View allAll Photos Tagged KodakEKTACHROMEE100VS
literally and figuratively, the last of cameron mcnall's 2001 "hollywood shadow project" silhouettes. originally ten in all, the silhouettes were strategically located to cast shadows on adjacent buildings (see previous photo). other than this one, they're all gone.
to see more of the project and their other awesome work, check out electroland.net
recently processed film. mamiya 6MF 50mm f/4. cross-processed kodak E100VS. lab: A&I color, hollywood, ca. scan: epson V750. exif tags: filmtagger.
This is the Mountain Farm Section of Teetertown on Kodak's best E-6 slide film EVAR, Ektachrome E100VS! I don't even mind payin' $10.50 a roll for the shit (12 in the freezer - not 1200 because I'm pretty broke right now and don't have space for a big enough freezer).
FUCK Kodak for being so mismanaged over the decades that we are now losing this film.
This scan does not fairly represent this film. The slides are super-saturated with smooth color transitions and a glow that cannot be reproduced with scan (and probably not even an optical print). This film was the reason I wanted to get a large format camera, but its GONE FOR-FUCKING-EVER! FUCK!
For some reason or another, I've been playing my old NES a lot recently. Some quality (and not so quality) stuff on there still!
There was lots and lots of wind during the long exposure - meaning there was a bit of camera shake. Still havent quite got this down yet. .. .
Many Shrubs and Zuuls knew what it was to be roasted in the depths of the Slorr that day, I can tell you!
My Civil War great coat is really awesome, except for one thing: no pockets! Warm as hell, but nowhere to put my hands!
Went down to the 10,000 Santa carolers in Downtown - festive and everyone having a good time. And then this little pocket of sadness as everyone pointedly avoided looking at her.
So I had my new Lupin and Jigen figures out, playing with them and trying out poses when dinner wrapped up. I moved them to one side so we could eat, and it looked like they were having a shootout using my fisheye lens as cover. So I snapped away after we finished.
This was a tripod'd shot. I think I exposed it for 4 seconds since I still had the ISO 100 back on and I counted manually (inaccurately), since it was on bulb. IMHO E100VS is a good slide film but not a catch-all. It tends to favor the magenta band giving shots a warmer look but then its saturated nature blows out reds easily. My favorites so far have been the Portra NC and VC (160s) for negatives and Kodak EPP 100 Plus and Provia 400F for slides. Must try them out more.
Wednesday, August 25, 2010
Today I picked up my roll of film from FotoTechnika in Jacksonville. 120 film is quite a bit larger than 35mm -- there's so much detail in there just waiting to be blown up and appreciated!!! And because reversal film yields a positive image (as opposed to an inverted negative), I've got a pretty good idea of what these babies will look like in print!
Since I snapped a portrait of the unprocessed exposed roll in this very spot when I dropped it off last Friday, I figured why not capture my "positives" in a similar fashion? I held the clear plastic protective sheet up against my windshield for light. So now you can see some of my outtakes from Day 220 and Day 228 -- plus just a smidge of Day 229!
Camara: Yashica Mat LM
Lente: Yashinon 80 f3,5
Película: Kodak Ektachrome 100VS exp. 2007
Revelador: Kit Tetenal E6
Escaner: Epson V500
be led into doing good by chance; get involved ((in somethingoneself
take
HASSELBLAD 500C/M
Carl Zeiss Planar 80mm f2.8 non T*
EPSON GT-X970
Kodak EKTACHROME E100VS
Apple Aperture
Camara: Yashica Mat LM
Lente: Yashinon 80 f3,5
Película: Kodak Ektachrome 100VS exp. 2007
Revelador: Kit Tetenal E6
Escaner: Epson V500
Shot the Totem Lake Mall after work on the way home. The mall is still completely dead. . . .
(The upside - in case of Zombie attack, this place is already deserted and ready for fortification!)