For September's Late, we untied the straitjacket of roles and expectations of masculinity. From machismo to mental health, we asked: when do masculinities thrive and when do they threaten? Audiences were invited to join drag kings to explore gender performance, decode the nuances of black fatherhood and uncover multisensory expressions of male vulnerability. Together we dived into this spectrum of identities to resist, rewrite and celebrate what masculinities mean today.

 

© Graham Turner @theycallme_gt

WaterTile Ambient Rain overhead showering panels provide a relaxing, natural water delivery. The integrated colored lights bring together a truly unique, multisensory experience.

For September's Late, we untied the straitjacket of roles and expectations of masculinity. From machismo to mental health, we asked: when do masculinities thrive and when do they threaten? Audiences were invited to join drag kings to explore gender performance, decode the nuances of black fatherhood and uncover multisensory expressions of male vulnerability. Together we dived into this spectrum of identities to resist, rewrite and celebrate what masculinities mean today.

 

© Graham Turner @theycallme_gt

For September's Late, we untied the straitjacket of roles and expectations of masculinity. From machismo to mental health, we asked: when do masculinities thrive and when do they threaten? Audiences were invited to join drag kings to explore gender performance, decode the nuances of black fatherhood and uncover multisensory expressions of male vulnerability. Together we dived into this spectrum of identities to resist, rewrite and celebrate what masculinities mean today.

 

© Graham Turner @theycallme_gt

For September's Late, we untied the straitjacket of roles and expectations of masculinity. From machismo to mental health, we asked: when do masculinities thrive and when do they threaten? Audiences were invited to join drag kings to explore gender performance, decode the nuances of black fatherhood and uncover multisensory expressions of male vulnerability. Together we dived into this spectrum of identities to resist, rewrite and celebrate what masculinities mean today.

 

© Graham Turner @theycallme_gt

We absolutely LOVED James Hood’s Beautifica!!! This immersive visual music fulldome experience has mixed in surround sound, a magical synergy of uplifting music and stunning visuals. It was designed to transport you into an altered sense of time and space.

If you’ve ever wondered what it’s like being inside a kaleidoscope, look no further than James Hood’s Beutifica. It’s a multisensory experience that does, indeed, mesmerize.

We were able to catch a sold-out show at the Fleet Science Museum tonight. Inside the dome theatre with a screen encompassing our entire field of vision, we watched as geometric shapes of kaleidoscopic colors morphed and mingled, segueing into scenes that transcend space. The show transitioned between songs and James Hood’s voice would often interject, offering meditations on relaxation, happiness, and living in the moment.

Sand, or to put it more precisely high-purity silicon dioxide particles, is the essential raw material from which we make concrete, glass, fiberoptic cables, computer chips, and other high-tech hardware. The installation Smart.ing Bodies features “glass instruments” made of quartz sand that Evelina Rajca collected from disappearing beaches and mountains around the world. The multisensory sound installation consists of those two glass resonators, sensors, motors, and an algorithmic composition created partly by AI learning processes. In order to keep on playing and to avoid a “resonance disaster” (the destruction of the glass or motor), the algorithmic program has to learn to conduct a variety of smart frequencies. What can be heard is the sound of sand, which is pure yet complex and ever-changing.

 

Credit: tom mesic

For September's Late, we untied the straitjacket of roles and expectations of masculinity. From machismo to mental health, we asked: when do masculinities thrive and when do they threaten? Audiences were invited to join drag kings to explore gender performance, decode the nuances of black fatherhood and uncover multisensory expressions of male vulnerability. Together we dived into this spectrum of identities to resist, rewrite and celebrate what masculinities mean today.

 

© Graham Turner @theycallme_gt

Visual artist Ann Hamilton combines the ephemeral presence of time with the material tactility for which she is best known to create a new large-scale installation for the Wade Thompson Drill Hall. Commissioned by the Armory, the event of a thread references the building’s architecture, as well as the individual encounters and congregational gatherings that have animated its rich social history. A multisensory affair, the work draws together readings, sound, and live events within a field of swings that together invite visitors to connect to the action of each other and the work itself, illuminating the experience of the singular and collective body, the relationship between the animal and the human. The address of the readers to the pigeons shifts at the end of each day, when a vocalist on the drill hall’s balcony serenades their release to flight. Each day’s song is cut with a record lathe, and the resulting recording is played back the next day.

 

bit.ly/WkTDlY

For September's Late, we untied the straitjacket of roles and expectations of masculinity. From machismo to mental health, we asked: when do masculinities thrive and when do they threaten? Audiences were invited to join drag kings to explore gender performance, decode the nuances of black fatherhood and uncover multisensory expressions of male vulnerability. Together we dived into this spectrum of identities to resist, rewrite and celebrate what masculinities mean today.

 

© Graham Turner @theycallme_gt

For September's Late, we untied the straitjacket of roles and expectations of masculinity. From machismo to mental health, we asked: when do masculinities thrive and when do they threaten? Audiences were invited to join drag kings to explore gender performance, decode the nuances of black fatherhood and uncover multisensory expressions of male vulnerability. Together we dived into this spectrum of identities to resist, rewrite and celebrate what masculinities mean today.

 

© Graham Turner @theycallme_gt

For September's Late, we untied the straitjacket of roles and expectations of masculinity. From machismo to mental health, we asked: when do masculinities thrive and when do they threaten? Audiences were invited to join drag kings to explore gender performance, decode the nuances of black fatherhood and uncover multisensory expressions of male vulnerability. Together we dived into this spectrum of identities to resist, rewrite and celebrate what masculinities mean today.

 

© Graham Turner @theycallme_gt

For September's Late, we untied the straitjacket of roles and expectations of masculinity. From machismo to mental health, we asked: when do masculinities thrive and when do they threaten? Audiences were invited to join drag kings to explore gender performance, decode the nuances of black fatherhood and uncover multisensory expressions of male vulnerability. Together we dived into this spectrum of identities to resist, rewrite and celebrate what masculinities mean today.

 

© Graham Turner @theycallme_gt

Impressions from the International Multisensory Research Forum (IMRF) 2014 conference, which we organized at the Royal Tropical Institute in Amsterdam, June 11 to June 14 2014.

For September's Late, we untied the straitjacket of roles and expectations of masculinity. From machismo to mental health, we asked: when do masculinities thrive and when do they threaten? Audiences were invited to join drag kings to explore gender performance, decode the nuances of black fatherhood and uncover multisensory expressions of male vulnerability. Together we dived into this spectrum of identities to resist, rewrite and celebrate what masculinities mean today.

 

© Graham Turner @theycallme_gt

View through the windows of the Rose Centre for Earth and Space at West 81st Street, New York NY.

The Rose Centre for Earth & Space and the Hayden Planetarium are part of the American Museum of Natural History.

 

~~~~~~~~~~~~~~~~~

 

The Hayden Planetarium is unlike any other such facility in the world. In the top half of the Hayden Sphere, the most technologically advanced Space Theater in existence will use advanced visual technology (including a customized, one-of-a-kind Zeiss Star Projector) to create shows of unparalleled sophistication, realism, and excitement. With this high-definition system, the Hayden Planetarium is the largest and most powerful virtual reality simulator in the world.

 

The bottom half of the Hayden Sphere houses the Big Bang, where visitors will be transported to the beginning of time and space, experiencing a dramatic, multisensory re-creation of the first moments of the universe. From here, visitors continue on an awe-inspiring journey that chronicles the evolution of the universe by following the Harriet and Robert Heilbrunn Cosmic Pathway — a sloping walkway that takes them through 13 billion years of cosmic evolution.

 

www.amnh.org/rose/haydenplanetarium.html

See the film The Curator Lifting Running Competition(2003) by Thierry Geoffroy/Colonel part of the Biennalist

youtu.be/bvjDY3ZI_WE

The Curator Lifting Running Competition

23 April - 13 June 2004

 

Nikolaj, Copenhagen Contemporary Art Center, proudly presents the world premiere of Colonel’s film the curator lifting running competition.

 

Danish/French artist Colonel’s video from the Venice Biennale 2003 will be shown at Nikolaj’s Cinema. It presents the staging of a competition in which artists raced each other while carrying a curator on their backs. The prize was an admission ticket to the most prestigious party of the Biennale. During a major art event as the Venice Biennale, both artists and curators are subject to hidden rules and mechanisms which must be adhered to in order to obtain a good position in the hierarchy of the art world. With his energetic and humorous video Colonel focusses on these mechanisms and unveils a lobbyistic game which is not merely about creating exhibitions but also about preserving certain privileges.

 

On the plane:

It begins on the plane from Denmark where the art industry clique has booked the same flight. Colonel hands out flyers, already well underway with his campaign to recruit contestants for the competition.

 

New film concept:

Colonel uses people who simply happen to be there to film the situations which arise. In so doing they become both witnesses to and participants in the processes of uncovering the hidden mechanisms of the cultural event.

 

The press:

In Venice Colonel intensifies his endeavours and now involves the journalists so that they may help him spread the word about the upcoming event.

 

Participants for the competition:

In Venice Colonel goes on to invite artists as well as curators to be a part of the great race.

 

The party:

Colonel chases invitations to the most coveted parties in order to use them as the first prize of the curator lifting running competition.

 

The competititon:

During the competition the artist both symbolically and literally becomes the curator’s arms and legs.

For more information on this project, please visit www.colonel.dk

www.emergencyrooms.org/formats.html

 

About LA BIENNALE DI VENEZIA 2003

Theme:

Dreams and Conflicts. The Dictatorship of the Viewer.

 

Director:

Francesco Bonami

 

50. Venice Biennial

15 June - 2 November 2003

 

If the idea of the large international survey has always been conceived as a whole concept to be fragmented into the visions of the individuals artists, "Dreams and Conflicts" wants art from the autonomy of the different projects to seek in this complexity of ideas the unity that defines the language of contemporary art today.

In the contemporary society the viewers with their presence and absence controls the success of every exhibition and cultural enterprise; in "Dreams and Conflicts" they appear as one of the subjects that contribute to define the structure of the show, the artist, the curator, the viewer.

Along with the artist, the beholder is one of the poles that connecting produce the spark that activate the art work successfully in the social and cultural context.

The dream and the conflict, the total world opposed to its political and geographical fragmentation, the national aspirations in contrast with the international achievements are all elements that will contribute to the making of the Visual Arts Biennale.

"Dreams and Conflicts" will be an exhibition focused at the same time on art as a personal tool of a personal experience and conviviality. A show through which is possible to have access to the complexity of a world made by groups of individuals defined by multiple and diverse necessities. An exhibition constructed with multiple projects to test the strength of that ideal community where the creative process of the contemporary artist is active. Dreams and Conflicts will not be a show about political art but a reflection on the politics of art. The experience of the viewer facing the unique vision of the artist. Two contemporary subjects divided simply by a different gaze.

www.labiennale.org

 

2003 Awards:

Golden Lion for the best work to Peter Fischli and David Weiss

Golden Lion for an artist under 35 years of age to Oliver Payne and Nick Relph

Prize for Young Italian Art to Avish Kheberhzadeh

Golden Lion for the best national participation to Luxembourg

Golden Lions for Lifetime Achievement to Michelangelo Pistoletto and Carol Rama

 

artists & participants

Adel Abdessemed, Etti Abergel, Franz Ackermann, Özge Ackkol, Emil Aleksiev, Brooke Alfaro, Victor Alimpiev, Darren Almond, Pawel Althamer, Kai Althoff, Carlos Amorales, Karin Mamma Andersson, Mamma Andersson, Emmanuelle Antille, Isabel Aquilizan, Alfredo & Isabel Aquilizan, Arahmaiani, Irma Arestizabal, Alessandra Ariatti, Art & Language, Micol Assael, Asymptote Architecture, Atelier Bow-Wow, Atelier Fcjz, Kader Attia, Charles Avery, Zeigam Azizov, Yiso BAHC, Maja Bajevic, John Baldessari, Shigeru Ban, Matthew Barney, Matteo Basile, Carlos Basualdo, Taysir Batniji, Ute Meta Bauer, Thomas Bayrle, Marie-Claude Beaud, Avner Ben-Gal, Samta Benyahia, Chiara Bertola, Ariane Beyn, Zarina Bhimji, Nuri Bilge Ceylan, Daniel Birnbaum, Dara Birnbaum, Sylvie Blocher, Stefano Boeri, Inaki Bonillas, Ecke Bonk, World Bookstore, Frank Bowling, Kristina Braein, Sergej Bratkow, Glenn Brown, Fernando Bryce, Angela Bulloch, Bettina M. Busse, Jean-Marc Bustamante, Pash Buzari, Pedro Cabrita Reis, Aline Caillet, Canton Express, Cao Fei, Maria Fernanda Cardoso, Jota Castro, Maurizio Cattelan, Ergin Cavusoglu, Carolina Caycedo, Tony Chakar, Nikos Charalambidis, Clifford Charles, Thompson Cheyney, Pitso Chinzima, Dadang Christanto, Santiago Cirugeda, Cliostraat, Paolo Colombo, Vitamin Creative Space, Alice Creischer, Abraham Cruzvillegas, Minerva Cuevas, Alexandre da Cunha, Beatrice Cussol, Boris Cvjetanovic, Josef Dabernig, Jonas Dahlberg, Colin Darke, Gabriela Dauerer, François Daune, Catherine David, Enrico David, Kate Davis, Verne Dawson, Berlinde De Bruyckere, Anna de Manincor, Amicale de Temoins, Tacita Dean, Jeremy Deller, Thomas Demand, Gu Dexin, Paola Di Bello, Fan Dian, Thea Djordjadze, Nico Dockx, Trisha Donnelly, Heri Dono, Stanislaw Drozdz, Dubossarsky & Vinogradov, Sam Durant, Jimmie Durham, Leif Elggren, Olafur Eliasson, Elizabeth Diller + Ricardo Scofidio, Michael Elmgreen, Elmgreen & Dragset, F5, Julia Fabenyi, Juan-Pedro Fabra Guemberena, Josette Faidit, Rotimi Fani-Kayode, Hassan Fathy, Didier Faustino, Flavio Favelli, Hans-Peter Feldmann, Urs Fischer, Fischli/Weiss, Vadim Fishkin, Ceal Floyer, Marina Fokidis, Alicia Framis, Yona Friedman, Jesus Fuenmayor, Meschac Gaba, Giuseppe Gabellone, Ellen Gallagher, Gego, Isa Genzken, Ghazel, Carmit Gil, Gilbert & George, Liam Gillick, Gimhongsoh, Massimiliano Gioni, Bruno Gironcoli, Felix Gmelin, Robert Gober, Leon Golub, Fernanda Gomes, Dominique Gonzalez-Foerster, Dryden Goodwin, Douglas Gordon, Amit Goren, Tomislav Gotovac, Dan Graham, Rodney Graham, Francesca Grassi, Hannah Greely, Joseph Grigely, Massimo Grimaldi, Caracas Group, Grupo de Arte Callejero, Gruppo A12, Hakan Gürsoytrak, Graham Gussin, Daniel Guzman, Thea Gvetadze, Veliswa Gwintsa, Hans Haacke, Henrik Håkansson, Mathew Hale, David Hammons, Kevin Hanley, Hou Hanru, Rachel Harrison, Yuko Hasegawa, Jeppe Hein, Michal Helfman, Heman Chong, Liu Heng, Jose Antonio Hernandez-Diez, Sandi Hilal, Nikolaus Hirsch, Thomas Hirschhorn, Damien Hirst, Candida Höfer, Hans Hollein, Carsten Höller, Karl Holmqvist, Katie Holten, Kim Hong-Hee, Roni Horn, Wong Hoy Cheong, Hu Fang, Alfons Hug, Carlos Hugo Levinton, Marine Hugonnier, Pierre Huyghe, Gül Ilgaz, IRWIN, Arata Isozaki, Joo Jae-Hwan, Piotr Janas, Koo Jeong-A, Jiang Zhi, Liu Jianhua, Duan Jianyu, Fu Jie, Yang Jiechang, Jin Jiangbo, Sture Johannesson, John M. Johansen, Liang Juhui, Jean-Paul Jungmann, Tamara K.E., Ilya Kabakov, Emilia Kabakov, Ilya & Emilia Kabakov, Momoya Kaijima, Xenia Kalpaktsoglou, Gülsün Karamustafa, David Kareyan, Avish Khebrehzadeh, Ian Kiaer, Abbas Kiarostami, Sora Kim, Martin Kippenberger, Eva Koch, Jakob Kolding, Michal Kolecek, Julius Koller, Rem Koolhaas, Valery Koshlyakov, Sakarin Krue-On, Erkki Kurenniemi, Gabriel Kuri, Surasi Kusolwong, Athanasia Kyriakakos, Kyupi-Kyupi, Luisa Lambri, Moshekwa Langa, Michel Lasserre, Laylah Ali, Chris Ledochowski, Daniel Lee, Lee Mingwei, Yan Lei And Fu Jie, Yuri Leiderman, Robert Leonard, Kamin Lertchaiprasert, Simon Leung, Mikael Levin, Borges Libreria, Lin Yilin, Armin Linke, Little Warsaw, Hilary Lloyd, Marcos Lora Read, Liisa Lounila, Sarah Lucas, Maria Luz Cardenas, M/M (Paris), Beral Madra, Marko Mäetamm, Janus Magazine, Calin Man, Dusan Mandic, Valerie Mannaerts, Marepe, Kerry James Marshall, Rosa Martinez, Bruce Mau, Lucy McKenzie, Steve McQueen, Cildo Meireles, Jonas Mekas, Salem Mekuria, Annette Messager, Gustav Metzger, Henry Meyric Hughes, Linda Michael, Beatriz Milhazes, Helen Mirra, Viktor Misiano, Miran Mohar, Andrei Monastyrski, Agnieszka Morawinska, Marco Moretti, Jean-Luc Moulene, Pavel Mrkus, Rabih Mroue, Sabah Naim, Deimantas Narkevicius, Monica Narula, Moataz Nasr, Molly Nesbit, Rivane Neuenschwander, Jun Nguyen-Hatsushiba, Carsten Nicolai, Charly Nijensohn, Ou Ning, Shelley Niro, Nils Norman, Hans Ulrich Obrist, Tomas Ochoa, Oda Projesi, Motohiko Odani, Chris Ofili, Kaido Ole, Antonio Ole, Oliver Payne & Nick Relph, Paulina Olowska, Roman Ondak, Mareaperto Onlus, Yoko Ono, Ana Opalic, Roman Opalka, Gabriel Orozco, Fernando Ortega, Damian Ortega, Olumuyiwa Olamide Osifuye, Tsuyoshi Ozawa, Alfred Pacquement, Lygia Pape, Claude Parent, Philippe Parreno, Jennifer Pastor, Oliver Payne, Yan Peiming, Marko Peljhan, Rafael Pereira, Alexandre Perigot, Manfred Pernice, Diego Perrone, Zsolt Petranyi, Alessandro Petti, Patricia Piccinini, Monica Pignatti Morano, Michelangelo Pistoletto, Paola Pivi, Magnus Plessen, Neriman Polat, Apinan Poshyananda, Marjetica Potrc, Bettina Pousttchi, Richard Prince, Florian Pumhösl, Tawatchai Puntusawasdi, Feng Qianyu, Ma Qingyun, Jorge Queiroz, Walid Raad, Edi Rama, Carol Rama, Raqs Media Collective, Charles Ray, Tobias Rehberger, Nick Relph, Rosangela Renno, Pedro Reyes, David Robbins, Pia Roenike, Fernando Romero, Martha Rosler, Sara Rossi, Natascha Rossi, Michal Rovner, Aida Ruilova, Ruri, Karl S. Chu, Walid Sadek, Anri Sala, Andrea Salvino, Tisna Sanjaya, Tomas Saraceno, Bojan Sarcevic, Günes Savas, Andrej Savski, Markus Schinwald, Christoph Schlingensief, Dana Schutz, Uwe Schwarzer, Paul Seawright, Tino Sehgal, Shuddhabrata Sengupta, Nebojsa Seric-Soba, Randa Shaath, Shirana Shahbazi, Michael Shaowanasai, Chen Shaoxiong, Wael Shawky, Lu Shengzhong, Shimabuku, Wang Shu, Shu Lea Cheang, Efrat Shvily, Andreas Siekmann, Santiago Sierra, Vasan Sitthiket, Andreas Slominski, Patti Smith, John Smith, Terry Smith, Robert Smithson, Nedko Solakov, Doron Solomons, Yutaka Sone, Sora Kim, Monika Sosnowska, Carola Spadoni, Nancy Spero, Manit Sriwanichpoom, S&P Stanikas, Simon Starling, Utopia Station, Urs Staub, Gerda Steiner & Jörg Lenzlinger, Jana Sterbak, Michael Stevenson, Mladen Stilinovic, Rudolf Stingel, Gio Sumbadze, SUPERFLEX, Viktor Sydorenko, Future Systems, Mika Taanila, Tadaso Takamine, Armando Tanzini, Javier Tellez, Nahum Tevet, The Atlas Group, The Blue Noses, David Thorp, Einer Thorsteinn, Rirkrit Tiravanija, Lincoln Tobier, Vicente Todoli, Milica Tomic, Chen Tong, Jaan Toomik, Nazif Topcuoglu, Rosemarie Trockel, Tatiana Trouve, Su-Mei Tse, Tsang Tsou-Choi, Nobuko Tsuchiya, Patrick Tuttofuoco, Uglycute, Piotr Uklanski, Roman Uranjek, Campement Urbain, Uteque, Jeanne van Heeswijk, Joep van Lieshout, Erik van Lieshout, Zaneta Vangeli, Marc Vog, Borut Vogelnik, Carl Michael von Hausswolff, Amelie von Wulffen, Richard Wentworth, Made Wianta, Fred Wilson, Rein Wolfs, Paul Wong, Richard Woods, Xu Tan, Paola Yacoub, Paola Yacoub & Michel Lasserre, Yan Lei, Yang Fudong, Yangjiang Group, Secil Yersel, Sha Yeya, Lu Yi, Yang Yong, Huang Yong Ping, Young-Hae Chang HEAVY INDUSTRIES, Yung Ho Chang, Tamas Zanko, Zeigam Azizov / Stuart Hall, Zhan Wang, Zhang Peili, Zheng Guogu, Zhu Jia, Marian Zhunin, Dolores Zinny & Juan Maidagan, Konstantin Zvezdochetov

  

curators

Miquel Barcelo , Louise Bourgeois , Alan Bowman , Enzo Cucchi , Wim Delvoye , Cerith Wyn Evans , Charlotte Ginsborg , Julian Heynen , Bethan Huws , Marja Kanervo , Kasper König , Oleg Kulik , Lois Renner , Jan Saudek , Shozo Shimamoto , Vittorio Urbani

 

—----

0th International Art Exhibition

18 special exhibitions:

venues: Arsenale, Giardini di Castello, Museo Correr

"Dreams and Conflicts. The dictatorship of the Viewer"

curators: Francesco Bonami, Carlos Basualdo, Daniel Birnbaum, Catherine David, Massimiliano Gioni, Hou Hanru, Molly Nesbit, Hans Ulrich Obrist, Gabriel Orozco, Gilane Tawadros, Rirkrit Tiravanija, Igor Zabel

"Bruchlinien: Zeitgenössische afrikanische Kunst und sich verschiebende Landschaften"

Laylah Ali, Kader Attia, Samta Benyahia, Zarina Bhimji, Frank Bowling, Clifford Charles, Pitso Chinzima, Rotimi Fani-Kayode, Hassan Fathy, Veliswa Gwintsa, Moshekwa Langa, Salem Mekuria, Moataz Nasr, Sabah Naim,  Gilane Tawadros

"Z.O.U. - Zone of Urgency"

Yung Ho Chang amp; Atelier FCJZ, Adel Abdessemed, Alfredo Juan Aquilizan, Maria Isabel Aquilizan, Atelier Bow-Wow, Momoya Kaijima, Campement Urbain, Canton Express6nbsp;, Jota Castro, Young-Hae Chang, Heavy Industries, Shu Lea Cheang, Heri Dono, Gu Dexin, Huang Yong Ping, Joo Jae-Hwan, Sora Kim amp; Gimhongsoh, Surasi Kusolwong, Kyupi-Kyupi, Jun Nguyen-Hatsushiba, Tsuyoshi Ozawa, Tadaso Takamine, Tsang Tsou-choi, Wong Hoy Cheong, Yan Lei amp; Fu Jie, Yan Pei-Ming, Yang Zhengzhou, Zhang Peili, Zhu Jia / Hou Hanru

"Die Überlebensstruktur"

Grupo de Arte Callejero , Andreas Siekmann, Alice Creischer, Marepe, Yona Friedman, Muyiwa Osifuye, Rachel Harrison, Antonio Ole, Juan Maidagan, Dolores Zinny, Carolina Caycedo, Fernanda Gomes, Mikael Levin, Marjetica Potrc / Carlos Basualdo

"Contemporary Arab Representations"

The Atlas Group, Walid Ra´ad, Taysir Batniji, Tony Chakar, Bilal Khbeiz, Randa Shaath,Paula Yacoub , Michel Lasserre / Catherine David

"Das veränderte Alltägliche"

Abraham Cruzvillegas, Jimmie Durham, Daniel Guzman, Damian Ortega, Fernando Ortega, Jean Luc Moulene / Gabriel Orozco

"Utopia Station"

Molly Nesbit, Hans Ulrich Obrist, Rirkrit Tiravanija, Ariane Beyn, Elena Filopovic, Liz Linden, Francesca Grassi, Uwe Schwarzer

"Clandestines"

Francesco Bonami

"Individuelle Systeme"

Igor Zabel

"Verzögerungen und Revolutionen"

Francesco Bonami, Daniel Birnbaum

"Die Zone"

Massimiliano Gioni

country pavilions

Giardini di Castello: 55 National Pavilons

(artists / curators)

Australien: Patricia Piccinini, Kommissar: Victoria Lynn / Linda Michael

Belgien: Silvie Eyberg, Valerie Mannaerts, Thierry de Duve

Bosnien Herzegovina: Maja Bajevic, Edin Numankadic, Jusuf Hadzifeizovic, Nebojsa Seric-Soba, Edo Hozic, Enver Hadziomerspahic

Brasilien : Beatriz Milhazes, Rosangela Renno, Manoel Francisco Pires da Costa, Alfons Hug-China: Liu Jianhua, Lu Shengzhong, Wang Shu, Yang Fudong, Zhan Wang / Yan Dong , Fan Dian, Wang Yong

Kroatien: Boris Cvjetanovic, Ana Opalic, Leonida Kovac

Tschechische Republik und Slowakische Republik

Kamera skura and Kunst-Fu / Michal Kolecek

Dänemark:Olafur Eliasson, Gitte Orskou

Ägypten: Ahmed Nawar, Mostafa Abdel-Moity

Estland: John Smith, Marko Mäetamm, Kaido Ole, Andreas Härm

Frankreich: Jean-Marc Bustamante / Jean-Pierre Criqui, Alfred Pacquement

Mazedomien: Vana Urosevitch, Zaneta Vangeli / Emil Aleksiev

Georgien Thea Gvetadze amp; Tamara K.E., Levan Chogoshvili, George Gugushvili, Gio Sumbadze / Nana Kipiani, Renata Wiehager, Irena Popiashvili

Deutschland: Candida Höfer, Martin Kippenberger / Julian Heynen

Großbritannien: Chris Ofili / Andrea Rose mit Brendan Giggs, Colin Ledwith

Griechenland : Athanasia Kyriakakos, Dimitris Rotsios Intron / Marina Fokidis, Xenia Kalpaktsoglou, Evie Rotsios

Island: Ruri / Laufey Helgadóttir

Indonesien: Arahmaiani, Dadang Christanto, Tisna Sanjaya, Made Wianta / Sumarti Sarwono, Grace Anna Marie, Amit Sidharta

Iran: Behrooz Daresh, Abbas Kiarostami, Hossein Khosrojerdi, Ahmad Nadalian / Majid Karshenas, Reza Nami

Irland: Katie Holten / Valerie Connor -Israel: Michal Rovner / Mordecahi Omer

Italien: Charles Avery, Avish Khebrehzadeh, Sara Rossi, Carola Spadoni / Pio Baldi, Rudolf Stingel, Paolo Colombo, Monica Pignatti Morano

Japan: Motohiko Odani, Yutaka Sone / Yuko Hasegawa, Miki Okabe, Yoshimi Tsurumi

Kanada: Jana Sterbak / Gilles Godmer

Kenia: Richard Onyango, Armando Tanzini/ Ugo Simonetti

Lettland: Group F5 / LCC / Mara Traumane

Litauen: Samp;P Stanikas / Christian Caujolle, Svajone Stanikiene

Luxemburg: Su-Mei Tse / Marie-Claude Beaud

Niederlande: Carlos Amorales, Alicia Framis, Meschac Gaba, Jeanne van Heeswijk, Erik van Lieshout / Rein Wolfs

Neuseeland: Michael Stevenson / Jenny Gibbs, Boris Kremer, Robert Leonard

Nordische Länder Finnland, Norwegen, Schweden: Karin Mamma Andersson, Kristina Braein, Liisa Lounila / Ute Meta Bauer, Anne Karin Jortveit, Andreas Kroksnes

Österreich: Bruno Gironcoli / Kasper König, Bettina M. Busse

Polen: Stanislaw Drozdz / Agnieszka Morawinska, Pawel Sosnowski

Portugal: Pedro Cabrita Reis / João Fernandes, Vicente Todoli

Republik Armenien: David Kareyan, Eva Khachatrian / Edward Dalassanian

Republik Korea: Whang In Kie, Yiso BAHC, Chung Seoyoung / Kim Hong-Hee -

Republik Slowenien: Ziga Kari/ Jurij Krpan

Rumänien : Calin Man / kinema ikon, Calin Man, Raluca Velisar

Russland: Sergej Bratkow, Dubossarsky & Vinogradov, Valery Koshlyakov, Konstantin Zvezdochetov, Evgeniy Zyablov, Viktor Misiano

Serbien-Montenegro: Milica Tomic, International Exhibition of Modern Art featuring, Museum of Modern Art, New York, National Pavilion / Branislava Andjelkovic -Scotland: Kate Davis -Singapur: Heman Chong, Francis Ng, Swie-Hian Tan / Ching-Lee Goh, Sze-Wee Low

Spanien: Santiago Sierra / Rosa Martinez

Schweiz: Emmanuelle Antille, Gerda Steiner amp; Jörg Lenzlinger / Urs Staub

Thailand: Kamol Phaosavasdi, Tawatchai Puntusawasdi, Michael Shaowanasai, Vasan Sitthiket, Manit Sriwanichpoom, Montri Toemsombat, Sakarin Krue-On / Apinan Poshyananda

Türkei: Nuri Bilge Ceylan, Ergin Cavusoglu, Gül Ilgaz, Neriman Polat, Nazif Topcuoglu / Beral Madra

Ukraine: Viktor Sydorenko / Alexander Fedoruk, Viktor Sydorenko, Alexander Solovyov

Ungarn: Little Warsaw / Julia Fabenyi, Zsolt Petranyi

USA: Fred Wilson / Kathleen Goncharov

Uruguay: Pablo Atchugarry / Carlos Alejandro Barros, Luciano Caramel

Venezuela: Pedro Morales / Maria Luz Cardenas / Dolores Diaz-Benjumea

Italo-Latin-American Institute Irma Arestizabal

Argentinien: Charly Nijensohn

Chile: Eugenia Vargas

Kolumbien: Maria Fernanda Cardoso

Costa Rica: Marisel Jiménez Rittner, Rossella Matamoros, Joaquin Rodríguez del Paso Equador: Tomas Ochoa;

El Salvador: Muriel H. Hasbun; Panama: Brooke Alfaro, Haydee Victoria Suescum; Peru: Fernando Bryce, Gilda Mantella;

Dominikanische Republik: Marcos Lora Read

Zypern: Nikos Charalambidis, Loulli Michelidou, Henry Meyric Hughes

collateral events

"Absolut generations"

Kurator: Herve Landry (Hans Hollein, Lois Renner, Wim Delvoye, Beatrice Cussol, Olivier Gagnere, Rosemarie Troeckel, Thea Djordjadze, Richard Wentworth, Ruth Jarman, Joseph Gerhardt, Louise Bourgeois, Apassio Haronitaki, Enzo Cucchi, Andrea Salvino, Jan Saudek, Miquel Barcelo, Oleg Kulik, The Blue Noses Group, Dan Wolgers)

"Brain Academy Apartment"

Kuratoren: Guglielmo Di Mauro, Emilio Morandi(Shozo Shimamoto, Alan Bowman, Ph2, Klaus Groh, Grupo Sinestetico, Luigi Viola, Elisa Rossi …)

"The Dawn of Dimi"

(Mika Taanila, Pan sonic, Erkki Kurenniemi, Carl Michael von Hausswolff)

"Further: Artists from Wales"

Kurator: Patricia Fleming(Cerith Wyn Evans, Bethan Huws, Simon Pope, Paul Seawright)

"Hungry Ghost Fantasmi Affamati" Kurator: Elspeth Sage (Paul Wong)

"Ilya amp; Emilia Kabakov. Where is your Place?" Kurator: Chiara Bertola

"Inhabit" Kuratoren: Vittorio Urbani, Camilla Seibezzi (Marja Kanervo, Terry Smith)

"Italian Factory La Nuova Scena Artistica Italiana" Kurator: Alessandro Riva (Matteo Basile, Alessandro Bazan, Matteo Bergamasco, Paolo Cassara, Alberto Castelli, Chiara …)

"Limbo Zone" Kurator: Shu-min Lin (Shu Lea Cheang, Daniel Lee, Lee Mingwei, Yuan Goang-ming)

"Fabrio Mauri" Kuratoren: Vittorio Urbani, Gaetano Salerno, Camilla Seibezzi

"Navigating the Dot: Artists from Hong Kong" Kurator: ParaSite Art Space(ParaSite Art Space Collective)

"Pellerossasogna. The Shirt" (Shelley Niro)

"Radar. Contemporary Arts for European Cities" Kurator: Martha Crombie

(Claudia Losi, Scotto di Luzio, Active Men, Natascha Rossi, Steffi Jungling, George Linkov, Svetlana Mircheva, Daniel Banaczeck, Marta Firlet, Marcin Strzelecki, Wojciech Kolek, Anna Tsouloufi, Dionyssis Kavalieratos, Nicos Kanarellis, Angus Wyatt, Charlotte Ginsborg, Monica Biagiloi, Seetha Alagapan)

"The Snow Show" Kuratoren: Hilkka Liikkanen, Unto Käyhkö

"Il Sogno che Risorge dalla Vita" Kurator: Marie-Aimee Tirole (Babara Sillari, Gabriela Dauerer)

"Stopover" Kurator: David Thorp (Graham Gussin, Hilary Lloyd, Richard Woods)

---

Interesting publication for researches on running and art

  

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For September's Late, we untied the straitjacket of roles and expectations of masculinity. From machismo to mental health, we asked: when do masculinities thrive and when do they threaten? Audiences were invited to join drag kings to explore gender performance, decode the nuances of black fatherhood and uncover multisensory expressions of male vulnerability. Together we dived into this spectrum of identities to resist, rewrite and celebrate what masculinities mean today.

 

© Graham Turner @theycallme_gt

For September's Late, we untied the straitjacket of roles and expectations of masculinity. From machismo to mental health, we asked: when do masculinities thrive and when do they threaten? Audiences were invited to join drag kings to explore gender performance, decode the nuances of black fatherhood and uncover multisensory expressions of male vulnerability. Together we dived into this spectrum of identities to resist, rewrite and celebrate what masculinities mean today.

 

© Graham Turner @theycallme_gt

For September's Late, we untied the straitjacket of roles and expectations of masculinity. From machismo to mental health, we asked: when do masculinities thrive and when do they threaten? Audiences were invited to join drag kings to explore gender performance, decode the nuances of black fatherhood and uncover multisensory expressions of male vulnerability. Together we dived into this spectrum of identities to resist, rewrite and celebrate what masculinities mean today.

 

© Graham Turner @theycallme_gt

Sand, or to put it more precisely high-purity silicon dioxide particles, is the essential raw material from which we make concrete, glass, fiberoptic cables, computer chips, and other high-tech hardware. The installation Smart.ing Bodies features “glass instruments” made of quartz sand that Evelina Rajca collected from disappearing beaches and mountains around the world. The multisensory sound installation consists of those two glass resonators, sensors, motors, and an algorithmic composition created partly by AI learning processes. In order to keep on playing and to avoid a “resonance disaster” (the destruction of the glass or motor), the algorithmic program has to learn to conduct a variety of smart frequencies. What can be heard is the sound of sand, which is pure yet complex and ever-changing.

 

Credit: tom mesic

For September's Late, we untied the straitjacket of roles and expectations of masculinity. From machismo to mental health, we asked: when do masculinities thrive and when do they threaten? Audiences were invited to join drag kings to explore gender performance, decode the nuances of black fatherhood and uncover multisensory expressions of male vulnerability. Together we dived into this spectrum of identities to resist, rewrite and celebrate what masculinities mean today.

 

© Graham Turner @theycallme_gt

For September's Late, we untied the straitjacket of roles and expectations of masculinity. From machismo to mental health, we asked: when do masculinities thrive and when do they threaten? Audiences were invited to join drag kings to explore gender performance, decode the nuances of black fatherhood and uncover multisensory expressions of male vulnerability. Together we dived into this spectrum of identities to resist, rewrite and celebrate what masculinities mean today.

 

© Graham Turner @theycallme_gt

For September's Late, we untied the straitjacket of roles and expectations of masculinity. From machismo to mental health, we asked: when do masculinities thrive and when do they threaten? Audiences were invited to join drag kings to explore gender performance, decode the nuances of black fatherhood and uncover multisensory expressions of male vulnerability. Together we dived into this spectrum of identities to resist, rewrite and celebrate what masculinities mean today.

 

© Graham Turner @theycallme_gt

Haswell & Hecker

UPIC Diffusion Session # 22

 

Hecker and Haswell have been researching UPIC, Iannis Xenakis’ ‘graphic input’ computer music composing system since 2003, and now present this as a live multichannel electroacoustic concert, using surround sound and laser lighting to create an immersive multisensory environment.

Russell Haswell (UK) is a multidisciplinary artist who has exhibited conceptual and wall-based visual works, video art, public sculpture. Extreme Computer Music is one specialized area of activity. Compositions by the electronic music composer Florian Hecker (DE) tend towards noise music and are often released on the Mego label. He has collaborated with artists such as Russell Haswell, Peter Rehberg, and Yasunao Tone.

Sand, or to put it more precisely high-purity silicon dioxide particles, is the essential raw material from which we make concrete, glass, fiberoptic cables, computer chips, and other high-tech hardware. The installation Smart.ing Bodies features “glass instruments” made of quartz sand that Evelina Rajca collected from disappearing beaches and mountains around the world. The multisensory sound installation consists of those two glass resonators, sensors, motors, and an algorithmic composition created partly by AI learning processes. In order to keep on playing and to avoid a “resonance disaster” (the destruction of the glass or motor), the algorithmic program has to learn to conduct a variety of smart frequencies. What can be heard is the sound of sand, which is pure yet complex and ever-changing.

 

Credit: tom mesic

 

Solar Eclipse Festival on the National Mall along 7th Street at Madison Drive, NW, Washington DC on Monday afternoon, 8 April 2024 by Elvert Barnes Photography

 

Gathering Before Eclipse

 

Station 4

 

Multisensory Observations

Take in the eclipse with more than your eyes using tactile models and sound.

 

Presented by the National Air and Space Museum

 

Visit Smithsonian National Air and Space Museum SOLAR ECLIPSE FESTIVAL website at airandspace.si.edu/whats-on/events/solar-eclipse-festival...

 

Elvert Barnes April 2024 at exbphoto.com/2024

For September's Late, we untied the straitjacket of roles and expectations of masculinity. From machismo to mental health, we asked: when do masculinities thrive and when do they threaten? Audiences were invited to join drag kings to explore gender performance, decode the nuances of black fatherhood and uncover multisensory expressions of male vulnerability. Together we dived into this spectrum of identities to resist, rewrite and celebrate what masculinities mean today.

 

© Graham Turner @theycallme_gt

For September's Late, we untied the straitjacket of roles and expectations of masculinity. From machismo to mental health, we asked: when do masculinities thrive and when do they threaten? Audiences were invited to join drag kings to explore gender performance, decode the nuances of black fatherhood and uncover multisensory expressions of male vulnerability. Together we dived into this spectrum of identities to resist, rewrite and celebrate what masculinities mean today.

 

© Graham Turner @theycallme_gt

Haswell & Hecker

UPIC Diffusion Session # 22

 

Hecker and Haswell have been researching UPIC, Iannis Xenakis’ ‘graphic input’ computer music composing system since 2003, and now present this as a live multichannel electroacoustic concert, using surround sound and laser lighting to create an immersive multisensory environment.

Russell Haswell (UK) is a multidisciplinary artist who has exhibited conceptual and wall-based visual works, video art, public sculpture. Extreme Computer Music is one specialized area of activity. Compositions by the electronic music composer Florian Hecker (DE) tend towards noise music and are often released on the Mego label. He has collaborated with artists such as Russell Haswell, Peter Rehberg, and Yasunao Tone.

This composite of photos shows a range of patients from hospital wards at UCL Hospitals and local community settings such as residential care home, handling objects from UCL’s Museums. The participants were engaged in object handling sessions which formed part of a research project looking at the value of ‘cultural encounters’ on aspects of psychological and subjective wellbeing. Our research focuses on understanding the public value of museum collections and how collections can be used to enhance health and wellbeing through opportunities which encourage meaning making, socialisation and multisensory interaction. See Museums, Health and Wellbeing by H.J. Chatterjee and G. Noble (2013, Ashgate Publishing Ltd) for further information or visit: www.ucl.ac.uk/museums/research/touch

Helen Chatterjee

For September's Late, we untied the straitjacket of roles and expectations of masculinity. From machismo to mental health, we asked: when do masculinities thrive and when do they threaten? Audiences were invited to join drag kings to explore gender performance, decode the nuances of black fatherhood and uncover multisensory expressions of male vulnerability. Together we dived into this spectrum of identities to resist, rewrite and celebrate what masculinities mean today.

 

© Graham Turner @theycallme_gt

View through the windows of the Rose Centre for Earth and Space at West 81st Street, New York NY.

The Rose Centre for Earth & Space and the Hayden Planetarium are part of the American Museum of Natural History.

 

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The Hayden Planetarium is unlike any other such facility in the world. In the top half of the Hayden Sphere, the most technologically advanced Space Theater in existence will use advanced visual technology (including a customized, one-of-a-kind Zeiss Star Projector) to create shows of unparalleled sophistication, realism, and excitement. With this high-definition system, the Hayden Planetarium is the largest and most powerful virtual reality simulator in the world.

 

The bottom half of the Hayden Sphere houses the Big Bang, where visitors will be transported to the beginning of time and space, experiencing a dramatic, multisensory re-creation of the first moments of the universe. From here, visitors continue on an awe-inspiring journey that chronicles the evolution of the universe by following the Harriet and Robert Heilbrunn Cosmic Pathway — a sloping walkway that takes them through 13 billion years of cosmic evolution.

 

www.amnh.org/rose/haydenplanetarium.html

Taylor Studios designed and built the engaging exhibits at the Anita Purves Nature Center, for the Urbana Park District in Urbana, Illinois. The design of the nature center is inspired by Anita Purves, the local naturalist whom the center is named for. Taylor Studios transformed the center’s exhibit room into a multi-sensory interactive field station where the visitor becomes the scientist. Rustic themed exhibit furniture and props put the visitor at ease while custom interactives prompt visitors to solve problems concerning the natural world.

At a central work station loaded with artifacts and “discovery drawers,” visitors use magnifying equipment to play the part of the naturalist. Surrounding them on the walls are changeable graphics displayed via a grid system that allows the content to always be fresh and new.

www.taylorstudios.com

Haswell & Hecker

UPIC Diffusion Session # 22

 

Hecker and Haswell have been researching UPIC, Iannis Xenakis’ ‘graphic input’ computer music composing system since 2003, and now present this as a live multichannel electroacoustic concert, using surround sound and laser lighting to create an immersive multisensory environment.

Russell Haswell (UK) is a multidisciplinary artist who has exhibited conceptual and wall-based visual works, video art, public sculpture. Extreme Computer Music is one specialized area of activity. Compositions by the electronic music composer Florian Hecker (DE) tend towards noise music and are often released on the Mego label. He has collaborated with artists such as Russell Haswell, Peter Rehberg, and Yasunao Tone.

An immersive journey into the world of coffee: the Lavazza Museum tells the story of one of Italy’s most iconic brands through a multisensory experience blending innovation, design, and culture. Located within the striking Nuvola Lavazza complex, the museum celebrates the ritual of coffee and its impact on society—from artistic collaborations to legendary advertising campaigns.

The Bassins des Lumières offer immersive exhibitions in the heart of Bordeaux's former submarine base, delivering a unique cultural experience. With 360-degree projections, digital art fills this vast industrial space, transforming each visit into a one-of-a-kind multisensory journey. Situated in a location steeped in history, each exhibition blends past and modernity, creating an extraordinary artistic experience.

Went downtown to pay a bill. Saw a ‘Ghost Sign’, not a ghost, a faded sign. I had to get That pic.! Three ‘ghost signs’ later, I remembered a photo challenge. Monument or sculpture. Always wanted a photo of this one, we called it “The Ostrich” .

Below, copied verbatim, is The Artists description as shown on the window .

 

A point of claity; We have a system of underground tunnels in our downtown connecting many buildings. There are entrances on almost every corner. The underground is filled with beautiful art, restaurants, and shops. One never has to deal with the weather. I visited it once 20 years ago. It was beautiful and the city maintains it well, so I’m sure it still is. However, It made me extremely uncomfortable being down there to the extent I Have NOT been back..!! When I stopped to photograph this, I did not realize it was at a tunnel entrance location, let alone “part” of an entrance.

 

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CURIOUS ORGANISM 2009

Double entendre intended.

On one hand, the objective of this piece is to pique public curiosity in the Underground. On the other, the organism exhibits its own tongue in cheek curiosity of the tunnel and its pragmatic element. The organisi’s optic nerves and tentacles explore the underground with multisensory curiosity. Finally the curious organism is innocently captivated, as we are, by irresistible forces.

For the more serious observer, the work is a commentary on the mesmerizing effects of mainstream media, in all its forms, and how the media successfully exploit the natural curiosity and vulnerability of the human psyche.

Stan Carroll, AIA

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I have not chop shopped these photos. They are what they are. !! Three of the photos have been enhanced to make what IS THERE easier to see. On those photos, I will have an exact description of what was done to it following the photo number.

Have fun kids, Don’t argue with me, I don't KNOW what it is. And Watch your language.

I am more than happy to share these with skeptics and critiques,

as well as believers.

 

WHAT IS ECTOPLASM

ghostwatchers.org/ectoplasm.html

 

first photo taken here.

 

And this is less that 3 blocks from the OKC Murrah Bldg Bombing site.

  

# 2 of 4 DSCN6521 with ghost ( Enhanced= clarity lvl 2, Contrast-dark-mild-bold, Saturation-morecolor-strong, clarify-lvl-1

For September's Late, we untied the straitjacket of roles and expectations of masculinity. From machismo to mental health, we asked: when do masculinities thrive and when do they threaten? Audiences were invited to join drag kings to explore gender performance, decode the nuances of black fatherhood and uncover multisensory expressions of male vulnerability. Together we dived into this spectrum of identities to resist, rewrite and celebrate what masculinities mean today.

 

© Graham Turner @theycallme_gt

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For September's Late, we untied the straitjacket of roles and expectations of masculinity. From machismo to mental health, we asked: when do masculinities thrive and when do they threaten? Audiences were invited to join drag kings to explore gender performance, decode the nuances of black fatherhood and uncover multisensory expressions of male vulnerability. Together we dived into this spectrum of identities to resist, rewrite and celebrate what masculinities mean today.

 

© Graham Turner @theycallme_gt

Ryoji Ikeda

Japan (1966)

test pattern [n°14]

The leading experimental electronic composer and visual artist Ryoji Ikeda comes to Vevey’s Oriental Theatre with test pattern [n°14], a new version of a project he launched in 2006. Designed specifically for Images Vevey, this monumental undertaking blends electronic sounds with light effects to create a multisensory ambience. This Japanese artist converts a multitude of data into binary patterns of 0s and 1s. He uses computer language to generate kinetic black and white compositions.

For September's Late, we untied the straitjacket of roles and expectations of masculinity. From machismo to mental health, we asked: when do masculinities thrive and when do they threaten? Audiences were invited to join drag kings to explore gender performance, decode the nuances of black fatherhood and uncover multisensory expressions of male vulnerability. Together we dived into this spectrum of identities to resist, rewrite and celebrate what masculinities mean today.

 

© Graham Turner @theycallme_gt

This multisensory interactive by teamLab (Japan) at the ArtScience Museum, Marina Bay Sands during the iLight Marina Bay 2016.

For September's Late, we untied the straitjacket of roles and expectations of masculinity. From machismo to mental health, we asked: when do masculinities thrive and when do they threaten? Audiences were invited to join drag kings to explore gender performance, decode the nuances of black fatherhood and uncover multisensory expressions of male vulnerability. Together we dived into this spectrum of identities to resist, rewrite and celebrate what masculinities mean today.

 

© Graham Turner @theycallme_gt

For September's Late, we untied the straitjacket of roles and expectations of masculinity. From machismo to mental health, we asked: when do masculinities thrive and when do they threaten? Audiences were invited to join drag kings to explore gender performance, decode the nuances of black fatherhood and uncover multisensory expressions of male vulnerability. Together we dived into this spectrum of identities to resist, rewrite and celebrate what masculinities mean today.

 

© Graham Turner @theycallme_gt

Impressions from the International Multisensory Research Forum (IMRF) 2014 conference, which we organized at the Royal Tropical Institute in Amsterdam, June 11 to June 14 2014.

For September's Late, we untied the straitjacket of roles and expectations of masculinity. From machismo to mental health, we asked: when do masculinities thrive and when do they threaten? Audiences were invited to join drag kings to explore gender performance, decode the nuances of black fatherhood and uncover multisensory expressions of male vulnerability. Together we dived into this spectrum of identities to resist, rewrite and celebrate what masculinities mean today.

 

© Graham Turner @theycallme_gt

For September's Late, we untied the straitjacket of roles and expectations of masculinity. From machismo to mental health, we asked: when do masculinities thrive and when do they threaten? Audiences were invited to join drag kings to explore gender performance, decode the nuances of black fatherhood and uncover multisensory expressions of male vulnerability. Together we dived into this spectrum of identities to resist, rewrite and celebrate what masculinities mean today.

 

© Graham Turner @theycallme_gt