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Mix tapes aren't desirable, but a fair amount of music is only available in cassette tape form, or cassettes have the best-available copy of a work.
Paul Marie Verlaine, Parallèlement, lithographs by Pierre Bonnard. Paris, A. Vollard, 1900 – from the collection of the Library of Congress
Paul Marie Verlaine, Parallèlement, lithographs by Pierre Bonnard. Paris, A. Vollard, 1900 – from the collection of the Library of Congress
The Packard Campus including quite a lot of material in the process of being entered into digital catalogs before it heads into conservation, the archives, or digitization.
It's not Raiders of the Lost Ark, but the hallway under Mount Pony of temperature controlled vaults stretches on.
Paul Marie Verlaine, Parallèlement, lithographs by Pierre Bonnard. Paris, A. Vollard, 1900 – from the collection of the Library of Congress
Paul Marie Verlaine, Parallèlement, lithographs by Pierre Bonnard. Paris, A. Vollard, 1900 – from the collection of the Library of Congress
A table in the offices has material across the entire range of film production, including printed copies of films (Edison had negatives printed to copyright them before copyright covered films!), and a modern encrypted hard drive used in theaters with digital projection.
Paul Marie Verlaine, Parallèlement, lithographs by Pierre Bonnard. Paris, A. Vollard, 1900 – from the collection of the Library of Congress
Enhanced photo from the Flickr Faces of the Civil War collection from the Library of Congress. See the original at www.flickr.com/photos/library_of_congress/5228564551/in/a... Since the original file size is quadrupled, you can click on this shot for more detail.