View allAll Photos Tagged Lopsided
Excerpt from Art+Culture Walking Tour brochure:
This private home on 516 Walden Drive, with its pointy, lopsided roof, tiny windows and distressed façade, is nestled in an intentionally overgrown English-style garden and was once surrounded by a moat-like pond. The house was originally built in 1921 to serve as offices and dressing rooms for a film studio in Culver City, and was moved to its present location in 1934.
Explanation: To the eye, this cosmic composition nicely balances the Bubble Nebula at the lower left with open star cluster M52 above it and to the right. The pair would be lopsided on other scales, though. Embedded in a complex of interstellar dust and gas and blown by the winds from a single, massive O-type star, the Bubble Nebula, also known as NGC 7635, is a mere 10 light-years wide. On the other hand, M52 is a rich open cluster of around a thousand stars. The cluster is about 25 light-years across. Seen toward the northern boundary of Cassiopeia, distance estimates for the Bubble Nebula and associated cloud complex are around 11,000 light-years, while star cluster M52 lies nearly 5,000 light-years away. The wide telescopic field of view spans about one degrees on the sky or two times the apparent size of the Full Moon. (Text: apod.nasa.gov/apod/ap131008.html )
This picture was photographed during September, 4-6 , 2014 in Khlepcha observatory, Ukraine.
In this picture I discover an planetary nebula pKjPn8 (also known as PN G112.5-00.1) is a very unusual bipolar planetary nebula. Its complex structure is the result of irregular ejections of gas in different directions. (www.noao.edu/image_gallery/html/im1089.html)
Equipment: home assembled reflector 10 in., f/3.8
Mount WhiteSwan-180 with control "EQDrive Standart", camera QSI-583wsg, Tevevue Paracorr-2. Off-axis guidecamera QHY5L-II.
LRGB and narrow Ha filter set Baader Planetarium.
L = 32*450 sec.+20*90 sec. unbinned
RGB= 12*200-300 sec. bin.2.
Ha=24*900 sec., unbinned. Total 13 hours.
FWHM 1.99"-2.70" , sum in L channel - 2.42"
Processed Pixinsight 1.8 and Photoshop CS6
♪♫"...you know that it's a fool who plays it cool by making his world a little colder" ♫♪
This is from the other day when it was warm and sunny and beautiful...I even got a sunburn on one shoulder (so I'm lopsided now, haha) And today....today it is snowing.
The sharpening it kinda terrible on Flickr (like usual)
If you enjoy my work, please check out my facebook ...A few likes would really be appreciated!
Another image from Sunday's saunter around the quayside area of Newcastle and Gateshead.
i know the buildings look lopsided,but thats the wide angle lens for ya :)
i would possibly have considered straightening the shot,but my ps skills are mediocre at best and i like it just the way it is thank you :)
EXIF....F22....1/20 SECOND....ISO 100....17MM....LEE 0.9 ND GRAD (SOFT)
Bamberg / Bavaria / Germany
Album of Germany (the south): www.flickr.com/photos/tabliniumcarlson/albums/72157712099...
Album of "Doors Of The world":
I decided to take a hiatus from a LEGO project I’m working on for over a year now and go back to my comfort zone for a bit: architecture.
For me, autumn is Harry-Potter-season and thus I decided to pick something from the franchise.
The Shrieking Shack was instantly tempting – crooked, awry and lopsided, this building is everything LEGO doesn’t stand for, which made it even more fun to build.
My design is based on the movie version from ‘Harry Potter and the Prisoner of Azkaban’. The building’s outside is merely seen from far away and only the front and left side. Based on the short scene and the production design sketches I could find, I added the other two exterior walls in a way that stayed true to the rest of the architecture.
I upload this many pics to make it easier for you to see how crooked the shack really is. If possible, I’ll put my MOC on a turntable and upload a short movie anytime soon.
Leaning Tower of Pisa and Pisa Cathedral
Schiefer Turm von Pisa und Dom zu Pisa
The Piazza dei Miracoli (Italian: [ˈpjattsa dei miˈraːkoli]; English: Square of Miracles), formally known as Piazza del Duomo (English: Cathedral Square), is a walled 8.87-hectare area located in Pisa, Tuscany, Italy, recognized as an important centre of European medieval art and one of the finest architectural complexes in the world.Considered sacred by the Catholic Church, its owner, the square is dominated by four great religious edifices: the Pisa Cathedral, the Pisa Baptistry, the Campanile, and the Camposanto Monumentale (Monumental Cemetery). Partly paved and partly grassed, the Piazza dei Miracoli is also the site of the Ospedale Nuovo di Santo Spirito (New Hospital of the Holy Spirit), which houses the Sinopias Museum (Italian: Museo delle Sinopie) and the Cathedral Museum (Italian: Museo dell'Opera del Duomo).
The name Piazza dei Miracoli was coined by the Italian writer and poet Gabriele d'Annunzio who, in his novel Forse che sì forse che no (1910), described the square as the "prato dei Miracoli", or "meadow of miracles". The square is sometimes called the Campo dei Miracoli ("Field of Miracles"). In 1987, the whole square was declared a UNESCO World Heritage Site.
(Wikipedia)
The Leaning Tower of Pisa (Italian: torre pendente di Pisa), or simply, the Tower of Pisa (torre di Pisa [ˈtorre di ˈpiːza; ˈpiːsa], is the campanile, or freestanding bell tower, of Pisa Cathedral. It is known for its nearly four-degree lean, the result of an unstable foundation. The tower is one of three structures in the Pisa's Cathedral Square (Piazza del Duomo), which includes the cathedral and Pisa Baptistry.
The height of the tower is 55.86 metres (183 feet 3 inches) from the ground on the low side and 56.67 m (185 ft 11 in) on the high side. The width of the walls at the base is 2.44 m (8 ft 0 in). Its weight is estimated at 14,500 tonnes (16,000 short tons). The tower has 296 or 294 steps; the seventh floor has two fewer steps on the north-facing staircase.
The tower began to lean during construction in the 12th century, due to soft ground which could not properly support the structure's weight. It worsened through the completion of construction in the 14th century. By 1990, the tilt had reached 5.5 degrees. The structure was stabilized by remedial work between 1993 and 2001, which reduced the tilt to 3.97 degrees.
Architect
There has been controversy surrounding the identity of the architect of the Leaning Tower of Pisa. For many years, the design was attributed to Guglielmo and Bonanno Pisano, a well-known 12th-century resident artist of Pisa, known for his bronze casting, particularly in the Pisa Duomo. Pisano left Pisa in 1185 for Monreale, Sicily, only to come back and die in his home town. A piece of cast bearing his name was discovered at the foot of the tower in 1820, but this may be related to the bronze door in the façade of the cathedral that was destroyed in 1595. A 2001 study seems to indicate Diotisalvi was the original architect, due to the time of construction and affinity with other Diotisalvi works, notably the bell tower of San Nicola and the Baptistery, both in Pisa.
Construction
Construction of the tower occurred in three stages over 199 years. On 5 January 1172, Donna Berta di Bernardo, a widow and resident of the house of dell'Opera di Santa Maria, bequeathed sixty soldi to the Opera Campanilis petrarum Sancte Marie. The sum was then used toward the purchase of a few stones which still form the base of the bell tower. On 9 August 1173, the foundations of the tower were laid. Work on the ground floor of the white marble campanile began on 14 August of the same year during a period of military success and prosperity. This ground floor is a blind arcade articulated by engaged columns with classical Corinthian capitals. Nearly four centuries later Giorgio Vasari wrote: "Guglielmo, according to what is being said, in the year 1174, together with sculptor Bonanno, laid the foundations of the bell tower of the cathedral in Pisa".
The tower began to sink after construction had progressed to the second floor in 1178. This was due to a mere three-metre foundation, set in weak, unstable subsoil, a design that was flawed from the beginning. Construction was subsequently halted for the better part of a century, as the Republic of Pisa was almost continually engaged in battles with Genoa, Lucca, and Florence. This allowed time for the underlying soil to settle. Otherwise, the tower would almost certainly have toppled. On 27 December 1233, the worker Benenato, son of Gerardo Bottici, oversaw the continuation of the tower's construction.
On 23 February 1260, Guido Speziale, son of Giovanni Pisano, was elected to oversee the building of the tower. On 12 April 1264, the master builder Giovanni di Simone, architect of the Camposanto, and 23 workers went to the mountains close to Pisa to cut marble. The cut stones were given to Rainaldo Speziale, worker of St. Francesco. In 1272, construction resumed under Di Simone. In an effort to compensate for the tilt, the engineers built upper floors with one side taller than the other. Because of this, the tower is curved. Construction was halted again in 1284 when the Pisans were defeated by the Genoese in the Battle of Meloria.
The seventh floor was completed in 1319. The bell-chamber was finally added in 1372. It was built by Tommaso di Andrea Pisano, who succeeded in harmonizing the Gothic elements of the belfry with the Romanesque style of the tower. There are seven bells, one for each note of the musical major scale. The largest one was installed in 1655.
History following construction
Between 1589 and 1592, Galileo Galilei, who lived in Pisa at the time, is said to have dropped two cannonballs of different masses from the tower to demonstrate that their speed of descent was independent of their mass, in keeping with the law of free fall. The primary source for this is the biography Racconto istorico della vita di Galileo Galilei (Historical Account of the Life of Galileo Galilei), written by Galileo's pupil and secretary Vincenzo Viviani in 1654, but only published in 1717, long after his death.
During World War II, the Allies suspected that the Germans were using the tower as an observation post. Leon Weckstein, a U.S. Army sergeant sent to confirm the presence of German troops in the tower, was impressed by the beauty of the cathedral and its campanile, and thus refrained from ordering an artillery strike, sparing it from destruction.
Numerous efforts have been made to restore the tower to a vertical orientation or at least keep it from falling over. Most of these efforts failed; some worsened the tilt. On 27 February 1964, the government of Italy requested aid in preventing the tower from toppling. It was, however, considered important to retain the current tilt, due to the role that this element played in promoting the tourism industry of Pisa.
Starting in 1993, 870 tonnes of lead counterweights were added, which straightened the tower slightly.
The tower and the neighbouring cathedral, baptistery, and cemetery are included in the Piazza del Duomo UNESCO World Heritage Site, which was declared in 1987.
The tower was closed to the public on 7 January 1990, after more than two decades of stabilisation studies and spurred by the abrupt collapse of the Civic Tower of Pavia in 1989. The bells were removed to relieve some weight, and cables were cinched around the third level and anchored several hundred meters away. Apartments and houses in the path of a potential fall of the tower were vacated for safety. The selected method for preventing the collapse of the tower was to slightly reduce its tilt to a safer angle by removing 38 cubic metres (1,342 cubic feet) of soil from underneath the raised end. The tower's tilt was reduced by 45 centimetres (17+1⁄2 inches), returning to its 1838 position. After a decade of corrective reconstruction and stabilization efforts, the tower was reopened to the public on 15 December 2001, and was declared stable for at least another 300 years. In total, 70 metric tons (77 short tons) of soil were removed.
After a phase (1990–2001) of structural strengthening, the tower has been undergoing gradual surface restoration to repair visible damage, mostly corrosion and blackening. These are particularly pronounced due to the tower's age and its exposure to wind and rain. In May 2008, engineers announced that the tower had been stabilized such that it had stopped moving for the first time in its history. They stated that it would be stable for at least 200 years.
Earthquake survival
At least four strong earthquakes have hit the region since 1280, but the apparently vulnerable tower survived. The reason was not understood until a research group of 16 engineers investigated. The researchers concluded that the tower was able to withstand the tremors because of dynamic soil-structure interaction (DSSI): the height and stiffness of the tower, together with the softness of the foundation soil, influences the vibrational characteristics of the structure in such a way that the tower does not resonate with earthquake ground motion. The same soft soil that caused the leaning and brought the tower to the verge of collapse helped it survive.
Technical information
Elevation of Piazza del Duomo: about 2 metres (6 feet, DMS)
Height from the ground floor: 55.863 m (183 ft 3+5⁄16 in),[37] 8 stories
Height from the foundation floor: 58.36 m (191 ft 5+1⁄2 in)
Outer diameter of base: 15.484 m (50 ft 9+5⁄8 in)
Inner diameter of base: 7.368 m (24 ft 2+1⁄16 in)
Angle of slant: 3.97 degrees[40] or 3.9 m (12 ft 10 in) from the vertical
Weight: 14,700 metric tons (16,200 short tons)
Thickness of walls at the base: 2.44 m (8 ft 0 in)
Total number of bells: 7, tuned to musical scale, clockwise:
1st bell: L'Assunta, cast in 1654 by Giovanni Pietro Orlandi, weight 3,620 kg (7,981 lb)
2nd bell: Il Crocifisso, cast in 1572 by Vincenzo Possenti, weight 2,462 kg (5,428 lb)
3rd bell: San Ranieri, cast in 1719–1721 by Giovanni Andrea Moreni, weight 1,448 kg (3,192 lb)
4th bell: La Terza (1st small one), cast in 1473, weight 300 kg (661 lb)
5th bell: La Pasquereccia or La Giustizia, cast in 1262 by Lotteringo, weight 1,014 kg (2,235 lb)
6th bell: Il Vespruccio (2nd small one), cast in the 14th century and again in 1501 by Nicola di Jacopo, weight 1,000 kg (2,205 lb)
7th bell: Dal Pozzo, cast in 1606 and again in 2004, weight 652 kg (1,437 lb)
Number of steps to the top: 296
About the 5th bell: The name Pasquareccia comes from Easter, because it used to ring on Easter day. However, this bell is older than the bell-chamber itself, and comes from the tower Vergata in Palazzo Pretorio in Pisa, where it was called La Giustizia (The Justice). The bell was tolled to announce executions of criminals and traitors, including Count Ugolino in 1289. A new bell was installed in the bell tower at the end of the 18th century to replace the broken Pasquareccia.
The circular shape and great height of the campanile were unusual for their time, and the crowning belfry is stylistically distinct from the rest of the construction. This belfry incorporates a 14 cm (5+1⁄2 in) correction for the inclined axis below. The siting of the campanile within the Piazza del Duomo diverges from the axial alignment of the cathedral and baptistery of the Piazza del Duomo.
Guinness World Records
Two German churches have challenged the tower's status as the world's most lopsided building: the 15th-century square Leaning Tower of Suurhusen and the 14th-century bell tower in the town of Bad Frankenhausen. Guinness World Records measured the Pisa and Suurhusen towers, finding the former's tilt to be 3.97 degrees. In June 2010, Guinness World Records certified the Capital Gate building in Abu Dhabi, UAE as the "World's Furthest Leaning Man-made Tower"; it has an 18-degree slope, almost five times more than the Tower of Pisa, but was deliberately engineered to slant. The Leaning Tower of Wanaka in New Zealand, also deliberately built, leans at 53 degrees to the ground.
(Wikipedia)
Pisa Cathedral (Italian: Cattedrale Metropolitana Primaziale di Santa Maria Assunta; Duomo di Pisa) is a medieval Roman Catholic cathedral dedicated to the Assumption of the Virgin Mary, in the Piazza dei Miracoli in Pisa, Italy, the oldest of the three structures in the plaza followed by the Pisa Baptistry and the Campanile known as the Leaning Tower of Pisa. The cathedral is a notable example of Romanesque architecture, in particular the style known as Pisan Romanesque. Consecrated in 1118, it is the seat of the Archbishop of Pisa. Construction began in 1063 and was completed in 1092. Additional enlargements and a new facade were built in the 12th century and the roof was replaced after damage from a fire in 1595.
History
Construction on the cathedral began in 1063 (1064 according to the Pisan calendar of the time) by the architect Buscheto, and expenses were paid using the spoils received fighting against the Muslims in Sicily in 1063. It includes various stylistic elements: classical, Lombard-Emilian, Byzantine, and Islamic, drawing upon the international presence of Pisan merchants at that time. In the same year, St. Mark's Basilica began its reconstruction in Venice, evidence of a strong rivalry between the two maritime republics to see which could create the most beautiful and luxurious place of worship.
The church was erected outside Pisa's early medieval walls, to show that Pisa had no fear of being attacked.[citation needed] The chosen area had already been used in the Lombard era as a necropolis and at the beginning of the 11th century a church had been erected here, but never finished, that was to be named Santa Maria.[citation needed] Buscheto's grand new church was initially called Santa Maria Maggiore until it was officially named Santa Maria Assunta.
In 1092 the cathedral was declared primatial church, archbishop Dagobert having been given the title of Primate by Pope Urban II. The cathedral was consecrated in 1118 by Pope Gelasius II, who belonged to the Caetani family which was powerful both in Pisa and in Rome.
In the early 12th century the cathedral was enlarged under the direction of architect Rainaldo, who increased the length of the nave by adding three bays consistent with the original style of Buscheto, enlarged the transept, and planned a new facade which was completed by workers under the direction of the sculptors Guglielmo and Biduino. The exact date of the work is unclear: according to some, the work was done right after the death of Buscheto about the year 1100, though others say it was done closer to 1140. In any case, work was finished in 1180, as documented by the date written on the bronze knockers made by Bonanno Pisano found on the main door.
The structure's present appearance is the result of numerous restoration campaigns that were carried out in different eras. The first radical interventions occurred after the fire of 1595, following which the roof was replaced and sculptors from the workshop of Giambologna, among whom were Gasparo Mola and Pietro Tacca, created the three bronze doors of the facade. In the early 18th century began the redecoration of the inside walls of the cathedral with large paintings, the "quadroni", depicting stories of the blesseds and saints of Pisa. These works were made by the principal artists of the era, and a group of citizens arranged for the special financing of the project. Successive interventions occurred in the 19th century and included both internal and external modifications; among the latter was the removal of the original facade statues (presently in the cathedral museum) and their replacement with copies.
Other notable interventions include: the dismantling of Giovanni Pisano's pulpit between 1599 and 1601 that only in 1926 was reassembled and returned to the cathedral (with some original pieces missing, including the staircase); and the dismantling of the monument to Henry VII made by Lupo di Francesco that was found in front of the door of San Ranieri and later substituted by a simpler, symbolic version.
Description
The original building plan was a Greek cross with a grand cupola at the crossing, but today the plan is a Latin cross with a central nave flanked by two side aisles on each side, with the apse and transepts having three naves. The inside offers a spatial effect similar to that of the great mosques thanks to the use of raised lancet arches, the alternating layers of black and white marble, and the elliptical dome, inspired by the Moors. The presence of two raised matronea in the nave, with their solid, monolithic columns of granite, is a clear sign of Byzantine influence. Buscheto welcomed Islamic and Armenian influence.
Exterior
The rich exterior decoration contains multicolored marble, mosaic, and numerous bronze objects from the spoils of war, among which is the griffin. The arrival of the griffin in Pisa has been attributed to numerous Pisan military victories of the 11th and 12th centuries, including the 1087 Mahdia Campaign and the 1113-1115 Balearic Expedition. The griffin was placed on a platform atop a column rising from the gable above the apse at the east end of the roof, probably as continuation of the original construction that started in 1064. In the early 19th century the original sculpture, which can now be seen in the cathedral museum, was removed from the roof and replaced with a copy. The high arches show Islamic and southern Italian influence.Ref? The blind arches with lozenge shapes recall similar structures in Armenia. The facade of grey and white marble, decorated with colored marble inserts, was built by Master Rainaldo. Above the three doorways are four levels of loggia divided by cornices with marble intarsia, behind which open single, double, and triple windows.
The cathedral was heavily damaged by a fire in 1595. The heavy bronze doors of the façade were newly designed, executed and completed in 1602 by sculptors around Giambologna on the expense of Ferdinando I de' Medici, the Grand Duke of Tuscany. At the top there is a Madonna and Child and, in the angles, the four evangelists. The tomb of Buscheto is found to the left of the north door of the facade.
Contrary to what might be thought, from the beginning the faithful entered the cathedral through the Gate of Saint Rainerius, found in the south transept of the same name, which faces the bell tower. For townsfolk approaching by via Santa Maria it was the shortest way to enter the cathedral. The door wings were cast about 1180 by Bonanno Pisano, and it is the only door not destroyed in 1595. The 24 bronze reliefs show stories of the New Testament. This bronze portal is one of the first produced in Italy during the Middle Ages, and is a forerunner of the bronze doors created by Andrea Pisano for the Baptistery in Florence (1329–1336).
Of further interest
At the end of the 10th century Pisa established March 25 as the beginning of its new year. This date was considered very important because it is both the Feast of the Annunciation (occurring nine months before Christ's birth on December 25) and it falls very close to the spring equinox. To mark the beginning of the Pisan new year a system was devised in the cathedral whereby a beam of light shines through a round window on the south side of the nave and, precisely at noon on March 25, lands on the same spot every year: on top of a shelf affixed to a pylon on the opposite side of the church. This shelf rests on a marble egg, a symbol of birth and new life. In 1750 the first day of the new year was officially changed to January 1, but this event is still celebrated every year accompanied by solemn religious and civic celebrations.
The lamp at the center of the nave is called Galileo's lamp, because a legend says that the great scientist formulated his theory of isochronism of the pendulum while watching its oscillations from the roof of the nave. The original, however, smaller and very different than this one, is found today in the Camposanto.
On the north side, to the left side of the facade in front of the Camposanto at about eye level, is an original piece of Roman marble (as testified to by its decoration that can still in part be seen), on which are a series of small black marks. Legend says that these marks were left by the devil when he climbed up to the dome attempting to stop its construction, and so they are referred to as the scratches of the devil. (The legend also says that out of spite the number of scratches always changes when counted.)
Legend has it that the amphora placed on a small column on the right side of the apse was used by Christ at the wedding feast of Cana when he turned water into wine.
Pope Gregory VIII is buried in the cathedral.
(Wikipedia)
Die Piazza dei Miracoli (italienisch Platz der Wunder), wie die Piazza del Duomo im Volksmund auch genannt wird, ist der Domplatz der toskanischen Stadt Pisa. Der Name stammt vom italienischen Dichter und Schriftsteller Gabriele D’Annunzio. Er beschrieb in seinem Buch Forse che sì forse che no den Platz als Wiese der Wunder. Die Piazza dei Miracoli ist eine Grünfläche nahe der Stadtbefestigung im nordwestlichen Teil der Altstadt. Die dezentrale Lage am Rande des Historischen Stadtkerns ist ungewöhnlich. Auf dem Platz steht das berühmte Ensemble, bestehend aus dem Baptisterium als größte Taufkirche der Welt, dem Friedhof Camposanto Monumentale und dem kreuzförmigen Dom Santa Maria Assunta mit seinem Campanile, dem Schiefen Turm. Sie gehören zu den Meisterwerken der mittelalterlichen Architektur und hatten einen großen Einfluss auf die monumentalen Kunst in Italien vom 11. bis zum 14. Jahrhundert. Seit 1987 gehört der Platz zum UNESCO-Welterbe.
(Wikipedia)
Der Schiefe Turm von Pisa (italienisch Torre pendente di Pisa) ist das wohl bekannteste geneigte Gebäude der Welt und Wahrzeichen der Stadt Pisa in Italien.
Der Turm war als freistehender Glockenturm (Campanile) für den Dom in Pisa geplant. 12 Jahre nach der Grundsteinlegung am 9. August 1173, im Jahr 1185, als der Bau bei der dritten Etage angelangt war, begann sich der Turmstumpf in Richtung Südosten zu neigen. Daraufhin ruhte der Bau rund 100 Jahre. Die nächsten vier Stockwerke wurden dann mit einem geringeren Neigungswinkel als dem bereits bestehenden gebaut, um die Schieflage auszugleichen. Danach musste der Bau nochmals unterbrochen werden, bis 1372 auch die Glockenstube vollendet war.
Der Grund für seine Schieflage liegt in dem Untergrund aus lehmigem Morast und Sand, der sich unter dem Gewicht verformt. Neuesten Ausgrabungen zufolge steht der Turm am Rande einer ehemaligen Insel direkt neben einem antiken, zur Bauzeit bereits versandeten Hafenbecken. Die Schieflage des Turms beträgt nach dem Ende der Sanierungsarbeiten rund vier Grad, entsprechend einer Auslenkung an der Spitze von 3,9 m (bei rund 55,8 m Höhe). Im Inneren des Turmes hängt ein Pendel, das oben in der Mitte befestigt ist und durch die Schieflage unten beinahe die Seitenwand berührt.
Der Legende nach hat der aus Pisa stammende Galileo Galilei bei Fallversuchen vom Turm die Fallgesetze entdeckt.
Im Jahre 1987 wurde das Ensemble auf der Piazza del Duomo aus dem Turm, dem Dom, dem Baptisterium und dem Camposanto von der UNESCO zum Weltkulturerbe erklärt.
Architektur
Der 56 Meter hohe und 12 Meter durchmessende Campanile besteht aus 14.500 Tonnen weißen Carrara-Marmors und hat sieben Glocken, die aber längere Zeit wegen der Einsturzgefahr nicht läuten durften. Er sollte der Höhepunkt der ganzen Anlage der Piazza dei Miracoli sein. Er unterscheidet sich von den üblichen quadratischen Türmen Mittelitaliens und steht in einem großen Gegensatz zu den spitz zulaufenden Türmen des nördlichen Europa. Er ruht auf einem spiralförmigen Fundament aus 700 m³ Bruchstein und Mörtel. Neben dem Eingang sind Monat und Jahr des Baubeginns eingemeißelt: August 1173. In Urkunden wird jedoch stets 1174 genannt, denn für die Pisaner begann nach damaligem Kalender das neue Jahr bereits am 25. März. Giorgio Vasari bezeichnete Bonanno Pisano und einen gewissen Guglielmo als ursprüngliche Architekten des Turms.
Der Campanile hatte – außer dass er die Glocken tragen sollte – noch eine andere Funktion. Bei äußerer Gefahr flüchtete damals der Klerus in den Turm. Maueröffnungen und -vorsprünge im Zylinderschacht machten es möglich, bei Bedarf in jedem Stockwerk Gebälk und Fußböden einzuziehen.
Jedes Stockwerk hat eine Tür hinaus auf die Säulengalerie, die aus jeweils 30 Säulen besteht. Auf der Südseite führen oben sechs Stufen zur Glockenstube hinauf, auf der Nordseite nur vier. Die Treppe zur obersten Aussichtsterrasse soll Brunelleschi inspiriert haben, einen ähnlichen Aufgang zur Laterne auf der Kuppel des Doms in Florenz zu bauen.
Vom 7. Januar 1990 an musste der 14.500 Tonnen schwere Turm für Besucher gesperrt werden, da die Schräglage zu gefährlich wurde. Es gab eine weltweite Aufforderung an Baustatiker, die besten Lösungen zur Stabilisierung auszuarbeiten und einzureichen.
Nach 13-jährigen Sanierungsmaßnahmen, bei denen der Turm wieder um 44 Zentimeter aufgerichtet wurde, ist er seit Dezember 2001 wieder für Touristen geöffnet. Besucher können gegen Entgelt den Turm in Gruppen von maximal 40 Besuchern für eine Dauer von 15 Minuten besteigen.
Der Schiefe Turm von Pisa ist nicht das schiefste Gebäude bzw. der schiefste Turm der Welt, wie häufig vermutet wird. Dennoch gehört er zu den schiefsten Bauwerken, die – aufrecht geplant – unabsichtlich in eine Schieflage geraten sind.
Glocken
Die sieben Kirchenglocken des Domes werden aus statischer Vorsicht nur noch mittels innenliegender elektromagnetischer Schlaghämmer angeschlagen, und zwar mittags um 12 Uhr und jeweils vor den Messen.
Zuvor wurden die Glocken entsprechend ihrer Namen liturgisch eingesetzt, so etwa die Terza zur Terz, der dritten Stunde des liturgischen Tages, also um 9 Uhr vormittags, oder die Vespruccio zur Vesper, 18 Uhr. Das Läuten erfolgte von Hand; an Festtagen wurden die Glocken voll – a slancio – ausgeschwungen.
Die kleinste Glocke von 1501, Vespruccio genannt, hat eine sehr schlanke, zuckerhutartige Form. Die Glocke Del Pozzo ist ein originalgetreuer Nachguss der Vorgängerin, 1606 von Nicolaus Castellum gegossen.
Sanierungsmaßnahmen
Versuche im Mittelalter, den Bau durch besondere Baumaßnahmen wie geneigte Böden sowie dünnere und leichtere Mauern auf der überhängenden Seite zu retten, zeigten keine ausreichende Wirkung, so dass von den ursprünglich geplanten 100 Metern Höhe nur 54 Meter gebaut wurden.
Seit dem Beginn exakter Messungen 1911 nahm die Neigung stetig zu, und die Rate der Zunahme verdoppelte sich von den 1930er-Jahren bis 1990. In diesem Jahr betrug die jährliche Zunahme der Neigung 6 Bogensekunden. Außerdem zeigte die Vermessung, dass es sich um eine Rotationsbewegung handelte, wobei das Zentrum des Kreises in Höhe des Bodens der ersten Galerie senkrecht über dem Mittelpunkt des Turms auf Bodenebene liegt, der selbst keine vertikale Bewegung ausführte. Bei zwei heftigen Starkregenereignissen konnte 1995 eine Neigungszunahme in der Größenordnung einer Bogensekunde in wenigen Stunden festgestellt werden. Daraus wurde geschlossen, dass die Ursache nicht – wie üblicherweise angenommen – im Kriechen der weichen marinen Tonschicht (Horizont B ab einer Tiefe von etwa 10 m bis zu einer Tiefe von 40 m, wo Horizont C mit dichtem marinen Sand beginnt) lag, sondern an dem darüberliegenden Horizont A (Sand, sandige und tonige Schluffe), in der regelmäßig im September bis Dezember auftretende Unwetter mit heftigen Niederschlägen eine verstärkte Rotationsbewegung auslösten.
Seit der vorübergehenden Schließung 1990 waren diverse Sanierungsmaßnahmen unternommen worden. Im Mai 1992 wurde der Campanile mit Stahlreifen im zweiten Geschoss gesichert, da sich dort gefährliche Risse im tragenden Marmor gezeigt hatten. Insgesamt wurden 18 dieser Reifen angebracht. Zusätzlich wurden im Juli 1993 im Fundament 600 Tonnen Bleibarren als Gegengewicht auf der Nordseite eingelagert. Dadurch konnte die Schieflage des Turmes 1993 um eine Bogenminute verringert werden. 1995 wurden weitere Sanierungsmaßnahmen (Bodenvereisung und Stahlkabel-Verankerung) durchgeführt, da man die Bleigewichte als störend empfand. In der Folge erhöhte sich dabei allerdings die Neigung. Daraufhin wurde die höhere Seite des Fundaments an seinem Vorsprung außen am Turm im September 1995 erneut, diesmal mit 900 Tonnen Bleibarren, beschwert (siehe Bild), was die Neigung stoppte.
Ein Komitee internationaler Fachleute, das über die Sanierungsmaßnahmen des Turmes befinden sollte (1990 bis 2001 unter Leitung von Michele Jamiolkowski), konnte sich auf keine bestimmten Maßnahmen festlegen und wurde deshalb zum Ende 1996 von der italienischen Regierung aufgelöst. Nach dem großen Erdbeben vom September 1997 wurde das Komitee jedoch wieder eingesetzt. Man einigte sich im Herbst 1998 mehrheitlich auf eine neue Maßnahme zur Sanierung des Campanile, die sogenannte Bodenextraktions-Methode (geplant von John Burland nach einer Idee des Ingenieurs Fernando Terracina aus dem Jahr 1962). Dazu wurden im folgenden Jahr schräge Löcher in den Boden (Tiefe rund 4 bis 5 m, innerhalb von Horizont A) unter dem nördlichen Teil des Turmes gebohrt, so dass etwa 50 m³ Material entfernt wurde. Das Erdreich sackte langsam nach, schließlich auch der Boden des Turmes, und der ganze Turm richtete sich zunehmend nach Norden auf. Die Gesamtneigung des Turmes wurde von 5,5 Grad vor dem Beginn der Sanierungsarbeiten (um 1990) auf etwa vier Grad verringert. Damit ist der Turm voraussichtlich für die nächsten 300 Jahre gesichert. Nach dem Abschluss der Sanierungsmaßnahmen wurde der Turm am 15. Dezember 2001 wieder zur Besichtigung freigegeben.
Zur Sicherung während dieser Arbeiten wurde der Turm 1998 mit zwei starken Stahlseilen von 103 Metern Länge so befestigt, dass er nicht durch unerwartete Bewegungen einstürzen konnte.
Bei Bauarbeiten zur Sicherung des Gebäudes ist eine alte Römerstraße entdeckt worden, die noch in alten Plänen verzeichnet war, außerdem ein mittelalterliches Grab samt vollständigem Skelett.
(Wikipedia)
Der Dom Santa Maria Assunta (italienisch Cattedrale Metropolitana Primaziale di Santa Maria Assunta) ist eine Kirche in Pisa, zu der der weltweit berühmte Schiefe Turm von Pisa gehört. Sie ist die Kathedrale des Erzbistums Pisa.
Der Dom steht auf dem weitläufigen Rasenplatz der Piazza del Duomo, auf dem sich auch die drei dazugehörenden Bauwerke Baptisterium, Camposanto Monumentale und der Campanile („Der Schiefe Turm von Pisa“) befinden. Dieser Platz wurde vom Dichter D’Annunzio als Piazza dei Miracoli (Platz der Wunder) bezeichnet und wird noch heute so genannt. Trotz einer Bauzeit von über 200 Jahren wurde durch den gleichbleibenden Baustoff Carrara-Marmor und die einheitliche Fassadengestaltung ein zusammenhängendes Bild geschaffen. Der Dom wurde zum Vorbild für spätere Dombauten wie z. B. in Florenz und Siena und galt jahrhundertelang als monumentalster Bau der christlichen Geschichte.
Papst Gelasius II. weihte 1118 den damals noch unvollendeten Dom ein. Er trägt das Patrozinium der Himmelfahrt Mariens.
Baugeschichte
Buscheto di Giovanni Giudice begann mit dem Bau des Doms im Jahre 1063 auf dem Schwemmboden vor der alten Stadtmauer. Finanziert wurde das Bauwerk mit den im gleichen Jahr von den Sarazenen vor Palermo eroberten Schätzen. Durch den weichen Untergrund sank auch der Dom im Osten leicht ein. Die kreuzförmige Grundfläche des Doms war zu diesem Zeitpunkt in Italien neu. Über der Vierung der fünfschiffigen Basilika mit dem dreischiffigen Querhaus erhebt sich eine elliptische Kuppel mit einem oktogonalen Ansatz. Sie wurde erst 1380 durch Lupo di Gante und Puccio di Gadduccio im gotischen Stil nachträglich hinzugefügt.
Die Fassade wurde am Ende des 12. Jahrhunderts von Rainaldo geschaffen und wurde als Pisaner Romanik in der gesamten Toskana zum Vorbild. Bei der westlichen Fassade erheben sich über den sieben Blendarkadenbögen im Erdgeschoss mit seinen drei Portalen vier Galerien mit insgesamt 52 Säulen. Auf dem Giebel der 35,5 m breiten und 34,2 m hohen Fassade steht eine Madonna mit Kind von Andrea Pisano. An ihrer Seite stehen Engel, die zusammen mit den beiden Evangelisten auf der ersten Galerie durch Schüler von Giovanni Pisano entstanden. Das mittlere Portal ist dem Leben Marias gewidmet. Im linken Bogen der Fassade ist das Grab des ersten Dombaumeisters Buscheto mit einer antiken Sarkophagspolie und einer langen Huldigung in die Wand eingefasst.
Die drei Bronzetore aus dem 17. Jahrhundert ersetzen die von Bonanno Pisano geschaffenen Tore von 1180, die bei einem schweren Feuer 1595 zerstört wurden. Die neuen Türen mit umfangreichen Reliefszenen wurden bis 1602 durch Schüler Giambolognas, Francavilla, Mocchi und Tacca, in loser Anlehnung an das alte Vorbild gegossen. Die Porta di San Ranieri am südlichen Seitenschiff ist dem Campanile zugewandt. Hier ist das restaurierte Original des Meisters Bonanno Pisano von 1186 noch erhalten. Es ist nach dem Schutzpatron Pisas benannt und stellt u. a. Szenen aus dem Leben Christi dar.
Am gesamten Gebäude findet man vielfach zusammenhanglose Zeichen auf den Außenwänden. Der Grund dafür liegt darin, dass man antike Baumaterialien wiederverwendete oder Materialien aus eroberten Städten holte.
Datierungsprobleme
Im Hinblick auf die Datierung des Baus und die historische Herleitung ihrer einzelnen Bauformen gibt es in der Forschung seit langem unterschiedliche Ansichten. Eine verbreitete Theorie nennt konkrete Zahlen und die Namen verschiedener Baumeister. Andere Kunsthistoriker halten diese Geschichten für bereits im Mittelalter erfundene Legenden.
Nach der ersten Theorie war der Seesieg bei Palermo über die damals im Mittelmeer herrschenden Sarazenen im Jahr 1063 Anlass zum Bau der Gesamtanlage. In Venedig spielten diese sarazenischen Seeräuber ebenfalls eine Rolle. Auch dort war die Abwendung dieser Gefahr Anlass gewesen, den Markusdom neu zu bauen, und zwar im selben Jahr 1063, in dem die Anlage in Pisa möglicherweise begonnen wurde. Auch die Pisaner hatten durch diesen Seesieg reiche Beute gemacht und den Ertrag zur Glorifizierung ihrer Stadt genutzt; Pisa war im 11. Jahrhundert die mächtigste Stadt der Toskana.
Nach der zweiten Ansicht ist lediglich erwiesen, dass im Jahr 1118 die Kathedrale im Bau befindlich war. Das sei das einzige zuverlässige Datum. Man habe damals die eher zufällige Anwesenheit des Papstes Gelasius II. genutzt, um eine angemessene Weihe zu vollziehen. Der Bau musste für diesen Fall schon weit genug fortgeschritten gewesen sein, so dass sich die angesetzten Entstehungszeiten der beiden Theorien nicht wesentlich unterscheiden.
Die Kathedrale gehört zusammen mit dem Markusdom in Venedig zu den ersten Monumentalbauten des mittelalterlichen Italiens. Daher stellt sich die Frage, auf wen die entscheidenden Bauideen zurückgehen. Die Stadt Pisa popularisierte schon sehr früh eine eigene lokalpatriotische Version, die dem Baumeister die gesamte Anlage als geniale, völlig eigenständige Idee zuschrieb, ohne dass fremde Einflüsse eine Rolle spielten. Demzufolge soll der erste Baumeister der Kathedrale Buscheto gewesen sein, über den nur sehr wenig bekannt ist. Vasari berichtet in seinen Vite, "Busketos" sei griechischer Herkunft gewesen – also kein geborener Pisaner. Dies wird mancherorts bestritten und vor allem lokal dadurch unterstrichen, dass man ihn „Buscheto Pisano“ nennt. Belegt ist seine Eigenschaft als Prokurator der Pfarre und als Mitglied der Dombauhütte.
Keine Einigkeit besteht in der Forschung, wer die Idee zu der Kathedrale hatte und was seine stilistischen Vorbilder waren. Pisa hatte – wie Venedig – als Seemacht intensive Handelsbeziehungen im östlichen Mittelmeer. Deshalb liegt es nahe, dass die östliche Baukunst hier Einfluss ausüben konnte. Auf jeden Fall war der Baumeister mit dem byzantinischen Kulturraum vertraut. Seine Baukunst nimmt Anleihen auf bei persischen Moscheen und bei frühchristlichen Kirchen in Armenien und Georgien. Zudem vereint sie Elemente der italienischen Romanik mit Motiven aus der Stadtmauer von Kairouan. Inschriften im Dom belegen die Mitarbeit von Heiden: Türken, Afrikanern, Persern und Chaldäern.
Auch wenn sich die Bauzeit des Pisaner Doms lange hinzog, ist der Gesamteindruck einheitlich. Der ersten Theorie zufolge verlief die weitere Entwicklung folgendermaßen: Vor Fertigstellung des Doms habe der neue Baumeister Rainaldus um 1100 den ursprünglichen Grundriss geändert. Er ließ das Langhaus verlängern, den Obergaden erhöhen – die ursprüngliche Höhe ist noch am Querhaus erkennbar – und das untere Geschoss der Fassade errichten. Vollendet worden soll der Bau bis 1160 durch den Innsbrucker Meister Wilhelm gen. Guglielmus (auch Guilielmus)., der um diese Zeit auch die erste Kanzel für den Dom schuf.
Rechts über dem mittleren Portal der Westfassade sind zwei Inschriften in die Wand eingelassen, deren erste Rainaldo als Bauherrn rühmen. Als demütige Replik folgt ein Bibelzitat aus der Vulgata (Psalm 21, Vers 22):
Hoc opus eximium tam mirum tam pretiosum
Rainaldus prudens operator et ipse magister
constituit mire sollerter et ingeniose
De ore leonis libera me domine et
a cornibus unicornium humilitatem meam
Dieses hervorragende Werk, ebenso wunderbar wie kostspielig,
errichtete Rainald, der kluge Erbauer und selbst [Bau]meister,
in wundervoller, kunstvoller und erfinderischer Weise.
Aus dem Rachen des Löwen befreie mich, o Herr,
und von den Hörnern der Einhörner meine Niedrigkeit.
Bedeutung der Fassade für die Datierung
Die Westfassade des Doms stellt für die abendländische Architekturgeschichte eine entscheidende Neuerung dar, den Übergang von der glatten Wand zur plastisch gestalteten Schaufläche. Daher ist auch die Frage ihrer genauen Datierung wichtig, denn ähnlich gestaltete Fassaden wurden auch andernorts gebaut, etwa in Lucca an der Kathedrale San Martino, dessen Baumeister Guidetto da Como, der auch in Pisa tätig war, auf der Fassade mit dem Datum 1204 verewigt wurde.
Die kritischere zweite Theorie akzeptiert lediglich, dass in der zweiten Hälfte des 12. Jahrhunderts im Westen des Hauptschiffes drei Joche angefügt und die heutige Fassade begonnen wurden. Namen werden in dieser Theorie nicht genannt. Demnach könnte die gesamte Fassade auch erst um 1200 fertig und möglicherweise von Anfang an in ihrer heutigen Form geplant gewesen sein. Andere Schätzungen nehmen sogar erst die Mitte des 13. Jahrhunderts an – also hundert Jahre nach dem Datierungszeitraum der ersten Theorie.
Trotzdem spricht viel dafür, dass man zwei verschiedene Phasen in der Entwicklung des Dekorationssystems unterscheiden kann. Die ursprüngliche Konzeption hätte demnach vorgesehen, die Außenmauern im Erdgeschoss durch folgende Elemente zu gliedern: erstens durch Blendbögen, sodann durch waagerechte Streifen aus farbigem Marmor – nach dem Vorbild des Baptisteriums in Florenz – und durch eingelegte Ornamente und Medaillons. Dieses Schema gilt für das ganze Kathedraläußere, an den Seitenwänden auch für die oberen Geschosse. Doch in den über dem Erdgeschoß liegenden Etagen der Westfassade übertraf man diesen Formenreichtum noch um ein Vielfaches. Statt flächiger Aufblendung ließ man in vier Galerien übereinander eine plastische Dekorationsschicht aus Säulen und verzierten Bögen vor der eigentlichen Kirchenmauer deutlich hervortreten.
Legenden
Im Hauptschiff hängt ein bronzener Leuchter von Vincenzo Possenti aus dem Jahre 1587, der Entwurf stammt aber von Giovanni Battista Lorenzi. Es gibt die Geschichte, dass an dem Leuchter Galileo Galilei die Gesetze der Pendelschwingung gefunden haben soll. Sollte es ein Leuchter in dieser Kirche gewesen sein, der ihn auf das Gesetz brachte, kann es allerdings nicht dieser Leuchter gewesen sein, da Galileo Galilei das Gesetz um 1584 veröffentlicht hat.
Zwischen dem nördlichen Seitenschiff und der westlichen Fassade findet man an der Außenwand des Doms an einem Pfeiler einen Stein mit vielen schwarzen Punkten. Von diesem Stein erzählt man sich, dass er vom Teufel sei. Zählt man zweimal hintereinander die Punkte nach, so kommt man jeweils auf ein anderes Ergebnis.
(Wikipedia)
Felton, Calif. – Among geared locomotives, three companies (Shay, Heisler and Climax) are widely credited with dominating the logging and industrial marketplace. Shay locomotives were designed in 1872 particularly for Western U.S. logging operations. Roaring Camp Railroads owns several Shay locomotives, a Heisler, Climax, and five diesel engines. Not all are operational as some are undergoing renovation and extensive refurbishing. On any given day, one might see one or more of the following steam locomotives transporting visitors deep into the heart of the breathtaking Santa Cruz Mountains.
Locomotive #1: Built in 1912, it was originally owned by the Alaculsy Lumber Company, and was used on the Smokey Mountain Railroad in Tennessee. The Dixiana is named for a small narrow-gauge mining railroad, now abandoned, out of Dixiana, Virginia.
Notable characteristics include the boiler, which was set left of centerline to compensate for the weight and position of the engine – giving it a lopsided appearance – and the engine design of a three-cylinder exhaust system.
..:: More information in my blog Ashraf Rathmullah. The link is in information and all my links ::..
This handsome fellow stopped grazing long enough to give me a lopsided grin. (That's my story anyway and I'm sticking to it.)
A mature buck with a most unusual, non-typical antler formation...the most curious, lopsided antlers I have ever seen...stands in a field of dry grass.
Grasses, or more technically graminoids, are monocotyledonous, usually herbaceous plants with narrow leaves growing from the base. They include the "true grasses", of the family Poaceae, as well as the sedges and the rushes. The true grasses include cereals, bamboo and the grasses of lawns and grassland. Sedges include many wild marsh and grassland plants, and some cultivated ones such as water chestnut and papyrus sedge. Uses for graminoids include food, drink, pasture for livestock, thatch, paper, fuel, clothing, insulation, construction, sports turf, basket weaving and many others.
www.bing.com/images/search?view=detailV2&ccid=akW5qFI...
Fairchild Tropical Botanic Garden, MIami FL
The title comes from the reflected lights in the window giving an impression of speed.
The window is presenting the new library in Ware to be opened soon. I love the poster advertising this new local facility. The premises was once called Utopia but it is soon to be a reading Utopia. The street cleaning hero walked into the scene to add some variety to the picture.
Now the nerd bit.
In the 1960’s I was given an old Westminster Photographic press camera dated from the 1930’s. The viewfinder was just a wire frame on the top and you guess the focal distance etc because everything was manual. The shutter was a focal plane shutter that gave a good crash when you pressed the shutter button CRASH!!!
So I today set myFuji up so I could only see through an external viewfinder turning off all the screens and help. This picture is one of the results. Once I had sorted the setting out there was a great deal of freedom in taking pictures. The results were interesting with plenty of lopsided pictures etc but the freedom from technology was great.
This spectacular image from the NASA/ESA Hubble Space Telescope shows the trailing arms of NGC 2276, a spiral galaxy 120 million light-years away in the constellation of Cepheus. At first glance, the delicate tracery of bright spiral arms and dark dust lanes resembles countless other spiral galaxies. A closer look reveals a strangely lopsided galaxy shaped by gravitational interaction and intense star formation.
This striking image showcases the unusually contorted appearance of NGC 2276, an appearance caused by two different astrophysical interactions — one with the superheated gas pervading galaxy clusters, and one with a nearby galactic neighbour.
The interaction of NGC 2276 with the intracluster medium — the superheated gas lying between the galaxies in galaxy clusters — has ignited a burst of star formation along one edge of the galaxy. This wave of star formation is visible as the bright, blue-tinged glow of newly formed massive stars towards the left side of this image, and gives the galaxy a strangely lopsided appearance. NGC 2276’s recent burst of star formation is also related to the appearance of more exotic inhabitants — black holes and neutron stars in binary systems.
On the other side of the galaxy from this burst of new stars, the gravitational attraction of a smaller companion is pulling the outer edges of NGC 2276 out of shape. This interaction with the small lens-shaped galaxy NGC 2300 has distorted the outermost spiral arms of NGC 2276, giving the false impression that the larger galaxy is orientated face-on to Earth. NGC 2276 and its disruptive companion NGC 2300 can both be seen in the accompanying image, which shows a wider view of the interacting galaxies.
NGC 2276 is by no means the only galaxy with a strange appearance. The Atlas of Peculiar Galaxies — a catalogue of unusual galaxies published in 1966 — contains a menagerie of weird and wonderful galaxies, including spectacular galaxy mergers, ring-shaped galaxies, and other galactic oddities. As befits an unusually contorted galaxy, NGC 2276 has the distinction of being listed in the Atlas of Peculiar Galaxies twice — once for its lopsided spiral arms and once for its interaction with its smaller neighbour NGC 2300.
Credits: ESA/Hubble & NASA, P. Sell; CC BY 4.0
Acknowledgement: L. Shatz
Ziggy has the most classic expressions ever! Gotta love this puppy, he's so cute.
when he was a tiny baby his left ear was lopsided all the time, it's almost sad to see it has sprung up. it was so unbelievably cute
Peace everyone!
On a nature walk in a National Wildlife Refuge near home, I came upon this huge rootball remnant, still attached to a rotting tree trunk which was laying on its side on the shoreline of the Bitterroot River in Western Montana. I am not a medical examiner, and there was no autopsy, so it is hard to venture a guess as to when this particular tree gave it up to gravity, as most everything does at some point. Gravity's record is majorly lopsided in its favor, and has been for eons.
For the record, the winter season is hanging on hard here in the Bitterroot Valley. We have had frequent light snows, many of them overnight, and there is no real sign yet of a springtime approaching or arriving in the immediate future. But it is April on the calendar and, if Mother Nature reads, and she probably doesn't, the seasonal transition will be upon us soon enough, and the greening up, the 50 and 60 degree temperatures, and the steady rise of the Bitterroot River are just around the corner. Or around the next bend in the river if you like poetry.
Happy Springtime to you and yours wherever you might be in the northern hemisphere. Wishing you Southies a pleasant seasonal
transition as well. After all, we are all in this together and we should make every attempt to stay unified and peaceably interconnected. It just could be that we're all alone out here in the galaxy.
With a beautiful smell when the leaves were crushed. These flowers are peculiarly lopsided. Dor my 100 flowers project.
Marktbreit / Bavaria / Germany
Album of Germany (the south): www.flickr.com/photos/tabliniumcarlson/albums/72157712099...
I just wanted to experiment with charcoal since I’d never used it before, but it kinda turned into a serious drawing after spending like 6 hours on it XD the proportions are kinda lopsided though bc I didn’t do a preliminary sketch. I drew this during quarantine last spring from a reference photo
Ok, so I can't lie, I wasn't too impressed with the holiday wishes show, I felt it was a bit weak compared to the usual show (the holiday addendum to the Epcot show was much better). To add to that, I thought this would be a great place to view the show, however, shooting from here made the fireworks look quite small and all lopsided to the right of the castle. Grrrr. My original plan was to shoot the show in 15 second exposures, then merge them all together in PS. Unfortunately the images simply weren't wother the time. Instead I decided to take the HDR that I had shot before the show and blend in the best of the show, along with some shots from last years new years show in Jax. Hopefully the result, while obviously fake, doesn't look too contrived.
When I first saw my shots of this Magpie on the banks of the Clarence River at the Woodford Island Crossing in New South Wales, I knew what I would call it. Maggie looks like he wants to grow a moustache (not too sure about this, he might well be a she!) Growing moustaches to raise funds for men's health and to improve male life expectancy (which is five years lower than women) is the goal of the multi-nation Movember movement which has been going for nearly 20 years now. Men don't like to think about or get checked for certain unmentionable diseases like prostate and testicular cancer or talk about the black dog of depression and so they can go undiagnosed until it is too late. The Movember movement is about reversing that situation. I am not a spokesman for them, but Maggie and I both agree it's important work. And no, we don't like getting prodded and felt up in unmentionable places (and we know ladies don't either) but for both sexes, these are important things. The story of Movember and its goals and a link for further information is below. By the way, ladies, you are often braver than us but don't forget your checks too. And you can grow a moustache too if you like...well, buy one and stick it on perhaps.
"Men’s health is in crisis. Men are dying on average 5 years earlier than women, and for largely preventable reasons.
A growing number of men – around 10.8M globally – are facing life with a prostate cancer diagnosis. Globally, testicular cancer is the most common cancer among young men. And across the world, one man dies by suicide every minute of every day, with males accounting for 69% of all suicides.
Movember is uniquely placed to address this crisis on a global scale. We fund groundbreaking projects all over the world, engaging men where they are to understand what works best and accelerate change.
We use funding to impact men’s health both locally and globally. We invest in country- and culture-specific health projects while collaborating on game-changing solutions that address the men’s health crisis on a global scale. We share what we learn and report thoroughly on every initiative we fund. We hold ourselves accountable, measuring success along the way to ensure we’re always learning and improving.
GET INVOLVED
GROW A MO
Patchy, lopsided, itchy or epic – whatever Mo you grow this Movember, your face will raise funds and awareness for men’s health.
MOVE FOR MOVEMBER
Commit to running or walking 60km over the month, at your own pace. That’s 60km for the 60 men we lose to suicide each hour, every hour across the world.
HOST A MO-MENT
Rally a crew and do something fun and easy. Hosting is all about having a good time for a good cause.
MO YOUR OWN WAY
Create your own challenge – it can be anything. A gruelling test of physical endurance or something else entirely. Your epic efforts will help change the face of men’s health."
This galaxy, known as NGC 2337, resides 25 million light-years away in the constellation of Lynx. NGC 2337 is an irregular galaxy, meaning that it — along with a quarter of all galaxies in the Universe — lacks a distinct, regular appearance. The galaxy was discovered in 1877 by the French astronomer Édouard Stephan who, in the same year, discovered the galactic group Stephan’s Quintet (heic0910i).
Although irregular galaxies may never win a beauty prize when competing with their more symmetrical spiral and elliptical peers, astronomers consider them to be very important. Some irregular galaxies may have once fallen into one of the regular classes of the Hubble sequence, but were warped and deformed by a passing cosmic companion. As such, irregular galaxies provide astronomers with a valuable opportunity to learn more about galactic evolution and interaction.
Despite the disruption, gravitational interactions between galaxies can kickstart star formation activity within the affected galaxies, which may explain the pockets of blue light scattered throughout NGC 2337. These patches and knots of blue signal the presence of young, newly formed, hot stars.
Image credit: ESA/Hubble & NASA
Text credit: European Space Agency
NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.
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The magnificent spiral galaxy NGC 2276 looks a bit lopsided in this Hubble Space Telescope snapshot. A bright hub of older yellowish stars normally lies directly in the center of most spiral galaxies. But the bulge in NGC 2276 looks offset to the upper left.
What's going on? In reality, a neighboring galaxy to the right of NGC 2276 (NGC 2300, not seen here) is gravitationally tugging on its disk of blue stars, pulling the stars on one side of the galaxy outward to distort the galaxy's normal fried-egg appearance.
This sort of "tug-of-war" between galaxies that pass close enough to feel each other's gravitational pull is not uncommon in the universe. But, like snowflakes, no two close encounters look exactly alike.
In addition, newborn and short-lived massive stars form a bright, blue arm along the upper left edge of NGC 2276. They trace out a lane of intense star formation. This may have been triggered by a prior collision with a dwarf galaxy. It could also be due to NGC 2276 plowing into the superheated gas that lies among galaxies in galaxy clusters. This would compress the gas to precipitate into stars, and trigger a firestorm of starbirth.
The spiral galaxy lies 120 million light-years away, in the northern constellation Cepheus.
Image credit: NASA, ESA, STScI, Paul Sell (University of Florida)
#NASA #MarshallSpaceFlightCenter #MSFC #Marshall #HubbleSpaceTelescope #HST #astronomy #space #astrophysics #solarsystemandbeyond #gsfc #Goddard #GoddardSpaceFlightCenter #ESA #EuropeanSpaceAgency #galaxycluster #galaxy
~Unknown
A new day begins at one of my favourite Mangrove trees :-) Got through a morning of shooting without breaking any more on my tripod......... got the locking mechanism for the leg part the other day, so at least it's back together..... still a bit lopsided until I get the new straight leg part though ;-)
First light panorama - 8 shots
Canon 50mm 1.8 II
f14
15 seconds
ISO200
--- EXPLORED, many thanks! ---
840 meters high and one of the best places in my hometown - btw the first time that my head was swimming while I was editing in photoshop :)
The other contenders do not stand a chance against this entry after it lost shed loads of weight to gain first place. Now it just needs a diet with no lean meat to get back in shape.
The East Cliff at Whitby.
The end cottages of Henrietta Street are all now luxury holiday lets. Henrietta Street used to be longer, and stretched around the cliff, but a series of landslides have resulted in the present number. Indeed, one of the cottages is named 'Tipple Cottage' as it is lopsided compared with the properties on either side
Photo taken from near the Captain Cook statue
©SWJuk (2021)
All rights reserved
Ball bearings with dilute ink in an old bottle.
One of the interesting things about living in an old village is that you never quite know what you are going to dig up in the garden. This is an old bottle, suitably battered and worn from it’s burial experience.
I chose it for the image because of its interesting shape. At around two inches tall it was also a good size for this week’s Macro Mondays theme In a Bottle. You can tell it’s an old bottle because of the thick lopsided glass on the bottom, the bubbles in the glass and the centre seam. It’s mass produced though and colourless glass so not as ancient as some of our archaeological finds.
One of the challenges with the theme was to put something interesting in the bottle. I took the easy way out and just added ball bearings (easily bought at a fishing shop - just ask for catapult ammunition!) and water, coloured with fountain pen ink.
To bring out the textures in the glass I lit it from behind and above with two LED penlights. Yep, I’ve doubled my investment in photographic studio lighting, though the second doubled up as a Christmas present for my wife :) .
Thank you for taking time to look. I hope you enjoy the image. Happy Macro Mondays!
[Lit from behind and above with LED penlights; on black glazed tile with back card behind. Tripod, remote release, VR off, focussed in Live View.
Toyed with the exposure and lighting in Lightroom; a bit of extra clarity and vibrance.
In Affinity Photo selected the background and used Levels filter to remove it by upping the black point.
Sharpened with acombination of Unsharp Mask and High Pass blended with Linear Light blend mode. Finally used an HSL adjustment layer to change the ink colour to purple from an unappetising orange :).]
Seeking justice from the Crown.
In 1736 Mahomet Weyonomon, a Mohegan sachem (chief), died in Aldermanbury, in the City of London. He was 36 years old. Foreigners could not be buried in the city, so he was carried across the river & buried in St Saviour's Church, now Southwark Cathedral. The exact location of the grave is unknown. This sculpture is his memorial.
Mahomet's presence in London was the result of injustice & exploitation. His tribe had helped the first settlers in New England survive bitter cold & repel Indian attacks. The Mohegans became allies of the English but settlers began to steal tribal lands. Despite support for the Mohegan cause from Queen Anne's Commissioners in 1705, the lands were not returned.
Mahomet sailed to London in 1735 with 3 supporters, to petition King George II for the return of the stolen lands. While awaiting an audience, Captain John Mason & Mahomet contracted smallpox & died.
This memorial was erected at the request of the Mohegan tribe to honour a fallen chief. A stone was brought from Mohegan lands & carved with forms that reflect ancient custom, by Peter Randall-Page. It was unveiled by HM the Queen & the Duke of Edinburgh, on 22 November 2006 with the tribal chairman Bruce Two Dogs Bozsum & the US Ambassador - symbolically granting the audience Mahomet never received.
Calle de la Massena, Dorsoduro
Koordinaten: 45°25'50.3"N 12°19'18.8"E
(Wie das geht: Koordinaten marakieren und kopieren, Maps oder Earth öffnen, Koordinaten ins Such-Fenster einfügen, Suche - Fertig).
Coordinates: 45°25'50.3"N 12°19'18.8"E
(How to do this: Mark and copy coordinates, open maps or Earth, insert coordinates into the search window, Search - Done) .
Coordenadas: 45°25'50.3"N 12°19'18.8"E
(Cómo hacer esto: Marcar y copiar coordenadas, abrir mapas o Earth, insertar coordenadas en la ventana de búsqueda, Buscar - Hecho)
photo all rights reserved by B℮n
On monday 11 December Amsterdam is covered in a coat of fresh snow. The snow fell in sudden flurries and gusts and turned the world white and wonderful. With the canals in the city and occasional high winds, there can be a nip in the air, but packing gloves and a scarf should keep you warm enough. There is something very beautiful about Amsterdam in the winter. It does occasionally snow in Amsterdam in February, but that almost always means just a light dusting. I walk in my neighbourhood and made some photos of the snow. When it snows the light and atmosphere is really beautiful. The steep bridges over the canals in Amsterdam are really slippery, especially for cars. The best way to travel in the snow is by bicycle, tram, walking or better by sleds. Het Wapen van Riga is an old building (left) with crow-stepped gable that was used to be the house of Major Bosshardt. She was a well known officer in The Salvation Army, she was a public figure in the Netherlands. This building is now a place where the homeless people can come inside to get warm, have a drink or meal, clothes etc. So this Wapen van Riga is not an attraction but behind this building there is a new building and it is a museum of The Salvation Army. It´s interesting to know about the work of this organisation. The facade of this stately old Salvation Army building leans slightly forward. Stone on wooden frame, which would explain the lopsided look. Very good looking building! www.tripadvisor.com
This monday afternoon I walk in my neighbourhood and made some beautiful photos of the snow. The virgin white carpet of snow is crunching under my shoes. I began to remember why I love the winters so much. This time around, the canals remained relatively ice-free and there was lots of snow. Photo taken at the Red Light District at the Oudezijds Voorburgwal on the Armbrug. The Wallen, also known as the rosse buurt to Amsterdammers and the Red Light District to visitors is actually the oldest part of Amsterdam. The neighbourhood is chock-full of interesting shops, pubs, fantastic restaurants, leaning gabled houses and the city’s most charming canals. The wind is strong which make it harsh. KNMI released today its “Code Red” alert for heavy snowfall.
Op de maandag middag van 11 december werd Amsterdam bedekt met een laagje verse sneeuw. De sneeuw die viel bedekte de wereld om ons heen wit en prachtig. Ik heb mijn camera gepakt en op pad gegaan in m'n buurtje. Ik geniet van het geluid van knarsende sneeuw onder mijn schoenen en het prachtige gezicht op de Amsterdamse grachtenpanden. Het is min één graden en de grijze sneeuw wolken trekken weg. Mijn handschoenen en m'n sjaal houden mij warm genoeg. Er is iets heel moois over Amsterdam in de winter. Mokum is bedolven onder dik pak sneeuw zoals hierboven op de Oudezijds Voorburgwal op de Armbrug. Het Wapen van Riga is een huis met een trapgevel en is gebouwd in 1605 in opdracht van een koopman uit Riga, een immigrant. Daarom zit er ook een gevelsteen in de muur waarop twee gekruiste sleutels staan, dit is het stadswapen van Riga. Dit soort huizen werden gebouwd tussen ongeveer 1600 en 1665. De eerste trapgevels hadden een stijl die nog niet typisch Amsterdam was, de Hollandse renaissance, een stijl die ook veel voorkomt in bijvoorbeeld Haarlem. Het gebouw was vroeger het huis van majoor Bosshardt . Ze was een bekende officier in het Leger des Heils, ze was een publieke figuur in Nederland. Dit gebouw is nu een plek waar daklozen naar binnen kunnen komen om warm te worden, te drinken of te eten, kleding enz. Dus dit Wapen van Riga is geen attractie, maar achter dit gebouw is een nieuw gebouw en het is een museum van de Leger des Heils. Het is interessant om te weten over het werk van deze organisatie. De gevel van dit statige oude Leger des Heils leunt lichtjes naar voren. Steen op houten frame, wat de scheve gezicht zou verklaren.
Now this is a sign I loved to see. Some places (such as land sacred to the Niimiípuu people) maybe don't need Jeeps and ATVs tearing them up. Maybe they don't even need mountain bikes.
Maybe just walk the trail and take in the canyon where many Native Americans gave their lives... Well... okay, not in this case. In this case, The Nez Perce warriors killed 34 white United States soldiers while receiving only three wounded and zero fatalities.
All while being outnumbered two-to-one, having the low ground, and not firing the first shot.
Sometimes - and this is rare in our history - battlegrounds sacred to Native Americans are not the sites of massacres. There were many victories, some more lopsided than others, that deserve to be remembered and even celebrated.
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'Like Living Things'
Camera: Canonet QL-17
Film: Agfa Vista 200
Process: DIY ECN-2
White Bird Canyon, Idaho
July 2019
I know it's lopsided.
That's on purpose.
I like it.
(Processing tweaked by Rob Mizell. Thanks, Rob!)
Explored
© Darlene Bushue 2019
Went out to one of our favorite spots not far from home yesterday morning and came across this guy, feeding in the willows. Poor thing has been through the ringer this rut season, and I can only imagine how lopsided he feels because those antlers are HEAVY. Other than losing his other, he appeared to be healthy and happy.
Have a great Sunday!!!