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The cross:
Cattleya aclandiae x Lc. Maui Plum 'Volcano Queen'
Cattleya aclandiae and its hybrids are notorious for hating to have their roots disturbed and subsequently I try NEVER to disturb the roots. I simply placed the orchid, pot and all, in this wooden basket with no additional mix. I did firmly secure the pot to the basket with wire so it would not move around. I have had this for two years; this is the first bloom for me.
This was the results from my 200m roll of expired 1964 Ilford HP3. Ran through a broken LC-A that i hoped i had fixed.
Results, but will take more care with the film as it had some scratches from me just flinging it together.
Ilford HP3 developed with vintage Rodinal for 12 minutes. Scanned in an Epson Expression 1680 Pro
As fast as lightning the sword slew through a part of the beast.
"Fire" yelled a female voice. Three bolts and an arrow flew through the air, hitting the beast in its side. The beast let out a loud screech.
"Pin him!" yelled a gruff voice. Two pike men thrusted their pikes toward the beast. The female also thrust her trident toward the foul creature.
The group of warriors circled around the beast. The leader of this group had on a helmet that was elegant and awe inspiring. In his hand was a sword that had a faint bluish glow. The warrior slashed at the beast. First he slashed the arm though the arm looked like a wing. The warrior proceeded to slash at the chest. The beast jumped back. The warrior continued to slash at different parts of the beast. The beast would swipe at him, though it looked as if he dodged the attacks so quick. The beast then swipe at the man with one arm after the other pushing him back
After being push back the warrior stepped forward for the last time. He declared his intent toward the beast as if he had a grand audience.
"My friend, this dance has been grand. But now I must slay you." He calmly stepped forward. The beast lunged at him with all its remaining might. And as quick as it lunged, the man deflected the blow and stabbed it threw the chest, twisting as he thrust.
With a thud, the beast fell to the ground. It's head the size of a man and the arms were the size of three men. The Warriors surrounded the east while the commands looked in awe.
"Lord Falkenstrom" said one man, "that was big."
"The bigger they are the harder they fall" Lord Falkenstrom
He turned around and looked at the commandos
"I apologize for not getting here sooner. Unfortunately I think you have lost a man."
Perplexed by the apology the captain responded "It's ok? How did you know we were out here?"
"Our ship was blow off course on its way to Anderheim. While we were making camp and gaining our bearings a beast attacked us at night." Lord Falkenstrom replied.
"We tracked the beast for the past day to avenge our fallen brethren."
"Well I guess you came at just to right time. You have our thanks" replied the captain.
My entry for the Garheim LC 31
C&C welcome
camera > Lomo LC-A (1991)
lens > Minitar 1 1:2.8 32mm
film > Kodak Ektar 100
exposure > A
development > Tetenal Colortec C41, 38 °C, tank AP.
scanned > Epson V600
LOMO LC-A aka Lomo Kompakt Automat 1984
Minitar 1 32mm f/2.8 lens
Electronically controlled shutter
with a speed rangeof 2' to 1/500"
25-400 ASA/ISO range
Exposure metering by a Cadmium Sulphide (CdS) light meter
Exposure modesProgrammed auto, manual with fixed shutter speed
Focus modesManual, zone focus (0.8m, 1.5m, 3m, infinity)
Flash synchronization at 1/60", hot shoe only
Manual film advance and rewind
36mm x 24mm exposures on 35mm (135) film
Powered by three LR44 batteries
Dimensions:107 x 68 x 43.5mm
Weight:250g
Made in USSR (CCCP) at St. Petersburg factory
This one is branded in cyrillic and displays the symbol of quality, by the viewfinder window.
Pictures taken with it.
I invite you to visit my camera site at Classic Cameras in english.
Convido-os a visitar o minha página Câmaras & Cia.
Photo expedition in Rio de Janeiro's downtown.
Lomo LC-A + Fuji Sensia 200 + xpro + double exposure = madness.
What is there to say about the LC that hasn't already been said, hundreds or maybe thousands of times? The fact of the matter is that I can never tire of looking at them.
It is hard to believe that this design is almost thirty years old now, they still look beautiful, purposeful and awesome all at the same time.
This one is particularly nice. Very subtle I think with the gold painted John Mockett designed Italic wheels, the Gibson expansion chambers and what looks to be a non standard paint job but based on the original design.
I raced a 250 and its kind of hard to imagine that it was possible back in the 80s to buy one from a shop, stick some Learner L plates on having never ridden anything more powerful than a Raleigh Chopper pushbike and ride off hopefully into the sunset and not into a solid object. Marvellous.
If you like LCs and haven't read Phil West's Haynes published book I can certainly recommend it
www.haynes.co.uk/webapp/wcs/stores/servlet/ProductDisplay...
If you like Yamahas and haven't seen my Flickr "Yamaha" set, I can recommend that, too!