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Photos for editorial use ONLY. To purchase high resolution photos, please email press@worldtabletennis.com with your photo requests.
I love this doll. I really love her. She's a Berenguer La Newborn Asian baby, and she's not new, but I hadn't gotten to posting any pics of her yet. (Who knows why.) I just think she has the sweetest little face and the most adorable little size.
It's funny seeing these photos bigger than the actual pins (4.5") But this is one of my new Maiko kanzashi for September. It's Chinese bellflower with patrina. I love the bigger flower kanzashi they work great with my vintage style and hair dos!
(This kanzashi is up on my gallery page kanzashicore along with 4 other bellflower kanzashi from 1st stage junior maiko to final stage senior maiko! There is also over 100 other kanzashi on the site these days too)
miwa : Cause we all just wanna be big rockstars
And live in hilltop houses driving fifteen cars
The girls come easy and the drugs come cheap
We'll all stay skinny 'cause we just won't eat
And we'll hang out in the coolest bars
In the VIP with the movie stars
Every good gold digger's
Gonna wind up there
Every Playboy bunny
With her bleach blond hair
Hey hey I wanna be a rockstar
Hey hey I wanna be a rockstar..."
hoje ela acordou e decidiu que quer ser cantora!!kkkkkkkkkk
Miwa Okubo (izquierda) y Mavisa Carranza, administradora del Instituto Cervantes de Tokio.
大窪 美和
セルバンテス文化センター東京総合管理部長マリア ・ルイサ ・カランサ。
sliced turkey, lettuce and tomato sandwich with basil mayonnaise and a dill pickle, chicken noodle soup, a cup of french fries and hot tea.
台北燈節 Miwa Komatsu
位於北門展區的「世人皆可成龍」由台北燈節策展人劉治良將小松美羽的原畫打造出立體空間，並融入燈光設計。作品以獅子形象出發，口中湧現瀑布，民眾可走進多層次光彩的作品中，感受小松美羽的神獸世界，在激流中歷練仰賴水中感受的陽光，追求更高的目標、昇華成為飛龍。
小松美羽希望參觀者透過花燈感受藝術能量。小松美羽認為，花燈不僅照亮黑暗，也是混亂中的指路明燈，祈禱眾人的純潔祈願能與花燈一同傳達至天上。
#小松美羽
#台北燈節
Photos for editorial use ONLY. To purchase high resolution photos, please email
press@worldtabletennis.com with your photo requests.
Miwa Yanagi, Fairytale
Fairy Tale, a third series of work (discussed in Anne Tucker’s essay), is tellingly sometimes referred to by Yanagi as “...fairy tales- the darkness of girlhood and the lightness of aging.”
This title is an unusual inversion of Western popular (marketing) values where the power and predominance of “youth culture” have tended to push women “beyond a certain age” into obscurity, if not into the clutches of plastic surgeons in attempts to freeze frame their faces and their bodies. Yanagi, however, focuses on the entrapment of young women within the confines of traditional Japanese society. Referring to the world of Takarazuka theater to which she was introduced as a child, a theatrical tradition performed exclusively by little girls (performers had to be unmarried), Yanagi has commented:
“The construction of ‘little girls’ protected in the world of Takarazuka, is in fact based on female ideals created by Japanese men of the past: women who are loyal to their men and educated as a ‘good wife, wise mother’...The contorted reality of Takarazuka contributes to the complexity of feminist discourse in Japan.”
On July 27th, 7:00pm at NEW PEOPLE Cinema, Director Miwa Nishikawa joined our festival for the SF premiere of her 4th directorial feature film, "DREAMS FOR SALE", and attended the Q&A session to follow.