View allAll Photos Tagged LedLenser
OLYMPUS DIGITAL CAMERA + Carl Zeiss Jena Tessar 50mm f / 2.8 - M42 mount with MFT adapter - which gives FF 100 mm focal length, the photo was taken at f / 2.8.
Benro Mach3 TMA47AL tripod + Manfrotto XPRO 3W head.
Led Lenser P7
In order to reduce the vibrations, I used the remote radio triggering of the camera using the JJC JM-J2(II) (RM-CB2 replacement).
Since this is an old manual lens, focus ( and depth of field ) was achieved using focus peaking and focus magnification.
Moving lights in the darkness. Single exposure Light Art Photography, no Photoshop, no tricks.
Worked with LED LENSER M3R
Un día inolvidable en compañía de Julian Hoyas y Elian Piñas.... Mereció el pena la salida, conocimos un lugar precioso...que no se debería perder nadie...y tuvimos la suerte de que aunque con bastante frio...el tiempo nos respetó y pudimos hacer lo que más nos gusta.... dar luz... en este caso a un lugar de cuento...
Single exposure light art, no layers, no composing, only moving lights in darkness
Worked with Led Lenser X21R.2, M7RX and M1
Einige wenige Plätze für unseren Workshop am 10. Oktober in der Berliner Fleischfabrik sind noch frei: www.lichtkunstfoto.de/workshops/
Moving lights in the darkness. Single exposure Light Art Photography, no Photoshop, no tricks.
Worked with LED LENSER M3R
Single exposure light art, no layers, no composing, only moving lights in darkness
Worked with Led Lenser X21R.2 and M7RX
Einige wenige Plätze für unseren Workshop am 10. Oktober in der Berliner Fleischfabrik sind noch frei: www.lichtkunstfoto.de/workshops/
Moving lights in the darkness. Single exposure Light Art Photography, no Photoshop, no tricks.
Worked with some LED LENSER M3R.
Moving lights in the darkness. Single exposure Light Art Photography, no Photoshop, no tricks.
Worked with LED LENSER M3R
Der nächste Workshop findet am 15. und 16. Januar statt:
Otra serie de 2 noches dedicadas a la nieve en marzo de este año, podéis verlas todas en el blog. Un saludo a todos.
PARA SABER MAS Y VERLA MAS GRANDE, PINCHA AQUÍ
Sponsors
Moving lights in the darkness. Single exposure Light Art Photography, no Photoshop, no tricks.
Worked with LED LENSER M3R.
Unser nächster Workshop für Einsteiger findet am 21. Mai in Berlin statt.
Bobolice Castle
Jura Krakowsko-Częstochowska is a wonderful land with castles, gorges and limestone rock formations (monadnocks). For me, there is no more beautiful place on Earth than Jura.
One long exposure. Manual focus with a flashlight (LedLenser P7 450 lm), after that the flashlight was not used to illuminate the castle. The castle is illuminated mainly with small light sources (a pleasant color of about 3200 K) coming from the lighting of the Hotel, which is located about 50 m below the castle hill on the right - I asked the staff to turn off all the lights around the castle. The castle tower illuminated by a single hidden light source - below the tower on the left side of the castle. I set the white balance in the body to 3400K, center-weighted light metering, camera in bulb mode, remote shutter release using a radio trigger.
Ttripod Benro Mach3 TMA 47AXL , Manfrotto MHXPRO-3W , RADIO TRIGGER OLYMPUS RM-CB2 , SYNC CABLE JJC RM-UC1 OLYMPUS KABEL-J .
Moving lights in the darkness. Single exposure Light Art Photography, no Photoshop, no tricks.
Worked with LED LENSER P5R.2 and M3R.
Entstanden während des Workshop am 5. März.
Ich danke der wunderbaren Jas Mina für's Schießen und Stillstehen.
Single exposure Light Art Photography, no Photoshop, no tricks.
From my last trip to the plane graveyard, possibly the last time I'll get to see these old beautiful machine but lets hope theres one more in there.
Abandoned RAF Whirlwind, first shot this over 4 years and like the shackleton it's bin a good friend to my photography and i'll miss it. I wanted a longer trail but the clouds started to come in but I quite like the simplicity of this.
Enjoy
Don't forget to check out my sponsors
www.ledlenser.com - www.rosco.com - www.elwirecraft.co.uk
and my website
www.noctography.co.uk Including the shop
Facebook - www.facebook.com/noctography
and one more important link
You know you are shooting in a great location when even the test shot looks good. Shot with the fluorescent yellow gel thinking it was the green one!
A beauty of a night back at Bolehill Quarry amongst the Silver Birches with Chris, James and Rob.
Last shot of the night before my battery gave up and my favourite.
Always a pleasure to catch up especially in such beautiful surroundings.
This is number 65 of my 366.
Dąbrówka - Milky Way
Light pollution class Bortle 4.
Self-timer 5s, CWB 2900 K.
Laowa 17mm f/1.8 (35mm FF) manual lens, manual focus, 14x magnification and focus on the smallest distinct circle of bright stars, without blurring them - then the focus is perfectly set on point.
Benro Mach3 TMA 47AXL tripod + Manfrotto MHXPRO-3W head. To illuminate the trees I used a single short flash (about 1 - 2 seconds) from the Ledlenser P7 flashlight with a CTO filter (3000 K).
Single exposure Light Art Photography. Only moving lights in the darkness, no layers, no tricks.
Worked with LED LENSER X21R.2, X21.2, M7RX, M3R and M1
Single exposure light art, no layers, no composing, only moving lights in darkness.
Worked with LED LENSER X21R.2, M1, M5 and M7RX.
Ein einziger Platz für unseren Workshop am 10.Oktober in der Berliner Fleischfabrik ist noch frei: www.lichtkunstfoto.de/workshops/
This was taken 3 years ago. I've always hated it, to be polite, it's crap. I've been light painting for almost 10 years now and i've never ever been in to or remotly tried to get in to light drawing. It is a fabulous art and I admire it so much, but I am not a drawer on paper nor in light.
So a few years ago I had an idea to attempt some light drawing, but because of my horrible coordination I thought like on paper it would be easier to start out by tracing an object instead of trying to draw free hand. On this particular night I was shooting my friends Beetle's and decided to give some finger lights a go.
Firstly the light was a little on the bright side for this sort of thing, Secondly I under estimated how long it would take me and was off on the settings, although the photo is correctly exposed it was not the look I was going for. Third I missed 1 or 2 parts of the car, doing something this scale it was hard to keep track on what I had already drawn and what I had missed.
In general for my first try as a non light drawer I think it's not half bad. I would like to refine it some what and give it another go soon. I have some better light drawing tools and have learnt some lessons from the first time.
Hopefully it won't be judged too harshly.
Enjoy
Don't forget to check out my sponsors
www.ledlenser.com - www.rosco.com - www.elwirecraft.co.uk
and my website
www.noctography.co.uk Including the shop
Facebook - www.facebook.com/noctography
and two more important links
Single exposure Light Art Photography, no layers, no tricks. Worked with LED LENSER M3R, M7RX, P5R.2 and X7R.
Light painting in a derelict building with Rob Bates and Neil Rushby, this was lit with a LED Lenser X21R2
Moving lights in the darkness. Single exposure Light Art Photography, no Photoshop, no tricks.
Worked with LED LENSER M1, P5R.2 and M3R.
Unser nächster Workshop für Einsteiger findet am 21. Mai in Berlin statt.
It was late, Blue-hour already started and I only had was flashlight and the light of my mobile phone.. and all i was thinking was like: "Let's give it a try!"
Last night I had the sudden urge to do some Light Painting, not something I usually do out of the blue, it usually requires a bit more planning, to check the weather and find a suitable location and so on. This time an idea had come in to my head and I really wanted to get it done, the sky didn't matter and I had everything I needed right in my back garden.
We had the chiminea on the day before burning up some old wood in the garden, I thought it would be an awesome idea if I could light paint an orb in the fire. After some mental planning I simplified the idea a bit, lost the fire idea and went for a sparkler orb inside the open chiminea.
I'm not as gifted in the lens swap department as my buddy James so I decided not to go down that route, but I love my light stencils and felt it was the right way to go.
An analogue light stencil would have never fit inside but a digital one would have worked just fine. So I came on my Mac and got an old photo of a sparkler orb and blacked out around the edges then sent it to my Ipad. By this time it was dark enough to start work. I did a few tests on lens cap times and positioning. For as long as i've been light painting this is my first shot where i've actually capped the lens during an exposure, depending on the situation i'v covered the lens with my hand but this called for something a little more.
Once the Ipad was in place I started my exposure I quickly capped the lens, carefully removing the Ipad I then uncapped the lens and light with my Led Lenser P7 from the left, then right, then above shining down the hole.
I'm quite pleased with the finished result.
Enjoy
Don't forget to check out my sponsors
www.ledlenser.com - www.rosco.com - www.elwirecraft.co.uk
and my website
www.noctography.co.uk Including the shop
and one more important link
One from a productive evening in my local church with Neil Rushby who managed to persuade the rev to let two light painting lunatics loose in his premises. Orb tool broke so I had to improvise with a swirly orb using duct tape, acrylic rod and a Coast quad colour torch....
Moving lights in the darkness. Single exposure Light Art Photography, no Photoshop, no tricks.
Worked with LED LENSER M3R
Der nächste Workshop findet am 15. und 16. Januar statt:
A re-processed shot from earlier this year with Phill Fisher making his religious pilgrimage to the north of England.
11mm - f5.6 - 60sec - ISO400
Iluminación cálida: Cajas led y Maglite 3D. Iluminación fría: LedLenser P7R. Contra: P7R con filtro cálido
Moving lights in the darkness. Single exposure Light Art Photography, no Photoshop, no tricks.
Worked with some LED LENSER M3R.
Unser nächster Workshop für Einsteiger findet am 5. März in Berlin statt.
Moving lights in the darkness. Single exposure Light Art Photography, no Photoshop, no tricks.
Worked with LED LENSER M3R
Der nächste Workshop findet am 15. und 16. Januar statt:
Aufnahme erfolgte mit einer Canon EOS 650D auf einem Manfrotto MT057 Stativ mit Manfrotto MA 410 Getriebeneiger.
Ausgeleuchtet würde das ganze mit einer LED Lenser M7R und einer X21.R.2
#MacroMondays
#Dried
Entirely unintendedly, really. I think combining a chili pepper with a flame of sorts is a little cliché. But why is there smoke swirling around behind this dried Trinidad Scorpion pepper when I hadn't placed a smoke or fire source behind the chili, neither a lit candle nor a match to be hazardously lit (finger scorching included) just in time for the focus stacking? At first, I had put my go-to tool for backlit scenes behind the Scorpion, the small "Ledlenser" flashlight, but for the fairly small peppers in the bag its diameter was just a tad too big so I either had an unpleasant halo around my subject or a light leakage under the chili no matter how I placed it.
Time for plan B which brings us to the unintended part: I also have a very small, octagonal-shaped, extremely bright, and powerful "TrustFire Mini-X" key-ring flashlight that proved to be slim enough to disappear behind the chili. So I leaned the chili against the flashlight, set the latter to non-stop light, and then set the camera. When that was done, I looked at the display and saw a weird blue streak behind the pepper. "This is one bright flashlight!", I thought, assuming what I saw was a light beam. But then I noticed that the "beam" moved, and all of a sudden the air was also filled with a certain spiciness that started to scratch my throat... Well, this flashlight is not only very bright but it also gets very hot very quickly when it's constantly on – and the dried Scorpion's skin was (still is, I should add) wafer-thin. So it seems that the flashlight had started to scorch the dried chili. I quickly pressed the shutter button, nervously watching that thin "smoke ghost" move around while the camera recorded 30 images (15 ORFs and 15 JPGs; the JPGs are combined to a final stacking image in-camera), and immediately switched off the flashlight and removed the chili once the stacking was done. Phew ;) An unintended, unexpected, somewhat cliché, but definitely nice "accident".
I think there was no real danger that the chili might have been set on fire during the short focus stacking time, and the single swirl of smoke also was very thin. Helicon Focus, however, combined all of the 15 different ORF "smoke ghosts" into a more voluminous set of streaks which I think looked good so I left it that way. Size of the Trinidad Moruga Scorpion pepper: 3 cm x 2,5 cm / 1,18 x 0,98 inches.
Happy Macro Monday, Everyone!