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Colour 1950s neg, photographed on a lightbox with ADOX Silvermax 35mm to produce new reverse neg. Letraset stencil added during printing process. Lith print.

lith print (Moersch Easy Lith) on Polywarmton

 

all images of this series were taken with a Kodak Vollenda 620 folder camera made around 1920 and 1930

Lith print on OLD Kodak paper (tough to make scan match - it's kinda orangey/pinkish.

Lith print (Moersh) on forte paper selenium toned

4x9.5 lith print

Kodak Ektarlure

From 8x10 negative

Homemade meniscus

Darkroom against corona. Corona against darkroom.Time against corona. UNIBROM(best before 82, lived in basement)+EasyLith

Zenith camera w. extension tube + Helios 44-2. Ilford Delta 400. Lith print on Rollei VC 132. Superlith 1+16 @ 21°C.

inspired by a friend I tried some shots developing by my own. these photos are captured for flickr by using a digital camera.

adox chs art 25 lith print

Picture taken in 2012 and printed a few weekends ago.

 

Taken on the Rolleiflex camera, Kodak T-Max 400 film devd in Kodak Xtol. Paper is Foma 131 devd in easy lith and omega. Lots of water bath

lith print on Fortezo FN-15, homemade D-85

Lith print from paper negative

lith-print/лит-печать

 

Lith print on Tura Excellent 222 (FB chamois semimatt)

Moersch Easy Lith (20 ml A + 20 ml B + 850 ml H2O + 100 ml "Old Brown", if I recall correctly)

 

Printed on March 7, 2013

 

Lith print on Bromexpress-2 in D-9

Darkroom against corona. Corona against darkroom.Time against corona. UNIBROM(best before 82, lived in basement)+EasyLith

Scanned Lith Print.

 

Mamiya 645 ProTL w/ M-S 80 mm/f4 macro.

 

Fomapan 100 @ iso 800, developed in Rodinal 1+83, semistand 90 min.

 

Lith printed on Rollei Vintage 332 and developed in Moersch Easy Lith (15A+15B+15D+H2Oqs700).

 

Untoned.

 

Pushing FP 100 can produce good and gritty negs for lith printing.

Matchbox pinhole camera.

Lith print on Rollei VC132.

Picture taken last year at the Festival of World Cultures in Dun Laoghaire. A great event and great for taking pictures of people enjoying themselves

 

Nikon F100, 70-200, film was Fuji Neopan 1600 devd in Xtol stock for 5.75 mins. Paper is old Agfa Record Rapid 3 devd in Moersch Easy Lith 35+35+500 for around 8 minutes and Moersch Omega 1+100 for around 15 seconds. Selenium 1+30 for one minute

Taken under a bridge when out for a walk one evening... Must have been at least 30 deep with previous adverts.

 

Taken on the Rolleiflex, Kodak t-max 400 film devd in kodak xtol 1:1 for 10.5 minutes. Paper is Foma 131 devd in Moersch easy lith 25+25+1000+300ob, Moersch omega 1+100 for a few seconds

 

www.martinhughes.ie

Lith print (FotoSpeed lith developer) on Maco Expo RF paper -

printed at Peacock Visual Arts Darkroom, Aberdeen

Lith print 8x8. Hasselblad, Tmax 100. Fomabrom 123,

LD-20,A 1+24,B 1+24,dev.24 min

IR lith print triptych.

 

Rolleiflex T w/ Tessar 75 mm/f3.5 + Rollei IR filter.

Aug 1, 2023.

 

Rollei IR 400 in Rodinal 1+100, semistand 1 h.

 

Left: Lith printed on Rollei Vintage 332 (Moersch Easy Lith + fresh Lith Omega). Untoned.

 

Middle: Lith printed on Rollei Vintage 332 (Moersch Easy Lith + used Lith Omega). Untoned.

 

Right: Lith printed on Oriental Seagull G-3 (Moersch Easy Lith). Toned in Se 1+4, 30 sec.

 

PS border.

 

During 1939-1945 40 War Airfields were built in Sweden. This (number 16) is the only one preserved today and offers an interesting glimpse of military and cultural history, the area (Brattforsheden) is a cultural reserve since 2003. During summer several activities are offered to the public, incl. a SAAB 37 Viggen flight simulator!

 

xn--krigsflygflt16-fib.se/

Scanned lith print.

 

Mamiya 645 ProTL w/ M-S 120 mm/f4 macro.

 

Fomapan 200 @ iso 120, developed in Rodinal 1+100, semistand 1 h.

 

Lith printed on Rollei Vintage 332 RC (18x24 cm) and developed in Moersch Easy Lith (10A+10B+10D+700H2O).

 

Untoned.

 

Long times here, too.

 

Lith print, Russian paper Unibrom, Easy Lith

Some Kodak Bromesko lith prints. Never a dull moment in the darkroom with this stuff. I have to admit to a few tweaks to my scans to brighten up a couple of these, I left them in the soup for a nano second too long, that infectious development man will catch out the unwary, wooh! The prints are 6x4, developed in 15ml part A, 20ml part B, 300ml water and topped up to 400ml with old brown. A productive session, I managed to produce 12 prints and the developer still had more to give, ultimately tiredness won and I gave up.

Needs to be redone as I did not notice the flaws until after I was done . Also my scanner does NOT do 11x14 prints

D9, stock 1\10 , "bromportret'

experimenting with liquid emulsion on wood and lith developer. I love how the wood texture integrated into image.

 

liquid emulsion : Rollei Black Magic 2

lith developer : Moersch Easylith (1+1+50)

 

coating liquid emulsion on wood is a bit tricky.

It really need a good sizing and the emulsion need to be melted almost completely into liquid.

Another Oregon Coast Lith Print. This is actually from the same negative I printed traditionally, scanned and posted year or so back. The lith printing process exaggerates the Diana camera anomalies.

Another Lith print on fomatone 332 paper with the sky selectively carbon toned (moersch 1-10). Original shot on tri-x , Leica M5

8x10 lith print on Fomatone 132/LD20 (1:30)

Contact print from digital negative

Loveland,OH

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