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.....its Lord Krishna's birthday on 24th......happy celebrations to all......:)
this is a painting in ISKCON temple in vrindavan.......
Holi is a religious spring festival celebrated by Hindus as a festival of colours.
It is primarily observed in India and Nepal. It is also observed by the minority Hindus in Bangladesh and Pakistan as well in countries with large Indic diaspora populations following Hinduism, such as Suriname, Malaysia, Guyana, South Africa, Trinidad and Tobago, the United Kingdom, the United States, Mauritius, and Fiji.
Holi is also known as Phagwah (Assamese), Festival of Colours, or Doḷajātra (Oriya) in Odisha, and as Dol Jatra (Bengali) or Basantotsav ("spring festival") (Bengali) in West Bengal and Assam.
Holi is of particular significance in the Braj region, which includes locations traditionally connected to the Lord Krishna: Mathura, Vrindavan, Nandagaon, and Barsana, which become tourist destinations during the season of Holi.
As per the Hindu calendar, Holi is celebrated on the Phalgun Purnima which comes in February or March in the Gregorian Calendar.
The word Holi originated from "Holika", sister of Hiranyakashipu. The festival of Holi is celebrated because of a story in the old Hindu religion. In Vaishnavism, Hiranyakashipu is the great king of demons, and he had been granted a boon by Brahma, which made it almost impossible for him to be killed. The boon was due to his long penance, after which he had demanded that he not be killed "during day or night; inside the home or outside, not on earth or in the sky; neither by a man nor an animal; neither by astra nor by shastra". Consequently, he grew arrogant and attacked the Heavens and the Earth. He demanded that people stop worshipping gods and start praising respectfully to him.
According to this belief, Hiranyakashipu's own son, Prahlada, was a devotee of Vishnu. In spite of several threats from Hiranyakashipu, Prahlada continued offering prayers to Vishnu. He was poisoned by Hiranyakashipu, but the poison turned to nectar in his mouth. He was ordered to be trampled by elephants yet remained unharmed. He was put in a room with hungry, poisonous snakes and survived. All of Hiranyakashipu's attempts to kill his son failed. Finally, he ordered young Prahlada to sit on a pyre in the lap of Holika, Hiranyakashipu's demoness sister, who also could not die because she had a boon preventing her from being burned by fire. Prahlada readily accepted his father's orders, and prayed to Lord Vishnu to keep him safe. When the fire started, everyone watched in amazement as Holika burnt to death, while Prahlada survived unharmed. The salvation of Prahlada and burning of Holika is celebrated as Holi.
In Mathura, where Krishna grew up, the festival is celebrated for 16 days (until Rangpanchmi) in commemoration of the divine love of Radha for Krishna. The festivities officially usher in spring, the celebrated season of love.
Copyrights © Kals Pics - 2014. All Rights Reserved.
No graphic comments please.
The festival of colors
Holi is a religious spring festival celebrated by Hindus as a festival of colours.
It is primarily observed in India and Nepal. It is also observed by the minority Hindus in Bangladesh and Pakistan as well in countries with large Indic diaspora populations following Hinduism, such as Suriname, Malaysia, Guyana, South Africa, Trinidad and Tobago, the United Kingdom, the United States, Mauritius, and Fiji.
Holi is also known as Phagwah (Assamese), Festival of Colours, or Doḷajātra (Oriya) in Odisha, and as Dol Jatra (Bengali) or Basantotsav ("spring festival") (Bengali) in West Bengal and Assam.
Holi is of particular significance in the Braj region, which includes locations traditionally connected to the Lord Krishna: Mathura, Vrindavan, Nandagaon, and Barsana, which become tourist destinations during the season of Holi.
As per the Hindu calendar, Holi is celebrated on the Phalgun Purnima which comes in February or March in the Gregorian Calendar.
Significance
The word Holi originated from "Holika", sister of Hiranyakashipu. The festival of Holi is celebrated because of a story in the old Hindu religion. In Vaishnavism, Hiranyakashipu is the great king of demons, and he had been granted a boon by Brahma, which made it almost impossible for him to be killed. The boon was due to his long penance, after which he had demanded that he not be killed "during day or night; inside the home or outside, not on earth or in the sky; neither by a man nor an animal; neither by astra nor by shastra". Consequently, he grew arrogant and attacked the Heavens and the Earth. He demanded that people stop worshipping gods and start praising respectfully to him.
According to this belief, Hiranyakashipu's own son, Prahlada, was a devotee of Vishnu. In spite of several threats from Hiranyakashipu, Prahlada continued offering prayers to Vishnu. He was poisoned by Hiranyakashipu, but the poison turned to nectar in his mouth. He was ordered to be trampled by elephants yet remained unharmed. He was put in a room with hungry, poisonous snakes and survived. All of Hiranyakashipu's attempts to kill his son failed. Finally, he ordered young Prahlada to sit on a pyre in the lap of Holika, Hiranyakashipu's demoness sister, who also could not die because she had a boon preventing her from being burned by fire. Prahlada readily accepted his father's orders, and prayed to Lord Vishnu to keep him safe. When the fire started, everyone watched in amazement as Holika burnt to death, while Prahlada survived unharmed. The salvation of Prahlada and burning of Holika is celebrated as Holi.
In Mathura, where Krishna grew up, the festival is celebrated for 16 days (until Rangpanchmi) in commemoration of the divine love of Radha for Krishna. The festivities officially usher in spring, the celebrated season of love.
Copyrights © Kals Pics - 2014. All Rights Reserved.
No graphic comments please
Thanks for the comments.
Please don't use this image on websites, blogs or other media without my explicit written permission.
©VR Danduprolu: All rights reserved.
The festival of colors
Holi is a religious spring festival celebrated by Hindus as a festival of colours.
It is primarily observed in India and Nepal. It is also observed by the minority Hindus in Bangladesh and Pakistan as well in countries with large Indic diaspora populations following Hinduism, such as Suriname, Malaysia, Guyana, South Africa, Trinidad and Tobago, the United Kingdom, the United States, Mauritius, and Fiji.
Holi is also known as Phagwah (Assamese), Festival of Colours, or Doḷajātra (Oriya) in Odisha, and as Dol Jatra (Bengali) or Basantotsav ("spring festival") (Bengali) in West Bengal and Assam.
Holi is of particular significance in the Braj region, which includes locations traditionally connected to the Lord Krishna: Mathura, Vrindavan, Nandagaon, and Barsana, which become tourist destinations during the season of Holi.
As per the Hindu calendar, Holi is celebrated on the Phalgun Purnima which comes in February or March in the Gregorian Calendar.
Significance
The word Holi originated from "Holika", sister of Hiranyakashipu. The festival of Holi is celebrated because of a story in the old Hindu religion. In Vaishnavism, Hiranyakashipu is the great king of demons, and he had been granted a boon by Brahma, which made it almost impossible for him to be killed. The boon was due to his long penance, after which he had demanded that he not be killed "during day or night; inside the home or outside, not on earth or in the sky; neither by a man nor an animal; neither by astra nor by shastra". Consequently, he grew arrogant and attacked the Heavens and the Earth. He demanded that people stop worshipping gods and start praising respectfully to him.
According to this belief, Hiranyakashipu's own son, Prahlada, was a devotee of Vishnu. In spite of several threats from Hiranyakashipu, Prahlada continued offering prayers to Vishnu. He was poisoned by Hiranyakashipu, but the poison turned to nectar in his mouth. He was ordered to be trampled by elephants yet remained unharmed. He was put in a room with hungry, poisonous snakes and survived. All of Hiranyakashipu's attempts to kill his son failed. Finally, he ordered young Prahlada to sit on a pyre in the lap of Holika, Hiranyakashipu's demoness sister, who also could not die because she had a boon preventing her from being burned by fire. Prahlada readily accepted his father's orders, and prayed to Lord Vishnu to keep him safe. When the fire started, everyone watched in amazement as Holika burnt to death, while Prahlada survived unharmed. The salvation of Prahlada and burning of Holika is celebrated as Holi.
In Mathura, where Krishna grew up, the festival is celebrated for 16 days (until Rangpanchmi) in commemoration of the divine love of Radha for Krishna. The festivities officially usher in spring, the celebrated season of love.
Copyrights © Kals Pics - 2014. All Rights Reserved.
No graphic comments please
I found this beautiful angel sitting just outside of their home.. The nearby "graffiti" created a frame for me... Kumartuli area, kolkata
Holi is a religious spring festival celebrated by Hindus as a festival of colours.
It is primarily observed in India and Nepal. It is also observed by the minority Hindus in Bangladesh and Pakistan as well in countries with large Indic diaspora populations following Hinduism, such as Suriname, Malaysia, Guyana, South Africa, Trinidad and Tobago, the United Kingdom, the United States, Mauritius, and Fiji.
Holi is also known as Phagwah (Assamese), Festival of Colours, or Doḷajātra (Oriya) in Odisha, and as Dol Jatra (Bengali) or Basantotsav ("spring festival") (Bengali) in West Bengal and Assam.
Holi is of particular significance in the Braj region, which includes locations traditionally connected to the Lord Krishna: Mathura, Vrindavan, Nandagaon, and Barsana, which become tourist destinations during the season of Holi.
As per the Hindu calendar, Holi is celebrated on the Phalgun Purnima which comes in February or March in the Gregorian Calendar.
Copyrights © Kals Pics - 2013. All Rights Reserved.
No graphic comments please
Keshavan (my 11-month old grandson) stands on the scales in Guruvayoor temple to submit his weight-equivalent of Butter to Lord Krishna in a classic Hindu style offering. He preferred to stand rather than lie down as the other kids did, with firm grips on the chain of the scales. On the other side we had to put about 8kg of butter to match his weight. Thula-bharam is an offering for which there is heavy rush every day. This offering is done by the young and old, male and female.
Photo by Official Photographer of the Temple
Lord Krishna et Radha qui,parmi les gopis(bergeres ou femmes de vacher), était sa préférée. L'amour de Krishna pour les gopis est une métaphore de l'amour du dieu pour les hommes, celui de Radha personnifie la dévotion (bhakti)
Lord Krishna and Radha who among the gopis (cowherd women or shepherdesses), was his favorite. The love of the gopis for Krishna is a metaphor for the love of God for men, that of Radha personifies devotion (bhakti)
The International Society for Krishna Consciousness (ISKCON) temple in Bangalore city is a huge cultural complex that was inaugurated in 1997 to carry out the vision of His Divine Grace A.C.Bhaktivedanta Swami Prabhupada, the Founder-Acharya of ISKCON to promote Vedic culture and spiritual learning.
More information ~~ www.iskconbangalore.org
To begin with, it takes great pride to see the art of drama which started in the era of kings continues till date through centuries. Its also a worthy mention to share with you all that the art of acting in our country started this way.
The art of Drama / Stage shows have always been a cultural part of India and are always related to the Legendary epics, eg., Ramayana and Mahabharatha.
In this case the series is about Mahabharatha happening every year around the Legendary city of Kanchipuram, the home place of the Pallavas. This series was shot @ Ocheri. The play took place throughout a week every day from dusk to dawn and I was very unlucky to watch only a night's play.
With actors of current age struggling to make a good performance in a single movie, a group of few people (may be 10 max) play all the characters to be done (just imagine only the very important characters in Mahabharatha). After completion of a character, they go backstage, remove the make-up, switch on to the next make-up, and prepare themselves for the next role to be enacted. Each and every Artist do their work themselves.
It was an interesting night altogether with a great experience.
Copyrights © Kals Pics. All Rights Reserved.
Date - 11th March 2009
Location - Bake Bihari Temple, Vrindavan
More than anyone else - its a kids who have a blast during holi ;-)
The festival of colors
Holi is a religious spring festival celebrated by Hindus as a festival of colours.
It is primarily observed in India and Nepal. It is also observed by the minority Hindus in Bangladesh and Pakistan as well in countries with large Indic diaspora populations following Hinduism, such as Suriname, Malaysia, Guyana, South Africa, Trinidad and Tobago, the United Kingdom, the United States, Mauritius, and Fiji.
Holi is also known as Phagwah (Assamese), Festival of Colours, or Doḷajātra (Oriya) in Odisha, and as Dol Jatra (Bengali) or Basantotsav ("spring festival") (Bengali) in West Bengal and Assam.
Holi is of particular significance in the Braj region, which includes locations traditionally connected to the Lord Krishna: Mathura, Vrindavan, Nandagaon, and Barsana, which become tourist destinations during the season of Holi.
As per the Hindu calendar, Holi is celebrated on the Phalgun Purnima which comes in February or March in the Gregorian Calendar.
Significance
The word Holi originated from "Holika", sister of Hiranyakashipu. The festival of Holi is celebrated because of a story in the old Hindu religion. In Vaishnavism, Hiranyakashipu is the great king of demons, and he had been granted a boon by Brahma, which made it almost impossible for him to be killed. The boon was due to his long penance, after which he had demanded that he not be killed "during day or night; inside the home or outside, not on earth or in the sky; neither by a man nor an animal; neither by astra nor by shastra". Consequently, he grew arrogant and attacked the Heavens and the Earth. He demanded that people stop worshipping gods and start praising respectfully to him.
According to this belief, Hiranyakashipu's own son, Prahlada, was a devotee of Vishnu. In spite of several threats from Hiranyakashipu, Prahlada continued offering prayers to Vishnu. He was poisoned by Hiranyakashipu, but the poison turned to nectar in his mouth. He was ordered to be trampled by elephants yet remained unharmed. He was put in a room with hungry, poisonous snakes and survived. All of Hiranyakashipu's attempts to kill his son failed. Finally, he ordered young Prahlada to sit on a pyre in the lap of Holika, Hiranyakashipu's demoness sister, who also could not die because she had a boon preventing her from being burned by fire. Prahlada readily accepted his father's orders, and prayed to Lord Vishnu to keep him safe. When the fire started, everyone watched in amazement as Holika burnt to death, while Prahlada survived unharmed. The salvation of Prahlada and burning of Holika is celebrated as Holi.
In Mathura, where Krishna grew up, the festival is celebrated for 16 days (until Rangpanchmi) in commemoration of the divine love of Radha for Krishna. The festivities officially usher in spring, the celebrated season of love.
Copyrights © Kals Pics - 2014. All Rights Reserved.
No graphic comments please
Introduction
Of the many bizarre and strange customs and festivals observed in India, the Koothandavar festival of Koovagam is one among them. The very basis of the festival, its associated rituals and the people involved make it the weirdest possible celebration on earth. A celebration of love and death, of sacrifice and life.
The small hamlet of Koovagam is present in the Vizhuppuram district of Tamil Nadu, making it virtually a ‘nothing’. However, once a year this tiny village turns into the biggest camp for transgenders from all over the country. They gather in flocks to take part in the rituals of the festival which lasts for 18 days, culminating on chitra pournami (april-may).
Story behind this
A festival which has its base rooted into the depths of the Mahabharatha war, Krishna’s cunningness and the noble nature of a very valiant young man.
War between the Pandavas and Kauravas was imminent. There was no way that a war could be averted, thus saving millions of innocent human lives. Krishna, as the protector of the universe was worried about the outcome of the war. It was true that he could intervene with his divine powers and avert catastrophe, but humans are required to decide their own fates. That’s what the vedas and shastras say. But still, he wanted the Pandavas to win the war, for he was on their side and their doings were just and moral. This would be the ultimate “Good wins over Bad” story if it went along as he desired.
Having no choice, he goes to Sahadeva who is blessed with the talent of accurately forecasting the future and reading horoscopes, Sahadeva rolled his Shozhi (shells used to help in prediction) and after several calculations looked up and said “To attain victory in the upcoming war, you need to sacrifice a man filled with all the good qualities of Valor, strength, bravery, beauty and such, to the goddess of war, Kali. He who first performs this sacrifice will gain the blessings of Kali and win the war”,
All along his way back his mind was filled with a single thought, “Is there anyone… Anyone else, other than Arjuna who can match the requirements of sacrifice? Anyone at all?” He pleaded, only to be met by a stunning silence. Krishna’s heart shattered at the thought of losing a dear friend. He felt light headed and started to sway with dizziness, when a voice cut through his haziness.
“Am I eligible to be sacrificed?” the voice asked. Looking for the source of the voice, Krishna’s eyes land on a very handsome man, dressed as a warrior and bearing resemblances to Arjuna. “Who are you, may I know?” questioned Krishna, as hope revived in his heart.
“I am Aravaan, the son of Arjuna, born to the Naaga princess Chithrangadha, through an illicit wedlock. I have come here to help bring victory to my father and his brothers. And if I can indeed help them win by sacrificing myself, then I am ready to die.” he proclaimed.
Krishna is flooded with relief. Using his divine powers, he comes to know that Aravaan is indeed a warrior par excellence, full of good qualities and excellent character. “He would make the perfect sacrifice to Kali”, Krishna thought and he beckoned Aravaan to come with him. He introduced Aravaan to the Pandavas including to Arjuna, his father (what weirdness!!!) and praised the sacrificial qualities of Aravaan. “So you will be sacrificed to the Goddess at the dawn of war, tomorrow. Purify yourself mentally and physically and prepare for the day. Long live your sacrifice”, Krishna told Aravaan and turned to leave.
“One moment my lord, I have but a few wishes to be granted before I die. Will you grant them?” Aravaan asked Krishna. “Why don’t you try me?” Krishna winked mischievously at Aravaan.” My lord”, began Aravaan,” I have had the good fortune to enjoy much in life, but before I die, I would like to enjoy the heat of a woman. I wish to die a married man, my lord.” Krishna is stunned. Which woman would marry a man who is going to the sacrificial altar the very next day? Probably none. No woman is crazy to throw her life away.”We will manage that”, he assured Aravaan, “Anything else?”.”Yes my lord, I would like to witness the entire war unfold, in my physical body and I would also like to fight on the Pandava side for a minimum of three weeks. Is that agreeable?”
It was here that the jealousy of Krishna kicked in. He knew that Aravaan was an excellent warrior and if he was allowed to fight there would be no need of any of the Pandavas or Krishna himself. “ParthaPuthra, what is ‘three weeks’ to a man like you? You can probably crush the entire enemy forces in three and a two third minutes. You will be able to fight on the Pandava side for those three and a two third minutes.” Aravaan agreed, charmed by Krishna’s flattery and speech. “If that is all, you can follow me to meet your bride, who will be your wife tonight and your widow in some days.” Krishna commanded.
Aravaan followed Krishna to the interiors of the palace. There, in the presence of the Pandavas and a few close friends, Krishna did the unbelievable. He transformed himself into Mohini, a form so beautiful that even Shiva had fallen for it, and in the presence of the elders, married Aravaan. That night Aravaan got his first wish fulfilled. Mohini seduced him with all her sexuality. All through the night, Aravaan was confused if he was with a man or woman. The smell of butter and milk reminded him of Krishna, but at the same time he couldn’t come out of Mohini’s clutches. The night passed and the day of the war dawned.
Aravaan was taken to the battle field and was made to stand at the center. There he tore off his skin from his arms and offered them to Kali. Kali, ever thirsty for blood, pounced on it and gave her blessings to Pandavas. The war began. Over the course of the 18 days, Aravaan kept Kali satisfied, stripping pieces from his body and offering it to her. On the final day when his allotted 3 and a two-third minutes of time came up, he realised that he had been tricked. He just had his head and his skeleton intact. A fat lot of use they would come to.
Conetemplating, he assumed his Vishwaroopa form and with his head as a large stone, he rolled over the enemy forces killing millions and badly hurting himself. The war was over. The Pandavas had won and the cause for it all, Aravaan, was lying, all alone on the Kurukshetra field. During his final moments on earth, when his life was ebbing away, he heard the high pitched wail of a woman. Turning towards the source of the wail, he sees Krishna, as Mohini, beating her breasts and wailing, the very picture of a widowed woman grieving her husband. With that final sight, his spirit soared heaven-wards and joined the other immortal heroes in warrior heavens, forever shining upon the brave warriors of yore. Aravaan had passed on, a happy man.
This chapter in the Mahabharatha forms the central theme of the 18 day festival at Koovagam. The small shrine at Koovagam is dedicated to none other than Aravaan himself and he is worshipped as Koothandavar. The 18 day festival celebrates the final days of Aravaan’s life, right up to his brave sacrifice on the 18th day. The highlight of the festival happens to be the marriage of Aravaan. The transgenders who gather here are the self-proclaimed brides of Aravaan. They claim themselves to be incarnations of Krishna, who was a man trapped inside a woman’s body, when he seduced Aravaan, just like the transgenders themselves. The first 15 days of the festival pass in dancing, singing and merrymaking, the transgenders putting up colourful and lively performances. All through the 18 days, a gigantic head of Aravaan is made and painted with the greatest care within the temple precincts
On the 17th day, the priest does special poojas to the idol of Aravaan and bringing upon the power of Aravaan on himself, he ties the mangalsutra (the sacred marital thread) around the neck of all the transgenders present there. They are now the wives of Aravaan, just for the night. A gala feast is organised which is followed by a night full of merrymaking, laughter and dance. The gigantic head of Aravaan is mounted on a chariot and taken around the village.
At the dawn of the 18th day, the air is ripped by sharp wails, as Aravaan is beheaded, widowing all his one-day-old wives. Following the traditions, the widows of Aravaan rip the Mangalsutraa from their necks, tear flowers out of their hair, throw away ornaments, and remove all cosmetics from their faces, wailing loudly, beating their chests, just like Krishna mourned for Aravaan long, long ago. They did a holy dip and wear a white saree (widow costume). And till that day arrives, they have to rely on the grace of Aravaan to take them through the rough times to come.
Location: Nearest - Viluppuram (25 km) and Ulundurpet (15 km).
Copyrights © Kals Pics - 2013. All Rights Reserved.
No graphic comments please
Lord Krishna est un immense guerrier mais c'est aussi un grand séducteur.
Il charme les gopis, les femmes et les filles de bouviers(gardiens de vaches)
Les soirs de pleine lune,il joue de la flute si divinement que les Gopis accourrent et tombent immédiatement amoureuse de lui. En dansant, elles forment un cercle, symbolisant l'union du ciel et de la terre.L'amour de Krishna pour les gopis est une métaphore de l'amour du dieu pour les hommes.
Lord Krishna is an immense warrior but it is also a big seducer.
He charms gopis, women and girls of cattlemen(sheep dogs) (guards of cows)
In the evenings of full moon, he plays of reedy so divinely as Gopis accourrent and immediately falls in love with him. By dancing, they form a circle, symbolizing the union of the sky and the earth(ground). Love of Krishna for gopis is a metaphor of love of the god for the men(people).
Can we feel (or) connect to God?... (In the real sense)
Copyrights © Kals Pics - 2012. All Rights Reserved.
No graphic comments please
Lord Krishna est un immense guerrier mais c'est aussi un grand séducteur.
Il charme les gopis, les femmes et les filles de bouviers(gardiens de vaches)
Les soirs de pleine lune,il joue de la flute si divinement que les Gopis accourrent et tombent immédiatement amoureuse de lui. En dansant, elles forment un cercle, symbolisant l'union du ciel et de la terre.L'amour de Krishna pour les gopis est une métaphore de l'amour du dieu pour les hommes.
Lord Krishna is an immense warrior but it is also a big seducer.
He charms gopis, women and girls of cattlemen(sheep dogs) (guards of cows)
In the evenings of full moon, he plays of reedy so divinely as Gopis accourrent and immediately falls in love with him. By dancing, they form a circle, symbolizing the union of the sky and the earth(ground). Love of Krishna for gopis is a metaphor of love of the god for the men(people).
Lord Krishna est un immense guerrier mais c'est aussi un grand séducteur.
Il charme les gopis, les femmes et les filles de bouviers(gardiens de vaches)
Les soirs de pleine lune,il joue de la flute si divinement que les Gopis accourrent et tombent immédiatement amoureuse de lui. En dansant, elles forment un cercle, symbolisant l'union du ciel et de la terre.L'amour de Krishna pour les gopis est une métaphore de l'amour du dieu pour les hommes.
Lord Krishna is an immense warrior but it is also a big seducer.
He charms gopis, women and girls of cattlemen(sheep dogs) (guards of cows)
In the evenings of full moon, he plays of reedy so divinely as Gopis accourrent and immediately falls in love with him. By dancing, they form a circle, symbolizing the union of the sky and the earth(ground). Love of Krishna for gopis is a metaphor of love of the god for the men(people).
Have a blessed day..:)
Vishu is a Hindu festival celebrated in the Indian state of Kerala and in the Tulunadu region(Mangalore & Udupi districts) usually in the second week of April in the Gregorian calendar. It marks the new year in accordance with Kolla Varsham the Malayalam calendar. This occasion signifies the sun's transit into the Meda Raasi (first zodiac sign) according to Indian astrological calculations, and represents the vernal equinox. "Vishu" in Sanskrit means "equal".
The most important event in Vishu is the Vishukkani, which literally means "the first thing seen on the day of Vishu after waking up". The Vishukkani consists of a ritual arrangement of auspicious articles like raw rice, fresh lemon, golden cucumber, betel leaves, arecanut, metal mirror, yellow flowers konna (Cassia fistula), and a holy text and coins, in a bell metal vessel called uruli in the puja room of the house. A lighted bell metal lamp called nilavilakku is also placed alongside. This is arranged the night before Vishu. On Vishu, the custom is to wake up at dawn and go to the puja room with eyes closed so that the Vishukkani is the first sight in the new season. Reading verses from the Hindu Holy book Ramayanam after seeing the "Vishukkani" is considered auspicious. It is also believed that the page of the Ramayanam which is opened up will have a bearing on one's life in the coming year. Devotees visit temples like Sabarimala Ayyappan Temple or Guruvayur Sree Krishna temple to have a "Vishukkani Kazhcha" in the early hours of "Vishu" day.
(This photo is dedicated to respected Mr.Mrbill ( photo magician )
His photostream link is
www.flickr.com/photos/billstrain/
Mr.Bill is 82 years young Retd.crime investigation officer from Texas U.S.A.,He is the most creative person & working 24 X 7 day.I believe no man in the world can beat his most creative photo uploading speed in Flickr.He can bring magical effect in photographs.)
Kanak Vrindavan, Jaipur
Kanak Vrindavan, JaipurKanak Vrindavan is a valley situated below the Nahargarh hills adjoining the Amber Fort, on Jaipur-Amber highway.
Nearly 280 years back, Maharaja Sawai Jai Singh, liked the place as it reminded him of the mythological Vrindavan (Land of Lord Krishna). He installed an idol of Shri Govind Deoji here and a temple was built at the location.
This is a very pretty destination, with people coming here often for picnics. It is favoured by film crews as well who come here often to shoot scenes of their films. Kanak Vrindavan is said to be blessed with holy water from several rivers that was gathered to carry out an Ashwamedh Yajna. The Govind Deoji Temple, has beautiful carvings, chhatris, lattice and mirror work. The sanctum sanctorum is engraved with exotic 'panni' work. The valley is very scenic, surrounded as it is by Aravali hills. Dharbawati River also flows by, making the environs quite cool. All three forts of Jaipur look out into this valley over a distance.
The complex has a series of fountains, with on fountain called Parikrama having been made out of one piece of marble. The complex is a beautiful vision at nights, bathed in colourful lights and Jal Mahal in the background. Chants and hymns add to the serenity of this place. Kanak Vrindavan is easily accessible from Nahargarh, Jaigarh and Amber, the three forts of Jaipur and must be visited.
www.wondersofrajasthan.com, site on Rajasthan Tourism
Date - 12th March 2009
Location -Dauji Temple (close to Mathura)
Holi gets over for the rest of the nation on 11th... but it reaches its climax in Dauji on the 12th!
The Kapra Phaar holi sees women ripping apart the clothes of their menfolk - drenching them in colour and wiping them with rags dipped in water... OUCH !
Kartikeya, also known as Skanda, Murugan and Subramaniyan, is the Hindu god of war. He is the commander-in-chief of the army of the devas (gods) and the son of Shiva and Parvati.
Murugan is often referred to as "Tamil Kadavul" (meaning "God of Tamils") and is worshiped primarily in areas with Tamil influences, especially South India, Sri Lanka, Mauritius, Malaysia, Singapore and Reunion Island. His six most important shrines in India are the Arupadaiveedu temples, located in Tamil Nadu. In Sri Lanka, Hindus as well as Buddhists revere the sacred historical Nallur Kandaswamy temple in Jaffna and Katirkāmam Temple situated deep south.[1] Hindus in Malaysia also pray to Lord Murugan at the Batu Caves and various temples where Thaipusam is celebrated with grandeur.
In Karnataka and Andhra Pradesh, Kartikeya is known as Subrahmanya with a temple at Kukke Subramanya known for Sarpa shanti rites dedicated to Him and another famous temple at Ghati Subramanya also in Karnataka. In Bengal and Odisha, he is popularly known as Kartikeya (meaning 'son of Krittika').[2]
Other names[edit]
Like most Hindu deities, Subrahmanya is known by many other names, including Senthil, Vēlaṇ, Kumāran (meaning 'prince or child or young one'), Swaminatha (meaning 'smart' or 'clever'), Saravaṇa, Arumugam or Shanmuga (meaning 'one with six faces'), Dhandapani (meaning God with a Club), Guhan or Guruguha (meaning 'cave-dweller'), Subrahmanya, Kartikeya and Skanda (meaning 'that which is spilled or oozed).[3][4] He was also known as Mahasena and the Kadamba Dynasty kings worshiped him by this name.[5]
Vedas[edit]
The Atharva Veda describes Kumaran as 'Agnibhuh' because he is form of 'Agni' (Fire God) & Agni hold in his hand when kumaran born. The Satapatha Brahmana refers to him as the son of Rudra and the six faces of Rudra. The Taittiriya Aranyaka contains the Gayatri mantra for Shanmukha. The Chandogya Upanishad refers to Skanda as the "way that leads to wisdom". The Baudhayana Dharmasutra mentions Skanda as 'Mahasena' and 'Subrahmanya.' The Aranya Parva canto of the Mahabharata relates the legend of Kartikeya Skanda in considerable detail. The Skanda Purana is devoted to the narrative of Kartikeya.[6] The Upanishads also constantly make a reference to a Supreme Being called Guha, the indweller.
The first elaborate account of Kartikeya's origin occurs in the Mahabharata. In a complicated story, he is said to have been born from Agni and Svaha, after the latter impersonated the six of the seven wives of the Saptarishi (Seven Sages). The actual wives then become the Pleiades. Kartikeya is said to have been born to destroy the Asura Mahisha.[7] (In later mythology, Mahisha became the adversary of Durga.) Indra attacks Kartikeya as he sees the latter as a threat, until Shiva intervenes and makes Kartikeya the commander-in-chief of the army of the Devas. He is also married to Devasena, Indra's daughter. The origin of this marriage lies probably in the punning of 'Deva-sena-pati'. It can mean either lord of Devasena or Lord of the army (sena) of Devas. But according to Shrii Shrii Anandamurti, in his master work on Shiva[8] and other works, Kartikeya was married to Devasenā and that is on the ground of his name as Devasena's husband, Devasenāpati, misinterpreted as Deva-senāpati (Deva's general) that he was granted the title general and made the Deva's army general.[9]
The Ramayana version is closer to the stories told in the Puranas discussed below.
Tolkappiyam, possibly the most ancient of the extant Sangam works, dated between the 3rd century BCE and 5th century CE glorified Murugan, "the red god seated on the blue peacock, who is ever young and resplendent," as "the favoured god of the Tamils."[10] The Sangam poetry divided space and Tamil land into five allegorical areas (tinai) and according to the Tirumurugarruppatai ( c. 400–450 AD) attributed to the great Sangam poet Nakkiirar, Murugan was the presiding deity the Kurinci region (hilly area). (Tirumurugaruppatai is a deeply devotional poem included in the ten idylls (Pattupattu) of the age of the third Sangam). The other Sangam era works in Tamil that refer to Murugan in detail include the Paripaatal, the Akananuru and the Purananuru. One poem in the Paripaatal describes the veneration of Murugan thus:
"We implore thee not for boons of enjoyment or wealth,
But for thy grace beatific, love and virtuous deeds."
According to the Tamil devotional work, Thiruppugazh, "Murugan never hesitates to come to the aid of a devotee when called upon in piety or distress". In another work, Thirumurukkarrupatai, he is described as a god of eternal youth;
His face shines a myriad rays light and removes the darkness from this world.[11]
The references to Murugan can be traced back to the first millennium BCE. There are references to Murugan in Kautilya's Arthashastra, in the works of Patanjali, in Kalidasa's epic poem the Kumarasambhavam. The Kushanas, who governed from what is today Peshawar, and the Yaudheyas, a republican clan in the Punjab, struck coins bearing the image of Skanda. The deity was venerated also by the Ikshvakus, an Andhra dynasty, and the Guptas.[6] The worship of Kumāra was one of the six principal sects of Hinduism at the time of Adi Shankara. The Shanmata system propagated by him included this sect. In many Shiva and Devi temples of Tamil Nadu, Murugan is installed on the left of the main deity. The story of His birth goes as follows:
Sati immolated herself in a pyre as her father King Daksha had insulted Shiva, her Lord. She was reborn as Parvathi or Uma, daughter of the King of Himalayas, Himavan. She then married her Lord Shiva. The Devas were under onslaught from the Asuras whose leader was Soorapadman. He had been granted boons that only Lord Shiva or his seed could kill him. Fearless he vanquished the Devas and made them his slaves. The Devas ran to Vishnu for help who told them that it was merely their fault for attending Daksha's yagna, without the presence of Lord Shiva. After this, they ran to Shiva for help. Shiva decided to take action against Soorapadman's increasing conceit. He frowned and his third eye- the eye of knowledge- started releasing sparks. These were six sparks in total. Agni had the responsibility to take them to Saravana Lake. As he was carrying them, the sparks were growing hotter and hotter that even the Lord of Fire could not withstand the heat. Soon after Murugan was born on a lotus in the Saravana Lake with six faces, giving him the name Arumukhan. Lord Shiva and Parvati visited and tears of joy started flowing as they witnessed the most handsome child. Shiva and Parvathi gave the responsibility of taking care of Muruga to the six Krittika sisters. Muruga grew up to be a handsome, intelligent, powerful, clever youth. All the Devas applauded at their saviour, who had finally come to release them from their woes. Murugan became the supreme general of the demi-gods, then escorted the devas and led the army of the devas to victory against the asuras.
Legends[edit]
Given that legends related to Murugan are recounted separately in several Hindu epics, some differences between the various versions are observed. Some Sanskrit epics and puranas indicate that he was the elder son of Shiva. This is suggested by the legend connected to his birth; the wedding of Shiva and Parvati being necessary for the birth of a child who would vanquish the asura named Taraka. Also, Kartikeya is seen helping Shiva fight the newborn Ganesha, Shiva's other son, in the Shiva Purana. In the Ganapati Khandam of the Brahma Vaivarta Purana, he is seen as the elder son of Shiva and Ganesha as the younger. In South India, it is believed that he is the younger of the two. A Puranic story has Ganesha obtain a divine fruit of knowledge from Narada winning a contest with Murugan. While Murugan speeds around the world thrice to win the contest for the fruit, Ganesha circumambulates Shiva and Parvati thrice as an equivalent and is given the fruit. After winning it, he offers to give the fruit to his upset brother. After this event, Ganesha was considered the elder brother owing as a tribute to his wisdom. Many of the major events in Murugan's life take place during his youth, and legends surrounding his birth are popular. This has encouraged the worship of Murugan as a child-God, very similar to the worship of the child Krishna in north India. He is married to two wives, Valli and Devasena. This lead to a very interesting name : Devasenapati viz. Pati (husband) of Devsena and/or Senapati (commander in chief) of Dev (gods)
Kartikeya symbols are based on the weapons – Vel, the Divine Spear or Lance that he carries and his mount the peacock. He is sometimes depicted with many weapons including: a sword, a javelin, a mace, a discus and a bow although more usually he is depicted wielding a sakti or spear. This symbolizes his purification of human ills. His javelin is used to symbolize his far reaching protection, his discus symbolizes his knowledge of the truth, his mace represents his strength and his bow shows his ability to defeat all ills. His peacock mount symbolizes his destruction of the ego.
His six heads represent the six siddhis bestowed upon yogis over the course of their spiritual development. This corresponds to his role as the bestower of siddhis.
In Tamil Nadu, Murugan has continued to be popular with all classes of society right since the Sangam age. This has led to more elaborate accounts of his mythology in the Tamil language, culminating in the Tamil version of Skanda Purana, called Kandha Purānam, written by Kacchiappa Sivachariyar (1350–1420 AD.) of Kumara Kottam in the city of Kanchipuram. (He was a scholar in Tamil literature, and a votary of the Shaiva Siddhanta philosophy.)
He is married to two deities, Valli, a daughter of a tribal chief and Deivayanai (also called Devasena), the daughter of Indhra. During His bachelorhood, Lord Murugan is also regarded as Kumaraswami (or Bachelor God), Kumara meaning a bachelor and Swami meaning God. Muruga rides a peacock and wields a bow in battle. The lance called Vel in Tamil is a weapon closely associated with him. The Vel was given to him by his mother, Parvati, and embodies her energy and power. His army's standard depicts a rooster. In the war, Surapadman was split into two, and each half was granted a boon by Murugan. The halves, thus turned into the peacock (his mount) and the rooster his flag, which also "refers to the sun".[12]
As Muruga is worshipped predominantly in Tamil Nadu, many of his names are of Tamil origin. These include Senthil, the red or formidable one; Arumugam, the six-faced one; Guhan and Maal-Marugan, the son-in-law of Vishnu. Murugan is venerated throughout the Tamil year. There is a six-day period of fast and prayer in the Tamil month of Aippasi known as the Skanda Shasti. He is worshipped at Thaipusam, celebrated by Tamil communities worldwide near the full moon of the Tamil month Thai. This commemorates the day he was given a Vel or lance by his mother in order to vanquish the asuras. Thirukarthigai or the full moon of the Tamil month of Karthigai signifies his birth. Each Tuesday of the Tamil month of Adi is also dedicated to the worship of Murugan. Tuesday in the Hindu tradition connotes Mangala, the god of planet Mars and war.
Other parts of India[edit]
Historically, God Kartikeya was immensely popular in the Indian subcontinent. One of the major Puranas, the Skanda Purana is dedicated to him. In the Bhagavad-Gita (Ch.10, Verse 24), Krishna, while explaining his omnipresence, names the most perfect being, mortal or divine, in each of several categories. While doing so, he says: "Among generals, I am Skanda, the lord of war."
Kartikeya's presence in the religious and cultural sphere can be seen at least from the Gupta age. Two of the Gupta kings, Kumaragupta and Skandagupta, were named after him. He is seen in the Gupta sculptures and in the temples of Ellora and Elephanta. As the commander of the divine armies, he became the patron of the ruling classes. His youth, beauty and bravery was much celebrated in Sanskrit works like the Kathasaritsagara. Kalidasa made the birth of Kumara the subject of a lyrical epic, the Kumaarasambhavam. In ancient India, Kartikeya was also regarded as the patron deity of thieves, as may be inferred from the Mrichchakatikam, a Sanskrit play by Shudraka, and in the Vetala-panchvimshati, a medieval collection of tales. This association is linked to the fact that Kartikeya had dug through the Krauncha mountain to kill Taraka and his brothers (in the Mrichchakatikam, Sarivilaka prays to him before tunnelling into the hero's house).
However, Kartikeya's popularity in North India receded from the Middle Ages onwards, and his worship is today virtually unknown except in parts of Haryana. There is a very famous temple dedicated to Him in the town of Pehowa in Haryana and this temple is very well known in the adjoining areas, especially because women are not allowed anywhere close to it. Women stay away from this temple in Pehowa town of Haryana because this shrine celebrates the Brahmachari form of Kartikeya. Reminders of former devotions to him include a temple at Achaleshwar, near Batala in Punjab, and another temple of Skanda atop the Parvati hill in Pune, Maharashtra. Another vestige of his former popularity can be seen in Bengal and Odisha, where he is worshipped during the Durga Puja festivities alongside Durga. Lord Subramanya is the major deity among the Hindus of northern Kerala. Lord Subramanya is worshipped with utmost devotion in districts of Dakshina Kannada and Udupi in the state of Karnataka. Rituals like nagaradhane are unique to this region.
Kartikeya also known as Kartik or Kartika is also worshipped in West Bengal, and Bangladesh on the last day of the Hindu month of 'Kartik'. However, the popularity of Kartik Puja (worshipping Kartik) is decreasing now, and Lord Kartik is primarily worshipped among those who intend to have a son. In Bengal, traditionally, many people drop images of Kartik inside the boundaries of different households, who all are either newly married, or else, intend to get a son to carry on with their ancestry. Lord Kartik is also associated to the Babu Culture prevailed in historic Kolkata, and hence, many traditional old Bengali paintings still show Kartik dressed in traditional Bengali style. Also, in some parts of West Bengal, Kartik is traditionally worshipped by the ancestors of the past royal families too, as in the district of Malda. Kartik Puja is also popular among the prostitutes. This can probably be linked to the fact that, the prostitutes mostly got clients from the upper class babu-s in old Kolkata, who all, in turn, had been associated to the image of Kartik (as discussed above). In Bansberia (Hooghly district) Kartik Puja festival is celebrated like Durga puja of Kolkata, Jagadhatri puja in Chandannagar for consecutive four days. The festival starts on 17 November every year and on 16 November in case of Leap year.[13] Some of the must see Puja committees are Bansberia Kundugoli Nataraj, Khamarapara Milan Samity RadhaKrishna, Kishor Bahini, Mitali Sangha, Yuva Sangha, Bansberia Pratap Sangha and many more.
In Durga Puja in Bengal, Kartikeya is considered to be a son of Parvati or Durga and Shiva along with his brother Ganesha and sisters Lakshmi and Saraswati.[14]
Kartikeya is worshiped during Durga Puja in Odisha as well as in various Shiva temples throughout the year. Kartik puja is celebrated in Cuttack along with various other parts of the state during the last phases of Hindu month of Kartik. Kartik purnima is celebrated with much joy and in a grand fashion in Cuttack and other parts in the state.
Murugan is adored by both Tamil Hindus and Sinhalese Buddhists in Sri Lanka. Numerous temples exist throughout the island. He is a favorite deity of the common folk everywhere and it is said he never hesitates to come to the aid of a devotee when called upon. In the deeply Sinhalese south of Sri Lanka, Murugan is worshipped at the temple in Katirkāmam, where he is known as Kathiravel or Katragama Deviyo (Lord of Katragama) . This temple is next to an old Buddhist place of worship. Local legend holds that Lord Murugan alighted in Kataragama and was smitten by Valli, one of the local aboriginal lasses. After a courtship, they were married. This event is taken to signify that Lord Murugan is accessible to all who worship and love him, regardless of their birth or heritage. The Nallur Kandaswamy temple, the Maviddapuram Kandaswamy Temple and the Sella Channithy Temple near Valvettiturai are the three foremost Murugan temples in Jaffna. The Chitravelayutha temple in Verukal on the border between Trincomalee and Batticaloa is also noteworthy as is the Mandur Kandaswamy temple in Batticaloa. The late medieval-era temple of the tooth in Kandy, dedicated to the tooth relic of the Buddha, has a Kataragama deiyo shrine adjacent to it dedicated to the veneration of Skanda in the Sinhalese tradition. Almost all buddhist temples house a shrine room for Kataragama deviyo(Murugan)reflecting the significance of Murugan in Sinhala Buddhism,
Based on archeological evidence found, it is believed that the Kiri Vehera was either renovated to build during the 1st century BCE. There are number of others inscriptions and ruins.[15]
By the 16th century the Kathiravel shrine at Katirkāmam had become synonymous with Skanda-Kumara who was a guardian deity of Sinhala Buddhism.[16] The town was popular as a place of pilgrimage for Hindus from India and Sri Lanka by the 15 the century. The popularity of the deity at the Kataragama temple was also recorded by the Pali chronicles of Thailand such as Jinkalmali in the 16th century. There are number of legends both Buddhist and Hindu that attribute supernatural events to the very locality.[16] Scholars such as Paul Younger and Heinz Bechert speculate that rituals practiced by the native priests of Kataragama temple betray Vedda ideals of propitiation. Hence they believe the area was of Vedda veneration that was taken over by the Buddhist and Hindus in the medieval period.[17]
Lord Murugan is one of the most important deities worshipped by Tamil people in Malaysia and other South-East Asian countries such as Singapore and Indonesia. Thai Poosam is one of the important festivals celebrated. Sri Subramanyar Temple at Batu Caves temple complex in Malaysia is dedicated to Lord Murugan.
The main temples of Murugan are located in Tamil Nadu and other parts of south India. They include the Aru Padaiveedu (six abodes) — Thiruchendur, Swamimalai, Pazhamudircholai, Thirupparangunram, Palani (Pazhani), Thiruthani and other important shrines like Mayilam, Sikkal, Marudamalai, Kundrathur, Vadapalani, Kandakottam, Thiruporur, Vallakottai, Vayalur, Thirumalaikoil, Pachaimalai and Pavalamalai near Gobichettipalayam. Malai Mandir, a prominent and popular temple complex in Delhi, is one of the few dedicated to Murugan in all of North India apart from the Pehowa temple in Haryana.
There are many temples dedicated to Lord Subramanya in Kerala. Amongst them are Atiyambur Sri Subramanya Temple in Kanhangad Kasaragod, Payyannur Subramanya Swamy temple in Payyanur, Panmana Subramanya Swamy temple in Panmana and the Subramanya temple in Haripad. There is a temple in Skandagiri, Secunderabad and one in Bikkavolu, East Godavari district in the state of Andhra Pradesh. In Karnataka there is the Kukke Subramanya Temple where Lord Murugan is worshiped as the Lord of the serpents. Aaslesha Bali, Sarpa Samskara with nagapathista samarpa are major prayers here. There is a temple called Malai Mandir in South Delhi. Malai means hill in Tamil. Mandir means temple in Hindi.
The key temples in Sri Lanka include the sylvan shrine in Kataragama / (Kadirgamam) or Kathirkamam in the deep south, the temple in Tirukovil in the east, the shrine in Embekke in the Kandyan region and the famed Nallur Kandaswamy temple in Jaffna. There are several temples dedicated to Lord Murugan in Malaysia, the most famous being the Batu Caves near Kuala Lumpur. There is a 42.7-m-high statue of Lord Murugan at the entrance to the Batu Caves, which is the largest Lord Murugan statue in the world. Sri Thandayuthapani Temple in Tank Road, Singapore is a major Hindu temple where each year the Thaipusam festival takes place with devotees of Lord Muruga carrying Kavadis seeking penance and blessings of the Lord.
In the United Kingdom, Highgate Hill Murugan temple is one of the oldest and most famous. In London, Sri Murugan Temple in Manor park is a well-known temple. In Midlands, Leicester Shri Siva Murugan Temple is gaining popularity recently. Skanda Vale in West Wales was founded by Guruji, a Tamil devotee of Subramaniam, and its primary deity is Lord Murugan. In Australia, Sydney Murugan temple in Parramatta (Mays Hill), Perth Bala Muruguan temple in Mandogalup and Kundrathu Kumaran temple in Rockbank, Melbourne are major Hindu temples for all Australian Hindus and Murugan devotees. In New Zealand, there is a Thirumurugan Temple in Auckland and a Kurinji Kumaran Temple in Wellington, both dedicated to Lord Murugan. In the USA, Shiva Murugan Temple in Concord, Northern California and Murugan Temple of North America[18] in Maryland, Washington DC region are popular. In Toronto, Canada, Canada Kanthasamy Temple is known amongst many Hindus in Canada. In Dollard-des-Ormeaux, a suburb of the city of Montreal in Canada, there is a monumental temple of Murugan. The Sri Sivasubramaniar Temple, located in the Sihl Valley in Adliswil, is the most famous and largest Hindu temple in Switzerland.[19]
‘Char’in Bengali language means ‘four’ and ‘Bangla’ in Bengali language has been derived from Bengal.On the other side of Murshidabad across River Bhagirathi, there lies a complex in Baronagar Ajimgange, surrounded by four temples, known as Char Bangla Temple. Just before entering temple complex you will find the Bhabaniswar temple of Shiva. Char Bangla temples were built under the patronage of Rani Bhabani in the years 1755-1760. It is an example of one of the best ornamental brick work in Bengal. She came from Nator (Now in Bangladesh). Rani Bhabani was a pious lady and she was also a loyal follower of Lord Shiva. So she constructed or patronized all the temples dedicating to Lord Shiva. The temple walls are the height of examples of exquisite art work of terracotta reflecting Hindu mythological stories in a unique style of it own. The works depicts about the daily life incidents to the North side temple at the down two rows. And others are about the epics “The Ramayana” and “The Mahabharata”. It is a must heritage tour in Bengal for world tourists having interests in archeology, art and history. It is said that Rani Bhavani wanted to build 108 temples here at Baronagar on the shore of the Ganges to lift the status of this settlement to that of Varanasi. She stopped at 107, for an unknown reason [See article of Mr. Shyamal Chatterji: www.chitrolekha.com/V2/n1/08_Iconography_Temples_Baronaga...]. Its definitely a chapter of art history in Bengal.
[Terracotta, from the Latin terra cocta, is a type of earthenware, and a clay-based unglazed or glazed ceramic, where the fired body is porous. Terracotta is used as a medium in sculpture, as in the Terracotta Army and Greek terracotta figurines. Glazed architectural terracotta and its unglazed version as exterior surfaces for buildings were used in Asia for some centuries before becoming popular in the West in the 19th century. ]
MURSHIDABAD – A HISTORICAL PLACE.
Murshidabad is a city in Murshidabad district of West Bengal state in India. The city is located on the eastern bank of the Bhagirathi, a tributary of the Ganges River.
HISTORY
Murshidabad was a town and district of British India, in the Bengal Presidency. In the Mughal period it was the capital of Bengal.
In 1704, Murshid Quli Khan, the Diwan of Bengal under Aurangzeb transferred the capital from Dacca (now Dhaka inBangladesh), and renamed the city Murshidabad after his own name. In 1716, he attained the title of Nawab (ruler) of the Subah(province) of Bengal, and Murshidabad became his capital.
The family of Jagat Seth maintained their position as state bankers at Murshidabad from generation to generation. Even after the conquest of Bengal by the British, Murshidabad remained for some time the seat of administration. Warren Hastings removed the supreme civil and criminal courts to Calcutta in 1772, but in 1775 the latter courts were brought back to Murshidabad again. In 1790, under Lord Cornwallis, the entire revenue and judicial staffs were moved to Calcutta. The town was still the residence of the nawab, who ranked as the first nobleman of the province with the style of Nawab Bahadur of Murshidabad, instead of Nawab Nazim of Bengal. The Hazarduari Palace, dating back to 1837, is a magnificent building. The city still bears memories of Nawabs with other palaces, mosques, tombs, and gardens, and retains such industries as carving in ivory, gold and silver embroidery, and silk-weaving.
The city is also famous for producing exotic mango and litchi. A narrow-gauge railway crosses the district, from the East Indian line at Nalhati to Azimganj. Baharampur, the capital of Murshidabad, has grown in importance, population & size; as of 2011 it is the 7th largest city in West Bengal.
Historic places
While it features extensively in history books, the large potential for heritage tourism has been somewhat neglected. Of historic interest are Nizamat Kila (the Fortress of the Nawabs), also known as the Hazaarduari Palace (Palace of a Thousand Doors), built by Duncan McLeod of the Bengal Engineers in 1837, in the Italianate style. It was built in the nineteenth century by architect Duncan Macleod, under the reign of Nawab Nazim Humayun Jah of Bengal, Bihar and Orissa (1824–1838). William Cavendish was the then Governor-General. Now, Hazarduari Palace is the most conspicuous building in Murshidabad. In 1985, the palace was handed over to the Archaeological Survey of India for better preservation.[
The Moti Jhil(Pearl Lake) just to the south of the palace, the Muradbagh Palace and the Khushbagh Cemetery, where the remains of Ali Vardi Khan and Siraj Ud Daulah are interred.
The legacy of Siraj ud-Daulah (1733 – July 2, 1757), was the last independent Nawab of Bengal. He was Iraqi Arab by ethnicity and Shi'ite in religion. The end of his reign marked the start of British East India Company rule over Bengal and later almost all of South Asia. Siraj succeeded his maternal grandfather, Alivardi Khan as the Nawab of Bengal in April 1756 at the age of 23. Betrayed by Mir Jafar, then commander of Nawab's army, Siraj lost the Battle of Plassey on 23 June 1757. The forces of the East India Company under Robert Clive invaded and the administration of Bengal fell into the hands of the Company.
The present Nizamat Imambara was built in 1847 AD by Nawab Nazim Mansoor Ali Khan Feradun Jah. It was built after the fires of 1842 and 1846 which burnt the wooden Imambara built by Nawab Siraj ud-Daulah. This Imambara is said to be the largest one in India.
The Katra Masjid (also known as Katra Mosque) is a mosque and the tomb of Nawab Murshid Quli Khan built between 1723 and 1724. It is located in the north eastern side of the city. Its importance lies not only as a great centre of Islamic learning but also for the tomb of Murshid Quli Khan, who is buried under the entrance staircase. The most striking feature is the two large corner towers having loopholes for musketry. At present it is maintained and protected by the Archaeological Survey of India and the Government of West Bengal.
Bacchawali Tope is a gun, rather cannon which lies in the Nizamat Fort Campus on the garden space between the Nizamat Imambara and the Hazarduari Palace and to the east of the old Madina Mosque. The cannon consists two pieces of different diameters. The cannon was made between the 12th and 14th century, probably by the Mohammeddan rulers of Gaur. It originally lied on the sand banks of Ichaganj. However, it is unknown that how it came in Ichaganj. It was used to protect the city of Murshidabad from north-western attacks. After the 1846 fire of the Nizamat Imambara the Imambara was rebuilt, then after the completion of the new Imambara the cannon was shifted to its present site by Sadeq Ali Khan, the architect of the sacred Nizamat Imambara under the suggestion of Sir Henry Torrens, the then agent of the Governor General at Murshidabad.
Poush Mela 2011, Santiniketan
Images of Bengal, India
Natungram, Purba Bardhaman
Natungram is the hub of wooden doll makers also known as ‘Sutradhars’ (narrator or storyteller), probably because they make characters from ancient folklore and mythology and tell stories through their dolls. Carved out of a single piece of wood, these dolls from ancient folklore and mythology are characterised by their vibrant colours and distinctive ethnic style. The owl, considered auspicious as the escort of the goddess of prosperity, Lakshmi, made in Natungram, enjoys an iconic status among Bengal’s handicrafts.
A Folk Art Centre and Community Museum has been developed for the artists by the Department of MSME&T, Government of West Bengal. with lodging facilities equipped with all basic amenities. Visitors at Natungram can witness the artists at work, explore the Folk Art Centre to learn about the craft and its technique and learn the stories behind it.
Poush Mela / পৌষ মেলা
An annual fair and festival that takes place in Santiniketan, in Birbhum District in the Indian state of West Bengal, marking the harvest season. Commencing on the 7th day of the month of Poush (around 21/22 December), the fair officially lasts for three days, although vendors may stay up until the month-end. The key characteristic of this fair include live performances of Bengali folk music, notably baul and fakir songs.
This is humble request not to misuse or commercially use the image as it may hamper the Disabled Artiste interest.
Painter - Manjibhai L. Ramani by his mouth.
MFPA - Mouth and Foot Painting Artists (Supporting Handicapped Artists since 1956)
MFPA believes in Rehabilitation through their Art.
The partnership of the Mouth and Foot Painting Artists takes pride in not being a charity but a self-help organisation of seriously disabled artists, belonging to the worldwide Association of Mouth and Foot Painting Artists. Its members have all learned to draw and paint with the brush held in the mouth or between the toes as they lost the use of their hands.
Please no pity, but respect for their work, is the demand of the artists.
The formation of the Associations in 1956 gave all members the opportunity to completely support themselves through the sales of their paintings reproduced as cards, calendars and other items.
Their work is offered to you on artistic merit and value for money considering the way the designs have been painted. If the work is liked and one wish to purchase, then it will help them to gain the self - respect that comes from earning the living and finding financial independence for life and creative self - fulfilment.
Indian Office:
Mouth and Foot Painting Artists (India)
A-401 Dipti Classic,
Suren Road, Andheri (East),
Mumbai, Maharashtra, India.
Pin Code: 400 093
E-mail: contact@imfpa.co.in
Phone: +91 (22) 4009 8877
Fax: +91 (22) 4009 8899
This is humble request not to misuse or commercially use the image as it may hamper the Disabled Artiste interest.