View allAll Photos Tagged MINIMAL
The infection wounds have closed up and the discharge reduced sufficiently to justify a new minimal dressing.
At Metropolitan General Hospital, Holargos, Athens.
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Location : Empangan Timah Tasoh, Perlis,Malaysia
Photographer : Ashikin Abdullah
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Dumankaya'dan mimariye 'minimal' bir yaklaşım: Dumankaya Minimal
Sabiha Gökçen Havalimanı’na bakan; bahçeli, teraslı ve manzarası hiç bir zaman kesilmeyecek 175 özel daireden oluşan Dumankaya Minimal, konut kavramının gerçek anlamda içini dolduran bir proje.
Kurtköy-Pendik’te yer alan ve toplam 19 bin metrekarelik bir arazide inşa edilen Minimal’de dairelerin büyük bölümünde bahçe ya da teras bahçeleri yer alıyor. Ortaya koyduğu yaşantı tanımı ve mekânsal kurgusu ile işlevsel ev kavramının gerçek anlamda içini dolduran bir proje olarak ön plana çıkan Minimal’de 2 ya da 4 katlı bloklarda yer alan stüdyo dairelerde kış bahçeleri de bulunuyor.
Her daire için yeterli sayıda açık ve kapalı otoparkların düşünüldüğü Minimal’in sunduğu zengin sosyal donatılar arasında açık yüzme havuzu, kafe, fitness center, SPA, çocuk oyun alanı, yürüyüş ve koşu parkurları, göletler ve çok amaçlı spor sahası bulunuyor.
Daha fazla bilgi için:
E-mail:
info@dumankaya.com
Telefon:
444 7 222
İnternet Sitesi:
www.twitter.com/dumankayahaber
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like a white sheet..... a blank paper....
and in this case my bed :)
shot for ODC - minimalism - but i was to late due to studie and work :)
Also Ecolog 13...
white sheets or bed linnen us up a lot of cotton.
The production of Cotton is usually not very sustainable:
Cotton is considered the world's 'dirtiest' crop due to its heavy use of insecticides, the most hazardous pesticide to human and animal health. Cotton covers 2.5% of the world's cultivated land yet uses 16% of the world's insecticides, more than any other single major crop
www.ota.com/organic/environment/cotton_environment.html
There is organic cotton available now, and it is more easy to buy now. I saw eco jeans in my jeans shot lately, and they are even a cheaper then some of the famous brands.
i haven't gathered the courage to learn how to do human portraits yet, so i'm practicing on more innocuous subjects (i.e. stuffed animals.) his name is kata. (you can also see 'pensive kata.')
advice/comments/crop suggestions welcome as always. i'm here to learn.
Comments
Minimalism in visual art, sometimes referred to as "literalist art"[3] and "ABC Art"[4] emerged in New York in the 1960s. It is regarded as a reaction against the painterly forms of Abstract Expressionism as well as the discourse, institutions and ideologies that supported it. As artist and critic Thomas Lawson noted in his 1977 catalog essay Last Exit: Painting, minimalism did not reject Clement Greenberg's claims about Modernist Painting's reduction to surface and materials so much as take his claims literally. Minimalism was the result, even though the term "minimalism" was not generally embraced by the artists associated with it, and many practitioners of art designated minimalist by critics did not identify it as a movement as such.
In contrast to the Abstract Expressionists, Minimalists were influenced by composer John Cage, poet William Carlos Williams, and architect Frederick Law Olmsted. They very explicitly stated that their art was not self-expression, in opposition to the previous decade's Abstract Expressionists. In general, Minimalism's features included: geometric, often cubic forms purged of all metaphor, equality of parts, repetition, neutral surfaces, and industrial materials.
Robert Morris, an influential theorist and artist, wrote a three part essay, "Notes on Sculpture 1-3," originally published across three issues of Artforum in 1966. In these essays, Morris attempted to define a conceptual framework and formal elements for himself and one that would embrace the practices of his contemporaries. These essays paid great attention to the idea of the gestalt- "parts... bound together in such a way that they create a maximum resistance to perceptual separation." Morris later described an art represented by a "marked lateral spread and no regularized units or symmetrical intervals..." in "Notes on Sculpture 4: Beyond Objects," originally published in Artforum, 1969, continuing to say that "indeterminacy of arrangement of parts is a literal aspect of the physical existence of the thing.” The general shift in theory of which this essay is an expression suggests the transitions into what would later be referred to as Post-Minimalism.
Minimalism /ˈmɪnɪm(ə)lˌɪz(ə)m/ describes movements in various forms of art and design, especially visual art and music, where the work is set out to expose the essence, essentials or identity of a subject through eliminating all non-essential forms, features or concepts.
(From Wikipedia)
© All rights reserved. Don't download or use this image without my explicit permission
Minimalism in visual art, sometimes referred to as "literalist art"[3] and "ABC Art"[4] emerged in New York in the 1960s. It is regarded as a reaction against the painterly forms of Abstract Expressionism as well as the discourse, institutions and ideologies that supported it. As artist and critic Thomas Lawson noted in his 1977 catalog essay Last Exit: Painting, minimalism did not reject Clement Greenberg's claims about Modernist Painting's reduction to surface and materials so much as take his claims literally. Minimalism was the result, even though the term "minimalism" was not generally embraced by the artists associated with it, and many practitioners of art designated minimalist by critics did not identify it as a movement as such.
In contrast to the Abstract Expressionists, Minimalists were influenced by composer John Cage, poet William Carlos Williams, and architect Frederick Law Olmsted. They very explicitly stated that their art was not self-expression, in opposition to the previous decade's Abstract Expressionists. In general, Minimalism's features included: geometric, often cubic forms purged of all metaphor, equality of parts, repetition, neutral surfaces, and industrial materials.
Robert Morris, an influential theorist and artist, wrote a three part essay, "Notes on Sculpture 1-3," originally published across three issues of Artforum in 1966. In these essays, Morris attempted to define a conceptual framework and formal elements for himself and one that would embrace the practices of his contemporaries. These essays paid great attention to the idea of the gestalt- "parts... bound together in such a way that they create a maximum resistance to perceptual separation." Morris later described an art represented by a "marked lateral spread and no regularized units or symmetrical intervals..." in "Notes on Sculpture 4: Beyond Objects," originally published in Artforum, 1969, continuing to say that "indeterminacy of arrangement of parts is a literal aspect of the physical existence of the thing.” The general shift in theory of which this essay is an expression suggests the transitions into what would later be referred to as Post-Minimalism.
1920 by 1080. This is the most simplistic one I have done today but I rather like it. I have always loved Phoenix and Jean Grey so this one is a little personal fun.
310 Claydon Way is located in one of the finer neighborhoods of Sacramento. Having the advantage of being almost riverside, access to the American River Parkway and bicycle path is just one block from the home, providing lovely walks through incredible natural scenery and wildlife.
Year round, this beautiful neighborhood known as Wilhaggin, shows off its aesthetic pride with floral blossoms and blooms. Unlike other fine neighborhoods in the Sacramento area, Wilhaggin is mostly composed of sprawling single story dwellings. with wide streets, sidewalks and street lights.
The "ambiance" of this kind of neighborhood intention is palpable -- quietude, modest elegance, comfortable curb appeal, an abundance of mature and establish landscaping and shade trees.
Back when these houses were made in the sixties -- before magazine living lifestyle took over and replaced practicality with the discomforts of looking sharp -- strong bones and durability were time-honored architectural concepts. Pleasing oneself was more important than pleasing the neighbors, so the focus of the aesthetic addressed things like "hot summers", "colder winters" and the need for shade and light.
There were many independent builders at that time who became famous for their designs and also for their creative concepts for creating ideal settings for a river-living climate.
Among those that rose to fame, Lewis & Bristow are known for their comfortable living designs that centered around poolside appreciation. Shaped like a "U", 310 Claydon Way has three giant sliders that open up onto a giant back yard patio. The patio has roll-down awnings for late afternoon sun shade but also lends itself to an outside office or enclosed dinner-time eating.
The automated irrigation system has just been completely restored and upgraded. Other changes that have been done recently include brand new carpet, new paint and a remodeled entry way.
The grounds are fully established and mature. There are an abundance of roses and azaleas which bloom seasonally. The redwood trees on the property and surrounding the property in the backyard are invaluable for shade and beauty.
And 310 Claydon Way is loaded with all manner of little details of this nature which make it easy to maintain with a minimal amount of work. A truly beautiful home with over 3100 square feet, 310 Claydon way has been called "Shangri La" and has particularly great appeal to a buyer who loves outdoor living as much as indoor living.
BASIC DETAILS:
2 car garage
It's a four bedroom home with the following breakdown:
2 bedrooms
Gigantic master suite with walk in closet
a fully functioning 15' x 22' sky-lighted with bay windows live/work studio suite or playroom nursery (wet bar sink in studio and giant bathroom with shower).
Pool
Established landscaping and strategically placed and invaluable Sequoia trees.
House-wide vacuuming system.
Attic exhaust fan system and shade awnings.
Built in cabinetry throughout.
Minimalism in visual art, sometimes referred to as "literalist art"[3] and "ABC Art"[4] emerged in New York in the 1960s. It is regarded as a reaction against the painterly forms of Abstract Expressionism as well as the discourse, institutions and ideologies that supported it. As artist and critic Thomas Lawson noted in his 1977 catalog essay Last Exit: Painting, minimalism did not reject Clement Greenberg's claims about Modernist Painting's reduction to surface and materials so much as take his claims literally. Minimalism was the result, even though the term "minimalism" was not generally embraced by the artists associated with it, and many practitioners of art designated minimalist by critics did not identify it as a movement as such.
In contrast to the Abstract Expressionists, Minimalists were influenced by composer John Cage, poet William Carlos Williams, and architect Frederick Law Olmsted. They very explicitly stated that their art was not self-expression, in opposition to the previous decade's Abstract Expressionists. In general, Minimalism's features included: geometric, often cubic forms purged of all metaphor, equality of parts, repetition, neutral surfaces, and industrial materials.
Robert Morris, an influential theorist and artist, wrote a three part essay, "Notes on Sculpture 1-3," originally published across three issues of Artforum in 1966. In these essays, Morris attempted to define a conceptual framework and formal elements for himself and one that would embrace the practices of his contemporaries. These essays paid great attention to the idea of the gestalt- "parts... bound together in such a way that they create a maximum resistance to perceptual separation." Morris later described an art represented by a "marked lateral spread and no regularized units or symmetrical intervals..." in "Notes on Sculpture 4: Beyond Objects," originally published in Artforum, 1969, continuing to say that "indeterminacy of arrangement of parts is a literal aspect of the physical existence of the thing.” The general shift in theory of which this essay is an expression suggests the transitions into what would later be referred to as Post-Minimalism.
Dumankaya'dan mimariye 'minimal' bir yaklaşım: Dumankaya Minimal
Sabiha Gökçen Havalimanı’na bakan; bahçeli, teraslı ve manzarası hiç bir zaman kesilmeyecek 175 özel daireden oluşan Dumankaya Minimal, konut kavramının gerçek anlamda içini dolduran bir proje.
Kurtköy-Pendik’te yer alan ve toplam 19 bin metrekarelik bir arazide inşa edilen Minimal’de dairelerin büyük bölümünde bahçe ya da teras bahçeleri yer alıyor. Ortaya koyduğu yaşantı tanımı ve mekânsal kurgusu ile işlevsel ev kavramının gerçek anlamda içini dolduran bir proje olarak ön plana çıkan Minimal’de 2 ya da 4 katlı bloklarda yer alan stüdyo dairelerde kış bahçeleri de bulunuyor.
Her daire için yeterli sayıda açık ve kapalı otoparkların düşünüldüğü Minimal’in sunduğu zengin sosyal donatılar arasında açık yüzme havuzu, kafe, fitness center, SPA, çocuk oyun alanı, yürüyüş ve koşu parkurları, göletler ve çok amaçlı spor sahası bulunuyor.
Daha fazla bilgi için:
E-mail:
info@dumankaya.com
Telefon:
444 7 222
İnternet Sitesi:
www.twitter.com/dumankayahaber