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Running April 18 - May 13, 2018
Featuring:
Max Bialystock: Matthew McGee*
Leo Bloom: James Larosa*
Ulla: Gretchen Beiber*
Roger Debris: Scott Daniel*
Carmen Ghia: Alex Ringler*
Franz Liebkind: Jim Sorensen*
Ensemble - Hold Me Touch Me: Lauren Buglioli
Ensemble – Usherette: April Berry*
Ensemble – Usherette: Courtney McLaren
Ensemble – Showgirl: Kellyanna Polk
Ensemble – Showgirl: Emily Bainbridge
Ensemble – Showgirl: Alyssa Elrod
Ensemble – Showgirl: Alicia Thomas
Ensemble – Marx/Green: Tyler Fish*
Ensemble – Scott: Charles Logan*
Ensemble – Kevin: Emanuel Carrero
Ensemble – Bryan: Tyler Pirrung
Ensemble – Sabu: Tato Castillo
Ensemble – Black Irish: Dequan Mitchell
Ensemble – Lead Tenor: Trenton Bainbridge
CREATIVE
Rye Mullis (Director)
Shain Stroff (Choreographer) Jeremy D. Silverman (Music Director) Jerid Fox (Scenic Design / Properties Master)
Mike Wood (Lighting Design)
Jill Castle (Costume Coordinator)
Scott Daniel (Wig and Make-up Design)
Steve Kraack (Sound Design)
Allison Davis (Scenic Painter)
Rachel Harrison* (Stage Manager)
Susan Haldeman* (Assistant Stage Manager)
*Members of Actors' Equity Association
Photo by Mike Wood
Originally from 'a church in Edinburgh', we picked up half a dozen of these rather lovely glass pendants from Holyrood Architectural Salvage, swapped out the old plastic cable for some new woven red flex, and found some three-way enamel ceiling roses. (Both flex and roses came from Enamel Lampshades.)
The hardboard spacers there are temporary while we agree on exactly what shape we like best - Alison quite likes this or maybe a more pure triangle, and I wonder about a simple circular ring. Either way, they'll end up getting cut from some nice plywood, I think...
...At any rate, it's rather different to the kind of lighting design I normally do at work, and also fun to play around with something so decorative on this project for a change!
Whimsical lighting design, Grand Hyatt Denver
#lettherebelight #lightingdesign #interior
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This light fitting in the Quadrant Arcade makes an eye-catching feature that is designed to draw you in as you walk down Regents Street. I must admit though it's never worked on me but next time I'm in London I'll have to explore further.
By the way, if you live in London or are just passing through then you might be interested to know that the London Flickr Group regularly hold free photowalks. The next one will be in early February and we'll be announcing details shortly here : www.flickr.com/groups/londonflickrgroup/
Click here for photos from previous LFG Photowalks : www.flickr.com/photos/darrellg/albums/72177720301569918
From the Barr Gazetas website, "We transformed this overlooked Grade II listed arcade into an elegant destination for London’s West End. Working closely with The Crown Estate, this is the first time the historic grand elevation of Regent Street has been altered. Our subtle, high impact changes have restored the heritage architecture and exposed the volume of the space, securing the future of Quadrant Arcade as an outstanding retail experience.
Running between Regent Street and Glasshouse Street, the 1920s Quadrant Arcade never fully realised its potential. Despite its characterful design, the arcade was easily missed by passersby due to a low, undistinctive entrance and dark interior. We finely balanced the restoration of historic features with a sensitive redesign of the interior, flooding it with natural light and giving the arcade its own unique identity."
© D.Godliman
State Theatre Centre of WA.
Detail of light fixtures to theatre drum cladding
Architect: Kerry Hill Architects.
Lighting Designer: Electrolight
September 08 stage design at Blue Ridge Community Church. Series topic: Scripture
Details: 13 36" inch fluorescent work lights, 2 24" fluorescent work lights mounted behind cutouts. Each letter was made from a translucent material I've forgotten the name of. All color was from front lighting from 2 AC Lighting Color Split LED fixtures and 2 High End Studio Beam fixtures. We controlled the fluorescents with a dimming channel from our lighting console and discovered that we could take them down to about 60% before they began to flickr. (We they always had to start from 100%) Also, at 70% the cameras began to pick up several lights cycling between white and yellow - not noticeable to our eyes.
Upon entering, the Eagles Nest Café is elevated from the gaming floor, emanating a warm glow with three levels of amber lighting.
View the project here - www.i5design.com/portfolio/casino-design/cimarron-casino/