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5 Goals in one game is an experience that i will never forget!

 

Real Madrid vs Club America at Candlestick Park. San Francisco サンフランシスコ / August 4 2010 / LIVE / Preseason Match / Nikon d700 70-300mm VR Lens

 

SAN FRANCISCO — Gonzalo Higuain and Cristiano Ronaldo scored in the second half to give Real Madrid a win in coach Jose Mourinho's debut, 3-2 over Club America in an international friendly Wednesday night.

 

MATCH SUMMARY:

 

2- CLUB AMERICA: Guillermo Ochoa (Navarrete, 45'); Armando Sanchez, Oscar Rojas (Martinez, 85'), Aquivaldo Mosquera (Treviño, 59'), Adolfo Rosinei (Juan Carlos Silva, 64'); Daniel Montenegro (Sandoval 36'), Enrique Esqueda, Pavel Pardo, Matias Vuoso; Vicente Sanchez (Marquez, 85'), Israel Martinez.

3- REAL MADRID: Dudek (Adan, 45'); Juanfran (Nacho, 45'; Morata, 84'), Pepe, Garay, Marcelo (Drenthe, 45'); Gago (Diarra, 45'), Lass (Tebar, 69'), Canales (Granero, 45'), Pedro Leon (Di María, 45'), Cristiano Ronaldo (Alex Fernandez, 84'); Benzema (Higuain, 45').

GOALS:

0-1, min.34: Canales

1-1, min. 53: Esqueda

2-1, min. 61: Vicente Sanchez

2-2, min. 63: Higuain

2-3, min. 80: Cristiano Ronaldo

  

More info on the game...

www.google.com/hostednews/ap/article/ALeqM5iffMDiW2doOBhW...

 

www.realmadrid.com/cs/Satellite/en/1330010682535/noticia/...

LONDON, ENGLAND - OCTOBER 11: Natasha Khan of Bat For Lashes poses backstage at Boiler Room #69 on October 11, 2011 in London, United Kingdom. (Photo by Caitlin Mogridge/Redferns)

Wolf Hoffmann member of the band Accept performs live on stage at the Monsters of Rock Festival. ***EXCLUSIVE PHOTO, PLEASE DO NOT COPY ALL RIGHTS RESERVED*** Instagram: www.instagram.com/mauriciosantana

A Day to Remember @ The Academy - January 29, 2011 - Dublin, Ireland

1/125 sec at f/2.8

View on Black

85 mm f/1.8

Nikon D90

Official coverage of Two Ex Akcent concert

Something Completely Different! A Monty Python Tribute, 03/24/2017 at 1904 in Jacksonville, FL

X - Los Angeles Tour 2011

At The Paradise Rock Club - Boston MA

www.myspace.com/13x69

www.xtheband.com

  

JOHN DOE - bass, vocals - en.wikipedia.org/wiki/John_Doe_(musician) - www.theejohndoe.com/

EXENE CERVENKA - vocals - en.wikipedia.org/wiki/Exene_Cervenka - www.exenecervenka.net/

BILLY ZOOM - guitar, sax - en.wikipedia.org/wiki/Billy_Zoom - www.billyzoom.com/

D.J. BONEBRAKE - drums+ - en.wikipedia.org/wiki/D._J._Bonebrake - www.djbonebrakemusic.com/

 

Hometown: Los Angeles

Record Label: Rhino Records

 

Biography

X were the quintessential L.A. punk rockers before they grew into a world-class rock & roll band and live band; however, enthusiasm for their unique, intelligent and humorous work never quite reached critical mass.

 

Formed in 1977 after songwriter and bassist John Doe (b. Feb. 24, 1956) met (and later married) Exene Cervenka (b. Feb. 1, 1956) at a Venice poetry workshop, with rockabilly veteran Billy Zoom (b. Feb. 20, 194?) on guitar and D.J. Bonebrake (b. Dec. 8, 1955) on drums, the band garnered an immediate following. "Discovered" by ex-Doors keyboardist Ray Manzarek, he took the band into the studio for the recording of Los Angeles in 1980. It was curious, at a time when punks were supposed to hate hippies, that X's merging with an ex-Door was not only tolerated, but earned them stature as California's preeminent punk band when the record earned across-the-board raves. 1981 saw the release of the similarly punked-up Wild Gift, while their 1982 album, Under the Big Black Sun, began what would be a long career in merging hard rock, country and folk into their fiery mix. The band successfully began to mix in their populist politics with an eye toward matters of the heart.

 

As the band began to reach wider audiences, both Doe and Cervenka enjoyed outside careers in the arts — he as an actor in films like Great Balls of Fire and Roadside Prophets, and she as a poet and spoken-word artist, collaborating with Lydia Lunch and Wanda Coleman.

 

In 1983, the rootsy songs on More Fun in the New World lent themselves to acoustic performances which the band had taken to trying live. They took it one step further on their side project, the Knitters (with Dave Alvin) which yielded one Slash album, Poor Little Critter in the Road, in 1985. Ain't Love Grand was a harder rock album in 1986 and was followed by Zoom's departure. He was momentarily replaced by Alvin, but for recording purposes, the band recruited Tony Gilkyson (formerly of Lone Justice) for See How We Are, the band's most decidedly hard-rock record in the catalog. Gilkyson stayed for the recording Live at the Whisky A Go-Go in 1988 before the band took some much-needed time off, although they never broke up. In the interim, Doe and Cervenka had since divorced, and the pair continued to work as solo artists, releasing Cervenka's Old Wives Tales (Rhino, 1989) and Running Sacred (1990) and Doe's Meet John Doe for Geffen in 1990.

 

By 1993, the band got together for the recording of Hey Zeus!, a collection of new songs, but the response was underwhelming, and it was back to solo work. Doe released Kissingsohard for Rhino in 1995. Exene also released Surface to Air Serpents for the 2.13.61 label, as well as a reading of the Unabomber Manifesto, after changing her name to Cervenkova. During their frequent hiatuses, X would occasionally appear in Los Angeles and San Francisco and during one stay, recorded a live album in San Francisco in 1995, Unclogged, and self-released it. Cervenkova's latest project is Auntie Christ with Bonebrake and Matt Freeman of Rancid. Gilkyson also works as a solo artist. X also appeared in three films: Penelope Spheeris' punk documentary The Decline of Western Civilization, Urgh! A Music War, and a documentary of their lives and times, The Unheard Music. Beginning in 1998, founding member Billy Zoom returned to the fold for a series of on-again/off-again shows and limited touring; a pair of 2004 Los Angeles concerts were recorded and videotaped for Live in Los Angeles, released both as an audio CD and video DVD in the spring of 2005.

My Darkest Days played the Hard Rock Cafe in Toronto, Ontario on April 15th, 2010

 

www.mydarkestdays.com

  

Sneeze - Slaughterhaus IV - Infestation

Varous Artists

Wednesday 6 - Friday 8 November, Check listing for times

Various Locations

Various Locations

Street Talks is a series of quickfire public talks, part of the Re@ct: Social Change Art Technology Symposium. Rather than your typical poster session, these talks will take place on the streets of Dundee in various locations. Free speech is essential to political and social change – these artists are quite literally taking it to the streets to share their creative practices.

 

Luisa Charles & Elke Reinhuber –Wednesday 6th November, 2pm, Slessor Gardens

 

Luisa Charles – discusses the intersections of disability and design, and how novel bespoke design practices could offer a solution to designing for all needs, where universal design could not. These design ideologies, that include co-design, individual centred design, mass customisation, and mass personalisation, are exemplified by case studies from pop culture design media, such as the Fixperts and BBC’s Big Life Fix. She analyses the social, technological, and economical shifts that are required for these practices to become mainstream, and the capability of bespoke design to cause enough disruption within the design economy to create a shift in capitalism.

 

Elke Reinhuber – The Urban Beautician moved recently from the speckless city state of Singapore, where she already developed her retirement plans, across the South China Sea, to protest-ridden Hong Kong. There, she observed how much effort the cleaners put up to keep these megapolises scrubbed and tidy. As they are frequently overlooked, the Urban Beautician captured some of them during their relentless daily routine. While they have adapted themselves to their particular duties, their skills are hardly ever honoured or even acknowledged. Paying homage to their Sisyphean challenge, they can be positioned now anywhere through Augmented Reality and venerated as perpetualised sculptures of our everyday heroes.The Urban Beautician tries to improve neglected details in our urban environment with interventions in public space and performances to camera. Since more than a decade she cares for things most people are oblivious to.

   

Ibarieze Abani and Daisy Abbott & Anders Zanichkowsky – Thursday 7th November, 1:30pm, Albert Square, by McManus Gallery Steps

 

Ibarieze Abani and Daisy Abbott – Transmedia storytelling uses multiple delivery channels to convey a narrative in order to provide a more immersive entertainment experience (Jenkins, 2009). Transmedia activism can be very broadly defined as using storytelling to “effect social change by engaging multiple stakeholders on multiple platforms to collaborate toward appropriate, community-led social action” (Srivastava, 2009). Activism depends on participation and collaboration within a community to avoid unsustainable or inappropriate top-down interventions. A similar concept, transmedia mobilization, uses transmedia storytelling to engage “the social base of a movement in participatory media making practices across multiple platforms” (Constanza-Chock, 2013) and also requires interaction from diverse voices from within the community.

 

Anders Zanichkowsky –“I Am in Your Hands: Smartphones and the erotics of the future”Social media artist and queer anarchist Anders Zanichkowsky will present excerpts and reflections from his current Grindr project, “Queen of Hearts,” as well as other recent projects reading Tarot cards on hookup apps and go-go dancing for a remote audience on Instagram. During this talk, Anders will use the same social media platforms that are the subject of his presentation, inviting you into the theory behind the work, and into the work itself. Equal parts cultural criticism, performance art, and experimental public speaking, this street talk will level the hierarchy of physical presence over virtual appearance, and scandalously suggest how thirst traps and sexting with strangers can indeed point us towards a radical future of queer intimacy and counterculture.

 

Mohammad Namazi & Matteo Preabianca – Friday 8th November, 1:30pm, Wellgate Centre, Victoria Road entrance

 

Mohammad Namazi – An Archive of Audio Disobedience, intervenes into the public realm, and collaborates with individuals, to construct a live-event. The event manifests through utilising a net-based sound archive, capable of involving participants in a collective form of sound-action, -publication, -demonstration, -performance, and -play.

The archive comprises various audio effects, sound segments, words, and computer-generated speeches – to stage a critical symphony, rooted in and derived from, socio-political concerns.

 

Matteo Preabianca – Mantra Marx is the eighth album for the NonMiPiaceIlCirco! Project. NonMiPiaceIlCirco! is a musical project that has been on since 2004, the year of the first album. Since then, the line-up has been in a constant change, with Matteo Preabianca the only member from the beginning. So they took The Capital from the shelf to read again. But who remembers it, especially young people? Let’s get rid of guitars and songs to give a didactic approach to the music. 25 tracks, one for each of the First Book’s 25 chapters. They use the lyrics as Hinduist mantras, where repetition is the key for a deep understanding of our life, and Marx as well. Its music, besides being lo-fi and badly made, is just an excuse. The lyrics are a summarized version of the aforementioned book, spoken by 25 different Mandarin native voices, completely unaware of the reason behind the recording. Still time to die as a Marxist(?). Developed and recorded in China.

 

About the Artists

 

Daisy Abbott is an interdisciplinary researcher and research developer based in the School of Simulation and Visualisation at The Glasgow School of Art. Daisy’s current research focusses on game-based learning, 3D visualisation, and issues surrounding digital interaction, documentation, preservation, and interpretation in the arts and humanities. She also collaborates with artists on works aiming to explore the nature of digital interactivity and digital art.

 

Luisa Charles is an interaction designer, multidisciplinary artist, and filmmaker. Having been exhibited in the Science Museum, Science Gallery London, London Design Festival, and various film festivals, amongst others, her work spans many themes across science and technology, social politics, and personal narratives. She specialises in installation design and physical computing, experience design, fabrication, and videography, and her work often comes under the umbrella of speculative and critical design. Her work focuses heavily on research processes, and forms itself organically through investigation and experimentation.

 

Ibarieze Abani is a recent Masters graduate in Serious Games and Virtual Reality at the Glasgow School of Art, where she has carried out projects about cultural heritage, gender inequality, transmedia storytelling and climate policy. She is an advocate of the capabilities of interactive digital media as a tool for opening up dialogues surrounding large scale themes such as climate justice, social justice and intersectionality. She has a keen interest in working with people using digital media to make meaningful and tangible differences on a societal scale.

 

Mohammad Namazi (b. 1981. Tehran) is an artist, educator and researcher based in London. Mohammad works through means of de-construction, collaboration, process, unlearning, and telematics systems within social and cultural realms. The studio operates as a research-lab for inter-disciplinary projects that can span video, sound, liveevents, graphics, photography, sculptural structures, and internet-based projects. He received his doctorate from UAL research in 2019, and currently teaches as visiting lecturer at Wimbledon, and Chelsea College of Arts. Mohammad is a member of research cluster Critical Practice.

 

Matteo Preabianca- Music and Languages…Music and Languages? How come? Matteo starts playing violin when he was a child, but he did not like it, especially when he tried to beat it on the table. It did not make any good sound. So, better drumming, right? Meanwhile playing and spending a lot his mum’s money to buy records he realised even speaking other languages was not so bad. Especially when he invented his own. Step by step, he turned into a music and languages teacher.

 

Elke Reinhuber is not your average artist, because she became a specialist on choice, decision making and counterfactual thoughts in media arts. Currently, Reinhuber teaches and researches at the School of Creative Media, CityU Hing Kong and is affiliated with the School of Art, Design and Media at NTU in Singapore. In her artistic practice, she investigates on the correlation between decisions and emotions and explores different strategies of visualisation and presentation, working with immersive environments, mixed reality, imaging technologies and performance. In addition, her alter ego, the ‘Urban Beautician’ is pursuing a life which Elke didn’t follow.

 

Anders Zanickowsky is an American artist and activist who uses platforms like Grindr and Instagram as actual sites for performances about desire, uncertainty, and vulnerability. He is committed to José Esteban Muñoz’s concept of queer futurity in which artists refuse the oppressive confines of the present and reach instead towards what can only be imagined. He has an MFA from the University of Wisconsin-Madison (2019) and was a resident with The Arctic Circle program in Svalbard (2016). Since 2008 he has worked in movements for housing justice, prison abolition, and HIV/AIDS.

 

Photography by Kathryn Rattray

2015 BILLBOARD MUSIC AWARDS - Arrivals - The "2015 Billboard Music Awards" broadcast airs live from Las Vegas at the MGM Grand Garden Arena on SUNDAY, MAY 17 (8:00-11:00 p.m., ET). on the ABC Television Network. (Photo by Jason Merritt/Getty Images via ABC)

TAYLOR SWIFT

X - Los Angeles Tour 2011

At The Paradise Rock Club - Boston MA

www.myspace.com/13x69

www.xtheband.com

  

JOHN DOE - bass, vocals - en.wikipedia.org/wiki/John_Doe_(musician) - www.theejohndoe.com/

EXENE CERVENKA - vocals - en.wikipedia.org/wiki/Exene_Cervenka - www.exenecervenka.net/

BILLY ZOOM - guitar, sax - en.wikipedia.org/wiki/Billy_Zoom - www.billyzoom.com/

D.J. BONEBRAKE - drums+ - en.wikipedia.org/wiki/D._J._Bonebrake - www.djbonebrakemusic.com/

 

Hometown: Los Angeles

Record Label: Rhino Records

 

Biography

X were the quintessential L.A. punk rockers before they grew into a world-class rock & roll band and live band; however, enthusiasm for their unique, intelligent and humorous work never quite reached critical mass.

 

Formed in 1977 after songwriter and bassist John Doe (b. Feb. 24, 1956) met (and later married) Exene Cervenka (b. Feb. 1, 1956) at a Venice poetry workshop, with rockabilly veteran Billy Zoom (b. Feb. 20, 194?) on guitar and D.J. Bonebrake (b. Dec. 8, 1955) on drums, the band garnered an immediate following. "Discovered" by ex-Doors keyboardist Ray Manzarek, he took the band into the studio for the recording of Los Angeles in 1980. It was curious, at a time when punks were supposed to hate hippies, that X's merging with an ex-Door was not only tolerated, but earned them stature as California's preeminent punk band when the record earned across-the-board raves. 1981 saw the release of the similarly punked-up Wild Gift, while their 1982 album, Under the Big Black Sun, began what would be a long career in merging hard rock, country and folk into their fiery mix. The band successfully began to mix in their populist politics with an eye toward matters of the heart.

 

As the band began to reach wider audiences, both Doe and Cervenka enjoyed outside careers in the arts — he as an actor in films like Great Balls of Fire and Roadside Prophets, and she as a poet and spoken-word artist, collaborating with Lydia Lunch and Wanda Coleman.

 

In 1983, the rootsy songs on More Fun in the New World lent themselves to acoustic performances which the band had taken to trying live. They took it one step further on their side project, the Knitters (with Dave Alvin) which yielded one Slash album, Poor Little Critter in the Road, in 1985. Ain't Love Grand was a harder rock album in 1986 and was followed by Zoom's departure. He was momentarily replaced by Alvin, but for recording purposes, the band recruited Tony Gilkyson (formerly of Lone Justice) for See How We Are, the band's most decidedly hard-rock record in the catalog. Gilkyson stayed for the recording Live at the Whisky A Go-Go in 1988 before the band took some much-needed time off, although they never broke up. In the interim, Doe and Cervenka had since divorced, and the pair continued to work as solo artists, releasing Cervenka's Old Wives Tales (Rhino, 1989) and Running Sacred (1990) and Doe's Meet John Doe for Geffen in 1990.

 

By 1993, the band got together for the recording of Hey Zeus!, a collection of new songs, but the response was underwhelming, and it was back to solo work. Doe released Kissingsohard for Rhino in 1995. Exene also released Surface to Air Serpents for the 2.13.61 label, as well as a reading of the Unabomber Manifesto, after changing her name to Cervenkova. During their frequent hiatuses, X would occasionally appear in Los Angeles and San Francisco and during one stay, recorded a live album in San Francisco in 1995, Unclogged, and self-released it. Cervenkova's latest project is Auntie Christ with Bonebrake and Matt Freeman of Rancid. Gilkyson also works as a solo artist. X also appeared in three films: Penelope Spheeris' punk documentary The Decline of Western Civilization, Urgh! A Music War, and a documentary of their lives and times, The Unheard Music. Beginning in 1998, founding member Billy Zoom returned to the fold for a series of on-again/off-again shows and limited touring; a pair of 2004 Los Angeles concerts were recorded and videotaped for Live in Los Angeles, released both as an audio CD and video DVD in the spring of 2005.

KNEBWORTH, ENGLAND - JULY 05: (L-R) Yuimetal and Su-metal of Babymetal perform on stage at Sonisphere at Knebworth Park on July 5, 2014 in Knebworth, United Kingdom. (Photo by Marc Broussely/Redferns via Getty Images) *** Local Caption *** Yui Mizuno; Suzuka Nakamoto

A WEEKEND OF JAZZ & BLUESY SOUL

Blues musician at the KITCHENER Blues fest.

X - Los Angeles Tour 2011

At The Paradise Rock Club - Boston MA

www.myspace.com/13x69

www.xtheband.com

  

JOHN DOE - bass, vocals - en.wikipedia.org/wiki/John_Doe_(musician) - www.theejohndoe.com/

EXENE CERVENKA - vocals - en.wikipedia.org/wiki/Exene_Cervenka - www.exenecervenka.net/

BILLY ZOOM - guitar, sax - en.wikipedia.org/wiki/Billy_Zoom - www.billyzoom.com/

D.J. BONEBRAKE - drums+ - en.wikipedia.org/wiki/D._J._Bonebrake - www.djbonebrakemusic.com/

 

Hometown: Los Angeles

Record Label: Rhino Records

 

Biography

X were the quintessential L.A. punk rockers before they grew into a world-class rock & roll band and live band; however, enthusiasm for their unique, intelligent and humorous work never quite reached critical mass.

 

Formed in 1977 after songwriter and bassist John Doe (b. Feb. 24, 1956) met (and later married) Exene Cervenka (b. Feb. 1, 1956) at a Venice poetry workshop, with rockabilly veteran Billy Zoom (b. Feb. 20, 194?) on guitar and D.J. Bonebrake (b. Dec. 8, 1955) on drums, the band garnered an immediate following. "Discovered" by ex-Doors keyboardist Ray Manzarek, he took the band into the studio for the recording of Los Angeles in 1980. It was curious, at a time when punks were supposed to hate hippies, that X's merging with an ex-Door was not only tolerated, but earned them stature as California's preeminent punk band when the record earned across-the-board raves. 1981 saw the release of the similarly punked-up Wild Gift, while their 1982 album, Under the Big Black Sun, began what would be a long career in merging hard rock, country and folk into their fiery mix. The band successfully began to mix in their populist politics with an eye toward matters of the heart.

 

As the band began to reach wider audiences, both Doe and Cervenka enjoyed outside careers in the arts — he as an actor in films like Great Balls of Fire and Roadside Prophets, and she as a poet and spoken-word artist, collaborating with Lydia Lunch and Wanda Coleman.

 

In 1983, the rootsy songs on More Fun in the New World lent themselves to acoustic performances which the band had taken to trying live. They took it one step further on their side project, the Knitters (with Dave Alvin) which yielded one Slash album, Poor Little Critter in the Road, in 1985. Ain't Love Grand was a harder rock album in 1986 and was followed by Zoom's departure. He was momentarily replaced by Alvin, but for recording purposes, the band recruited Tony Gilkyson (formerly of Lone Justice) for See How We Are, the band's most decidedly hard-rock record in the catalog. Gilkyson stayed for the recording Live at the Whisky A Go-Go in 1988 before the band took some much-needed time off, although they never broke up. In the interim, Doe and Cervenka had since divorced, and the pair continued to work as solo artists, releasing Cervenka's Old Wives Tales (Rhino, 1989) and Running Sacred (1990) and Doe's Meet John Doe for Geffen in 1990.

 

By 1993, the band got together for the recording of Hey Zeus!, a collection of new songs, but the response was underwhelming, and it was back to solo work. Doe released Kissingsohard for Rhino in 1995. Exene also released Surface to Air Serpents for the 2.13.61 label, as well as a reading of the Unabomber Manifesto, after changing her name to Cervenkova. During their frequent hiatuses, X would occasionally appear in Los Angeles and San Francisco and during one stay, recorded a live album in San Francisco in 1995, Unclogged, and self-released it. Cervenkova's latest project is Auntie Christ with Bonebrake and Matt Freeman of Rancid. Gilkyson also works as a solo artist. X also appeared in three films: Penelope Spheeris' punk documentary The Decline of Western Civilization, Urgh! A Music War, and a documentary of their lives and times, The Unheard Music. Beginning in 1998, founding member Billy Zoom returned to the fold for a series of on-again/off-again shows and limited touring; a pair of 2004 Los Angeles concerts were recorded and videotaped for Live in Los Angeles, released both as an audio CD and video DVD in the spring of 2005.

Abstract Series 184 - Katy Gunn at The Lizard Lounge

 

Genre: Indie

Members: Katy Gunn (Fiddle, vocal and keys), Fred Baker (beats, guitar, keys), Thea Beemer (voice), Bob DiGiacomo (Bass), Paul Sherrard (Drums)

Hometown: Brooklyn

Record Label: Katy Vs Evil Records

About: www.cdbaby.com/Artist/KatyGunn

 

katygunn.com/

www.sonicbids.com/epk/epk.aspx?ep...

www.cdbaby.com/Artist/KatyGunn

www.facebook.com/pages/Katy-Gunn/56221484800?sk=app_17809...

  

Biography

Recipe for Katy Gunn: Pour equal parts of the following into large bowl: Ella Fitzgerald, Bettie Paige, Wonder Woman, Hip-Hop, pure joy, Brain-Dance, unrequited love, sinful debauchery, Idealism to a fault, and (quite a bit of) sarcasm.

 

Cook for any length of time to achieve varying results. All promise to be rich rich rich.

 

Katy Gunn - a DIYer with a vengeance, wrote and produced her solo EP - well equipped with rich vocal harmonies, soulful grooves and an intimate songwriter's sensibility. Sarcastically witty "exquisite pop" as quoted by her CD Baby review, Katy Gunn's music is all at once dark and blissful, daring and eclectic while maintaining accessibility as she always finds a way to lay down a hook with particular sophistication. To top it off, her voice is one you won't be forgetting anytime soon.

 

From the age of two, Katy routinely stole her brother's violin and practiced secretly in the broom closet. The path to a musical life seemed inevitable from that point on. Dropping out of high school to study classical violin at the Oberlin Conservatory, she performed at home and abroad as soloist and concert master, until eventually moving beyond the staid classical world to pursue her own musical language. Katy traveled restlessly between San Francisco, West Hollywood, Chicago, New York, Spain and Brazil before eventually settling in Williamsburg (Brooklyn), where she currently resides.

 

Nothing like your typical rock band, come to a show and you will find a seven piece group with three part vocal harmony, two violins (katy will dazzle you as she sings and plays the violin - both at the same time) and a complete rhythm section sure to please. Her self-released EP is a willing teaser for the upcoming album, "Beautiful Things," yet another DIY accomplishment to be released in the fall of 2010.

 

Artists We Also Like: Bjork, Tribe Called Quest, Portishead, Tori Amos, Dirty Projetors, Aretha Franklin, Led Zeppelin, Beastie Boys,

Influences: Bettie Paige, Ella Fitzgerald, Wonder Woman, Tori Amos, Bjork, 1, the everlasting mystery of the universe

Jessica Jungle - Slaughterhaus III - Domination

This photo shows work from Octink, London's leading display specialist. You can find out more information at www.octink.com/.

Abstract Series 184 - Katy Gunn at The Lizard Lounge

 

Genre: Indie

Members: Katy Gunn (Fiddle, vocal and keys), Fred Baker (beats, guitar, keys), Thea Beemer (voice), Bob DiGiacomo (Bass), Paul Sherrard (Drums)

Hometown: Brooklyn

Record Label: Katy Vs Evil Records

About: www.cdbaby.com/Artist/KatyGunn

 

katygunn.com/

www.sonicbids.com/epk/epk.aspx?ep...

www.cdbaby.com/Artist/KatyGunn

www.facebook.com/pages/Katy-Gunn/56221484800?sk=app_17809...

  

Biography

Recipe for Katy Gunn: Pour equal parts of the following into large bowl: Ella Fitzgerald, Bettie Paige, Wonder Woman, Hip-Hop, pure joy, Brain-Dance, unrequited love, sinful debauchery, Idealism to a fault, and (quite a bit of) sarcasm.

 

Cook for any length of time to achieve varying results. All promise to be rich rich rich.

 

Katy Gunn - a DIYer with a vengeance, wrote and produced her solo EP - well equipped with rich vocal harmonies, soulful grooves and an intimate songwriter's sensibility. Sarcastically witty "exquisite pop" as quoted by her CD Baby review, Katy Gunn's music is all at once dark and blissful, daring and eclectic while maintaining accessibility as she always finds a way to lay down a hook with particular sophistication. To top it off, her voice is one you won't be forgetting anytime soon.

 

From the age of two, Katy routinely stole her brother's violin and practiced secretly in the broom closet. The path to a musical life seemed inevitable from that point on. Dropping out of high school to study classical violin at the Oberlin Conservatory, she performed at home and abroad as soloist and concert master, until eventually moving beyond the staid classical world to pursue her own musical language. Katy traveled restlessly between San Francisco, West Hollywood, Chicago, New York, Spain and Brazil before eventually settling in Williamsburg (Brooklyn), where she currently resides.

 

Nothing like your typical rock band, come to a show and you will find a seven piece group with three part vocal harmony, two violins (katy will dazzle you as she sings and plays the violin - both at the same time) and a complete rhythm section sure to please. Her self-released EP is a willing teaser for the upcoming album, "Beautiful Things," yet another DIY accomplishment to be released in the fall of 2010.

 

Artists We Also Like: Bjork, Tribe Called Quest, Portishead, Tori Amos, Dirty Projetors, Aretha Franklin, Led Zeppelin, Beastie Boys,

Influences: Bettie Paige, Ella Fitzgerald, Wonder Woman, Tori Amos, Bjork, 1, the everlasting mystery of the universe

A WEEKEND OF JAZZ & BLUESY SOUL

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