View allAll Photos Tagged MULTISENSORY
Being in a tropical paradise island
Is like hearing a grand orchestra...
It is definitely polyphonic..
Each lovely details is like a string
With different array of tones
But pleasant and multisensory experience...
Happy Monday!
Blues or not...
on explore april 13, 2009 #61
A free immersive exhibit by Citizens Bank. In this room when you stand in the circle of light you can hear an audio story.
From the website:
"Step inside New York City’s most exciting new multisensory, multimedia experience and discover what makes New York, New York. The Living Portrait of NYC was made for and created by New Yorkers. It is an ode to the citizens of the greatest city in the world, where thousands of people from every borough, every neighborhood, and every walk of life share real and unfiltered stories—all brought to you through stunning images, sound, music, film, and live performances. "
Take your spec's off, squint your eyes or stand as far back as possible to appreciate the effect he has created.
www.instagram.com/Perspicereartist
www.flickr.com/photos/perspicere
deafblind.org.uk/stunning-multi-sensory-mural-revealed-in...
inspiringcity.com/2021/08/19/lost-and-found-by-perspicere...
www.shoreditchstreetarttours.co.uk/tag/perspicere/
Viewable via Flickr:
A Multisensory Experience on State Street is a one-of-a-kind light and sound installation that creates vivid patterns of color, choreographed to music, along State Street.
Amazônia (Sebastiao Salgado), Drassanes Reials, Barcelona, España.
AMAZÔNIA, la gran exposición de Sebastião Salgado, llega a Barcelona. Una experiencia multisensorial única, fruto de siete años de trabajo del fotógrafo y la comisaria Lélia Wanick Salgado en el “pulmón del planeta”, amenazado por la acción del hombre. Con más de 200 fotografías, siete películas y una banda sonora original compuesta por el músico Jean-Michel Jarre, disfrutarás de un viaje excepcional, a través del arte, a este rincón fundamental del planeta. Sumérgete en su entorno, déjate envolver por sus sonidos y pon rostro a las comunidades indígenas que lo habitan.
AMAZÔNIA, a Major Exhibition by Sebastião Salgado, arrives in Barcelona. This unique multisensory experience is the culmination of seven years of work by the renowned photographer and curator Lélia Wanick Salgado, exploring the “lungs of the planet” as they face threats from human activity. Featuring over 200 photographs, seven films, and an original soundtrack composed by Jean-Michel Jarre, this exhibition offers an extraordinary journey through art into this vital region of the world. Immerse yourself in its breathtaking surroundings, be enveloped by its sounds, and connect with the indigenous communities who call it home.
1930 mercedes benz SS cabriolet constructed to the specifications of the Maharaja of Kashmir. Hari Singh, the last ruling Maharaja of Kashmir, was a typically extravagant client of Mercedes-Benz’s top-line model, commissioning a long-wheelbase SS Sport in 1930 to match his yacht (as one does). Because Singh was reportedly “not much of a driver,” his SS Sport went relatively underutilized during its heyday and has retained about 95 percent of its originality, with only a few details—like leatherwork—having been updated during its nearly century-long life.
Sporting a massive 7.1 liter straight 6 engine, it also had a supercharger that engaged when the pedal is floored, causing an earsplitting loud howl that caused more than a few to change their underwear. The sound has been nicknamed the “elephant,” for the trumpet-like blast of the supercharger engaging.
Also disorienting for today's drivers, the pedals are reversed with the accelerator in the center and the brake on the right......you can imagine yourself forgetting and punching the wrong one in a panic situation. No synchromesh mean grinding gears, and adding to the extremely visceral nature of the multisensory experience is a thick, round steering wheel that controls the front wheels without any power assistance, and brakes which require a degree of clairvoyance because they appear to have the stopping power of two wood blocks being pressed together by arthritic monkeys.
but......what a ride!
The exhibition, "Cleopatra, the Immersive Exhibition," is on display in Madrid.
The former Matadero in Madrid hosts this interesting exhibition until November 2, 2025.
This multisensory experience uses technology such as 360° projections, holograms, interactive metaverse, and virtual reality to immerse visitors in the story of Egypt's last queen, from her childhood to key moments of her reign.
EXPOSICION INMERSIVA SOBRE CLEOPATRA EN MADRID, 2025
La exposición, "Cleopatra, la exposición inmersiva", se exhibe en Madrid.
El antiguo Matadero de Madrid alberga esta interesante exposición hasta el 2 de noviembre de 2025.
Esta experiencia multisensorial utiliza tecnología como proyecciones 360°, hologramas, metaverso interactivo y realidad virtual para sumergir a los visitantes en la historia de la última reina de Egipto, desde su infancia hasta los momentos clave de su reinado.
Excerpt from the plaque:
Sonic Rescue Ropes by Haegue Yang
Consisting of gleaming cords of bells, Haegue Yang’s Sonic Rescue Ropes stretch from ceilings of different heights all the way down to the floor. Their shiny visual effect and sublime, resonating sounds conjure shamanistic and pagan associations. Yang took inspiration from the traditional Korean folk tale Sister Sun and Brother Moon, which describes how two siblings became celestial bodies by climbing ropes from the heavens to escape danger on the ground. Yang’s multisensory abstract sculptures transform the soaring architecture of the museum into a mystical yet common civilizational space of aural storytelling and cosmic orientation.
Excerpt from the plaque:
Luxonus by Alex Ricci and Adam Kaleta
LED lights, sound, electronics 2023
Luxonus visualizes vivid sounds as the movement of light through a web of LEDs. The resulting multisensory spectacle is an invitation for the audience to consider the presence and absence of light in how they perceive the world.
Llum BCN es un festival europeo de referencia en el ámbito de las artes lumínicas y un acontecimiento cultural muy apreciado por la ciudadanía de Barcelona. Organizado por el Ayuntamiento de Barcelona, en Llum BCN convergen las intervenciones de creadores y creadoras de todos los ámbitos de las artes visuales: del arte contemporáneo al diseño o la arquitectura, y de la tecnología al diseño de iluminación.
"Desiderium"
Parc del Centre Poblenou - MUHBA Oliva Artés - Bac de Roda, 119
UPC School. Màster de Lighting Design
#desiderium
El barrio del Poblenou se ubica cerca de la desembocadura del río Besòs, en su origen, una zona de pantanos y ciénagas que, en el siglo XIX, acabaron transformándose en una zona industrial. Esta zona con características délticas y llena de lagunas y pantanales, se fue secando progresivamente mediante acequias para conseguir terrenos aptos para la ganadería y los cultivos. Actualmente, solo queda la memoria de lo que fue en los nombres de las calles del barrio. La instalación Desiderium es un tributo a los orígenes pantanosos del barrio y una invitación a reflexionar sobre los efectos de la antropización y la impermeabilización indiscriminada del suelo, que han alterado los ecosistemas naturales. El proyecto quiere dar luz a la necesidad de una cohabitación perdurable entre el ser humano y el uso del suelo. Una instalación atmosférica y multisensorial que nos transporta al Poblenou previo al siglo XVIII.
ALUMNADO: Cristina Alvarado, Anissa Bousnobra, Maximiliano Franklin, Mariandreina López, Leandro Mantel, Lorena Quirarte, Marta Rodríguez, Isabela Karoline Rosa, Paola Salazar, Judit Sanchez y Genís Serra
TUTORÍA: Mariona Benedito y Susana Barea
COLABORACIÓN Y/O PATROCINIO: iGuzzini, Lutron, Vibia y JVV Grup
The Poblenou neighborhood is located near the mouth of the Besòs River, originally an area of swamps and swamps that, in the 19th century, ended up being transformed into an industrial area. This area with deltic characteristics and full of lagoons and marshes, was progressively dried by ditches to obtain land suitable for livestock and crops. Currently, the only memory of what it was remains in the names of the streets of the neighborhood. The Desiderium installation is a tribute to the swampy origins of the neighborhood and an invitation to reflect on the effects of anthropization and indiscriminate waterproofing of the soil, which have altered natural ecosystems. The project wants to shed light on the need for a lasting cohabitation between human beings and land use. An atmospheric and multisensory installation that transports us to Poblenou prior to the 18th century.
STUDENTS: Cristina Alvarado, Anissa Bousnobra, Maximiliano Franklin, Mariandreina López, Leandro Mantel, Lorena Quirarte, Marta Rodríguez, Isabela Karoline Rosa, Paola Salazar, Judit Sanchez and Genís Serra
TUTORING: Mariona Benedito and Susana Barea
COLLABORATION AND/OR SPONSORSHIP: iGuzzini, Lutron, Vibia and JVV Grup
The light turns on automatically as you walk by. Rone - Time Exhibition at Flinders Street Station.
"A fictional history that transports audiences to post-WWII Melbourne, Time is inspired by an era when European migrants powered the city’s booming manufacturing industries. A vignette of mid-century working-class life and an ode to the faded yet enduring beauty of this forgotten place, Time captures the spirit of the city’s industrious past while offering glimpses of the station’s role as a once-glorious hub of work, learning and social life.
Twelve installations, each room adorned with Rone’s haunting signature murals, the artist and his team have created an immersive, multisensory installation that audiences will remember for time to come."
An immersive journey into the world of coffee: the Lavazza Museum tells the story of one of Italy’s most iconic brands through a multisensory experience blending innovation, design, and culture. Located within the striking Nuvola Lavazza complex, the museum celebrates the ritual of coffee and its impact on society—from artistic collaborations to legendary advertising campaigns.
An immersive journey into the world of coffee: the Lavazza Museum tells the story of one of Italy’s most iconic brands through a multisensory experience blending innovation, design, and culture. Located within the striking Nuvola Lavazza complex, the museum celebrates the ritual of coffee and its impact on society—from artistic collaborations to legendary advertising campaigns.
An immersive journey into the world of coffee: the Lavazza Museum tells the story of one of Italy’s most iconic brands through a multisensory experience blending innovation, design, and culture. Located within the striking Nuvola Lavazza complex, the museum celebrates the ritual of coffee and its impact on society—from artistic collaborations to legendary advertising campaigns.
An immersive journey into the world of coffee: the Lavazza Museum tells the story of one of Italy’s most iconic brands through a multisensory experience blending innovation, design, and culture. Located within the striking Nuvola Lavazza complex, the museum celebrates the ritual of coffee and its impact on society—from artistic collaborations to legendary advertising campaigns.
An immersive journey into the world of coffee: the Lavazza Museum tells the story of one of Italy’s most iconic brands through a multisensory experience blending innovation, design, and culture. Located within the striking Nuvola Lavazza complex, the museum celebrates the ritual of coffee and its impact on society—from artistic collaborations to legendary advertising campaigns.
OF FLESH AND BLOOD: A VIRTUAL DESCENT
📅 May 3rd, 2025 | ⏳ 12PM SLT | 📍 Second Life
I’m finally unveiling the book I’ll be releasing in chapters — a story I’ve been holding like a secret — until now.
On May 3rd, I step into the spotlight for a live interview and the official launch of Of Flesh and Blood.
Step into Dante — a place where power is currency, secrets are traded in whispers, and music bleeds through velvet shadows.
⚠️ What to expect:
🔻 A raw and unfiltered conversation about desire, loyalty, and the cost of control.
🔻 A cinematic plunge into a world that blurs fiction, danger, and digital thrill.
🔻 A multisensory immersion — where every guest becomes part of the story.
This isn’t just a book. It’s a descent. And you’re invited to fall with me.
️ Entry Fee: L$500
To reserve your spot, send me an IM inworld @ malfamato or send a DM on Instagram to @ malfamato.sl or to @ ogespanish. You can also reach me here on flickr.
👠 Dress code:
Cocktail sexy — with a bold “S”.
A touch of fashion. A touch of sin.
And please… mind your shoes.
📌 Save the date: Saturday Mary 3rd 2025 | 12PM SLT
Come feed your curiosity...
More visuals and teasers coming soon — stay close.
Amazônia (Sebastiao Salgado), Drassanes Reials, Barcelona, España.
AMAZÔNIA, la gran exposición de Sebastião Salgado, llega a Barcelona. Una experiencia multisensorial única, fruto de siete años de trabajo del fotógrafo y la comisaria Lélia Wanick Salgado en el “pulmón del planeta”, amenazado por la acción del hombre. Con más de 200 fotografías, siete películas y una banda sonora original compuesta por el músico Jean-Michel Jarre, disfrutarás de un viaje excepcional, a través del arte, a este rincón fundamental del planeta. Sumérgete en su entorno, déjate envolver por sus sonidos y pon rostro a las comunidades indígenas que lo habitan.
AMAZÔNIA, a Major Exhibition by Sebastião Salgado, arrives in Barcelona. This unique multisensory experience is the culmination of seven years of work by the renowned photographer and curator Lélia Wanick Salgado, exploring the “lungs of the planet” as they face threats from human activity. Featuring over 200 photographs, seven films, and an original soundtrack composed by Jean-Michel Jarre, this exhibition offers an extraordinary journey through art into this vital region of the world. Immerse yourself in its breathtaking surroundings, be enveloped by its sounds, and connect with the indigenous communities who call it home.
An immersive journey into the world of coffee: the Lavazza Museum tells the story of one of Italy’s most iconic brands through a multisensory experience blending innovation, design, and culture. Located within the striking Nuvola Lavazza complex, the museum celebrates the ritual of coffee and its impact on society—from artistic collaborations to legendary advertising campaigns.
An immersive journey into the world of coffee: the Lavazza Museum tells the story of one of Italy’s most iconic brands through a multisensory experience blending innovation, design, and culture. Located within the striking Nuvola Lavazza complex, the museum celebrates the ritual of coffee and its impact on society—from artistic collaborations to legendary advertising campaigns.
Check out our Website
This immersive, multi-sensory exhibit will bring the beauty of nature to life inside the soaring MaRS atrium, highlighting the urgent need to protect our ravaged planet.
This project is a rallying cry for our planet. A call for everyone to work together and support the innovators who are combating today’s mounting threats to our environment. Featuring an immersive, multimedia experience set in the soaring, cathedral-like MaRS atrium, "Transformation" will include 3D projections, super-sized sculptures, interactive light displays and informative videos. It also will include special contributions by Canadian icons Margaret Atwood and Daniel Lanois, who has composed a new soundscape for the event. Visitors will wade through a projection-mapped, plastic-clogged river, dodging massive, inflatable sculptures, prompting them to re-examine their own behaviours around single-use-plastics. They’ll gaze up at an enormous, glowing orange orb—a reminder of the catastrophic effects of earth’s rising temperatures—before arranging their own beautifully-lit pathway as they walk through a series of touch-sensitive, LED Nanoleaf light panels.
Source: www.toronto.ca/explore-enjoy/festivals-events/nuitblanche...
By A23H, oil painting, 1965.
Alfred 23 Harth’s artistic trajectory began in early childhood with an imaginative impulse that combined construction, performance, and visual play. As a boy he dreamt of becoming an architect, spending countless hours in his parents’ garden where he built small huts in ever-changing variations, a practice that anticipated both his restlessness for experimentation and his sense of structure as form-in-process. A decisive moment arrived in 1958, when his elder brother Dietrich—later to become a literature professor—took him to a Dada exhibition in Frankfurt am Main. Harth himself has described this encounter as his initiation into art. Among the works he saw, the piece titled The Navel—simply a black dot centered on a white sheet of paper—struck him with lasting force. Its stark minimalism revealed to him the intellectual tension between a textual title and the conceptual reduction of an artwork to pure gesture, a confrontation that laid bare the simultaneity of seriousness and play which would remain central to his understanding of the avant-garde.
Through the following years Harth’s ambitions in the arts deepened. At school he immersed himself in art courses, quickly mastering a variety of techniques and beginning to dramatize small situations in public and private settings, often appearing in phantasy costumes of his own invention. At the age of twelve his father gave him his first photo camera, which became an outlet for experimentation alongside a growing dedication to pencil drawings. These were often portraits of jazz musicians, figures whose biographies he devoured and whose artistic freedom served as inspiration. By the age of fifteen he turned to oil painting, marking a further expansion of his visual vocabulary. His family supported his emerging musical life as well. Having already played the clarinet for several years, he received his first tenor saxophone from his parents, the instrument that would become central to his later career.
The final years of school were formative in a concentrated sense. He moved to the Goethe Gymnasium, where he specialized in art studies within an advanced curriculum. This provided him not only with a technical foundation but also with a robust overview of international avant-garde movements, complemented by the thriving artistic exchange active in Frankfurt during the 1960s. Harth’s creativity spilled beyond the classroom: together with his friend Hubertus Gassner—who would later become director of the Hamburg Kunsthalle—he staged happenings and other art events. Harth founded the centrum freier cunst, an experimental initiative served as a platform for events ranging from concerts of his own free music ensemble Just Music to exhibitions of conceptual art and cross-disciplinary interventions. Simultaneously, he began producing short films and working with conceptual strategies that blurred traditional boundaries between art forms, while maintaining an intense parallel involvement in both music and school life.
After completing the Abitur in 1968, Harth initially enrolled at the Werkkunstschule Offenbach to study design, connecting his experiments in visual and spatial arts with the applied fields of form and communication. Yet the pull of pedagogy and the broader theoretical grounding offered by academia led him to switch to Goethe University, where he began training as an art teacher. Throughout this period, he never ceased his musical explorations, continuing to perform and to extend his personal synthesis of experimental art, music, and theory—a foundational blend that would define his multifaceted trajectory in the decades to come. Alfred Harth's focus on synästhetic creation was indeed a significant aspect of his artistic approach at that time. He was interested in exploring synaesthesia beyond traditional media like TV, film, or theater, aiming to realize multisensory or synästhetic works that integrated sound, visual elements, and space in novel ways. This approach reflected his broader interest in breaking conventional boundaries of artistic disciplines and engaging the audience in immersive, multi-layered experiences that could not be confined to a single medium or format.
An immersive journey into the world of coffee: the Lavazza Museum tells the story of one of Italy’s most iconic brands through a multisensory experience blending innovation, design, and culture. Located within the striking Nuvola Lavazza complex, the museum celebrates the ritual of coffee and its impact on society—from artistic collaborations to legendary advertising campaigns.
Amazônia (Sebastiao Salgado), Drassanes Reials, Barcelona, España.
AMAZÔNIA, la gran exposición de Sebastião Salgado, llega a Barcelona. Una experiencia multisensorial única, fruto de siete años de trabajo del fotógrafo y la comisaria Lélia Wanick Salgado en el “pulmón del planeta”, amenazado por la acción del hombre. Con más de 200 fotografías, siete películas y una banda sonora original compuesta por el músico Jean-Michel Jarre, disfrutarás de un viaje excepcional, a través del arte, a este rincón fundamental del planeta. Sumérgete en su entorno, déjate envolver por sus sonidos y pon rostro a las comunidades indígenas que lo habitan.
AMAZÔNIA, a Major Exhibition by Sebastião Salgado, arrives in Barcelona. This unique multisensory experience is the culmination of seven years of work by the renowned photographer and curator Lélia Wanick Salgado, exploring the “lungs of the planet” as they face threats from human activity. Featuring over 200 photographs, seven films, and an original soundtrack composed by Jean-Michel Jarre, this exhibition offers an extraordinary journey through art into this vital region of the world. Immerse yourself in its breathtaking surroundings, be enveloped by its sounds, and connect with the indigenous communities who call it home.
Amazônia (Sebastiao Salgado), Drassanes Reials, Barcelona, España.
AMAZÔNIA, la gran exposición de Sebastião Salgado, llega a Barcelona. Una experiencia multisensorial única, fruto de siete años de trabajo del fotógrafo y la comisaria Lélia Wanick Salgado en el “pulmón del planeta”, amenazado por la acción del hombre. Con más de 200 fotografías, siete películas y una banda sonora original compuesta por el músico Jean-Michel Jarre, disfrutarás de un viaje excepcional, a través del arte, a este rincón fundamental del planeta. Sumérgete en su entorno, déjate envolver por sus sonidos y pon rostro a las comunidades indígenas que lo habitan.
AMAZÔNIA, a Major Exhibition by Sebastião Salgado, arrives in Barcelona. This unique multisensory experience is the culmination of seven years of work by the renowned photographer and curator Lélia Wanick Salgado, exploring the “lungs of the planet” as they face threats from human activity. Featuring over 200 photographs, seven films, and an original soundtrack composed by Jean-Michel Jarre, this exhibition offers an extraordinary journey through art into this vital region of the world. Immerse yourself in its breathtaking surroundings, be enveloped by its sounds, and connect with the indigenous communities who call it home.
An immersive journey into the world of coffee: the Lavazza Museum tells the story of one of Italy’s most iconic brands through a multisensory experience blending innovation, design, and culture. Located within the striking Nuvola Lavazza complex, the museum celebrates the ritual of coffee and its impact on society—from artistic collaborations to legendary advertising campaigns.
Alfred 23 Harth’s artistic trajectory began in early childhood with an imaginative impulse that combined construction, performance, and visual play. As a boy he dreamt of becoming an architect, spending countless hours in his parents’ garden where he built small huts in ever-changing variations, a practice that anticipated both his restlessness for experimentation and his sense of structure as form-in-process. A decisive moment arrived in 1958, when his elder brother Dietrich—later to become a literature professor—took him to a Dada exhibition in Frankfurt am Main. Harth himself has described this encounter as his initiation into art. Among the works he saw, the piece titled The Navel—simply a black dot centered on a white sheet of paper—struck him with lasting force. Its stark minimalism revealed to him the intellectual tension between a textual title and the conceptual reduction of an artwork to pure gesture, a confrontation that laid bare the simultaneity of seriousness and play which would remain central to his understanding of the avant-garde.
Through the following years Harth’s ambitions in the arts deepened. At school he immersed himself in art courses, quickly mastering a variety of techniques and beginning to dramatize small situations in public and private settings, often appearing in phantasy costumes of his own invention. At the age of twelve his father gave him his first photo camera, which became an outlet for experimentation alongside a growing dedication to pencil drawings. These were often portraits of jazz musicians, figures whose biographies he devoured and whose artistic freedom served as inspiration. By the age of fifteen he turned to oil painting, marking a further expansion of his visual vocabulary. His family supported his emerging musical life as well. Having already played the clarinet for several years, he received his first tenor saxophone from his parents, the instrument that would become central to his later career.
The final years of school were formative in a concentrated sense. He moved to the Goethe Gymnasium, where he specialized in art studies within an advanced curriculum. This provided him not only with a technical foundation but also with a robust overview of international avant-garde movements, complemented by the thriving artistic exchange active in Frankfurt during the 1960s. Harth’s creativity spilled beyond the classroom: together with his friend Hubertus Gassner—who would later become director of the Hamburg Kunsthalle—he staged happenings and other art events. Harth founded the centrum freier cunst, an experimental initiative served as a platform for events ranging from concerts of his own free music ensemble Just Music to exhibitions of conceptual art and cross-disciplinary interventions. Simultaneously, he began producing short films and working with conceptual strategies that blurred traditional boundaries between art forms, while maintaining an intense parallel involvement in both music and school life.
After completing the Abitur in 1968, Harth initially enrolled at the Werkkunstschule Offenbach to study design, connecting his experiments in visual and spatial arts with the applied fields of form and communication. Yet the pull of pedagogy and the broader theoretical grounding offered by academia led him to switch to Goethe University, where he began training as an art teacher. Throughout this period, he never ceased his musical explorations, continuing to perform and to extend his personal synthesis of experimental art, music, and theory—a foundational blend that would define his multifaceted trajectory in the decades to come. Alfred Harth's focus on synästhetic creation was indeed a significant aspect of his artistic approach at that time. He was interested in exploring synaesthesia beyond traditional media like TV, film, or theater, aiming to realize multisensory or synästhetic works that integrated sound, visual elements, and space in novel ways. This approach reflected his broader interest in breaking conventional boundaries of artistic disciplines and engaging the audience in immersive, multi-layered experiences that could not be confined to a single medium or format.
Amazônia (Sebastiao Salgado), Drassanes Reials, Barcelona, España.
AMAZÔNIA, la gran exposición de Sebastião Salgado, llega a Barcelona. Una experiencia multisensorial única, fruto de siete años de trabajo del fotógrafo y la comisaria Lélia Wanick Salgado en el “pulmón del planeta”, amenazado por la acción del hombre. Con más de 200 fotografías, siete películas y una banda sonora original compuesta por el músico Jean-Michel Jarre, disfrutarás de un viaje excepcional, a través del arte, a este rincón fundamental del planeta. Sumérgete en su entorno, déjate envolver por sus sonidos y pon rostro a las comunidades indígenas que lo habitan.
AMAZÔNIA, a Major Exhibition by Sebastião Salgado, arrives in Barcelona. This unique multisensory experience is the culmination of seven years of work by the renowned photographer and curator Lélia Wanick Salgado, exploring the “lungs of the planet” as they face threats from human activity. Featuring over 200 photographs, seven films, and an original soundtrack composed by Jean-Michel Jarre, this exhibition offers an extraordinary journey through art into this vital region of the world. Immerse yourself in its breathtaking surroundings, be enveloped by its sounds, and connect with the indigenous communities who call it home.
Amazônia (Sebastiao Salgado), Drassanes Reials, Barcelona, España.
AMAZÔNIA, la gran exposición de Sebastião Salgado, llega a Barcelona. Una experiencia multisensorial única, fruto de siete años de trabajo del fotógrafo y la comisaria Lélia Wanick Salgado en el “pulmón del planeta”, amenazado por la acción del hombre. Con más de 200 fotografías, siete películas y una banda sonora original compuesta por el músico Jean-Michel Jarre, disfrutarás de un viaje excepcional, a través del arte, a este rincón fundamental del planeta. Sumérgete en su entorno, déjate envolver por sus sonidos y pon rostro a las comunidades indígenas que lo habitan.
AMAZÔNIA, a Major Exhibition by Sebastião Salgado, arrives in Barcelona. This unique multisensory experience is the culmination of seven years of work by the renowned photographer and curator Lélia Wanick Salgado, exploring the “lungs of the planet” as they face threats from human activity. Featuring over 200 photographs, seven films, and an original soundtrack composed by Jean-Michel Jarre, this exhibition offers an extraordinary journey through art into this vital region of the world. Immerse yourself in its breathtaking surroundings, be enveloped by its sounds, and connect with the indigenous communities who call it home.
Location: Sentosa Island, Sentosa, Singapore.
Just 15 minutes away from the city centre is Sentosa, an idyllic resort island with pristine beaches, world-class attractions, sea sports, golf and retreats.
Nature lovers can explore the walking trails and wonders of Butterfly Park & Insect Kingdom or learn about flora and fauna on a guided tour of Sentosa Nature Discovery. The sporty side of you can enjoy a game of beach volleyball on Siloso Beach, ride the barreling waves at Wave House Sentosa and at night fall, be awed by Songs of the Sea, a multi-sensory extravaganza.
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The interactive multi-sensory of digital art at The Shoppes @ Marina Bay Sands by Japanese art collective teamLab.
The attention to detail and textures are amazing. Rone - Time Exhibition at Flinders Street Station. I had to wait for a while before I was able to get a photo without a person in the middle of the sorting area. The exhibition allows viewers to move through the installations. rone.art/
"A fictional history that transports audiences to post-WWII Melbourne, Time is inspired by an era when European migrants powered the city’s booming manufacturing industries. A vignette of mid-century working-class life and an ode to the faded yet enduring beauty of this forgotten place, Time captures the spirit of the city’s industrious past while offering glimpses of the station’s role as a once-glorious hub of work, learning and social life.
Twelve installations, each room adorned with Rone’s haunting signature murals, the artist and his team have created an immersive, multisensory installation that audiences will remember for time to come."
by Robert Irwin, 1967
en.wikipedia.org/wiki/Robert_Irwin_(artist)
Out of Sight! Art of the Senses
Albright-Knox Art Gallery
Buffalo, New York
from the gallery site:
Out of Sight! Art of the Senses brings together contemporary works of art that actively engage with how our bodies meet the wider world through the five basic senses. By inviting us not only to look but also to listen, smell, touch, and even taste, these works challenge the traditional association of art with vision, expanding what it means to experience and interact with a work of art. Emerging in the later twentieth century, new art forms—including performance, sound, and installation art—have brought art “viewing” into closer alignment with the multisensory and participatory nature of everyday life. At the same time, by making the act of sensation strange and unfamiliar, these new forms also prompt us to examine the powerful role of our senses in shaping our world—a topic of particular importance to diverse artists working today.
expired film 06/2015
Road trip, Niagara Falls, Buffalo
pentax pino 35
fixed focus, 38mm coated glass triplet lens, set shutter 1/125
3 light settings, 3 film speeds
At 400 iso one can manipulate the light setting to 2 more additional aperture clicks past the cloudy setting.
Ryoji Ikeda
Japan (1966)
test pattern [n°14]
The leading experimental electronic composer and visual artist Ryoji Ikeda comes to Vevey’s Oriental Theatre with test pattern [n°14], a new version of a project he launched in 2006. Designed specifically for Images Vevey, this monumental undertaking blends electronic sounds with light effects to create a multisensory ambience. This Japanese artist converts a multitude of data into binary patterns of 0s and 1s. He uses computer language to generate kinetic black and white compositions.
At the Ed Pien: Present: Past/Future exhibition at the Art Gallery of Ontario.
“Present: Past/Future is a reflection on the passage of time as told by the people who have lived it. Toronto-based artist Ed Pien has been meeting twice a year with a group of elders in San Agustin, a suburban neighborhood of Havana, Cuba. Combining audio, video, photography and furniture into an immersive, multisensory environment, Present: Past/Future poignantly weaves together stories shared by the elders and moments captured by Pien since 2014.”
This multisensory interactive by teamLab (Japan) at the ArtScience Museum, Marina Bay Sands during the iLight Marina Bay 2016.
Alfred 23 Harth’s artistic trajectory began in early childhood with an imaginative impulse that combined construction, performance, and visual play. As a boy he dreamt of becoming an architect, spending countless hours in his parents’ garden where he built small huts in ever-changing variations, a practice that anticipated both his restlessness for experimentation and his sense of structure as form-in-process. A decisive moment arrived in 1958, when his elder brother Dietrich—later to become a literature professor—took him to a Dada exhibition in Frankfurt am Main. Harth himself has described this encounter as his initiation into art. Among the works he saw, the piece titled The Navel—simply a black dot centered on a white sheet of paper—struck him with lasting force. Its stark minimalism revealed to him the intellectual tension between a textual title and the conceptual reduction of an artwork to pure gesture, a confrontation that laid bare the simultaneity of seriousness and play which would remain central to his understanding of the avant-garde.
Through the following years Harth’s ambitions in the arts deepened. At school he immersed himself in art courses, quickly mastering a variety of techniques and beginning to dramatize small situations in public and private settings, often appearing in phantasy costumes of his own invention. At the age of twelve his father gave him his first photo camera, which became an outlet for experimentation alongside a growing dedication to pencil drawings. These were often portraits of jazz musicians, figures whose biographies he devoured and whose artistic freedom served as inspiration. By the age of fifteen he turned to oil painting, marking a further expansion of his visual vocabulary. His family supported his emerging musical life as well. Having already played the clarinet for several years, he received his first tenor saxophone from his parents, the instrument that would become central to his later career.
The final years of school were formative in a concentrated sense. He moved to the Goethe Gymnasium, where he specialized in art studies within an advanced curriculum. This provided him not only with a technical foundation but also with a robust overview of international avant-garde movements, complemented by the thriving artistic exchange active in Frankfurt during the 1960s. Harth’s creativity spilled beyond the classroom: together with his friend Hubertus Gassner—who would later become director of the Hamburg Kunsthalle—he staged happenings and other art events. Harth founded the centrum freier cunst, an experimental initiative served as a platform for events ranging from concerts of his own free music ensemble Just Music to exhibitions of conceptual art and cross-disciplinary interventions. Simultaneously, he began producing short films and working with conceptual strategies that blurred traditional boundaries between art forms, while maintaining an intense parallel involvement in both music and school life.
After completing the Abitur in 1968, Harth initially enrolled at the Werkkunstschule Offenbach to study design, connecting his experiments in visual and spatial arts with the applied fields of form and communication. Yet the pull of pedagogy and the broader theoretical grounding offered by academia led him to switch to Goethe University, where he began training as an art teacher. Throughout this period, he never ceased his musical explorations, continuing to perform and to extend his personal synthesis of experimental art, music, and theory—a foundational blend that would define his multifaceted trajectory in the decades to come. Alfred Harth's focus on synästhetic creation was indeed a significant aspect of his artistic approach at that time. He was interested in exploring synaesthesia beyond traditional media like TV, film, or theater, aiming to realize multisensory or synästhetic works that integrated sound, visual elements, and space in novel ways. This approach reflected his broader interest in breaking conventional boundaries of artistic disciplines and engaging the audience in immersive, multi-layered experiences that could not be confined to a single medium or format.