View allAll Photos Tagged Lesson
This species is another example of how what was once part of one species is recognized as a separate species. The Spanish name for a motmot is “pajaro reloj,” which translates as “clock bird.” This alludes to their habit of moving the tail side-to-side, metronome-like, in what may function as a signal to predators that the bird is aware of their proximity.
I guess we all make mistakes, I would normally bin an image if I thought it was below standard and this one nearly went in the bin. The lesson is put all your settings back to the correct position before you leave for your chosen photography spot. When I got to this spot I dragged out of my bag the 16-35, when I last used it I had it on my tripod so switched off the stabalizer, I took a couple of shots with polarizer in place which looked fine on the LCD, I had walked a fair distance when I noticed I had not pushed that switch.
Having loaded that days shoot onto my computer I then could see how effective eight stops of camera and lens stabilization is and how you miss it when it is not there.
So here is the first shot the other has bitten the dust. Check everything.
This is Sandgate park near Storrington in Sussex, the little stream looked lovely with leaves floating in this one, the fairy bridge looked lovely over the stream too , the sky was a bland grey and light levels low. I made the best of this image it sure is not the best so a return visit will be made to make another go of it.
A young bait shop owner tries out new fishing lures on Lake Michigan. Meanwhile, boats gather from the big lake, to begin passage through the channel to Muskegon Lake. While an astute listener takes it all in, for a Fishing Lesson.
Top- Loki - Alice Knitted Vest & Blouse @Tres Chic
Pose- [P/F] Sora Fatpack @Main Store
Lesson #1: Don't underexpose your film...
Luckily, I still have one more roll of this.
Shot on my Nikkormat using Kroger 200 film.
Setup: 2 striplights left and right each containing a Speedlite to highlight the outline of the bottle. 1 Speedlite through diffused Rogue Grid for the label and 1 speedlite bounced off a Rogue Flashbender for the neck and spray. Bottle was sprayed with a matt coating, then the condensation added using Glycerin/water mix. All Speedlites fired at 1/32 power.
Lessons.
1. Reduce flash duration to 1/64th power to freeze the liquid.
2. Clean bottle properly before applying matt coating.
3. Centre the bottle around the label.
4. Neck lighting does not extend down enough
5. Waterproof the label to prevent damp patches.
Okay, I'll admit it. I hit a processing point where every photograph I touched was not turning out. At all. It was very frustrating, so (along with participating in some holiday weekend activities) I took a break from pictures.
Today, I thought I'd give some of the images another go. And I was very excited with how they were turning out!
Hooray for a brief brain break! Hooray for the Farmer's Museum in Cooperstown!
And hooray for Distressed Jewell and SkeletalMess!!!!
SB800 through a softbox, left, approx 10ft away at 3/4 pwr. SB600 bare and camera rt. Used this one to light the grass and pole. Single shot HDR processed via photomatix and photoshop.
I have learned that pretty models really help my pictures.
These photos - and others to follow - were taken by Amanda Richards following a makeover at her True Colors studio in PA.
As many of you know, Amanda is a uniquely gifted artist as well as somebody who pours her heart and soul into her work. For those who haven't had the opportunity to visit her, I highly recommend it. This was my second photoshoot with Amanda - the first was over five years ago - and it was incredibly enlightening. Here are some of the things that I took away from the shoot:
1. Wear a cincher and gaff. I generally don't wear either when I'm out and about, as I value comfort above all, and I typically make do with looser tops and a snug pair of panties for everyday. But for a photo shoot, I think both are advisable, unless you're having boudoir shots, in which case, of course, you're on your own! :-) Based upon my choice of outfits for the shoot, I regretted not wearing either. Lesson learned.
2. Be yourself. Amanda is incredibly flexible and deferential to her clients' tastes, however she has an artist's eye and very definite ideas about makeup. Depending on what look you want, it's important that you consider whether that look will reflect who YOU are as opposed to somebody completely unrecognizable. Some folks might prefer the latter, but I prefer to look like myself, so it's important to take that into consideration when it comes to things like overdrawn lips, brows, eye liner, etc. My philosophy is that we should all play to our natural gifts and diminish aspects of our presentation which don't come across as genuine. Since I tend to be a smiler, some of the photos where I didn't smile seemed to be a bit forced. Lesson learned.
3. Understand what taping does and know its pros and cons. I never tape when I do my own makeup, but Amanda taped me and it can make a real difference. Just be sure to remove the tape within a reasonable period of time, otherwise you'll be scraping glue off your neck and forehead for hours. I had a taping experience many years ago where I wasn't aware that it needed to come off at a certain point, and when I removed it, part of my face came with it. :-( Lesson learned back then!
An Amanda Richards makeover and shoot is a singular experience, and I would encourage anybody who seeks to enhance their own natural, unique beauty to take advantage of it. She's a treasure in the community.
If you've gotten this far, thanks for sticking with my long description of the occasion, and thank you all so much for your beautiful comments!
This was our Studio Photography Assignment Results: Composite Shot. More details here: www.photigy.com/studio-photography-assignment-composite-s...
The Rules Of Magic.
1. All ways use magic to help
2. Make sure you only use as its really needed.
3. And most important no matter what magic your doing look cute doing it ^_^
. This is the sketch from inside my living room window of the bedroom wing corner, showing the sketch both with and without color. Focus was one of the main points of the lesson, and I wanted the viewer to see the river birch trees above the roofline, but I fear that the mass of green stole attention from the bark on the river birch....so next time I will perhaps only suggest the greenery and paint primarily the birch bark.. Try, try again.