Scanned IR lith print.

Rolleiflex T w/Tessar + Rollei IR filter.

Rollei IR 400 in Rodinal 1+100, semistand 1 h.

Lith printed on Rollei Vintage 332 RC and developed in Moersch Easy Lith (20A+20B+100OB+600H2O).

Untoned.

lith-print on Slavich Unibrom

Some scenes just lend themselves for lith printing, stone and wood especially

Scanned lith print

Mörudden by Vänern

Mamiya 645 ProTL, 45 mm lens

Fomapan 100, Ultrafin liquid 1+20 7,5 min

Meopta Opemus 5

Fomatone MG 132 (18x24 cm) in LD20 (25A+25B+950H2O)

Scanned Polychrome Lith Print.

2 bath lith print on Fomatone MG 132:

1. Moersch Easy Lith (20A+20B+450H2O)

2. Siena 20+Ammonium Chloride 10+Potassium Carbonate10+H2O 500.

Toned in Se 1+3, 20 sec.

PS borders.

Scanned lith print.

Rolleiflex 3.5C w/ Xenotar 75 mm/f3.5.

Maj 30, 2025.

Washi F in Adonal 1+100, semistand 1h.

Lith printed on Foma Retrobrom 151 Sp and developed in Moersch Easy Lith (25A+25B+15D+H2Oqs800).

Untoned.

results from my first day in the darkroom after many many years... lith print with expired Ilford Bromide Paper + Ilford HP5

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Taken down a side street in Marrakech on a recent visit to Morocco.

Taken on the Nikon F100 with 28-105 lens. Film is Kodak T-Max 400 at 800 devd in xtol 1:1 for 10.5 mins. Paper is Foma 133 devd in Rollei vintage lith 35+20+500+200 OB. Finished in Moersch Omega 1+50 for around 30 seconds

Lith print on Fomatone 131 paper, developed in Ansco 70. Toned in selenium.

Made from a digital negative.

Inside the herring factory, Djupovik, Iceland

Hasselblad 150mm lith printed on old Oriental Seagull

Lith Print with Moersch SE 5 (1:19) on Forte fortezo BN10 Tropical

lith print

Two-tray lith print on Fomabrom 123 BO. Solution 1 is 50A+50B+1000 water and solution 2 was 10Catechol+10omega+1000 water.

Lith print on Forte Polywarmtone

Moersch easylith 20 ml A +20ml B + 960 ml water

These are some old books I photographed with a 4x5 Plaubel with a 150 mm convertible Symmar. I made the prints in Kentmere paper developed in two baths, one Maco Superlith, the other Ilford Warmtone.

Lith print on Oriental Seagull in Champion Novolith

Number 25from this contact www.flickr.com/photos/sebsussmann/6175270983/sizes/l

Lith print on Fomabrom 123, LD20 (1+25)

Mamiya 6x7 negative lith-printed on Kentona paper.

Fomabrom IV 123 in Moersch EasyLith 1+15

Lith print on Bromexpress-2 in D-9

Scanned Lith Print.

Mamiya 645 ProTL w/ M-S 80 mm/f4 macro.

Fomapan 100 @ iso 800, developed in Rodinal 1+83, semistand 90 min.

Lith printed on Rollei Vintage 332 and developed in Moersch Easy Lith (15A+15B+15D+H2Oqs700).

Untoned.

Agfa Clack - Rollei infrared film

Lith-printed on Agfa Fotorite grade 3

Scanned lith print.

Canon EOS 30 w/ Lomography Petzval 58 mm/f1,9.

Dec 8, 2024.

Fomapan 100 shot at boxspeed and developed in Adonal 1+100, semistand 1 h.

Lith printed on Fotospeed Lith FB semi-matt 8x10" and developed in Moersch Easy Lith (30A+30B+someOB+H2Oqs800).

Untoned.

adox chsart 25 lith print

One of my first lith prints, approximately 8x10:

Lith-print

24x30

lith print

Another lith print I made on fibre base paper a while ago. I noticed that subjects that show structures and patterns with good contrast work pretty well for lith printing. I will try a lith print of a portrait next. The darkroom is already waiting for me!

Fomatone MG 131

Moersch Easy Lith

lith print on expired Bromportret in home-made developer

lith-print

Slavich Bromexpress

Lith Print of a long Night shot taken with my former Holga with the B setting. It now lives in Croatia with a good friend

Turned out a bit better than the last. Extended the snatch point by a few minutes.

Scanned Lith Print.

Mamiya 645 ProTL w/ M-S 80 mm/f2.8 ("standard kit lens").

Dec 25, 2023.

Rollei RPX 25 in Rodinal 1+100, semistand 1 h.

Lith printed on Fotospeed Lith and developed in Moersch Easy Lith (15A+15B+470H2O) @ 30°C.

Untoned.

Paper from Tim Rudman.

Lith print from 6x12 neg taken on a Noon Pinhole camera . Fomatone 131 SE5.

Lith print made from a digital negative. Print was made on Fomatone using Moersch developer. I added a little extra of the B chemical (accidentally), which seemed to give the print a more sepia coloring.

The original image was made in a very dark barn on the Biltmore Estate in Ashville, NC with my Nikon D80 digital camera.

Darkroom against corona. Corona against darkroom.Time against corona. UNIBROM(best before 82, lived in basement)+EasyLith

lith print

orientall vc-fb warmtone 11x14

50+50+1500 34' 25°C.

Darkroom against corona. Corona against darkroom.Time against corona. UNIBROM(best before 82, lived in basement)+EasyLith

Lith Print

Paper: Defender "Velour Black" R-2 glossy 8x10 expired 1949

Developer: Moersch SE5 1:1:10

Toner: None

This paper was extremely fogged and could not be printed normally using standard print developer with a restrainer. However, it works very well in Lith developer. Some prints have uneven development and splotches of fog on the edges. In my opinion the imperfections add to the mood of the images in this series.

Camera: Bronica SQ-A 150mm lens

Film: Ilford Fp4+

Developer: Rodinal 1:50

lith print on expired Bromportret, gold toned

Lith-Print, Analog Infrarot

Camera: Honeywell Pentax Spotmatic F

Lens: Asahi Super-Takumar 1.4/50

Filter: Yellow

Film: HP5 400 shot at 200 ISO

Developer: Pyrocat HD

Dilution: 2.5+2.5+250ml

10:00 Min. @ 68°

Scanned from lith print on

Forte Polygrade V RC Semi-Matt

Arista Liquid Lith

Microtek ScanMaker 6100

SEE THE CAMERA AT THE LINK BELOW:

www.flickr.com/photos/vikingphotos/6899396719/in/photolis...

Lith print

Slavich Unibrom, 30x30cm

Rollei Lith

Lith print on fomatone matt

I recently shared a negative scan of this image, taken at Dunstanburgh Castle. I've since made this lith print on Kodabrome II RC paper Moersch SE5 developer.