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Some music was only ever released in cassette form. This box contains a set of ethnic music being digitized (up to six cassettes can be captured simultaneously at real-time speeds) for a project.

Fiber optics connects Culpeper with D.C. for digital transfer and playback.

Paul Marie Verlaine, Parallèlement, lithographs by Pierre Bonnard. Paris, A. Vollard, 1900 – from the collection of the Library of Congress

Mix tapes aren't desirable, but a fair amount of music is only available in cassette tape form, or cassettes have the best-available copy of a work.

A colorized version of Franklin Roosevelt as a photographer

Old Harbor (Vieux-Port), Marseille, France, with Hôtel-Dieu Hospital in background.

Paul Marie Verlaine, Parallèlement, lithographs by Pierre Bonnard. Paris, A. Vollard, 1900 – from the collection of the Library of Congress

The Packard Campus including quite a lot of material in the process of being entered into digital catalogs before it heads into conservation, the archives, or digitization.

The Cannabiere (i.e., Cannebière) and the Bourse, Marseilles, France.

Including a glamor shot of one interesting device.

It's not Raiders of the Lost Ark, but the hallway under Mount Pony of temperature controlled vaults stretches on.

Looking down from Mount Pony at Culpeper, Virginia.

"8/7/36: Swing That Music: Louis Armstrong with Jimmy Dorsey and his orch."

Photo by U.S. Secret Service via Library of Congress #2022676748

section of Library of Congress

Paul Marie Verlaine, Parallèlement, lithographs by Pierre Bonnard. Paris, A. Vollard, 1900 – from the collection of the Library of Congress

Paul Marie Verlaine, Parallèlement, lithographs by Pierre Bonnard. Paris, A. Vollard, 1900 – from the collection of the Library of Congress

A table in the offices has material across the entire range of film production, including printed copies of films (Edison had negatives printed to copyright them before copyright covered films!), and a modern encrypted hard drive used in theaters with digital projection.

Paul Marie Verlaine, Parallèlement, lithographs by Pierre Bonnard. Paris, A. Vollard, 1900 – from the collection of the Library of Congress

The oldest of the three United States Library of Congress buildings, the Thomas Jefferson Building was built between 1890 and 1897. It was originally known as the Library of Congress Building and is located on First Street SE, between Independence Avenue and East Capitol Street in Washington, D.C. The Beaux-Arts style building is known for its classicizing facade and elaborately decorated interior.

 

Needing more room for its increasing collection, the Library of Congress under Librarian Ainsworth Rand Spofford suggested to the Congress that a new building be built specifically to serve as the American national library. Prior to this the Library existed in a wing of the Capitol Building. The new building was needed partly because of the growing Congress, but also partly because of the Copyright Law of 1870, which required all copyright applicants to send to the Library two copies of their work. This resulted in a flood of books, pamphlets, maps, music, prints and photographs. Spofford had been instrumental in the enactment of this law.

 

After Congress approved construction of the building in 1886, it took eleven years to complete. The building opened to the public on November 1, 1897, met with wide approval and was immediately seen as a national monument. The building name was changed on June 13, 1980 to honor former U.S. President Thomas Jefferson, who had been a key figure in the establishment of the Library in 1800. Jefferson offered to sell his personal book collection to Congress in September 1814, one month after the British had burned the Capitol in the War of 1812.

 

en.wikipedia.org/wiki/Thomas_Jefferson_Building

 

en.wikipedia.org/wiki/Wikipedia:Text_of_Creative_Commons_...

A gentleman's collection was donated recently of an enormous amount of miscellaneous theatrical prints, including many science-fiction titles. He apparently collected these without an overriding theme, with films spanning decades of modern moviemaking. It's a treasure trove, filling in missing pieces in the not-so-distant past.

Church, Saint-Ferréol les Augustins, Marseille, France

Secretary Marco Rubio delivers remarks at an America250 dinner in Washington, D.C., July 29, 2025. (Official State Department photo by Freddie Everett)

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