. The ribbed sock detail offers a cozy, layered vibe, while the bow-tied accents add a hint of sweetness. These boots strike the perfect balance between edgy urban wear and casual chic comfort.
The Raga Bag by VESTA: The perfect companion to your outfit, this gorgeous bucket bag features a luxurious leather texture with carefully crafted stitching and a drawstring closure. Its warm, earthy tones and rich details give it a versatile edge, complementing everything from casual streetwear to upscale ensembles. With its compact design, it’s stylish, practical, and endlessly chic.
Style Tip: Complete the look with a soft beret and a pair of oversized shades for a sophisticated, retro-meets-modern vibe. Whether you’re heading to a coffee date or strolling through a virtual art gallery, this outfit has the power to turn heads.
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Lag BaOmer (Hebrew: ל״ג בעומר), also Lag B'Omer, is a Jewish holiday celebrated on the 33rd day of the Counting of the Omer, which occurs on the 18th day of the Hebrew month of Iyar.
This day marks the hillula (celebration, interpreted by some as anniversary of death) of Rabbi Shimon bar Yochai, a Mishnaic sage and leading disciple of Rabbi Akiva in the 2nd century, and the day on which he revealed the deepest secrets of kabbalah in the form of the Zohar (Book of Splendor), a landmark text of Jewish mysticism. This association has spawned several well-known customs and practices on Lag BaOmer, including the lighting of bonfires, pilgrimages to the tomb of Bar Yochai in the northern Israeli town of Meron, and various customs at the tomb itself.[1]
We are all called to the mystical life. Mysticism is not an extraordinary way of being a Christian but the ordinary way. Mysticism does not refer only to the charismatic gifts, the gratiae gratis datae, but rather to the fullness of life in the Spirit, the life of the theological virtues and gifts of the Spirit, Aquinas’s habitual grace, gratia gratum faciens,576 all of which is ordinary even if challenging, a graced life but not “cheap grace.”577
-Thomas Aquinas and Teilhard de Chardin Christian Humanism in an Age of Unbelief, Donald J. Goergen, OP
/……
youtu.be/haXBpuQn0fw?si=2k60y_-5yCRi5sox
-Klaus Schultz
A shot looking down into one of two 'Initiation Wells' at the Quinta da Regaleira in Sintra. These two 'inverted towers' lead down to a network of tunnels under the gardens that connect various follies and water features.
Click here to see photos from my trip to Lisbon / Sintra as well as a previous trip to Portugal : www.flickr.com/photos/darrellg/albums/72157605502948784
From Wikipedia : "The Initiation Wells (AKA initiatic wells or inverted towers) are two wells on the property that better resemble underground towers lined with stairs. These wells never served as water sources. Instead, they were used for ceremonial purposes that included Tarot initiation rites. The tunnels described above connect these wells to one another, in addition to various caves and other monuments located around the park. Of the two wells, the larger one contains a 27-meter spiral staircase with several small landings. The spacing of these landings, combined with the number of steps in the stairs, are linked to Tarot mysticism. The smaller well contains straight stairs that connect a series of ring-shaped floors to one another. This well is also called the 'Unfinished Well'. A structure similar to these wells can be found in the Pozzo di S. Patrizio in Italy."
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An enormous earthquake in AD 17 finally cut of the gulf off from the sea and Lake Bafa was born. Lake Bafa is 25 kms from Soke and is S.E. of the River Menderes delta in the Milas-Bodrum direction.
Next to the Lake Bafa is an ancient town called Herakleia which dates back to the 5th century BC. It was a member of the Attika Delos Sea Union and was used until the end of the Middle Ages. Around 1000 BC a small town called Latmos was established here but was engulfed by Herakleia during the Hellenistic period (300 BC). There is a long tradition of mysticism surrounding the area. In pre-Greek times the highest mountain was called Mount Latmus (Latmos),.
The doctrine that every arrival in the process of spiritual growth is but a new point of departure, and continued progress is the law of spiritual life even in the next world, in the beatific vision.
-Danielou, From Glory to Glory, 69 (Gregory of Nyssa, doctrine of epektasis)
Rather, we have to be motivated by a sacred restlessness, to be bold, to go up the mountain, to hunger to “enjoy the Beauty not the mirrors and reflections, but face to face.”
-Jason M. Baxter, An Introduction to Christian Mysticism-Recovering the Wildness of Spiritual Life
Hiking Island of the Sun in Lake Titicaca, Bolivia.
Birthplace of the sun and the Incan dynasty, Bolivia’s Isla del Sol is the embodiment of peace and serenity. Best explored at an ambling pace, the sacred island reveals itself to be an energetic blend of mysticism and spirituality.
One hour boat trip from the lakeside town of Copacabana, Isla del Sol is a beautiful place teeming with archaeological marvels. Over 80 ruins can be found sprawled across the rugged 70 sq km island – remnants of the Inca civilization that lived there in the 15th century AD – as well as approximately 800 indigenous families who live in small villages dispersed throughout the island.
According to Incan lore, Isla del Sol (Island of the Sun) is both the birthplace of their revered Sun God and the world’s first two Incas.
We arrived at Isla del Sol at Cha’llapampa in the north, and started hiking to the top and came down to Yumani in the south. The Isla del Sol is some 3500 meters above sea level with 4000 meters at its peak.
For video, please visit youtu.be/5uyKdxLqres
Bei meiner Herbstwanderung durch den Lorenzer Reichswald bei Schwarzenbruck Nähe Nürnberg machte ich dieses herrliche Waldbild. Der Wald hat für mich immer was Mystisches und faszinirendes für mich.. Ich bin stundenlang durch den Wald gewandert und wurde dabei kaum müde, so wohl fühlte ich mich da. Viel Spaß noch beim betrachten des Bildes.
For my autumn hike through the forest at Lorenz Imperial Schwarzenbruck near Nuremberg I made this magnificent forest landscape. The forest has always for me what is mystical and faszinirendes me .. I wandered for hours through the forest and was hardly tired, I felt so comfortable there. Have fun while viewing the image.
对于我穿过森林秋季在纽伦堡附近的洛伦茨帝国Schwarzenbruck加息我做了这个宏伟的森林景观。森林一直对我有什么神秘和faszinirendes我..我徘徊了几个小时，通过森林和几乎没有累了，我觉得很舒服那里。玩得开心的同时观看图像。
لرفع الخريف بلدي من خلال الغابات في لورينز الامبراطوري Schwarzenbruck بالقرب من نورمبرج صنعت هذا المشهد الرائع للغابات. الغابة دائما بالنسبة لي ما هو باطني وfaszinirendes لي.. تجولت لساعات عبر الغابة وكان متعبا بالكاد، شعرت بالراحة لذلك هناك. المتعة أثناء عرض الصور.
For those who are new to this series, here is some context (feel free to skip the text in italics, which is not picture-specific).
I was in Messina, Sicily, for a convention - Messina, the city of the Strait. The city of the two seas, the Tyrrhenian and the Ionian - not two whichever seas, but the very stuff of myths and epics. Scylla and Charybdis haunted these narrow, deep, perilous waters.
As you would expect, I had tried to leave my camera at home (it was work, after all...), but it sneaked into my backpack anyway, along with my Samyang wide angle lens and my tripod. Unfortunately neither of them told the remote shutter, so it stayed safe and cozy within my gear bag at home. Oh my gosh! What was the use of having a tripod while lacking a remote shutter? I just hoped that enabling the Delay exposure Mode would be sufficient to compensate for my awkward finger actually pressing the shutter release button.
So I began my Sicilian days with just as many sunrise sessions. Wow.
The weather was consistently unstable - an ever changing sky enlivened by an endless turmoil of clouds (sometimes benign, sometimes threatening and ominous), sudden showers followed by warm sun, and then again. There was at first a peculiar ambiance - a stormy mood, I would say - an epic character reminiscent of remote ages, when the gods and Cyclops trod these lands and monsters haunted these waters. I could understand the sense of awe the ancient dwellers of these places felt while contemplating such views. I could feel the presence of the gods of old just before me. Just all around me.
Siciliy and the coastal regions of Southern Italy were not just a land of myths and legends, and of epic deeds: they were also a land of philosophy. The whole Magna Graecia was imbued with Greek art, culture, and philosophy - not least because people who had troubles in their homeland often found useful to settle in the Italian colonies, as things so often go. Pythagoras emigrated to Croton, a rich, lively city on the Ionic coast of Calabria. Pythagoras founded a school in that city in which initiates were sworn to secrecy and lived a communal, ascetic lifestyle, the doctrines of Pythagoras being sort of a religion as well as a philosophy. This lifestyle entailed a number of dietary prohibitions, traditionally said to have included vegetarianism (mainly due to the doctrine of metempsychosis, or the "transmigration of souls" into new bodies after death). Most notably, women had a prominent role in the community of the Pythagoreans and were admitted to the mysteries of Pythagoras (my female Flickr friends might be interested in reading a free ebook I have found in Project Muse: Pythagorean Women: Their History and Writings by Sarah B. Pomeroy).
I cannot even begin to sing the glories of the man and of his followers, of course. It would suffice to think that he was the first to think that Nature is fundamentally mathematical and that numbers are within everything that exists. This is a fundamental tenet of modern science, of course: Galileo, who had not a real Pythagorean attitude, famously stated that "Nature’s great book is written in mathematics", acknowledging Pythagora's contribute to the new science. On the other hand, another pioneer of the new science and a contemporary of Galileo, Johannes Kepler, was still deep into Pythagorean mysticism.
Pythagoras was also credited to be the first to offer a mathematical view of music, based on the study of the monochord and how musical intervals corresponded to mathematical ratios of integer numbers. The Pythagorean scale was very important in the history of Western music, and hence, contemplating the fact that numbers ruled everything, the Pythagoreans derived the concept of the "music of the cosmos", or "music of the spheres". A large part of J. S. Bach's music, not least The Art of the Fugue, was strongly influenced by Pythagoreanism. And so on... Pythagoras and his followers made so many discoveries in geometry and mathematics that I cannot put them in words, but let me say that one of the early followers of Pythagora, Hippasus of Metapontus, was even credited with the discovery of irrational numbers, that were anathema for the Pythagoreans (it is said that they drowned him at sea for this).
As that wondrous sunrise was stirring up its fires (see my Nymphs dancing in the sky to see it in its fullest splendor) I was walking in a silent, dark world, and I could feel the marvel Pythagoras and his followers - men, women, and children - felt as they peered into the deep mysteries of the world, finding order they were able to understand. And I wondered with them, not for the first - nor for the last time - how is it that we can grasp its rules and laws at all - which could arguably be the very mystery of mysteries.
I hope that you enjoy this work of mine, my friends, and that it is able to pluck some string within your souls, just as being there in that magic moment plucked my own ones. Have a great weekend!
Explored on 2023/02/04 nr. 52
I have processed this picture by blending an exposure bracketing [-2.0/-1.0/0/+1.0/+2.0 EV] by luminosity masks with the Gimp (EXIF data, as usual, refer to the "normal" exposure shot).
Along the journey - post-processing always is a journey of discovery to me - I tried the inverted RGB blue channel technique described by Boris Hajdukovic to give a slight tonal boost to several parts of the scene, absolutely excluding the sky.
As usual, I gave the finishing touches with Nik Color Efex Pro 4 and played a bit with dodging and burning.
Raw files processed with Darktable.
ahu Ko Te Riku in the evening, with one of the the only moai with eyes and "pukao" (hat), easter island ..and the moais, always looking inland..
C'est une interprétation moderne de la célèbre cène de Léonard de Vinci dont Dali reprit l'iconographie.
C'est une œuvre notable de la période de mysticisme nucléaire de l'artiste à l'instar de Galatée aux sphères et elle est exposée à la galerie nationale d'art de Washington.
Une citation Dalinienne : “Je suis pratiquant, mais pas croyant.”
This is a modern interpretation of the famous Last Supper by Leonardo da Vinci which Dali resumed the iconography.
This is a notable work of nuclear mysticism period artist like Galatea of the Spheres and is exposed at the National Gallery of Art in Washington.
Dalinian a quote: "I go to church, but not a believer."
The San Juan Bautista Indian Church in San Juan Chamula does not look great from the outside, but it's amazing inside (unfortunately photos are not allowed inside).
There is no bench. Instead, pine leaves dot the entire floor of the church. Thousands of candles are lit, and complete Indian families pray fervently on the floor.
The walls are dotted with statues of saints.
There is no priest, the bishop has the right to enter the church only once a year, for baptisms.
I felt inside this church an incredible mysticism and fervor!
_______________________________
Une église indienne incroyable
L'église indienne San Juan Bautista à San Juan Chamula ne paie pas de mine de l'extérieur, mais elle est incroyable à l'intérieur (malheureusement les photos y sont interdites).
Il n'y a aucun banc. A la place, des feuilles de pins parsèment tout le sol de l'église. Des milliers de bougies sont allumées, et des familles indiennes complètes prient avec ferveur assises sur le sol.
Les murs sont parsemés de statues de saints.
Il n'y a pas de prêtre, l’évêque n’a le droit d’entrer dans l’église qu’une seule fois par an, pour les baptêmes.
J'ai ressenti à l'intérieur de cette église un mysticisme et une ferveur incroyable !
_______________________________
San Juan Chamula - Chiapas - Mexique / Mexico
Description in English and Dutch:
English
The combination of the beach, the sea and a long row of stone blocks with a green glow of seaweed is a special phenomenon. Add to that some rain and the mysticism will blow towards you in a storm of toughts cause the beach of Scheveningen is such a pearl of the world . At high tide, everyone can enjoy a theater performance of nature with the water as the top actor and a dream decor in the background. During that impressive performance you can smell the sent of the sea while standing in the fine sand where the shells and seaweed keep changing places due to the elusive wind.
Nederlands
De combinatie van het strand, de zee en een lange rij stenen blokken met een groene gloed van zeewier is een bijzonder fenomeen. Voeg daarbij wat regen en een druilerige sfeer en de mystiek komt u tegemoet waaien in een storm van gedachten, want het strand van Scheveningen is echt een parel in de wereld. Bij vloed kan iedereen genieten van een theatervoorstelling der natuur met het water als topacteur en een droomdecor op de achtergrond. Tijdens die indrukwekkende voorstelling van het leven ruik je de zee terwijl je in het fijne zand staat waar de schelpen en het zeewier door de ongrijpbare wind steeds van plaats verwisselen.
photo rights reserved by Ben
The David Gareja Monastery complex lies in a remote and isolated part of the rugged, semi-desert landscape of eastern Georgia, near the border with Azerbaijan. The surroundings are marked by dry hills, barren plains, and steep rock formations — far removed from any village or town. This very secluded location enhances the spiritual atmosphere of the site, which has served for centuries as a retreat for monks seeking to withdraw from the world. The monastery was founded in the 6th century by the Syrian monk David Garejeli and is partially carved into the soft sandstone cliffs. On the left side of the photo, you can see the dramatic, sloping rock wall with carved cells, chapels, and caves that once served as living and prayer quarters for the monks. Some of them are still adorned with delicate, centuries-old frescoes. On the right, the fortified walls and round watchtowers can be seen — silent witnesses to the monastery’s defensive function throughout history. In the center, a green, open courtyard connects nature and architecture in a harmonious way. Beyond its historical and architectural value, David Gareja is still a living religious site. Today, it is home to Georgian Orthodox monks who lead a modest, secluded life devoted to prayer, study, and the maintenance of the monastery. Their presence reminds us that David Gareja is not merely a ruin, but an active spiritual community. Their daily routines continue almost undisturbed — in silence, in stone, and in harmony with the land. During our visit, we were the only visitors, allowing us to explore the entire site in complete peace. From the monastery, there is a breathtaking view over the silent, endless semi-desert plains — a place of stillness, reflection, and mysticism.
Hidden in Georgia’s remote semi-desert near the Azerbaijani border, the David Gareja Monastery is a centuries-old complex carved into sandstone cliffs. Still home to Orthodox monks, it blends ancient history with quiet spiritual life. Surrounded by stark, rugged landscapes, the site offers solitude, breathtaking views, and a deep sense of timelessness.
Het David Gareja-kloostercomplex ligt afgelegen en geïsoleerd in het ruige, halfwoestijnachtige landschap van Oost-Georgië, vlak bij de grens met Azerbeidzjan. De omgeving wordt gekenmerkt door droge heuvels, kale vlaktes en steile rotspartijen — ver verwijderd van dorpen of steden. Juist deze verlaten ligging versterkt de spirituele sfeer van de plek, die eeuwenlang een toevluchtsoord is geweest voor monniken die zich wilden terugtrekken uit de wereld. Het klooster werd in de 6e eeuw gesticht door de Syrische monnik David Garejeli en is deels uitgehouwen in de zachte zandsteenrotsen. Links op de foto zie je de spectaculaire, schuin oplopende rotswand, vol uitgehouwen cellen, kapellen en grotten die ooit dienden als woon- en gebedsruimten voor monniken. Sommige zijn nog versierd met verfijnde, eeuwenoude fresco’s. Rechts zijn de versterkte muren en ronde wachttorens zichtbaar — stille getuigen van de verdedigingsfunctie die het complex door de eeuwen heen ook heeft vervuld. In het midden ligt een groen, open binnenplein dat op harmonieuze wijze natuur en architectuur met elkaar verbindt. Naast zijn historische en architectonische waarde is David Gareja nog altijd een levendige religieuze plek. Er wonen vandaag de dag nog steeds Georgisch-Orthodoxe monniken, die er een teruggetrokken en sober leven leiden, toegewijd aan gebed, studie en het onderhoud van het klooster. Hun aanwezigheid onderstreept dat David Gareja geen verlaten ruïne is, maar een actieve spirituele gemeenschap. Hun dagelijkse rituelen gaan haast ongestoord verder — in stilte, in steen, en in verbondenheid met de natuur. Tijdens ons bezoek waren we de enige bezoekers, wat het mogelijk maakte het hele terrein in volledige rust te verkennen. Vanaf het klooster strekt zich een adembenemend uitzicht uit over de stille, eindeloze semi-woestijnvlakten — een plek van verstilling, bezinning en mystiek.
Where water tells stories.
A narrow stream glides through dense greenery, like a flutelike melody from whispering leaves.
Mist breathes between roots and branches, as if carrying secrets from long-gone days.
Above the bank, shadows dance while the stream gently paints its traces on the grass.
It is as if every drop breathes a little story – of rain, time, and the astonished gaze of nature.
Outside, the world seems to breathe more slowly; in the green, the water whispers that peace and magic find their home here.
Mystik im Grün…
Wo Wasser Geschichten erzählt.
Ein schmaler Bach gleitet durch ein dichtes Grün, als flötenhafte Melodie aus flüsternden Blättern.
Nebel haucht zwischen Wurzeln und Zweigen, als würde er Geheimnisse aus längst vergangenen Tagen tragen.
Über dem Ufer tanzen Schatten, während der Bach sanft seine Spuren ins Gras malt.
Es ist, als ob jeder Tropfen eine kleine Geschichte atmet – von Regen, Zeit und dem staunenden Blick der Natur.
Draußen scheint die Welt langsamer zu atmen, im Grünen flüstert das Wasser davon, dass Ruhe und Magie hier Heimat finden.
Thanks for your Visit Views Faves and Comments, have all a Nice Weekend. 🍂🍁✌
NEW RELEASE ONLY @ ENGINE ROOM
TP: maps.secondlife.com/secondlife/Syndicate/159/161/603
Step into a world where mysticism meets steampunk.
This is not just a hat — it’s a living artifact.
🔮 Features included:
– Moving potions and gear
– Ancient key and enchanted crystals
– A set of 3 Tarot cards nestled on the brim
🃏 Interactive Tarot Reading
Click on the Tarot cards placed on the left side of the hat…
and receive a 3 Major Arcana spread, chosen by fate itself.
Each click reveals a new destiny ✦
⚙️ Crafted as animesh, the hat carries life of its own and a mystical aura that never fades.
🌙 Perfect for witches, mystics, and steampunk adventurers who want their look to be more than fashion — a true magical statement.
✦ Dare to wear your destiny. ✦
🎬 VIDEO 🎬 : www.flickr.com/photos/apika/54806268208
"tangata manu", the legendary birdman petroglyph carved in a volcanic rock, orongo village, rapa nui (easter island)
On a road trip out west with my son, we stopped at this waterfall in Ohio... kinda unusual because at certain times of the year when the water flow is right, the falls splits into two and then rejoins... forming a kind of womb of the "supernatural mother"... a mandorla... mystic almond... from which the Vesica Piscis, or the Vessel of the Fish, also appears when two perfect circles intersect... the co joining of the sun and the full moon. Ok, ok, enough of the mysticism... lol
Anyway this is a photo of my son in front of that waterfall.