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In its 1950s heyday, the Lister Car Company successfully built and campaigned powerful Jaguar-powered racing cars. It was therefor logical, when the marque was revived in the 1980s, that it would remain loyal to Jaguar power for its road and race cars. Through extensive experience gained by tuning and radically modifying XJ-S V12s, Lister used the faithful Jaguar base for its own ambitious race weapon.
The resulting Storm was a 2+2 front-engined coupe, catapulted to 208 mph by a 546 hp 7-litre V12, designed for the GT1 class of Le Mans 24 hour race. Despite its British bulldog spirit, the Lister expired after 40 laps of the 1995 endurance race. The extortionately expensive road going version didn't fare much better either, with only four examples of the £ 450.000 (in 1993 !) Storm being built.
7,0 Liter
V12
546 HP
Vmax : 333 km/h
4 ex.
The Cartier Style et Luxe
Festival of Speed 2014
Goodwood
Chichester - West Sussex
England - United Kingdom
June 2014
Fine examples of what where known as "Top shops" the large rear windows allow daylight into the rooms above the family homes of the workers making components for watches - in this case - or ribbon weaving in other areas of the then town such as Hillfields on the other side of the city centre.
Components where placed into boxes and carried to the master watchmakers up the street who made the finished product. Cheap imports from Switzerland along with the lifting of import taxes on cloth threw the town into decline.
This was reversed by a number of factors, firstly,
intervention: Lord Leigh's founding of a Worsted cloth mill in the next street (1862) which marked the beginning of factories as we know them today.
Luck: The start in licenced production of American sewing machines (1861) just as that nation turned over all it's industry to arms production for the civil war.
Opportunism: The start of production of French designed velocipedes just as that country started a war with Prussia (1870-71) setting the french cycle manufacturers back for a while, but propelling Coventry on the road to industrial recovery and the start of the Cycle/Motorcycle/Car industry that still exists in one form or another to this day.
Listed Grade II
Drosera filiformis
This plant is endemic and has only been documented in Washington and Bay counties in Florida. It is listed as endangered in Florida. Here is a link to more photos of this wildflower: Here is a link to more photos of this wildflower: www.flickr.com/photos/wildflowersflorida/albums/721576841..
The Grade I Listed St Annes Gate, in Salisbury, Wiltshire.
The east entrance to the Close which surrounds Salisbury Cathedral. The Wall and the Gate were built in the 14th century. Before 1330 a channel of water from the River Avon divided the Close from the town.
For the construction blocks were taken from Old Sarum Cathedral. St Ann Gate is stone gatehouse, and it formerly served as a canonry. It is famous for the fact that the composer Handel gave his first public concert in Salisbury in the house above the Gate.
Information Source:
www.gpsmycity.com/attractions/st-ann-gate-close-wall-4366...
Lindisfarne, also known as Holy Island, is a tidal island off the northeast coast of England, which constitutes the civil parish of Holy Island in Northumberland. Holy Island has a recorded history from the 6th century AD; it was an important centre of Celtic Christianity under Saints Aidan, Cuthbert, Eadfrith, and Eadberht of Lindisfarne. The island was originally home to a monastery, which was destroyed during the Viking invasions but re-established as a priory following the Norman Conquest of England. Other notable sites built on the island are St Mary the Virgin parish church (originally built in 635 CE and restored in 1860), Lindisfarne Castle, several lighthouses and other navigational markers, and a complex network of lime kilns. In the present day, the island is an Area of Outstanding Natural Beauty and a hotspot for historical tourism and bird watching. As of February 2020, the island had three pubs, a hotel and a post office as well as a museum.
The Lindisfarne Abbey was first established in 634 AD. The island served as the site of a monastery for roughly 900 years. The site, most of which has fallen into a state of ruin, has since become a popular tourist destination and focus of pilgrimage journeys. The church of St Mary the Virgin is the only original building that has been more or less continually maintained and which remains standing within the original monastic compound. Remains from the pre-Norman/Anglo-Saxon era can be found in the chancel wall of this church. The monastery was described as an abbey by Bede but when it was rebuilt after the Norman Conquest it was described as a (relatively smaller) priory.
The current parish church stands on the site of the wooden church built by St Aidan in AD 635. When the site was rebuilt by the Normans, the site of the original abbey church was redeveloped in stone as the parish church. It is the oldest building on the island that has been maintained in some fashion, and which has a roof on it. Remains of the Anglo-Saxon church exist as the chancel wall and arch. A Norman apse (subsequently replaced in the 13th century) led eastwards from the chancel. The nave was extended in the 12th century with a northern arcade, and in the following century with a southern arcade.
After the Reformation the church slipped into disrepair until the restoration of 1860. The church is built of coloured sandstone which has had the Victorian plaster removed from it. The north aisle is known as the "fishermen's aisle" and houses the altar of St. Peter. The south aisle used to hold the altar of St. Margaret of Scotland, but now houses the organ.
The church is a Grade I listed building number 1042304, listed as part of the whole priory. The church forms most of the earliest part of the site and is a scheduled ancient monument number 1011650. The Church of St Mary the Virgin has daily services of worship.
Lindisfarne Castle was built in 1550, around the time that Lindisfarne Priory went out of use, and stones from the priory were used as building material. It is very small by the usual standards, and was more of a fort. The castle sits on the highest point of the island, a whinstone hill called Beblowe.
After Henry VIII suppressed the priory, his troops used the remains as a naval store. In 1542 Henry VIII ordered the Earl of Rutland to fortify the site against possible Scottish invasion. Sir John Harington and the Master Mason of Berwick started to plan to build two earth bulwarks, although Rutland advised the use of stone from the priory. In September 1544 a Scottish fleet led by John Barton in the Mary Willoughby threatened the English coast. It was thought the Scottish ships might try to burn Lindisfarne, so orders were given to repair the decayed bulwark or blockhouse at Holy Island.
By December 1547, Ralph Cleisbye, Captain of the fort, had guns including a wheel-mounted demi-culverin, two brass sakers, a falcon, and another fixed demi-culverin. However, Beblowe Crag itself was not fortified until 1549 and Sir Richard Lee saw only a decayed platform and turf rampart there in 1565. Elizabeth I then had work carried out on the fort, strengthening it and providing gun platforms for the developments in artillery technology. When James VI and I came to power in England, he combined the Scottish and English thrones, and the need for the castle declined. At that time the castle was still garrisoned from Berwick and protected the small Lindisfarne Harbour.
Engine: V12, 6496 cc, 650 HP @ 8000 rpm, max speed: 356 km/h, acceleration 0-100 km/h: 3,4s.
Lamborghini built only 21 pieces of this car.
The Reventon was named after a bull (it's included in the list of the most famous bulls ever) that killed matador Felix Guzman in 1943.
A visit to the Alford Valley Railway in early May 1982 found services worked by “Hamewith”, a much rebuilt early Lister 3198 of 1930. The loco and much of the track came from a closed peat works near New Pitsligo, and opened in 1980 running from Haughton Park to Murray Park Woods. This section of line was closed in 1984 after a new line from Haughton Park to the original Alford station was built. The line is currently closed, requiring significant track renewal before it can be opened again.
orgullo gay 2013, madrid
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rights on this image are reserved, please do not use it without prior authorisation / los derechos de esta imagen están reservados, por favor no la utilice sin autorización previa
.... Etnea avenue, On 5 February 2018, the day of the feast of the Patron Saint of Catania, the very young martyr St.Agatha ....
.... via Etnea, il 5 febbraio 2018, il giorno della festa della Santa Patrona di Catania, la giovane martire Sant'Agata ....
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Qi Bo's photos on Flickr Hive Mind
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.... Etnea avenue, On 5 February 2018, the day of the feast of the Patron Saint of Catania, the very young martyr St.Agatha ....
.... via Etnea, il 5 febbraio 2018, il giorno della festa della Santa Patrona di Catania, la giovane martire Sant'Agata ....
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Qi Bo's photos on Flickr Hive Mind
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Listed Building Grade II
List Entry Number : 1194973
Date First Listed : 18 February 1970
Built in 1887 & designed by Paley, Austin and Paley, this was originally a school, library and art gallery, and stands on a corner site. It is in sandstone and with slate roofs, and has two storeys with attics. On the corner is an octagonal turret with a dome. The building has faces of three and four bays. The bays have shaped gables with attic dormers between them. The doorway has a moulded architrave and a segmental pediment, and is flanked by engaged Tuscan columns.
historicengland.org.uk/listing/the-list/list-entry/1194973
en.wikipedia.org/wiki/Listed_buildings_in_Lancaster,_Lancashire
Leazes Park is an urban park in Newcastle upon Tyne, England. Grade II listed, it is the city's oldest park, opened in 1873, and lies to the west of the city centre. The park contains a lake above the course of the Lort Burn. It is next to St James' Park and the Royal Victoria Infirmary.
Leazes Park is separated from Spital Tongues by Castle Leazes, an area of common land similar to the Town Moor.
History
The creation of Leazes Park was a drawn out process. In September 1857 3,000 working men petitioned Newcastle Council for ‘ready access to some open ground for the purpose of health and recreation’ and a year later a special committee was set up to try to find a location for a park. Aldermen Harle and Hamond took up the challenge and campaigned for a park and eventually succeeded in having Leazes Park created on a part of the Leazes Town Moor.
On 23 December 1873, Leazes Park was officially opened by Alderman Sir Charles Hamond. It became the first public park created on Tyneside.
John Fulton, the Town Surveyor, laid out Leazes Park similar to other parks being built in Britain at that time. The layout centres on the lake. The Bandstand was added in 1875 and a balustrade stone terrace in 1879. Later, the whole park was surrounded with metal railings. A second lake was created in 1893 but this was filled in by 1949 and the area used for a bowling green and tennis courts.
The grand Jubilee Gates were added in 1896 to commemorate the Diamond Jubilee of Queen Victoria and a Palm House was built. In 1908 a bust of Alderman Sir Charles Hamond was erected (which is also grade II listed) as the centrepiece to the terrace and the park was then complete.
The park continued to develop with deer, aviaries, tennis, and croquet until the 1980s when it was in need of refurbishment. The refurbishment became possible when the park was awarded £3.7 million from the Heritage Lottery Fund in 2001. The restoration project was completed in 2004.
Newcastle upon Tyne, or simply Newcastle is a cathedral city and metropolitan borough in Tyne and Wear, England. It is located on the River Tyne's northern bank, opposite Gateshead to the south. It is the most populous settlement in the Tyneside conurbation and North East England.
Newcastle developed around a Roman settlement called Pons Aelius, the settlement became known as Monkchester before taking on the name of a castle built in 1080 by William the Conqueror's eldest son, Robert Curthose. It was one of the world's largest ship building and repair centres during the industrial revolution. Newcastle was part of the county of Northumberland until 1400, when it separated and formed a county of itself. In 1974, Newcastle became part of Tyne and Wear. Since 2018, the city council has been part of the North of Tyne Combined Authority.
The history of Newcastle upon Tyne dates back almost 2,000 years, during which it has been controlled by the Romans, the Angles and the Norsemen amongst others. Newcastle upon Tyne was originally known by its Roman name Pons Aelius. The name "Newcastle" has been used since the Norman conquest of England. Due to its prime location on the River Tyne, the town developed greatly during the Middle Ages and it was to play a major role in the Industrial Revolution, being granted city status in 1882. Today, the city is a major retail, commercial and cultural centre.
Roman settlement
The history of Newcastle dates from AD 122, when the Romans built the first bridge to cross the River Tyne at that point. The bridge was called Pons Aelius or 'Bridge of Aelius', Aelius being the family name of Roman Emperor Hadrian, who was responsible for the Roman wall built across northern England along the Tyne–Solway gap. Hadrian's Wall ran through present-day Newcastle, with stretches of wall and turrets visible along the West Road, and at a temple in Benwell. Traces of a milecastle were found on Westgate Road, midway between Clayton Street and Grainger Street, and it is likely that the course of the wall corresponded to present-day Westgate Road. The course of the wall can be traced eastwards to the Segedunum Roman fort at Wallsend, with the fort of Arbeia down-river at the mouth of the Tyne, on the south bank in what is now South Shields. The Tyne was then a wider, shallower river at this point and it is thought that the bridge was probably about 700 feet (210 m) long, made of wood and supported on stone piers. It is probable that it was sited near the current Swing Bridge, due to the fact that Roman artefacts were found there during the building of the latter bridge. Hadrian himself probably visited the site in 122. A shrine was set up on the completed bridge in 123 by the 6th Legion, with two altars to Neptune and Oceanus respectively. The two altars were subsequently found in the river and are on display in the Great North Museum in Newcastle.
The Romans built a stone-walled fort in 150 to protect the river crossing which was at the foot of the Tyne Gorge, and this took the name of the bridge so that the whole settlement was known as Pons Aelius. The fort was situated on a rocky outcrop overlooking the new bridge, on the site of the present Castle Keep. Pons Aelius is last mentioned in 400, in a Roman document listing all of the Roman military outposts. It is likely that nestling in the shadow of the fort would have been a small vicus, or village. Unfortunately, no buildings have been detected; only a few pieces of flagging. It is clear that there was a Roman cemetery near Clavering Place, behind the Central station, as a number of Roman coffins and sarcophagi have been unearthed there.
Despite the presence of the bridge, the settlement of Pons Aelius was not particularly important among the northern Roman settlements. The most important stations were those on the highway of Dere Street running from Eboracum (York) through Corstopitum (Corbridge) and to the lands north of the Wall. Corstopitum, being a major arsenal and supply centre, was much larger and more populous than Pons Aelius.
Anglo-Saxon development
The Angles arrived in the North-East of England in about 500 and may have landed on the Tyne. There is no evidence of an Anglo-Saxon settlement on or near the site of Pons Aelius during the Anglo-Saxon age. The bridge probably survived and there may well have been a small village at the northern end, but no evidence survives. At that time the region was dominated by two kingdoms, Bernicia, north of the Tees and ruled from Bamburgh, and Deira, south of the Tees and ruled from York. Bernicia and Deira combined to form the kingdom of Northanhymbra (Northumbria) early in the 7th century. There were three local kings who held the title of Bretwalda – 'Lord of Britain', Edwin of Deira (627–632), Oswald of Bernicia (633–641) and Oswy of Northumbria (641–658). The 7th century became known as the 'Golden Age of Northumbria', when the area was a beacon of culture and learning in Europe. The greatness of this period was based on its generally Christian culture and resulted in the Lindisfarne Gospels amongst other treasures. The Tyne valley was dotted with monasteries, with those at Monkwearmouth, Hexham and Jarrow being the most famous. Bede, who was based at Jarrow, wrote of a royal estate, known as Ad Murum, 'at the Wall', 12 miles (19 km) from the sea. It is thought that this estate may have been in what is now Newcastle. At some unknown time, the site of Newcastle came to be known as Monkchester. The reason for this title is unknown, as we are unaware of any specific monasteries at the site, and Bede made no reference to it. In 875 Halfdan Ragnarsson, the Danish Viking conqueror of York, led an army that attacked and pillaged various monasteries in the area, and it is thought that Monkchester was also pillaged at this time. Little more was heard of it until the coming of the Normans.
Norman period
After the arrival of William the Conqueror in England in 1066, the whole of England was quickly subjected to Norman rule. However, in Northumbria there was great resistance to the Normans, and in 1069 the newly appointed Norman Earl of Northumbria, Robert de Comines and 700 of his men were killed by the local population at Durham. The Northumbrians then marched on York, but William was able to suppress the uprising. That same year, a second uprising occurred when a Danish fleet landed in the Humber. The Northumbrians again attacked York and destroyed the garrison there. William was again able to suppress the uprising, but this time he took revenge. He laid waste to the whole of the Midlands and the land from York to the Tees. In 1080, William Walcher, the Norman bishop of Durham and his followers were brutally murdered at Gateshead. This time Odo, bishop of Bayeux, William's half brother, devastated the land between the Tees and the Tweed. This was known as the 'Harrying of the North'. This devastation is reflected in the Domesday Book. The destruction had such an effect that the North remained poor and backward at least until Tudor times and perhaps until the Industrial Revolution. Newcastle suffered in this respect with the rest of the North.
In 1080 William sent his eldest son, Robert Curthose, north to defend the kingdom against the Scots. After his campaign, he moved to Monkchester and began the building of a 'New Castle'. This was of the "motte-and-bailey" type of construction, a wooden tower on top of an earthen mound (motte), surrounded by a moat and wooden stockade (bailey). It was this castle that gave Newcastle its name. In 1095 the Earl of Northumbria, Robert de Mowbray, rose up against the king, William Rufus, and Rufus sent an army north to recapture the castle. From then on the castle became crown property and was an important base from which the king could control the northern barons. The Northumbrian earldom was abolished and a Sheriff of Northumberland was appointed to administer the region. In 1091 the parish church of St Nicholas was consecrated on the site of the present Anglican cathedral, close by the bailey of the new castle. The church is believed to have been a wooden building on stone footings.
Not a trace of the tower or mound of the motte and bailey castle remains now. Henry II replaced it with a rectangular stone keep, which was built between 1172 and 1177 at a cost of £1,444. A stone bailey, in the form of a triangle, replaced the previous wooden one. The great outer gateway to the castle, called 'the Black Gate', was built later, between 1247 and 1250, in the reign of Henry III. There were at that time no town walls and when attacked by the Scots, the townspeople had to crowd into the bailey for safety. It is probable that the new castle acted as a magnet for local merchants because of the safety it provided. This in turn would help to expand trade in the town. At this time wool, skins and lead were being exported, whilst alum, pepper and ginger were being imported from France and Flanders.
Middle Ages
Throughout the Middle Ages, Newcastle was England's northern fortress, the centre for assembled armies. The Border war against Scotland lasted intermittently for several centuries – possibly the longest border war ever waged. During the civil war between Stephen and Matilda, David 1st of Scotland and his son were granted Cumbria and Northumberland respectively, so that for a period from 1139 to 1157, Newcastle was effectively in Scottish hands. It is believed that during this period, King David may have built the church of St Andrew and the Benedictine nunnery in Newcastle. However, King Stephen's successor, Henry II was strong enough to take back the Earldom of Northumbria from Malcolm IV.
The Scots king William the Lion was imprisoned in Newcastle, in 1174, after being captured at the Battle of Alnwick. Edward I brought the Stone of Scone and William Wallace south through the town and Newcastle was successfully defended against the Scots three times during the 14th century.
Around 1200, stone-faced, clay-filled jetties were starting to project into the river, an indication that trade was increasing in Newcastle. As the Roman roads continued to deteriorate, sea travel was gaining in importance. By 1275 Newcastle was the sixth largest wool exporting port in England. The principal exports at this time were wool, timber, coal, millstones, dairy produce, fish, salt and hides. Much of the developing trade was with the Baltic countries and Germany. Most of the Newcastle merchants were situated near the river, below the Castle. The earliest known charter was dated 1175 in the reign of Henry II, giving the townspeople some control over their town. In 1216 King John granted Newcastle a mayor[8] and also allowed the formation of guilds (known as Mysteries). These were cartels formed within different trades, which restricted trade to guild members. There were initially twelve guilds. Coal was being exported from Newcastle by 1250, and by 1350 the burgesses received a royal licence to export coal. This licence to export coal was jealously guarded by the Newcastle burgesses, and they tried to prevent any one else on the Tyne from exporting coal except through Newcastle. The burgesses similarly tried to prevent fish from being sold anywhere else on the Tyne except Newcastle. This led to conflicts with Gateshead and South Shields.
In 1265, the town was granted permission to impose a 'Wall Tax' or Murage, to pay for the construction of a fortified wall to enclose the town and protect it from Scottish invaders. The town walls were not completed until early in the 14th century. They were two miles (3 km) long, 9 feet (2.7 m) thick and 25 feet (7.6 m) high. They had six main gates, as well as some smaller gates, and had 17 towers. The land within the walls was divided almost equally by the Lort Burn, which flowed southwards and joined the Tyne to the east of the Castle. The town began to expand north of the Castle and west of the Lort Burn with various markets being set up within the walls.
In 1400 Henry IV granted a new charter, creating a County corporate which separated the town, but not the Castle, from the county of Northumberland and recognised it as a "county of itself" with a right to have a sheriff of its own. The burgesses were now allowed to choose six aldermen who, with the mayor would be justices of the peace. The mayor and sheriff were allowed to hold borough courts in the Guildhall.
Religious houses
During the Middle Ages a number of religious houses were established within the walls: the first of these was the Benedictine nunnery of St Bartholomew founded in 1086 near the present-day Nun Street. Both David I of Scotland and Henry I of England were benefactors of the religious house. Nothing of the nunnery remains now.
The friary of Blackfriars, Newcastle (Dominican) was established in 1239. These were also known as the Preaching Friars or Shod Friars, because they wore sandals, as opposed to other orders. The friary was situated in the present-day Friars Street. In 1280 the order was granted royal permission to make a postern in the town walls to communicate with their gardens outside the walls. On 19 June 1334, Edward Balliol, claimant to be King of Scotland, did homage to King Edward III, on behalf of the kingdom of Scotland, in the church of the friary. Much of the original buildings of the friary still exist, mainly because, after the Dissolution of the Monasteries the friary of Blackfriars was rented out by the corporation to nine of the local trade guilds.
The friary of Whitefriars (Carmelite) was established in 1262. The order was originally housed on the Wall Knoll in Pandon, but in 1307 it took over the buildings of another order, which went out of existence, the Friars of the Sac. The land, which had originally been given by Robert the Bruce, was situated in the present-day Hanover Square, behind the Central station. Nothing of the friary remains now.
The friary of Austinfriars (Augustinian) was established in 1290. The friary was on the site where the Holy Jesus Hospital was built in 1682. The friary was traditionally the lodging place of English kings whenever they visited or passed through Newcastle. In 1503 Princess Margaret, eldest daughter of Henry VII of England, stayed two days at the friary on her way to join her new husband James IV of Scotland.
The friary of Greyfriars (Franciscans) was established in 1274. The friary was in the present-day area between Pilgrim Street, Grey Street, Market Street and High Chare. Nothing of the original buildings remains.
The friary of the Order of the Holy Trinity, also known as the Trinitarians, was established in 1360. The order devoted a third of its income to buying back captives of the Saracens, during the Crusades. Their house was on the Wall Knoll, in Pandon, to the east of the city, but within the walls. Wall Knoll had previously been occupied by the White Friars until they moved to new premises in 1307.
All of the above religious houses were closed in about 1540, when Henry VIII dissolved the monasteries.
An important street running through Newcastle at the time was Pilgrim Street, running northwards inside the walls and leading to the Pilgrim Gate on the north wall. The street still exists today as arguably Newcastle's main shopping street.
Tudor period
The Scottish border wars continued for much of the 16th century, so that during that time, Newcastle was often threatened with invasion by the Scots, but also remained important as a border stronghold against them.
During the Reformation begun by Henry VIII in 1536, the five Newcastle friaries and the single nunnery were dissolved and the land was sold to the Corporation and to rich merchants. At this time there were fewer than 60 inmates of the religious houses in Newcastle. The convent of Blackfriars was leased to nine craft guilds to be used as their headquarters. This probably explains why it is the only one of the religious houses whose building survives to the present day. The priories at Tynemouth and Durham were also dissolved, thus ending the long-running rivalry between Newcastle and the church for control of trade on the Tyne. A little later, the property of the nunnery of St Bartholomew and of Grey Friars were bought by Robert Anderson, who had the buildings demolished to build his grand Newe House (also known as Anderson Place).
With the gradual decline of the Scottish border wars the town walls were allowed to decline as well as the castle. By 1547, about 10,000 people were living in Newcastle. At the beginning of the 16th century exports of wool from Newcastle were more than twice the value of exports of coal, but during the century coal exports continued to increase.
Under Edward VI, John Dudley, Duke of Northumberland, sponsored an act allowing Newcastle to annexe Gateshead as its suburb. The main reason for this was to allow the Newcastle Hostmen, who controlled the export of Tyne coal, to get their hands on the Gateshead coal mines, previously controlled by the Bishop of Durham. However, when Mary I came to power, Dudley met his downfall and the decision was reversed. The Reformation allowed private access to coal mines previously owned by Tynemouth and Durham priories and as a result coal exports increase dramatically, from 15,000 tons in 1500 to 35,000 tons in 1565, and to 400,000 tons in 1625.
The plague visited Newcastle four times during the 16th century, in 1579 when 2,000 people died, in 1589 when 1700 died, in 1595 and finally in 1597.
In 1600 Elizabeth I granted Newcastle a charter for an exclusive body of electors, the right to elect the mayor and burgesses. The charter also gave the Hostmen exclusive rights to load coal at any point on the Tyne. The Hostmen developed as an exclusive group within the Merchant Adventurers who had been incorporated by a charter in 1547.
Stuart period
In 1636 there was a serious outbreak of bubonic plague in Newcastle. There had been several previous outbreaks of the disease over the years, but this was the most serious. It is thought to have arrived from the Netherlands via ships that were trading between the Tyne and that country. It first appeared in the lower part of the town near the docks but gradually spread to all parts of the town. As the disease gained hold the authorities took measures to control it by boarding up any properties that contained infected persons, meaning that whole families were locked up together with the infected family members. Other infected persons were put in huts outside the town walls and left to die. Plague pits were dug next to the town's four churches and outside the town walls to receive the bodies in mass burials. Over the course of the outbreak 5,631 deaths were recorded out of an estimated population of 12,000, a death rate of 47%.
In 1637 Charles I tried to raise money by doubling the 'voluntary' tax on coal in return for allowing the Newcastle Hostmen to regulate production and fix prices. This caused outrage amongst the London importers and the East Anglian shippers. Both groups decided to boycott Tyne coal and as a result forced Charles to reverse his decision in 1638.
In 1640 during the Second Bishops' War, the Scots successfully invaded Newcastle. The occupying army demanded £850 per day from the Corporation to billet the Scottish troops. Trade from the Tyne ground to a halt during the occupation. The Scots left in 1641 after receiving a Parliamentary pardon and a £4,000,000 loan from the town.
In 1642 the English Civil War began. King Charles realised the value of the Tyne coal trade and therefore garrisoned Newcastle. A Royalist was appointed as governor. At that time, Newcastle and King's Lynn were the only important seaports to support the crown. In 1644 Parliament blockaded the Tyne to prevent the king from receiving revenue from the Tyne coal trade. Coal exports fell from 450,000 to 3,000 tons and London suffered a hard winter without fuel. Parliament encouraged the coal trade from the Wear to try to replace that lost from Newcastle but that was not enough to make up for the lost Tyneside tonnage.
In 1644 the Scots crossed the border. Newcastle strengthened its defences in preparation. The Scottish army, with 40,000 troops, besieged Newcastle for three months until the garrison of 1,500 surrendered. During the siege, the Scots bombarded the walls with their artillery, situated in Gateshead and Castle Leazes. The Scottish commander threatened to destroy the steeple of St Nicholas's Church by gunfire if the mayor, Sir John Marley, did not surrender the town. The mayor responded by placing Scottish prisoners that they had captured in the steeple, so saving it from destruction. The town walls were finally breached by a combination of artillery and sapping. In gratitude for this defence, Charles gave Newcastle the motto 'Fortiter Defendit Triumphans' to be added to its coat of arms. The Scottish army occupied Northumberland and Durham for two years. The coal taxes had to pay for the Scottish occupation. In 1645 Charles surrendered to the Scots and was imprisoned in Newcastle for nine months. After the Civil War the coal trade on the Tyne soon picked up and exceeded its pre-war levels.
A new Guildhall was completed on the Sandhill next to the river in 1655, replacing an earlier facility damaged by fire in 1639, and became the meeting place of Newcastle Town Council. In 1681 the Hospital of the Holy Jesus was built partly on the site of the Austin Friars. The Guildhall and Holy Jesus Hospital still exist.
Charles II tried to impose a charter on Newcastle to give the king the right to appoint the mayor, sheriff, recorder and town clerk. Charles died before the charter came into effect. In 1685, James II tried to replace Corporation members with named Catholics. However, James' mandate was suspended in 1689 after the Glorious Revolution welcoming William of Orange. In 1689, after the fall of James II, the people of Newcastle tore down his bronze equestrian statue in Sandhill and tossed it into the Tyne. The bronze was later used to make bells for All Saints Church.
In 1689 the Lort Burn was covered over. At this time it was an open sewer. The channel followed by the Lort Burn became the present day Dean Street. At that time, the centre of Newcastle was still the Sandhill area, with many merchants living along the Close or on the Side. The path of the main road through Newcastle ran from the single Tyne bridge, through Sandhill to the Side, a narrow street which climbed steeply on the north-east side of the castle hill until it reached the higher ground alongside St Nicholas' Church. As Newcastle developed, the Side became lined with buildings with projecting upper stories, so that the main street through Newcastle was a narrow, congested, steep thoroughfare.
In 1701 the Keelmen's Hospital was built in the Sandgate area of the city, using funds provided by the keelmen. The building still stands today.
Eighteenth century
In the 18th century, Newcastle was the country's largest print centre after London, Oxford and Cambridge, and the Literary and Philosophical Society of 1793, with its erudite debates and large stock of books in several languages predated the London Library by half a century.
In 1715, during the Jacobite rising in favour of the Old Pretender, an army of Jacobite supporters marched on Newcastle. Many of the Northumbrian gentry joined the rebels. The citizens prepared for its arrival by arresting Jacobite supporters and accepting 700 extra recruits into the local militia. The gates of the city were closed against the rebels. This proved enough to delay an attack until reinforcements arrived forcing the rebel army to move across to the west coast. The rebels finally surrendered at Preston.
In 1745, during a second Jacobite rising in favour of the Young Pretender, a Scottish army crossed the border led by Bonnie Prince Charlie. Once again Newcastle prepared by arresting Jacobite supporters and inducting 800 volunteers into the local militia. The town walls were strengthened, most of the gates were blocked up and some 200 cannon were deployed. 20,000 regulars were billeted on the Town Moor. These preparations were enough to force the rebel army to travel south via the west coast. They were eventually defeated at Culloden in 1746.
Newcastle's actions during the 1715 rising in resisting the rebels and declaring for George I, in contrast to the rest of the region, is the most likely source of the nickname 'Geordie', applied to people from Tyneside, or more accurately Newcastle. Another theory, however, is that the name 'Geordie' came from the inventor of the Geordie lamp, George Stephenson. It was a type of safety lamp used in mining, but was not invented until 1815. Apparently the term 'German Geordie' was in common use during the 18th century.
The city's first hospital, Newcastle Infirmary opened in 1753; it was funded by public subscription. A lying-in hospital was established in Newcastle in 1760. The city's first public hospital for mentally ill patients, Wardens Close Lunatic Hospital was opened in October 1767.
In 1771 a flood swept away much of the bridge at Newcastle. The bridge had been built in 1250 and repaired after a flood in 1339. The bridge supported various houses and three towers and an old chapel. A blue stone was placed in the middle of the bridge to mark the boundary between Newcastle and the Palatinate of Durham. A temporary wooden bridge had to be built, and this remained in use until 1781, when a new stone bridge was completed. The new bridge consisted of nine arches. In 1801, because of the pressure of traffic, the bridge had to be widened.
A permanent military presence was established in the city with the completion of Fenham Barracks in 1806. The facilities at the Castle for holding assizes, which had been condemned for their inconvenience and unhealthiness, were replaced when the Moot Hall opened in August 1812.
Victorian period
Present-day Newcastle owes much of its architecture to the work of the builder Richard Grainger, aided by architects John Dobson, Thomas Oliver, John and Benjamin Green and others. In 1834 Grainger won a competition to produce a new plan for central Newcastle. He put this plan into effect using the above architects as well as architects employed in his own office. Grainger and Oliver had already built Leazes Terrace, Leazes Crescent and Leazes Place between 1829 and 1834. Grainger and Dobson had also built the Royal Arcade at the foot of Pilgrim Street between 1830 and 1832. The most ambitious project covered 12 acres 12 acres (49,000 m2) in central Newcastle, on the site of Newe House (also called Anderson Place). Grainger built three new thoroughfares, Grey Street, Grainger Street and Clayton Street with many connecting streets, as well as the Central Exchange and the Grainger Market. John Wardle and George Walker, working in Grainger's office, designed Clayton Street, Grainger Street and most of Grey Street. Dobson designed the Grainger Market and much of the east side of Grey Street. John and Benjamin Green designed the Theatre Royal at the top of Grey Street, where Grainger placed the column of Grey's Monument as a focus for the whole scheme. Grey Street is considered to be one of the finest streets in the country, with its elegant curve. Unfortunately most of old Eldon Square was demolished in the 1960s in the name of progress. The Royal Arcade met a similar fate.
In 1849 a new bridge was built across the river at Newcastle. This was the High Level Bridge, designed by Robert Stephenson, and slightly up river from the existing bridge. The bridge was designed to carry road and rail traffic across the Tyne Gorge on two decks with rail traffic on the upper deck and road traffic on the lower. The new bridge meant that traffic could pass through Newcastle without having to negotiate the steep, narrow Side, as had been necessary for centuries. The bridge was opened by Queen Victoria, who one year later opened the new Central Station, designed by John Dobson. Trains were now able to cross the river, directly into the centre of Newcastle and carry on up to Scotland. The Army Riding School was also completed in 1849.
In 1854 a large fire started on the Gateshead quayside and an explosion caused it to spread across the river to the Newcastle quayside. A huge conflagration amongst the narrow alleys, or 'chares', destroyed the homes of 800 families as well as many business premises. The narrow alleys that had been destroyed were replaced by streets containing blocks of modern offices.
In 1863 the Town Hall in St Nicholas Square replaced the Guildhall as the meeting place of Newcastle Town Council.
In 1876 the low level bridge was replaced by a new bridge known as the Swing Bridge, so called because the bridge was able to swing horizontally on a central axis and allow ships to pass on either side. This meant that for the first time sizeable ships could pass up-river beyond Newcastle. The bridge was built and paid for by William Armstrong, a local arms manufacturer, who needed to have warships access his Elswick arms factory to fit armaments to them. The Swing Bridge's rotating mechanism is adapted from the cannon mounts developed in Armstrong's arms works. In 1882 the Elswick works began to build ships as well as to arm them. The Barrack Road drill hall was completed in 1890.
Industrialisation
In the 19th century, shipbuilding and heavy engineering were central to the city's prosperity; and the city was a powerhouse of the Industrial Revolution. Newcastle's development as a major city owed most to its central role in the production and export of coal. The phrase "taking coals to Newcastle" was first recorded in 1538; it proverbially denotes bringing a particular commodity to a place that has more than enough of it already.
Innovation in Newcastle and surrounding areas included the following:
George Stephenson developed a miner's safety lamp at the same time that Humphry Davy developed a rival design. The lamp made possible the opening up of ever deeper mines to provide the coal that powered the industrial revolution.
George and his son Robert Stephenson were hugely influential figures in the development of the early railways. George developed Blücher, a locomotive working at Killingworth colliery in 1814, whilst Robert was instrumental in the design of Rocket, a revolutionary design that was the forerunner of modern locomotives. Both men were involved in planning and building railway lines, all over this country and abroad.
Joseph Swan demonstrated a working electric light bulb about a year before Thomas Edison did the same in the USA. This led to a dispute as to who had actually invented the light bulb. Eventually the two rivals agreed to form a mutual company between them, the Edison and Swan Electric Light Company, known as Ediswan.
Charles Algernon Parsons invented the steam turbine, for marine use and for power generation. He used Turbinia, a small, turbine-powered ship, to demonstrate the speed that a steam turbine could generate. Turbinia literally ran rings around the British Fleet at a review at Spithead in 1897.
William Armstrong invented a hydraulic crane that was installed in dockyards up and down the country. He then began to design light, accurate field guns for the British army. These were a vast improvement on the existing guns that were then in use.
The following major industries developed in Newcastle or its surrounding area:
Glassmaking
A small glass industry existed in Newcastle from the mid-15th century. In 1615 restrictions were put on the use of wood for manufacturing glass. It was found that glass could be manufactured using the local coal, and so a glassmaking industry grew up on Tyneside. Huguenot glassmakers came over from France as refugees from persecution and set up glasshouses in the Skinnerburn area of Newcastle. Eventually, glass production moved to the Ouseburn area of Newcastle. In 1684 the Dagnia family, Sephardic Jewish emigrants from Altare, arrived in Newcastle from Stourbridge and established glasshouses along the Close, to manufacture high quality flint glass. The glass manufacturers used sand ballast from the boats arriving in the river as the main raw material. The glassware was then exported in collier brigs. The period from 1730 to 1785 was the highpoint of Newcastle glass manufacture, when the local glassmakers produced the 'Newcastle Light Baluster'. The glassmaking industry still exists in the west end of the city with local Artist and Glassmaker Jane Charles carrying on over four hundred years of hot glass blowing in Newcastle upon Tyne.
Locomotive manufacture
In 1823 George Stephenson and his son Robert established the world's first locomotive factory near Forth Street in Newcastle. Here they built locomotives for the Stockton and Darlington Railway and the Liverpool and Manchester Railway, as well as many others. It was here that the famous locomotive Rocket was designed and manufactured in preparation for the Rainhill Trials. Apart from building locomotives for the British market, the Newcastle works also produced locomotives for Europe and America. The Forth Street works continued to build locomotives until 1960.
Shipbuilding
In 1296 a wooden, 135 ft (41 m) long galley was constructed at the mouth of the Lort Burn in Newcastle, as part of a twenty-ship order from the king. The ship cost £205, and is the earliest record of shipbuilding in Newcastle. However the rise of the Tyne as a shipbuilding area was due to the need for collier brigs for the coal export trade. These wooden sailing ships were usually built locally, establishing local expertise in building ships. As ships changed from wood to steel, and from sail to steam, the local shipbuilding industry changed to build the new ships. Although shipbuilding was carried out up and down both sides of the river, the two main areas for building ships in Newcastle were Elswick, to the west, and Walker, to the east. By 1800 Tyneside was the third largest producer of ships in Britain. Unfortunately, after the Second World War, lack of modernisation and competition from abroad gradually caused the local industry to decline and die.
Armaments
In 1847 William Armstrong established a huge factory in Elswick, west of Newcastle. This was initially used to produce hydraulic cranes but subsequently began also to produce guns for both the army and the navy. After the Swing Bridge was built in 1876 allowing ships to pass up river, warships could have their armaments fitted alongside the Elswick works. Armstrong's company took over its industrial rival, Joseph Whitworth of Manchester in 1897.
Steam turbines
Charles Algernon Parsons invented the steam turbine and, in 1889, founded his own company C. A. Parsons and Company in Heaton, Newcastle to make steam turbines. Shortly after this, he realised that steam turbines could be used to propel ships and, in 1897, he founded a second company, Parsons Marine Steam Turbine Company in Wallsend. It is there that he designed and manufactured Turbinia. Parsons turbines were initially used in warships but soon came to be used in merchant and passenger vessels, including the liner Mauretania which held the blue riband for the Atlantic crossing until 1929. Parsons' company in Heaton began to make turbo-generators for power stations and supplied power stations all over the world. The Heaton works, reduced in size, remains as part of the Siemens AG industrial giant.
Pottery
In 1762 the Maling pottery was founded in Sunderland by French Huguenots, but transferred to Newcastle in 1817. A factory was built in the Ouseburn area of the city. The factory was rebuilt twice, finally occupying a 14-acre (57,000 m2) site that was claimed to be the biggest pottery in the world and which had its own railway station. The pottery pioneered use of machines in making potteries as opposed to hand production. In the 1890s the company went up-market and employed in-house designers. The period up to the Second World War was the most profitable with a constant stream of new designs being introduced. However, after the war, production gradually declined and the company closed in 1963.
Expansion of the city
Newcastle was one of the boroughs reformed by the Municipal Corporations Act 1835: the reformed municipal borough included the parishes of Byker, Elswick, Heaton, Jesmond, Newcastle All Saints, Newcastle St Andrew, Newcastle St John, Newcastle St Nicholas, and Westgate. The urban districts of Benwell and Fenham and Walker were added in 1904. In 1935, Newcastle gained Kenton and parts of the parishes of West Brunton, East Denton, Fawdon, Longbenton. The most recent expansion in Newcastle's boundaries took place under the Local Government Act 1972 on 1 April 1974, when Newcastle became a metropolitan borough, also including the urban districts of Gosforth and Newburn, and the parishes of Brunswick, Dinnington, Hazlerigg, North Gosforth and Woolsington from the Castle Ward Rural District, and the village of Westerhope.
Meanwhile Northumberland County Council was formed under the Local Government Act 1888 and benefited from a dedicated meeting place when County Hall was completed in the Castle Garth area of Newcastle in 1910. Following the Local Government Act 1972 County Hall relocated to Morpeth in April 1981.
Twentieth century
In 1925 work began on a new high-level road bridge to span the Tyne Gorge between Newcastle and Gateshead. The capacity of the existing High-Level Bridge and Swing Bridge were being strained to the limit, and an additional bridge had been discussed for a long time. The contract was awarded to the Dorman Long Company and the bridge was finally opened by King George V in 1928. The road deck was 84 feet (26 m) above the river and was supported by a 531 feet (162 m) steel arch. The new Tyne Bridge quickly became a symbol for Newcastle and Tyneside, and remains so today.
During the Second World War, Newcastle was largely spared the horrors inflicted upon other British cities bombed during the Blitz. Although the armaments factories and shipyards along the River Tyne were targeted by the Luftwaffe, they largely escaped unscathed. Manors goods yard and railway terminal, to the east of the city centre, and the suburbs of Jesmond and Heaton suffered bombing during 1941. There were 141 deaths and 587 injuries, a relatively small figure compared to the casualties in other industrial centres of Britain.
In 1963 the city gained its own university, the University of Newcastle upon Tyne, by act of parliament. A School of Medicine and Surgery had been established in Newcastle in 1834. This eventually developed into a college of medicine attached to Durham University. A college of physical science was also founded and became Armstrong College in 1904. In 1934 the two colleges merged to become King's College, Durham. This remained as part of Durham University until the new university was created in 1963. In 1992 the city gained its second university when Newcastle Polytechnic was granted university status as Northumbria University.
Newcastle City Council moved to the new Newcastle Civic Centre in 1968.
As heavy industries declined in the second half of the 20th century, large sections of the city centre were demolished along with many areas of slum housing. The leading political figure in the city during the 1960s was T. Dan Smith who oversaw a massive building programme of highrise housing estates and authorised the demolition of a quarter of the Georgian Grainger Town to make way for Eldon Square Shopping Centre. Smith's control in Newcastle collapsed when it was exposed that he had used public contracts to advantage himself and his business associates and for a time Newcastle became a byword for civic corruption as depicted in the films Get Carter and Stormy Monday and in the television series Our Friends in the North. However, much of the historic Grainger Town area survived and was, for the most part, fully restored in the late 1990s. Northumberland Street, initially the A1, was gradually closed to traffic from the 1970s and completely pedestrianised by 1998.
In 1978 a new rapid transport system, the Metro, was built, linking the Tyneside area. The system opened in August 1980. A new bridge was built to carry the Metro across the river between Gateshead and Newcastle. This was the Queen Elizabeth II Bridge, commonly known as the Metro Bridge. Eventually the Metro system was extended to reach Newcastle Airport in 1991, and in 2002 the Metro system was extended to the nearby city of Sunderland.
As the 20th century progressed, trade on the Newcastle and Gateshead quaysides gradually declined, until by the 1980s both sides of the river were looking rather derelict. Shipping company offices had closed along with offices of firms related to shipping. There were also derelict warehouses lining the riverbank. Local government produced a master plan to re-develop the Newcastle quayside and this was begun in the 1990s. New offices, restaurants, bars and residential accommodation were built and the area has changed in the space of a few years into a vibrant area, partially returning the focus of Newcastle to the riverside, where it was in medieval times.
The Gateshead Millennium Bridge, a foot and cycle bridge, 26 feet (7.9 m) wide and 413 feet (126 m) long, was completed in 2001. The road deck is in the form of a curve and is supported by a steel arch. To allow ships to pass, the whole structure, both arch and road-deck, rotates on huge bearings at either end so that the road deck is lifted. The bridge can be said to open and shut like a human eye. It is an important addition to the re-developed quayside area, providing a vital link between the Newcastle and Gateshead quaysides.
Recent developments
Today the city is a vibrant centre for office and retail employment, but just a short distance away there are impoverished inner-city housing estates, in areas originally built to provide affordable housing for employees of the shipyards and other heavy industries that lined the River Tyne. In the 2010s Newcastle City Council began implementing plans to regenerate these depressed areas, such as those along the Ouseburn Valley.
UPDATE: I found the missing day 22! I KNEW I did a Clutch song. Whew.
flickr.com/photos/asv/2055643119/
105 days into the 365: a year in songs and photos project, PJ made a suggestion that I list all the songs I have used.
I have the same passion for music that I have for photography. Thankfully, listening to music isn't as expensive a hobby as buying camera equipment. I love to share both my pictures and music and this project was a great way of combining my two loves and spreading the joy I get from both. But PJ was right - I was sharing the music I listen to, but just sharing the song titles or lyrics. Why not share the music as well? So I set about listing every song I've used, writing a line or two about the band or song, and linking to a video or somewhere you can listen to the tune. Hopefully, I'll give you some new music to listen to, or maybe an old favorite to enjoy again.
This took me HOURS! HOURS, I tell you. At least I finally found out where I'm missing days.
Day 1: Queens of the Stone Age - I Think I Lost My Headache
See live performance of song here
Day 2: White Stripes - Dead Leaves and Dirty Ground
Day 3: Supersuckers, Some Day I Will Kill You
You can listen to a sample here. If you want to hear the whole thing, email me. Great band.
Day 4:LL Cool J, Mama Said Knock You Out
Video here.
Day 5: Atmosphere, Shoes (my favorite picture of the project so far)
Listen here. Really good album.
Day 6: Radiohead, Lucky
Day 7: Our Lady Peace, Superman's Dead
Day 8: Nick Cave, There She Goes My Beautiful World
Live video (excellent performance, per usual)
Day 9: Queens of the Stone Age, In My Head (one of my favorite songs from my favorite band)
Day 10: Faith No More, Helpless (my second favorite band!)
Video here (it's one of those homemade videos, but you get to hear the song)
Day 11: Descendents, I Like Food
Listen here, with funny video. 15 second song!
Day 12: Pogues, Fairytale of New York
Day 13: Butthole Surfers, Whatever, I Had a Dream (one of my most listened to songs ever)
Another one of those homemade videos
Day 14: Bouncing Souls, Bullying the Jukebox
A really stupid homemade video for a good song.
Day 15: Accept, Balls to the Wall
Video (man, this brings back memories)
Day 16: Fugazi, Promises. Such an awesome song.
Day 17: Mr. Bungle, Retrovertigo
Day 18: Muse, Feeling Good
Really cool video. Great song.
Day 19: Anti-Flag, She's My Little Go Go Dancer
Day 20: Fran Zappa, Joe's Garage. Love this song!
Day 21: Deftones, Lucky You
Well, folks, it looks like my trouble with numbers will be my downfall yet again. This should have been day 22. But I called it Day 23. So my 100th day was actually my 99th day and....crap. I am NOT going back and numbering them all again. I'll just tack an extra photo on at 365 and call it even.
I found it!
Day 22: Clutch, Green Buckets. I knew I could not have gone this far without a Clutch song!
Day 23: Stormtroopers of Death, Milk. I love singing this song. And it's got such a cool bass line.
Day 24: Far, Mother Mary. My 2nd favorite photo of the set, and one in which the song really fit perfectly.
Video (the actual band's video!).
Day 25: MDC, I Hate Work. Awesome punk band from California via Texas. REAL punk.
Day 26: Mad Season, River of Deceit. I loved this band, which featured members of Alice in Chains, Pearl Jam and Screaming Trees. Depressing song, which I used in a tongue in cheek way on this photo.
Day 27: Guns n Roses, Night Train. There's a neat story behind this one.
Day 28: Reverend Horton Heat, Martini Time
Day 29: The Cramps, Creature From The Black Leather Lagoon. What a fun band.
Day 30: Black Flag, Jealous Again. Maybe my third favorite band. Maybe.
Live video from 1984. Those were the days.
Day 31: Drowning Pool, Break You
Day 32: Hum, Stars. One of my favorite songs.
Day 33: Aztec Camera, Soul's Migration. I still have this photo as my background at work. It's..peaceful.
I can't find anywhere you can hear this song. Email me if you want to.
Day 34: Master P, Converse B ball. The first appearance of our dog in 365!
Can't find this one either, but I have it.
Day 35: Nirvana, Pennyroyal Tea. Well, this could be my 3rd favorite band. I didn't really come to appreciate Nirvana until recently.
Live, unplugged. I love that album so much.
Day 36: Pink Floyd, Learning To Fly. Pink Floyd purists hate this album, but I love it, especially this song.
Day 37: Queens of the Stone Age, Lost Art of Keeping A Secret
Video. Go ahead and watch it. Such a great song.
Day 38: Animaniacs, I'm Cute. Hey, it fit.
Day 39: U2, Trip Through Your Wires. One of their only songs I can still tolerate (excluding the Boy album).
Day 40: Ben Folds Five, Mess. Mess of notes on this photo.
Day 41: Misfits, Teenagers From Mars. I used to adore this band and I just can't listen to them anymore. Still love me some Danzig, though.
Day 42: Made For TV, I'm Afraid of the Russians. 80's cold war music at its best.
Unfortunately, not to be found online.
Day 43: Social Distortion, Mommy's Little Monster. With a story about the adoption of my nephew.
Day 44: System of a Down, Patterns
Day 45: Everclear, Nervous and Weird. One of only two songs I like by this band.
Can't find this online.
Day 46: Cheap Trick, Surrender. With tacky KISS Christmas ornament.
Video. Brings me back.
Day 47: Fall Out Boy, Sugar We're Going Down. The most infectious songs on my iPod.
Video. Sort of. It's a video of someone intentionally misinterpreting the lyrics. I laughed.
Day 48: Glassjaw, Pretty Lush. Long Island screamo band. Hey, I don't make these labels up. I just listen.
Day 49: Captain Sensible, One Christmas Catalog Too Many. Love the captain. And this is my favorite color photo of the bunch.
Day 50: Machine Head, Take My Scars. A band I reserve for my "I need to kick something" days.
Day 51: Mojo Nixon, Elvis is Everywhere. Elvislution, baby.
Day 52: Strawberry Alarm Clock, Incense and Peppermint. Far out, man.
Day 53: Type O Negative, Black No. 1. I do have some metal goth chick in me. It only comes out at night.
Day 54: Perry Como, The Christmas Song.
I'm quite sure you know this.
Day 55: AFI, A Winter's Tale. I used to love this band before they went all Hot Topic on me. I would love to retake this photo. Good idea, not executed well.
Day 56: Vandals, Soup of the Day. Fun punk band.
Can't find online.
Day 57: Queens of the Stone Age, Sick, Sick, Sick. Mmmmm...Pepto soup!
Day 58: NoMeansNo, Cats, Sex, Nazis. No, wait, THIS is my third favorite band!
Unfortunately, there's no video for this song. Instead I will link you to an incredible, amazing, powerful live performance of their song The River.
Day 59: Supersuckers, Fisticuffs. Could THIS be my third favorite band? Heh.
Day 60: Del the Funky Homosapien, Proto Culture. Del rules.
Day 61: Death Cab For Cutie, The New Year. My daughter got me into this band.
Day 62: Donny Osmond, Puppy Love. It was the obvious choice.
Video, 1972. My god. The memories of being in love with him. Man, I'm old.
Day 63: Soundgarden, Blow Up The Outside World. Before Chris Cornell turned into a girl. He was only half girl here. He was all man on Badmotorfinger.
Day 64: Smashing Pumpkins, Blank Page. The midst of my muse crisis.
I'm linking to this instead of the song because it never fails to crack me up.
Day 65: GBH, Midnight Madness and Beyond. The best punk band you never listened to.
Can't find it, so here's a live version of City Baby Attacked By Rats
Day 66: Stephen "Tin Tin" Duffy, Kiss Me. In which I get my 80's new wave on.
Listen. Hold on while I dance for a little while.
Day 67: Fear, New York's Alright. Here's a story by Todd about a Fear show that turned into a riot.
Day 68: Queens of the Stone Age, Quick and to the Pointless. Yes, another QOTSA song.
Day 69: Queens of the Stone Age: Auto Pilot. Umm..yea. I get on kicks sometimes.
Video. In my top five favorite of theirs.
Day 70: Wu Tang Clan, C.R.E.A.M. Dolla dolla bill, y'all. One of the finest albums ever recorded.
Day 71: Adam Ant, Yin + Yang. I really reached for this one.
No video, so here's his best song.
Day 72: The Cure, A Forest. Guess I was in "Band from my wild years" mode.
Day 73: Suicidal Tendencies, Go Skate. I really love this picture. And I love skate punk.
Day 74: Youth Brigade, Sink With California. More skate punk. Complete with California shaped birthday cake.
Day 75: Atmosphere, Trying To Find A Balance. Go see out the album Seven's Travels right now. Complete awesomeness.
Video. Give it a listen. Great lyrics, great beats.
Day 76: Phantom Planet, California. You probably know this song from it being the them to The OC. So I'm going to link to another song by them that rocks. And there's zombies in the video!
Ok, here's where we get lost. This is when I went to California. I still haven't gone back and posted a photo from each day there. Guess I should do that. So don't mind the missing days.
Day 78: Descendents, Weinerschnitzel. Mmmm...chili dogs.
Video. The song is about 11 seconds long.
Day 79: Frank Zappa, Who Needs the Peace Corps. Tales of Haight Ashbury and the broken dreams of my childhood.
Can't find it, so here's a clip of Zappa on Letterman.
Day 81: The Who, Tattoo. Oh yea. Five hours watching someone get a tattoo. Actually, it was more interesting than it sounds.
Day 82: The Vandals, Rico. The best song about California ever written. With my love letter to Sacramento.
Sadly, I can't find this online. Email if you want to hear it. But here's another Vandals song for you, The Legend of Pat Brown.
Days 83 and 84 will have to be thrown in at the end.
Day 85: Faith No More, Last Cup of Sorrow
Neat video, with Jennifer Jason Leigh
Day 86: The Von Bondies, Broken Man. The best rock and roll band you are not listening to. Did I say that already?
Day 87: 50 Cent, Candy Shop. Sometimes listening to his stuff gives me the creeps.
Day 88: Meat Puppets, Fruit.
No Fruit video, but here they are doing Oh, Me, which Nirvana covered beautifully.
Day 89: Blind Melon, Three Is A Magic Number (Schoolhouse Rock). I heard Blind Melon is touring. I hate when bands replace singers. I mean yea, he's dead. But change the band name and move on. Replacing singers never turns out well. Except when Faith No More did it.
Day 90: Tom Chapin, Happy Birthday. Kids music that adults find more than tolerable.
No birthday video, but here's a cute song about the states.
Day 91: Indyanna, Go National. I wish this band got more recognition. Good stuff.
Here they are at Old Ironsides singing Stealing is Wrong.
Day 92: Dead Milkmen, I Hate Myself. In which I take a photo of a toilet bowl.
Struck out yet again on a video, but here's the band doing Stuart.
Day 93: Quicksand, Thorn in My Side. In my top 20 of favorite songs ever.
Video. Get your anger on.
Day 94: Adolescents, Wrecking Crew. My favorite picture of Lili.
A bad sound recent performance of the song. Didn't know they were still around til I saw a flyer for a show in Sacramento.
Day 95: Filter, One. Such a great cover. And I still haven't found my ring.
Day 96: Swingin Utters, Five Lessons Learned. I'll be using more from this punk band pretty soon.
Day 97: Hanson Brothers, The Hockey Song. Fun, fun Canadian punk by the guys from NoMeansNo. And a hockey bet lost.
Day 98: Stone Temple Pilots - Big Empty. I've been on an STP kick lately, after ignoring them for so many years.
Day 99: Bouncing Souls, Hopeless Romantic. Fun song, fun band
Day 100: The Fray, Hundred. I'll be honest. I only knew of this song from my daughter and I needed a song with 100 in the title. Then I listened, and liked. So I learned a little musically from this as well. Photo includes about 40 notes.
Day 101: The Who, In the Blue and Red and Gray. Finally got a copy of this song. Very sweet. Really like the words, which fit nicely on this photo.
Day 102: Judas Priest, All Guns Blazing. Rip-it-up metal, to go with a lame ass phot of some rip-it-up video games. Hey, I've been sick. I try.
Live video. Rob Halford rocks.
Day 103: The Von Bondies, C'mon, C'mon. I might have said this already, but if you don't own this album you are missing out. I've been playing it non stop in my car for about three weeks and I'm not even near sick of it.
Day 104: Meatloaf, Paradise By the Dashboard Light. Why, it feels like just yesterday when I wrote about my hatred of this song....oh, it was!
Hah! I found a video of a couple doing it at a wedding!
And that's it. From now on I will write a little about the band and link, if possible, to the song when I do my 365 photo each night.
When I first started this, the idea was to take a song from my library and take a photo to go with it. Somewhere down the line, I was taking photos and finding songs to go with them. I'd like to challenge myself more with the camera by going back to the other way of doing it.
Now that you sort of know my musical tastes, feel free to make requests for songs I could do for the rest of this project. It doesn't have to necessarily be the song title that is to go with the photo, it could be a specific lyric as well.
The June 15, 2014 Eyes On Design car show at the Edsel and Eleanor Ford estate in Grosse Pointe Shores, Michigan. The visit was with my flickr contact Granttt73, who was visiting from his home in California. This exotic Lister Corvette was on display near the ticket booth in the spectator parking lot. Lister Cars
All of my classic car photos can be found here: Car Collections
Press "L" for a full-screen image.
Taken for the DPS weekend challenge "Good Morning". digital-photography-school.com/good-morning-weekend-photo...
St Chad's Cathedral a Grade II* listed building, built by Augustus Welby Pugin in 1841. Located in the Gun Quarter, Northside, Birmingham, West Midlands.
St Chad's was the first Catholic cathedral erected in England after the English Reformation initiated in 1534 by King Henry VIII. St Chad's Cathedral was built at the behest of Bishop Thomas Walsh, the local apostolic vicar (styled Vicar Apostolic of the Midland District). St Chad's Cathedral was designed by Augustus Welby Pugin, the foundation stone was laid in October 1839 and the building consecrated as a church on 21 June 1841. The project received generous donations from John Talbot, 16th Earl of Shrewsbury, who was the last catholic Earl of Shrewsbury. The church was raised to the status of cathedral in 1852 following the restoration of the Catholic Hierarchy in England by Pope Pius IX in 1850. The first Bishop of Birmingham was William Bernard Ullathorne OSB, whose monument is the Crypt of the Cathedral. He was buried at St Dominic's Priory, Stone, a convent of Dominican sisters. In 1911 the diocese was elevated to an archdiocese.
The patron of the cathedral is St Chad, a 7th-century Bishop of Mercia and pupil of St Aidan of Lindisfarne. The cathedral enshrines, in the canopy above the altar, the relics of some long bones of St Chad. These were originally enshrined at, and rescued from, Lichfield Cathedral by Prebendary Arthur Dudley, before its despoliation during the Reformation, in about 1538. Fr Dudley passed the bones to his nieces, Bridget and Katherine Dudley of Russell's Hall, whence they were divided in parcels and passed down among their family. In 1651, Henry Hodgetts, a farmer, of Sedgley was dying and his wife summoned an itinerant priest, Fr Peter Turner, SJ to gave him the last sacraments. When they recited the litany of the saints, Henry kept calling upon Saint Chad, pray for me. On being asked why he called upon St Chad, he replied, "because his bones are in the head of my bed". He then instructed his wife to pass the box of relics to Fr Turner for safekeeping and he took them back to the Seminary of St Omer, in Northern France, where he was based. In the nineteenth Century, the relics found their way into the hands of Sir Thomas Fizherbert-Brockholes of Aston Hall, near Stafford. After Sir Thomas's death, his widow moved to a smaller residence and their chaplain, Fr Benjamin Hulme found the dusty velvet-covered box of relics under the altar, when he cleared out the chapel. Fr Hulme presented the relics to Bishop Walsh, who was in the process of deciding upon a suitable patronal dedication for his new Cathedral. So it was that the relics of the saint who was the apostle of the Midlands in the seventh century were enshrined above the altar. It is the only cathedral in England which has the relics of its patron saint above the altar. These relics were subjected to carbon dating analysis by the archaeological laboratory of Oxford University in 1985, on the order of Archbishop Couve de Murville, which showed all but one of the bones to date from the seventh century, which concurs with the death of St Chad on 2 March 672 AD.
The cathedral was situated in the Gunmakers Quarter of Birmingham, which endangered it during the Second World War. It was bombed on 22 November 1940. An incendiary bomb fell through the roof of the south aisle and bounced from the floor into some central heating pipes, which then burst. The water from the damaged central heating pipes thus extinguished the fire.
The architect chosen to design St Chad's, Augustus Welby Pugin (1812–52), later became one of England's most renowned Gothic Revival architects. Pugin had converted to Roman Catholicism in 1835, and spent most of the remainder of his working life designing Catholic churches, their fittings and vestments. St Chad's was the first large church that he designed which was planned, from the outset in 1837, to become a cathedral. Pugin lavished much care on the building, and described, in his letters, not only the architecture, but its decoration, fittings and furnishings. The Clerk of Works and builder of St Chad's was George Myers.
St Chad's replaced a smaller church dedicated to St Austin, built on the same site in 1808, in the Gunmakers' Quarter of the town on steeply sloping land that fell away to the canal and wharf. Because of the narrow site, and the necessity to build in brick rather than stone, Pugin was restricted in the style and proportions of the church that he could design. Because he wished to make the church as open and spacious as possible, he looked as a model to the style of churches that were built in Northern Germany in the late Middle Ages. St Chad's is built in the style of a brick hall church or "hallenkirke", similar to Munich Cathedral and has a westwerk with narrow broached spires similar to those of Lübeck Cathedral. Because of the steep slope of the site, Pugin built a large crypt beneath the building, to be used primarily as a burial place for family tombs, and former cathedral clergy, and is now rehearsal room for the choir. The geographical alignment is unusual in that the "east end" (the location of the altar) actually faces approximately north west.
Krishna is considered the supreme deity, worshipped across many traditions of Hinduism in a variety of different perspectives. Krishna is recognized as the eighth incarnation (avatar) of Lord Vishnu, and one and the same as Lord Vishnu one of the trimurti and as the supreme god in his own right. Krishna is the principal protagonist with Arjuna in the Bhagavad Gita also known as the Song of God, which depicts the conversation between the Royal Prince Arjuna and Krishna during the great battle of Kureksetra 5000 years ago where Arjuna discovers that Krishna is God and then comprehends his nature and will for him and for mankind. In present age Krishna is one of the most widely revered and most popular of all Indian divinities.
Krishna is often described and portrayed as an infant eating butter, a young boy playing a flute as in the Bhagavata Purana, or as an elder giving direction and guidance as in the Bhagavad Gita. The stories of Krishna appear across a broad spectrum of Hindu philosophical and theological traditions. They portray him in various perspectives: a god-child, a prankster, a model lover, a divine hero, and the Supreme Being. The principal scriptures discussing Krishna's story are the Mahabharata, the Harivamsa, the Bhagavata Purana, and the Vishnu Purana.
Krishna's disappearance marks the end of Dvapara Yuga and the start of Kali Yuga (present age), which is dated to February 17/18, 3102 BCE. Worship of the deity Krishna, either in the form of deity Krishna or in the form of Vasudeva, Bala Krishna or Gopala can be traced to as early as 4th century BC. Worship of Krishna as Svayam Bhagavan, or the supreme being, known as Krishnaism, arose in the Middle Ages in the context of the Bhakti movement. From the 10th century AD, Krishna became a favourite subject in performing arts and regional traditions of devotion developed for forms of Krishna such as Jagannatha in Odisha, Vithoba in Maharashtra and Shrinathji in Rajasthan. Since the 1960s the worship of Krishna has also spread in the Western world, largely due to the International Society for Krishna Consciousness.
NAMES AND EPITHETS
The name originates from the Sanskrit word Kṛṣṇa, which is primarily an adjective meaning "black", "dark" or "dark blue". The waning moon is called Krishna Paksha in the Vedic tradition, relating to the adjective meaning "darkening". Sometimes it is also translated as "all-attractive", according to members of the Hare Krishna movement.
As a name of Vishnu, Krishna listed as the 57th name in the Vishnu Sahasranama. Based on his name, Krishna is often depicted in murtis as black or blue-skinned. Krishna is also known by various other names, epithets and titles, which reflect his many associations and attributes. Among the most common names are Mohan "enchanter", Govinda, "Finder of the cows" or Gopala, "Protector of the cows", which refer to Krishna's childhood in Braj (in present day Uttar Pradesh). Some of the distinct names may be regionally important; for instance, Jagannatha, a popular incarnation of Puri, Odisha in eastern India.
ICONOGRAPHY
Krishna is easily recognized by his representations. Though his skin color may be depicted as black or dark in some representations, particularly in murtis, in other images such as modern pictorial representations, Krishna is usually shown with a blue skin. He is often shown wearing a silk dhoti and a peacock feather crown. Common depictions show him as a little boy, or as a young man in a characteristically relaxed pose, playing the flute. In this form, he usually stands with one leg bent in front of the other with a flute raised to his lips, in the Tribhanga posture, accompanied by cows, emphasizing his position as the divine herdsman, Govinda, or with the gopis (milkmaids) i.e. Gopikrishna, stealing butter from neighbouring houses i.e. Navneet Chora or Gokulakrishna, defeating the vicious serpent i.e. Kaliya Damana Krishna, lifting the hill i.e. Giridhara Krishna ..so on and so forth from his childhood / youth events.
A steatite (soapstone) tablet unearthed from Mohenjo-daro, Larkana district, Sindh depicting a young boy uprooting two trees from which are emerging two human figures is an interesting archaeological find for fixing dates associated with Krishna. This image recalls the Yamalarjuna episode of Bhagavata and Harivamsa Purana. In this image, the young boy is Krishna, and the two human beings emerging from the trees are the two cursed gandharvas, identified as Nalakubara and Manigriva. Dr. E.J.H. Mackay, who did the excavation at Mohanjodaro, compares this image with the Yamalarjuna episode. Prof. V.S. Agrawal has also accepted this identification. Thus, it seems that the Indus valley people knew stories related to Krishna. This lone find may not establish Krishna as contemporary with Pre-Indus or Indus times, but, likewise, it cannot be ignored.
The scene on the battlefield of the epic Mahabharata, notably where he addresses Pandava prince Arjuna in the Bhagavad Gita, is another common subject for representation. In these depictions, he is shown as a man, often with supreme God characteristics of Hindu religious art, such as multiple arms or heads, denoting power, and with attributes of Vishnu, such as the chakra or in his two-armed form as a charioteer. Cave paintings dated to 800 BCE in Mirzapur, Mirzapur district, Uttar Pradesh, show raiding horse-charioteers, one of whom is about to hurl a wheel, and who could potentially be identified as Krishna.
Representations in temples often show Krishna as a man standing in an upright, formal pose. He may be alone, or with associated figures: his brother Balarama and sister Subhadra, or his main queens Rukmini and Satyabhama.
Often, Krishna is pictured with his gopi-consort Radha. Manipuri Vaishnavas do not worship Krishna alone, but as Radha Krishna, a combined image of Krishna and Radha. This is also a characteristic of the schools Rudra and Nimbarka sampradaya, as well as that of Swaminarayan sect. The traditions celebrate Radha Ramana murti, who is viewed by Gaudiyas as a form of Radha Krishna.
Krishna is also depicted and worshipped as a small child (Bala Krishna, Bāla Kṛṣṇa the child Krishna), crawling on his hands and knees or dancing, often with butter or Laddu in his hand being Laddu Gopal. Regional variations in the iconography of Krishna are seen in his different forms, such as Jaganatha of Odisha, Vithoba of Maharashtra, Venkateswara (also Srinivasa or Balaji) in Andhra Pradesh, and Shrinathji in Rajasthan.
LITERARY SOURCES
The earliest text to explicitly provide detailed descriptions of Krishna as a personality is the epic Mahabharata which depicts Krishna as an incarnation of Vishnu. Krishna is central to many of the main stories of the epic. The eighteen chapters of the sixth book (Bhishma Parva) of the epic that constitute the Bhagavad Gita contain the advice of Krishna to the warrior-hero Arjuna, on the battlefield. Krishna is already an adult in the epic, although there are allusions to his earlier exploits. The Harivamsa, a later appendix to this epic, contains the earliest detailed version of Krishna's childhood and youth.
The Rig Veda 1.22.164 sukta 31 mentions a herdsman "who never stumbles". Some Vaishnavite scholars, such as Bhaktivinoda Thakura, claim that this herdsman refers to Krishna. Ramakrishna Gopal Bhandarkar also attempted to show that "the very same Krishna" made an appearance, e.g. as the drapsa ... krishna "black drop" of RV 8.96.13. Some authors have also likened prehistoric depictions of deities to Krishna.
Chandogya Upanishad (3.17.6) composed around 900 BCE mentions Vasudeva Krishna as the son of Devaki and the disciple of Ghora Angirasa, the seer who preached his disciple the philosophy of ‘Chhandogya.’ Having been influenced by the philosophy of ‘Chhandogya’ Krishna in the Bhagavadgita while delivering the discourse to Arjuna on the battlefield of Kurukshetra discussed about sacrifice, which can be compared to purusha or the individual.
Yāska's Nirukta, an etymological dictionary around 6th century BC, contains a reference to the Shyamantaka jewel in the possession of Akrura, a motif from well known Puranic story about Krishna. Shatapatha Brahmana and Aitareya-Aranyaka, associate Krishna with his Vrishni origins.
Pāṇini, the ancient grammarian and author of Asthadhyayi (probably belonged to 5th century or 6th century BC) mentions a character called Vāsudeva, son of Vasudeva, and also mentions Kaurava and Arjuna which testifies to Vasudeva Krishna, Arjuna and Kauravas being contemporaries.
Megasthenes (350 – 290 BC) a Greek ethnographer and an ambassador of Seleucus I to the court of Chandragupta Maurya made reference to Herakles in his famous work Indica. Many scholars have suggested that the deity identified as Herakles was Krishna. According to Arrian, Diodorus, and Strabo, Megasthenes described an Indian tribe called Sourasenoi, who especially worshipped Herakles in their land, and this land had two cities, Methora and Kleisobora, and a navigable river, the Jobares. As was common in the ancient period, the Greeks sometimes described foreign gods in terms of their own divinities, and there is a little doubt that the Sourasenoi refers to the Shurasenas, a branch of the Yadu dynasty to which Krishna belonged; Herakles to Krishna, or Hari-Krishna: Methora to Mathura, where Krishna was born; Kleisobora to Krishnapura, meaning "the city of Krishna"; and the Jobares to the Yamuna, the famous river in the Krishna story. Quintus Curtius also mentions that when Alexander the Great confronted Porus, Porus's soldiers were carrying an image of Herakles in their vanguard.
The name Krishna occurs in Buddhist writings in the form Kānha, phonetically equivalent to Krishna.
The Ghata-Jâtaka (No. 454) gives an account of Krishna's childhood and subsequent exploits which in many points corresponds with the Brahmanic legends of his life and contains several familiar incidents and names, such as Vâsudeva, Baladeva, Kaṃsa. Yet it presents many peculiarities and is either an independent version or a misrepresentation of a popular story that had wandered far from its home. Jain tradition also shows that these tales were popular and were worked up into different forms, for the Jains have an elaborate system of ancient patriarchs which includes Vâsudevas and Baladevas. Krishna is the ninth of the Black Vâsudevas and is connected with Dvâravatî or Dvârakâ. He will become the twelfth tîrthankara of the next world-period and a similar position will be attained by Devakî, Rohinî, Baladeva and Javakumâra, all members of his family. This is a striking proof of the popularity of the Krishna legend outside the Brahmanic religion.
According to Arthasastra of Kautilya (4th century BCE) Vāsudeva was worshiped as supreme Deity in a strongly monotheistic format.
Around 150 BC, Patanjali in his Mahabhashya quotes a verse: "May the might of Krishna accompanied by Samkarshana increase!" Other verses are mentioned. One verse speaks of "Janardhana with himself as fourth" (Krishna with three companions, the three possibly being Samkarshana, Pradyumna, and Aniruddha). Another verse mentions musical instruments being played at meetings in the temples of Rama (Balarama) and Kesava (Krishna). Patanjali also describes dramatic and mimetic performances (Krishna-Kamsopacharam) representing the killing of Kamsa by Vasudeva.
In the 1st century BC, there seems to be evidence for a worship of five Vrishni heroes (Balarama, Krishna, Pradyumna, Aniruddha and Samba) for an inscription has been found at Mora near Mathura, which apparently mentions a son of the great satrap Rajuvula, probably the satrap Sodasa, and an image of Vrishni, "probably Vasudeva, and of the "Five Warriors". Brahmi inscription on the Mora stone slab, now in the Mathura Museum.
Many Puranas tell Krishna's life-story or some highlights from it. Two Puranas, the Bhagavata Purana and the Vishnu Purana, that contain the most elaborate telling of Krishna’s story and teachings are the most theologically venerated by the Vaishnava schools. Roughly one quarter of the Bhagavata Purana is spent extolling his life and philosophy.
LIFE
This summary is based on details from the Mahābhārata, the Harivamsa, the Bhagavata Purana and the Vishnu Purana. The scenes from the narrative are set in north India mostly in the present states of Uttar Pradesh, Bihar, Haryana, Delhi and Gujarat.
BIRTH
Based on scriptural details and astrological calculations, the date of Krishna's birth, known as Janmashtami, is 18 July 3228 BCE. He was born to Devaki and her husband, Vasudeva, When Mother Earth became upset by the sin being committed on Earth, she thought of seeking help from Lord Vishnu. She went in the form of a cow to visit Lord Vishnu and ask for help. Lord Vishnu agreed to help her and promised her that he would be born on Earth. On Earth in the Yadava clan, he was yadav according to his birth, a prince named Kamsa sent his father Ugrasena (King of Mathura) to prison and became the King himself. One day a loud voice from the sky (Akash Vani in Hindi) prophesied that the 8th son of Kamsa's sister (Devaki) would kill Kamsa. Out of affection for Devaki, Kamsa did not kill her outright. He did, however, send his sister and her husband (Vasudeva) to prison. Lord Vishnu himself later appeared to Devaki and Vasudeva and told them that he himself would be their eighth son and kill Kamsa and destroy sin in the world. In the story of Krishna the deity is the agent of conception and also the offspring. Because of his sympathy for the earth, the divine Vishnu himself descended into the womb of Devaki and was born as her son, Vaasudeva (i.e., Krishna).[citation needed] This is occasionally cited as evidence that "virgin birth" tales are fairly common in non-Christian religions around the world. However, there is nothing in Hindu scriptures to suggest that it was a "virgin" birth. By the time of conception and birth of Krishna, Devaki was married to Vasudeva and had already borne 7 children. Virgin birth in this case should be more accurately understood as divine conception. Kunti the mother of the Pandavas referenced contemporaneously with the story of Krishna in the Mahabharata also has divine conception and virgin birth of Prince Karna.
The Hindu Vishnu Purana relates: "Devaki bore in her womb the lotus-eyed deity...before the birth of Krishna, no one could bear to gaze upon Devaki, from the light that invested her, and those who contemplated her radiance felt their minds disturbed.” This reference to light is reminiscent of the Vedic hymn "To an Unknown Divine," which refers to a Golden Child. According to F. M. Müller, this term means "the golden gem of child" and is an attempt at naming the sun. According to the Vishnu Purana, Krishna is the total incarnation of Lord Vishnu. It clearly describes in the Vishnu Purana that Krishna was born on earth to destroy sin, especially Kamsa.
Krishna belonged to the Vrishni clan of Yadavas from Mathura, and was the eighth son born to the princess Devaki, and her husband Vasudeva.
Mathura (in present day Mathura district, Uttar Pradesh) was the capital of the Yadavas, to which Krishna's parents Vasudeva and Devaki belonged. King Kamsa, Devaki's brother, had ascended the throne by imprisoning his father, King Ugrasena. Afraid of a prophecy from a divine voice from the heavens that predicted his death at the hands of Devaki's eighth "garbha", Kamsa had the couple locked in a prison cell. After Kamsa killed the first six children, Devaki apparently had a miscarriage of the seventh. However, in reality, the womb was actually transferred to Rohini secretly. This was how Balarama, Krishna's elder brother, was born. Once again Devaki became pregnant. Now due to the miscarriage, Kamsa was in a puzzle regarding 'The Eighth One', but his ministers advised that the divine voice from the heavens emphasised "the eight garbha" and so this is the one. That night Krishna was born in the Rohini nakshatra and simultaneously the goddess Durga was born as Yogamaya in Gokulam to Nanda and Yashoda.
Since Vasudeva knew Krishna's life was in danger, Krishna was secretly taken out of the prison cell to be raised by his foster parents, Yasoda and Nanda, in Gokula (in present day Mathura district). Two of his other siblings also survived, Balarama (Devaki's seventh child, transferred to the womb of Rohini, Vasudeva's first wife) and Subhadra (daughter of Vasudeva and Rohini, born much later than Balarama and Krishna).
CHILDHOOD AND YOUTH
Nanda was the head of a community of cow-herders, and he settled in Vrindavana. The stories of Krishna's childhood and youth tell how he became a cow herder, his mischievous pranks as Makhan Chor (butter thief) his foiling of attempts to take his life, and his role as a protector of the people of Vrindavana.
Krishna killed the demoness Putana, disguised as a wet nurse, and the tornado demon Trinavarta both sent by Kamsa for Krishna's life. He tamed the serpent Kāliyā, who previously poisoned the waters of Yamuna river, thus leading to the death of the cowherds. In Hindu art, Krishna is often depicted dancing on the multi-hooded Kāliyā.
Krishna lifted the Govardhana hill and taught Indra, the king of the devas, a lesson to protect native people of Brindavana from persecution by Indra and prevent the devastation of the pasture land of Govardhan. Indra had too much pride and was angry when Krishna advised the people of Brindavana to take care of their animals and their environment that provide them with all their necessities, instead of worshipping Indra annually by spending their resources. In the view of some, the spiritual movement started by Krishna had something in it which went against the orthodox forms of worship of the Vedic gods such as Indra. In Bhagavat Purana, Krishna says that the rain came from the nearby hill Govardhana, and advised that the people worshiped the hill instead of Indra. This made Indra furious, so he punished them by sending out a great storm. Krishna then lifted Govardhan and held it over the people like an umbrella.
The stories of his play with the gopis (milkmaids) of Brindavana, especially Radha (daughter of Vrishbhanu, one of the original residents of Brindavan) became known as the Rasa lila and were romanticised in the poetry of Jayadeva, author of the Gita Govinda. These became important as part of the development of the Krishna bhakti traditions worshiping Radha Krishna.
Krishna’s childhood reinforces the Hindu concept of lila, playing for fun and enjoyment and not for sport or gain. His interaction with the gopis at the rasa dance or Rasa-lila is a great example of this. Krishna played his flute and the gopis came immediately from whatever they were doing, to the banks of the Yamuna River, and joined him in singing and dancing. Even those who could not physically be there joined him through meditation. The story of Krishna’s battle with Kāliyā also supports this idea in the sense of him dancing on Kāliyā’s many hoods. Even though he is doing battle with the serpent, he is in no real danger and treats it like a game. He is a protector, but he only appears to be a young boy having fun. This idea of having a playful god is very important in Hinduism. The playfulness of Krishna has inspired many celebrations like the Rasa-lila and the Janmashtami : where they make human pyramids to break open handis (clay pots) hung high in the air that spill buttermilk all over the group after being broken by the person at the top. This is meant to be a fun celebration and it gives the participants a sense of unity. Many believe that lila being connected with Krishna gives Hindus a deeper connection to him and thus a deeper connection to Vishnu also; seeing as Krishna is an incarnation of Vishnu. Theologists, like Kristin Johnston Largen, believe that Krishna’s childhood can even inspire other religions to look for lila in deities so that they have a chance to experience a part of their faith that they may not have previously seen.
THE PRINCE
On his return to Mathura as a young man, Krishna overthrew and killed his maternal uncle, Kamsa, after quelling several assassination attempts from Kamsa's followers. He reinstated Kamsa's father, Ugrasena, as the king of the Yadavas and became a leading prince at the court. During this period, he became a friend of Arjuna and the other Pandava princes of the Kuru kingdom, who were his cousins. Later, he took his Yadava subjects to the city of Dwaraka (in modern Gujarat) and established his own kingdom there.
Krishna married Rukmini, the Vidarbha princess, by abducting her, at her request, from her proposed wedding with Shishupala. He married eight queens - collectively called the Ashtabharya - including Rukmini, Satyabhama, Jambavati, Kalindi, Mitravinda, Nagnajiti, Bhadra and Lakshmana. Krishna subsequently married 16,000 or 16,100 maidens who were held captive by the demon Narakasura, to save their honour. Krishna killed the demon and released them all. According to social custom of the time, all of the captive women were degraded, and would be unable to marry, as they had been under the Narakasura's control. However Krishna married them to reinstate their status in the society. This symbolic wedding with 16,100 abandoned daughters was more of a mass rehabilitation. In Vaishnava traditions, Krishna's wives are forms of the goddess Lakshmi - consort of Vishnu, or special souls who attained this qualification after many lifetimes of austerity, while his two queens, Rukmani and Satyabhama, are expansions of Lakshmi.
When Yudhisthira was assuming the title of emperor, he had invited all the great kings to the ceremony and while paying his respects to them, he started with Krishna because he considered Krishna to be the greatest of them all. While it was a unanimous feeling amongst most present at the ceremony that Krishna should get the first honours, his cousin Shishupala felt otherwise and started berating Krishna. Due to a vow given to Shishupal's mother, Krishna forgave a hundred verbal abuses by Shishupal, and upon the one hundred and first, he assumed his Virat (universal) form and killed Shishupal with his Chakra. The blind king Dhritarashtra also obtained divine vision to be able to see this form of Krishna during the time when Duryodana tried to capture Krishna when he came as a peace bearer before the great Mahabharat War. Essentially, Shishupala and Dantavakra were both re-incarnations of Vishnu's gate-keepers Jaya and Vijaya, who were cursed to be born on Earth, to be delivered by the Vishnu back to Vaikuntha.
KURUKSHETRA WAR AND BHAGAVAD GITA
Once battle seemed inevitable, Krishna offered both sides the opportunity to choose between having either his army called narayani sena or himself alone, but on the condition that he personally would not raise any weapon. Arjuna, on behalf of the Pandavas, chose to have Krishna on their side, and Duryodhana, Kaurava prince, chose Krishna's army. At the time of the great battle, Krishna acted as Arjuna's charioteer, since this position did not require the wielding of weapons.
Upon arrival at the battlefield, and seeing that the enemies are his family, his grandfather, his cousins and loved ones, Arjuna is moved and says his heart does not allow him to fight and he would rather prefer to renounce the kingdom and put down his Gandiv (Arjuna's bow). Krishna then advises him about the battle, with the conversation soon extending into a discourse which was later compiled as the Bhagavad Gita.
Krishna asked Arjuna, "Have you within no time, forgotten the Kauravas' evil deeds such as not accepting the eldest brother Yudhishtira as King, usurping the entire Kingdom without yielding any portion to the Pandavas, meting out insults and difficulties to Pandavas, attempt to murder the Pandavas in the Barnava lac guest house, publicly attempting to disrobe and disgracing Draupadi. Krishna further exhorted in his famous Bhagavad Gita, "Arjuna, do not engage in philosophical analyses at this point of time like a Pundit. You are aware that Duryodhana and Karna particularly have long harboured jealousy and hatred for you Pandavas and badly want to prove their hegemony. You are aware that Bhishmacharya and your Teachers are tied down to their dharma of protecting the unitarian power of the Kuru throne. Moreover, you Arjuna, are only a mortal appointee to carry out my divine will, since the Kauravas are destined to die either way, due to their heap of sins. Open your eyes O Bhaarata and know that I encompass the Karta, Karma and Kriya, all in myself. There is no scope for contemplation now or remorse later, it is indeed time for war and the world will remember your might and immense powers for time to come. So rise O Arjuna!, tighten up your Gandiva and let all directions shiver till their farthest horizons, by the reverberation of its string."
Krishna had a profound effect on the Mahabharata war and its consequences. He had considered the Kurukshetra war to be a last resort after voluntarily acting as a messenger in order to establish peace between the Pandavas and Kauravas. But, once these peace negotiations failed and was embarked into the war, then he became a clever strategist. During the war, upon becoming angry with Arjuna for not fighting in true spirit against his ancestors, Krishna once picked up a carriage wheel in order to use it as a weapon to challenge Bhishma. Upon seeing this, Bhishma dropped his weapons and asked Krishna to kill him. However, Arjuna apologized to Krishna, promising that he would fight with full dedication here/after, and the battle continued. Krishna had directed Yudhisthira and Arjuna to return to Bhishma the boon of "victory" which he had given to Yudhisthira before the war commenced, since he himself was standing in their way to victory. Bhishma understood the message and told them the means through which he would drop his weapons - which was if a woman entered the battlefield. Next day, upon Krishna's directions, Shikhandi (Amba reborn) accompanied Arjuna to the battlefield and thus, Bhishma laid down his arms. This was a decisive moment in the war because Bhishma was the chief commander of the Kaurava army and the most formidable warrior on the battlefield. Krishna aided Arjuna in killing Jayadratha, who had held the other four Pandava brothers at bay while Arjuna's son Abhimanyu entered Drona's Chakravyuha formation - an effort in which he was killed by the simultaneous attack of eight Kaurava warriors. Krishna also caused the downfall of Drona, when he signalled Bhima to kill an elephant called Ashwatthama, the namesake of Drona's son. Pandavas started shouting that Ashwatthama was dead but Drona refused to believe them saying he would believe it only if he heard it from Yudhisthira. Krishna knew that Yudhisthira would never tell a lie, so he devised a clever ploy so that Yudhisthira wouldn't lie and at the same time Drona would be convinced of his son's death. On asked by Drona, Yudhisthira proclaimed
Ashwathama Hatahath, naro va Kunjaro va
i.e. Ashwathama had died but he was nor sure whether it was a Drona's son or an elephant. But as soon as Yudhisthira had uttered the first line, Pandava army on Krishna's direction broke into celebration with drums and conchs, in the din of which Drona could not hear the second part of the Yudhisthira's declaration and assumed that his son indeed was dead. Overcome with grief he laid down his arms, and on Krishna's instruction Dhrishtadyumna beheaded Drona.
When Arjuna was fighting Karna, the latter's chariot's wheels sank into the ground. While Karna was trying to take out the chariot from the grip of the Earth, Krishna reminded Arjuna how Karna and the other Kauravas had broken all rules of battle while simultaneously attacking and killing Abhimanyu, and he convinced Arjuna to do the same in revenge in order to kill Karna. During the final stage of the war, when Duryodhana was going to meet his mother Gandhari for taking her blessings which would convert all parts of his body on which her sight falls to diamond, Krishna tricks him to wearing banana leaves to hide his groin. When Duryodhana meets Gandhari, her vision and blessings fall on his entire body except his groin and thighs, and she becomes unhappy about it because she was not able to convert his entire body to diamond. When Duryodhana was in a mace-fight with Bhima, Bhima's blows had no effect on Duryodhana. Upon this, Krishna reminded Bhima of his vow to kill Duryodhana by hitting him on the thigh, and Bhima did the same to win the war despite it being against the rules of mace-fight (since Duryodhana had himself broken Dharma in all his past acts). Thus, Krishna's unparalleled strategy helped the Pandavas win the Mahabharata war by bringing the downfall of all the chief Kaurava warriors, without lifting any weapon. He also brought back to life Arjuna's grandson Parikshit, who had been attacked by a Brahmastra weapon from Ashwatthama while he was in his mother's womb. Parikshit became the Pandavas' successor.
FAMILY
Krishna had eight princely wives, also known as Ashtabharya: Rukmini, Satyabhama, Jambavati, Nagnajiti, Kalindi, Mitravinda, Bhadra, Lakshmana) and the other 16,100 or 16,000 (number varies in scriptures), who were rescued from Narakasura. They had been forcibly kept in his palace and after Krishna had killed Narakasura, he rescued these women and freed them. Krishna married them all to save them from destruction and infamity. He gave them shelter in his new palace and a respectful place in society. The chief amongst them is Rohini.
The Bhagavata Purana, Vishnu Purana, Harivamsa list the children of Krishna from the Ashtabharya with some variation; while Rohini's sons are interpreted to represent the unnumbered children of his junior wives. Most well-known among his sons are Pradyumna, the eldest son of Krishna (and Rukmini) and Samba, the son of Jambavati, whose actions led to the destruction of Krishna's clan.
LATER LIFE
According to Mahabharata, the Kurukshetra war resulted in the death of all the hundred sons of Gandhari. On the night before Duryodhana's death, Lord Krishna visited Gandhari to offer his condolences. Gandhari felt that Krishna knowingly did not put an end to the war, and in a fit of rage and sorrow, Gandhari cursed that Krishna, along with everyone else from the Yadu dynasty, would perish after 36 years. Krishna himself knew and wanted this to happen as he felt that the Yadavas had become very haughty and arrogant (adharmi), so he ended Gandhari's speech by saying "tathastu" (so be it).
After 36 years passed, a fight broke out between the Yadavas, at a festival, who killed each other. His elder brother, Balarama, then gave up his body using Yoga. Krishna retired into the forest and started meditating under a tree. The Mahabharata also narrates the story of a hunter who becomes an instrument for Krishna's departure from the world. The hunter Jara, mistook Krishna's partly visible left foot for that of a deer, and shot an arrow, wounding him mortally. After he realised the mistake, While still bleeding, Krishna told Jara, "O Jara, you were Bali in your previous birth, killed by myself as Rama in Tretayuga. Here you had a chance to even it and since all acts in this world are done as desired by me, you need not worry for this". Then Krishna, with his physical body ascended back to his eternal abode, Goloka vrindavan and this event marks departure of Krishna from the earth. The news was conveyed to Hastinapur and Dwaraka by eyewitnesses to this event. The place of this incident is believed to be Bhalka, near Somnath temple.
According to Puranic sources, Krishna's disappearance marks the end of Dvapara Yuga and the start of Kali Yuga, which is dated to February 17/18, 3102 BCE. Vaishnava teachers such as Ramanujacharya and Gaudiya Vaishnavas held the view that the body of Krishna is completely spiritual and never decays (Achyuta) as this appears to be the perspective of the Bhagavata Purana. Lord Sri Chaitanya Mahaprabhu (an incarnation of Lord Sri Krishna according to the Bhavishya Purana) exhorted, "Krishna Naama Sankirtan" i.e. the constant chanting of the Krishna's name is the supreme healer in Kali Yuga. It destroys sins and purifies the hearts through Bhakti ensures universal peace.
Krishna never appears to grow old or age at all in the historical depictions of the Puranas despite passing of several decades, but there are grounds for a debate whether this indicates that he has no material body, since battles and other descriptions of the Mahabhārata epic show clear indications that he seems to be subject to the limitations of nature. While battles apparently seem to indicate limitations, Mahabharata also shows in many places where Krishna is not subject to any limitations as through episodes Duryodhana trying to arrest Krishna where his body burst into fire showing all creation within him. Krishna is also explicitly described as without deterioration elsewhere.
WORSHIP
VAISHNAVISM
The worship of Krishna is part of Vaishnavism, which regards Vishnu as the Supreme God and venerates His associated avatars, their consorts, and related saints and teachers. Krishna is especially looked upon as a full manifestation of Vishnu, and as one with Vishnu himself. However the exact relationship between Krishna and Vishnu is complex and diverse, where Krishna is sometimes considered an independent deity, supreme in his own right. Out of many deities, Krishna is particularly important, and traditions of Vaishnava lines are generally centered either on Vishnu or on Krishna, as supreme. The term Krishnaism has been used to describe the sects of Krishna, reserving the term "Vaishnavism" for sects focusing on Vishnu in which Krishna is an avatar, rather than as a transcendent Supreme Being.
All Vaishnava traditions recognise Krishna as an avatar of Vishnu; others identify Krishna with Vishnu; while traditions, such as Gaudiya Vaishnavism, Vallabha Sampradaya and the Nimbarka Sampradaya, regard Krishna as the Svayam Bhagavan, original form of God. Swaminarayan, the founder of the Swaminarayan Sampraday also worshipped Krishna as God himself. "Greater Krishnaism" corresponds to the second and dominant phase of Vaishnavism, revolving around the cults of the Vasudeva, Krishna, and Gopala of late Vedic period. Today the faith has a significant following outside of India as well.
EARLY TRADITIONS
The deity Krishna-Vasudeva (kṛṣṇa vāsudeva "Krishna, the son of Vasudeva") is historically one of the earliest forms of worship in Krishnaism and Vaishnavism. It is believed to be a significant tradition of the early history of the worship of Krishna in antiquity. This tradition is considered as earliest to other traditions that led to amalgamation at a later stage of the historical development. Other traditions are Bhagavatism and the cult of Gopala, that along with the cult of Bala Krishna form the basis of current tradition of monotheistic religion of Krishna. Some early scholars would equate it with Bhagavatism, and the founder of this religious tradition is believed to be Krishna, who is the son of Vasudeva, thus his name is Vāsudeva; he is said to be historically part of the Satvata tribe, and according to them his followers called themselves Bhagavatas and this religion had formed by the 2nd century BC (the time of Patanjali), or as early as the 4th century BC according to evidence in Megasthenes and in the Arthasastra of Kautilya, when Vāsudeva was worshiped as supreme deity in a strongly monotheistic format, where the supreme being was perfect, eternal and full of grace. In many sources outside of the cult, the devotee or bhakta is defined as Vāsudevaka. The Harivamsa describes intricate relationships between Krishna Vasudeva, Sankarsana, Pradyumna and Aniruddha that would later form a Vaishnava concept of primary quadrupled expansion, or avatar.
BHAKTI TRADITION
Bhakti, meaning devotion, is not confined to any one deity. However Krishna is an important and popular focus of the devotional and ecstatic aspects of Hindu religion, particularly among the Vaishnava sects. Devotees of Krishna subscribe to the concept of lila, meaning 'divine play', as the central principle of the Universe. The lilas of Krishna, with their expressions of personal love that transcend the boundaries of formal reverence, serve as a counterpoint to the actions of another avatar of Vishnu: Rama, "He of the straight and narrow path of maryada, or rules and regulations."
The bhakti movements devoted to Krishna became prominent in southern India in the 7th to 9th centuries AD. The earliest works included those of the Alvar saints of the Tamil country. A major collection of their works is the Divya Prabandham. The Alvar Andal's popular collection of songs Tiruppavai, in which she conceives of herself as a gopi, is the most famous of the oldest works in this genre. Kulasekaraazhvaar's Mukundamala was another notable work of this early stage.
SPREAD OF THE KRISHNA-BHAKTI MOVEMENT
The movement, which started in the 6th-7th century A.D. in the Tamil-speaking region of South India, with twelve Alvar (one immersed in God) saint-poets, who wrote devotional songs. The religion of Alvar poets, which included a woman poet, Andal, was devotion to God through love (bhakti), and in the ecstasy of such devotions they sang hundreds of songs which embodied both depth of feeling and felicity of expressions. The movement originated in South India during the seventh-century CE, spreading northwards from Tamil Nadu through Karnataka and Maharashtra; by the fifteenth century, it was established in Bengal and northern India.
While the learned sections of the society well versed in Sanskrit could enjoy works like Gita Govinda or Bilvamangala's Krishna-Karnamritam, the masses sang the songs of the devotee-poets, who composed in the regional languages of India. These songs expressing intense personal devotion were written by devotees from all walks of life. The songs of Meera and Surdas became epitomes of Krishna-devotion in north India.
These devotee-poets, like the Alvars before them, were aligned to specific theological schools only loosely, if at all. But by the 11th century AD, Vaishnava Bhakti schools with elaborate theological frameworks around the worship of Krishna were established in north India. Nimbarka (11th century AD), Vallabhacharya (15th century AD) and (Lord Sri Chaitanya Mahaprabhu an incarnation of Lord Sri Krishna according to the Bhavishya Purana) (16th century AD) all inspired by the teachings of Madhvacharya (11th century AD) were the founders of the most influential schools. These schools, namely Nimbarka Sampradaya, Vallabha Sampradaya and Gaudiya Vaishnavism respectively, see Krishna as the supreme God, rather than an avatar, as generally seen.
In the Deccan, particularly in Maharashtra, saint poets of the Varkari sect such as Dnyaneshwar, Namdev, Janabai, Eknath and Tukaram promoted the worship of Vithoba, a local form of Krishna, from the beginning of the 13th century until the late 18th century. In southern India, Purandara Dasa and Kanakadasa of Karnataka composed songs devoted to the Krishna image of Udupi. Rupa Goswami of Gaudiya Vaishnavism, has compiled a comprehensive summary of bhakti named Bhakti-rasamrita-sindhu.
IN THE WEST
In 1965, the Krishna-bhakti movement had spread outside India when its founder, Bhaktivedanta Swami Prabhupada, (who was instructed by his guru, Bhaktisiddhanta Sarasvati Thakura) traveled from his homeland in West Bengal to New York City. A year later in 1966, after gaining many followers, he was able to form the International Society for Krishna Consciousness (ISKCON), popularly known as the Hare Krishna movement. The purpose of this movement was to write about Krishna in English and to share the Gaudiya Vaishnava philosophy with people in the Western world by spreading the teachings of the saint Chaitanya Mahaprabhu. In an effort to gain attention, followers chanted the names of God in public locations. This chanting was known as hari-nama sankirtana and helped spread the teaching. Additionally, the practice of distributing prasad or “sanctified food” worked as a catalyst in the dissemination of his works. In the Hare Krishna movement, Prasad was a vegetarian dish that would be first offered to Krishna. The food’s proximity to Krishna added a “spiritual effect,” and was seen to “counteract material contamination affecting the soul.” Sharing this sanctified food with the public, in turn, enabled the movement to gain new recruits and further spread these teachings.
WIKIPEDIA
Listed Building Grade II
List Entry Number : 1270245
Date First Listed : 20 June 1972
A pair of early to mid 19th century shops with living accommodation above, they are rendered with a slate roof. They have three storeys, and each shop has two bays. In the ground floor are 20th-century shop fronts, and the upper floors contain sash windows.
London Coliseum. Frank Matcham's masterpiece, the London Coliseum, opened on Xmas Eve 1904 as a vast Music Hall for Stoll Theatres. Initially it had a capacity of 3,389, now reduced to a more comfortable 2,360, split over four levels. The style is Roman and is unusually lavish throughout, above the side boxes on either side of the stage is a large statue of a Charioteer drawn by three lions. The theatre was the first in Euope to have lifts to every floor, and also, together with Selfridges, the first place in London to sell Coca Cola. From 1961 to 1968 it became a cinema with a vast cinerama screen installed. It reverted to live shows when Sadlers Wells Opera (later English National Opera) took over in 1968. Between 2000 and 2004 it was meticulously restored. It is an outstandingly important theatre in London and is grade 2* listed.
West End, London, UK - London Coliseum Theatre, St Martins Lane
September 2018
Unesco Tentative List;
whc.unesco.org/en/tentativelists/5409/
The archaeological site of Sagalassos is located in southwest Turkey, near the present town of Ağlasun (Burdur province); roughly 110 km to the north of the well-known port and holiday resort of Antalya. The ancient city was founded on the south facing slopes of the Taurus mountain range and was the metropolis of the Roman province of Pisidia. Next to its mountainous landscape, a series of lakes form another typical feature of the regional geography. Today this region is known as the Lake District.
The first traces of hunter/gatherers in the territory of Sagalassos date back to some 12 000 years BP. During the eighth millennium BC, farmers settled along, the shores of Lake Burdur. During the Bronze Age, territorial "chiefdoms" developed in the region, whereas Sagalassos itself was most probably not yet occupied. This may have changed by the 14th century BC, when the mountain site of Salawassa was mentioned in Hittite documents, possibly to be identified with the later Sagalassos. Under Phrygian and Lydian domination the site gradually developed into an urban centre. During the Persian period, Pisidia became known for its warlike and rebellious factions; a reputation to which the region certainly lived up in 332 BC, when Alexander the Great experienced fierce resistance at Sagalassos while conquering the region as part of his conquest of the Persian kingdom.
Pisidia changed hands many times among the successors of Alexander, being incorporated into the kingdom Antigonos Monopthalmos (321-301 BC), perhaps regaining its autonomy under Lysimachos of Thrace (301-281 BC), and then being conquered again by the Seleucids of Syria (281-189 BC) and later given to Attalids of Pergamon (189-133 BC). The use of Greek, the development of Municipal institutions and material culture of Greek origin seem to testify to fairly quick Hellenisation, but the recent discovery at Tepe Düzen of an indigenous city, with a possible Hellenistic date makes clear that Hellenisation must have been a complex process. After the Attalids bequeathed their kingdom to Rome, Pisidia at first became part of the newly created Roman province of Asia, then, around 100 BC of the coastal province of Cilicia and once more of Asia around the middle of that century.
Sagalassos and its territory turned into dependable and very prospering Roman partners. In fact, the control of an extremely fertile territory with a surplus production of grain and olives, as well as the presence of excellent clay beds allowing an industrial production of high quality table ware ("Sagalassos red slip ware"), made the export of local products possible. Rapidly, under Roman Imperial rule, Sagalassos became the metropolis of Pisidia. Trouble only started around 400 AD, when the town had to fortify its civic centre against, among others, rebellious Isaurian tribes. Sagalassos seems to have remained rather prosperous even under these conditions. After the earthquake around 500 AD, it was restored with a great sense of monumentality.
As a result of recurring epidemics after the middle of the 6th century and related general decline of the economic system in Asia Minor, the city started to lose population. Large parts of the town were abandoned and the urban life was replaced by a more rural way of living.
In the 7th century AD, the situation had further aggravated due to continuous Arab raids and new epidemics when the city was struck once more with a heavy earthquake, most probably around 590 AD. Despite this disaster, recent research has proven that the city remained occupied until the 13th century in the form of isolated and well-defended hamlets, located on some promontories which maintained the name of the former ancient city. One of these hamlets found on the Alexander's Hill of Sagalassos was destroyed in mid 13th century, by which time Seljuk's had already build a bath and a caravanserai in the village in the valley (Ağlasun).
The abandoned ancient city was then rapidly covered under vegetation and erosion layers. As a result of its remote location, Sagalassos was not really looted in later periods and remained to be one of the best preserved ancient cities in the Mediterranean.
en.wikipedia.org/wiki/Sagalassos
Sagalassos (Greek: Σαγαλασσός) is an archaeological site in southwestern Turkey, about 100 km north of Antalya (ancient Attaleia), and 30 km from Burdur and Isparta. The ancient ruins of Sagalassos are 7 km from Ağlasun (as well as being its namesake) in the province of Burdur, on Mount Akdağ, in the Western Taurus mountains range, at an altitude of 1450–1700 metres. In Roman Imperial times, the town was known as the "first city of Pisidia", a region in the western Taurus mountains, currently known as the Turkish Lakes Region. During the Hellenistic period it was already one of the major Pisidian towns.
The Grade I Listed Gainsborough Old Hall which is over five hundred years old, one of the best preserved medieval manor houses in England and is run by English Heritage. In Gainsborough, West Lindsey, Lincolnshire.
The hall was built by Sir Thomas Burgh in 1460. The Burghs were rich, flamboyant and powerful people. Gainsborough Old Hall was not only their home, but also a demonstration of their wealth and importance. Sir Thomas was a great benefactor to Newark Church and also the founder of the Chantry and Alms House at Gainsborough. In 1470, the manor was attacked by Sir Robert Welles over a clash about lands, status, and honour, but it was not severely damaged. It was in 1484, that Sir Thomas entertained King Richard III in his hall.
In 1510, Sir Thomas Burgh's son, Edward Burgh, 2nd Baron Burgh, was incarcerated at the Old Hall after being declared a lunatic. Sir Edward died in 1528, leaving his eldest son Sir Thomas as head of the family. In 1529, his son and heir, Sir Edward, married Catherine Parr, later Queen consort to King Henry VIII. The couple would stay at Gainsborough Old Hall until 1530; when they were granted their own manor in Kirton-in-Lindsey.
King Henry VIII visited Gainsborough twice; once in 1509 and again in 1541 with the doomed Queen Catherine Howard. The Queen was accused of indiscretions both at Gainsborough and Lincoln and she was executed. Catherine Parr, by this time a widow, became Henry's sixth wife.
When Thomas, the Fifth Lord Burgh died without an heir, the Hall was sold in 1596 to William Hickman, a merchant from London, who made many improvements, especially to the east wing. William and his mother Rose supported John Smyth and the Separatist movement, and allowed them to meet and worship at the hall from 1603 until they sailed to Holland to find religious freedom. The Hickman family continued to play a prominent role in the development of Gainsborough and many became local members of parliament. It was Sir Neville Hickman who invited John Wesley to preach in the Great Hall several times in 1759, and in 1761 and 1764.
In 1720 a new house was built at Thonock on the edge of the town and the Old Hall became unoccupied. It remained in the family and was used for a variety of purposes.
Architecturally the Old Hall has changed very little over the years. It is principally a timber framed building, giving it its characteristic 'striped' or 'black and white' appearance. On the north east corner is a brick tower. A splendid view of the town awaits those who brave the fifty-nine step climb to the top.
Today, the Hall with its elaborate timber roof survives as well as the kitchen—possibly the most complete medieval kitchen in England. The kitchen still contains many original features, including two open fireplaces, each large enough to roast an ox, and two bread ovens served by a third chimney.
The tower of the Old Hall is supposedly haunted by the Grey Lady, thought to be the daughter of the Lord of the Manor who fell in love with a poor soldier and planned to elope with him. Her father discovered the plan and locked her away in the tower where she died from a broken heart. According to local legend the girl's spirit still wanders the tower, endlessly waiting for her lover to arrive.
The house was looked after from 1949 by a volunteer group, The Friends of the Old Hall (FOHA), who saved the building and first opened it to the public. Sir Edmund Bacon gave it to the nation in 1970. The house is now owned by English Heritage and is open to the public as a museum.
Tenerife. Puerto de la Cruz.
Loro Parque. Katandra Treetops.
Katandra means 'song of the birds' and this brand new attraction Katandra Treetops puts you within a heartbeat of Australia's famous feathered friends.
www.loroparque.com/en/katandra.asp
en.wikipedia.org/wiki/Victoria_Crowned_Pigeon
IUCN Red List: status vulnerable