View allAll Photos Tagged Knowledge
One room school house in Arvonia, Kansas.
This image used two different exposures. (one at higher ISO for the stars and one at lower ISO for the foreground and school house).
Sala di lettura all'aperto per giovani monaci sotto un baniano, l'albero sacro ai buddisti perchè fu sotto le sue fronde che il Buddha ebbe l'Illuminazione.
My stream : Tati@
© All rights reserved
A detail of a statue in the Hofkirche church of Innsbruck. I really like this composition and how the light put in evidence the folds of the dress.
If you are looking for much information about this church you can look at en.wikipedia.org/wiki/Hofkirche,_Innsbruck.
You can also see it (and more) on:
A reflection of "House of Knowledge" by Jaume Plensa.
My previous post of this piece.
Yorkshire Sculpture Park, West Bretton, Yorkshire, UK.
24 April, 2011.
My YSP set.
"If I have the gift of prophecy and understand all mysteries and all knowledge, and if I have all faith so that I can move mountains but do not have love, I am nothing"
(Letter to Corinthians)
Also in photographic terms, I can avail myself of the best cameras and lenses on the market, I can read what famous authors say about how to tell a visual story but without the love for adventure, I am nothing.
Shot taken on June 27th 2012 at 10:42 p.m. from the summit of Mount Rocciamelone (3.538 m), Italy, as the moon (phase 57%) continued its slow journey to the west.
After moonset I took a bunch of interesting photos to the starry sky (then published in various magazines).
I've always postponed the consideration of this photo because I thought the scenery was a bit "chaotic"... anyway, all in all I think it expresses quite well what it means to be above a sea of clouds at night.
On the right we have the moon, while on the left is perfectly visible the Scorpius constellation.
Under the "primordial ocean" of clouds are filtering the lights of the Susa valley 3.000 meters below.
_____________________
©Roberto Bertero, All Rights Reserved. This image is not available for use on websites, blogs or other media without the explicit written permission of the photographer.
Een gesloten boek verbergt z’n geheimen en soms verwijzen we naar een ondoorgrondelijk persoon as een gesloten boek. Een open boek is daarentegen het tegenovergestelde, bereid om al z’n kennis en informatie bloot te geven.
In de schilderkunst verwijst een gesloten boek naar de geleerdheid en kennis van de persoon die het boek vasthoudt. Een open boek daarentegen symboliseert juist de inhoud van het boek en de kennis die het boek zelf bevat.
The port city of Valencia lies on Spain’s southeastern coast, where the Turia River meets the Mediterranean Sea. It’s known for its City of Arts and Sciences, a cultural and architectural complex.
It is the most important modern tourist destination in the city of Valencia and one of the 12 Treasures of Spain.
This is a blue hour view of L'Hemisfèric.
L'Hemisfèric built in 1998, is an IMAX Cinema, planetarium and laserium. The building is meant to resemble a giant eye, and has an approximate surface of 13,000 m². The Hemesfèric, also known as the planetarium or the "eye of knowledge", it is the centerpiece of the City of Arts and Sciences.
From ancient times to the present, philosophers have repeatedly emphasized the importance of living a frugal or minimalist life. The ancient Greek philosopher Diogenes said, “True wealth is not in increasing possessions, but in reducing one’s needs.” Mahatma Gandhi pointed to the destructive side of human greed, stating, “The Earth has enough for everyone’s needs, but not enough for everyone’s greed.” From the Buddha to Karl Marx, across the passage of time, many have expressed similar ideas. This minimalist concept in philosophy has greatly influenced the photographer, and its mark is clearly visible in his vision and framing.
The absence of color or the use of minimal composition in framing reflects the photographer’s inclination toward a minimalist approach. The fog, wrapped like a thick winter blanket, creates a serene atmosphere. In this calm and pure dramatic setting, human presence becomes secondary. Before nature, even humanity’s vast achievements become insignificant. That is why the photographer has kept humans and their architectural achievements in the background, framing the scene in a minimalist style. Here, nature is the primary subject—not humans or their constructions.
According to nihilism, or the philosophy of pessimism, human life does not has inherent purpose. Evolutionary theory has shown that humans are an unintended outcome of nature’s evolutionary process. Yet human beings, regarded as the finest of creations, continue to exploit all their knowledge and effort into seeking meaning in life. They establish ever-greater architectural structures upon the heart of nature. In proving their superiority, they seem to challenge nature itself. Viewing nature as an adversary, humanity gradually distances itself further and further from it.
An old evergreen tree living along a river bank shows its wide roots. Seems a good way to ensure survival given the shallow soil and variability of the river height and strength.
INV 2011 October 27
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© 2011 A L Christensen
Knowledge of railroad maintenance and operation being passed from one generation to the next. And sometimes, vice-versa. Volunteers of the Niles Canyon Railway maintenance facility near Sunol, California. Antique trains and rail equipment are maintained, restored and operated by the volunteers.
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Another beautiful day in Venice
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Heading west along the A17 beyond Janaarka you will eventually come to the small dusty settlement of Kyzylzhar, which is situated by the railway about two kilometres south of the highway. Here the railway performs a dog leg to cross the Sarysu river. There are railway yards here also. This is because there is a junction here, a line heads north to the large opencast coal mine of Shubarkol. Kyzhylzhar is where the transfer to the main line happens. Shubarkol has TE10 on its books, we suspect that they still transfer the coal over the eighty kilometres or so to here. There is no such locomotive here though a coal train with a pair of TE33A up front sits in the yard. We don't have the time to spare to investigate, there are no hotels here either, to our knowledge anyway but we get lucky with one of the infrequent passenger trains.
TEP33A-0082 pulls out of Kyzylzhar in the direction of Zhezqazgan with train 117, Pavlodar to Kyzylorda, a journey time of just under 38 hours for just over 1400 kilometres. May the 3rd 2025.
OLYMPUS DIGITAL CAMERA
Your comments and favs are appreciated more than you know and do not go unnoticed
These live on trees and sleep under the bark so what it was doing in Camerahouse Foto Supplies yesterday remains a mystery. It was caught by a photographer and bought to me in a little film canister with little breathing hole in top...
These get pretty big for an Aussie Jumper and also when they move they seemingly have 1 gear R and I think R is for race mode!!
They are a pretty challenging one to Photograph sometimes.
I asked it why it did not bring me the Om1 mkii but at the time of posting this I am still waiting for a response.
I made this hand held stack using my Diffuser.
I left WB as is and did not tweak color in any way.
The editing is minimal
There is no removing of concentrated light in the catch lights in Adobe PS.
Happy with the new version of CJ diffuser. It is not as tall and not as long. I have learned a lot while developing it. The final diffusion system is 1 panel but it is a 3 stage layer thickness to make sure it is cutting light more where the brightest part is to make it as even as I can across the frame without sacrificing output from the flash. Hey I want my battery to last as long as possible (longer shooting) and I dont want to melt my flash either.
Since a macro diffuser is a direct system ( I love indirect studio softboxes ) a lot of diffusers have hotspots to some degree.
Not CJ Diffuser V2.
To my knowledge the stuff (Thermoplastic Polyurethane)I have used is not being used by anyone else. It is very strong , heat and cold resistant and also chemical and uv resistant.
1/250th -- F14! -- ISO200 -- Flash at 1/64 +0.4!
Location , Wodonga , VIC , Australia 🇦🇺
Helicon Focus
Adobe PS
Topaz Labs Denoise AI
Hand held focus stack of 16 images
📷 Olympus EM1 Mkii
🔎 OM SYSTEM M.Zuiko Digital ED 90mm F3.5 Macro IS PRO
🔎 Olympus M.Zuiko Digital MC-20, 2X Teleconverter
⚡ Godox V1
️️ CJ Diffuser V2 _ CJ Lens Hood
©Craig Loechel not for use without prior consent
Have a nice day
"So, Joel, is this that different from a university in your time?"
"Eh, maybe a little cleaner."
Callus: *contemplates*
Images of Australia 49/100 The Tree of Knowledge.
The Tree of Knowledge, located in the small outback town of Barcaldine, has an iconic place in Australian history.
In the 1870's shearers had to sign a contract to gain employment, but an excess of workers meant that owners were able to decrease the wage of shearers. In 1891, shearers began to go on strike, and this action quickly spread. Strike camps were set up and the tree became a meeting place for the strikers. Violence increased, some shearing sheds were burnt down and the Police took firm action. The strike leaders were arrested and sentenced to prison, lack of food, funds and bad weather caused the strike to be abandoned. Thus, over the years the tree became a symbol of a 'fair go, and fair wages for a fair days work'.
The tree itself is ghost gum and over the years suffered from insect attacks, termites and fungal diseases. Before its final death a small number of trees were grafted from it to keep the tradition alive. The tree itself was preserved and the current memorial built around it.
Editing the photograph as I have, was an attempt to portray both the historical and the current setting of the tree.
... and let thy feet millenniums hence be set in midst of knowledge. (tennyson)
british museum, london.
in explore 20/11/2013
This takes the cake as my favorite weapon included with the Rocket Commando. It also helps that this is my favorite gun in the Brickarms arsenal. I've managed
to get 3 of these beauties including this one. Enough gloating! The gun is a work
of art. Due to it being a blend of many rayguns from a variety of sources, this gun fits with many minifigs and scenes. The one detail that completes the utter
awesomeness that is this gun is the trigger in the trigger guard. This is, from
my knowledge, the first gun to have this, and I hope this isn't the last. It looks
amazing, and makes the raygun feel finalized.
_626_
Many thanks to everyone for your views, faves and supportive comments. These are always very much appreciated.
you can see other works in
another excellent visualization in
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The interceptor from Proxyon Industries is one of the most effective strikecraft in the royal fleet.
For optimal maneuverability, it boasts low moments of inertia along all axes and a fully diagonal inertia tensor.
For pitch and yaw control, it has been outfitted with three reaction wheels (of which one is allowed to fail).
For roll, lateral movement and desaturating the reaction wheels, 12 small RCS thrusters have been fitted.
The pilot is situated extremely close to the center of gravity of the craft to make sure the interceptor can rotate quickly without putting strain on the pilot due to centripetal forces.
Lastly, linear acceleration is accomplished by means of three standard Solovyov rocket engines.
The interceptor comes equipped with three auto-targeting small caliber rotary-autocannons, loaded with thermite rounds. These can be used both offensively and to target incoming missiles.
The placement and range of movement of these armaments provide full cover around the entire craft, no blind spots.
When a target is detected, at least two of the autocannons will be able to fire immediately, and depending on the situation, the interceptor will make slight attitude adjustments to be able to use the third autocannon as well.
Competitors might call these armaments flimsy, but thanks to the low momentum of the lighter rounds and high rate of fire, these weapons only cause a small, almost continuous thrust when firing, which is easily compensated for by the RCS thrusters. This in turn makes the interceptor very smooth and predictable to fly, even when in combat.
Built for the Real World +200 Starfighter contest.
Applying engineering knowledge to lego models is quite fun.
El Colegio de San Gregorio de Valladolid es la sede principal del Museo Nacional de Escultura. Es uno de los mejores ejemplos de la arquitectura del periodo de los Reyes Católicos. En particular, su patio y su portada son célebres por su refinada ornamentación, las elegantes proporciones y una ostensible simbología del poder.
Igualmente interesante es su historia como institución docente. Destinado a colegio de Teología para frailes dominicos, adquirió una notable autoridad doctrinal y actuó como un semillero espiritual y político de la España renacentista y barroca.
La Universidad de Valladolid fue fundada en el siglo XIII durante el reinado de Alfonso X el Sabio; como en otros países se potenció la aparición de centros colegiales, de modo que tardíamente se creó el Colegio de San Gregorio, que actuaron en paralelo o complementariamente con relación a la vida universitaria. En Valladolid se creó además el Colegio de Santa Cruz también a finales del siglo XV
La creación del Colegio, bajo la advocación del doctor de la Iglesia San Gregorio, fue obra del dominico Alonso de Burgos, obispo de la diócesis de Palencia y confesor de los Reyes Católicos. Alonso de Burgos condicionó su fundación a la obtención de la comunidad dominica de San Pablo de los terrenos para la construcción de su propia capilla funeraria, que serviría igualmente para el alumnado del Colegio. Tal petición se vio satisfecha en 1487: consigue el espacio necesario, lo cual fue confirmado por el Papa Inocencio VIII.
Las obras se iniciaron en 1488 aunque se había comenzado ya la construcción de la capilla funeraria, cuya puerta de entrada se percibe en el crucero sur de la Iglesia conventual de San Pablo.
La fachada fue concebida como un telón o estandarte (arquitectura suspendida). Su compartimentación se organiza con elementos vegetales que evocan los arcos triunfales construidos con madera y enramada, reforzándose su carácter civil y urbano. Dada su significación simbólica, la explicación de los diferentes motivos y elementos que la integran ofrece una gran dificultad, tanto individualmente como en su totalidad y en la relación entre los diferentes elementos.
En el tímpano principal y sobre el dintel decorado con flor de lis aparece la dedicatoria y la ofrenda del Colegio por parte del fraile dominico Alonso de Burgos a san Gregorio Magno en presencia de San Pablo y Santo Domingo.
Destacan las figuras de hombres silvestres cubiertos, o no, de pelo, y con garrotes y escudos; o bien aluden a la costumbre cortesana de disfrazar escuderos con ocasión de fiestas, o bien representan la imagen mítica del «hombre natural», tal como se discutió por esas fechas y entran en diálogo visual con esculturas de caballeros, vestidos con armaduras y portando lanzas y escudos, encarnando la Virtud.
La parte central superior está ocupada por un pilón hexagonal, rebosante de agua, que puede evocar la especulación intelectual como Fuente de la Vida. En torno al pilón, se arremolinan parejas de niños y de él arranca el tronco de un granado, en posible alusión a la Fuente de la Vida y al Árbol de la Ciencia, aparte de la celebración de la reciente conquista del Reino de Granada. Todo el relieve central de la fachada se constituye con esta representación simbólica de un microcosmos, a imagen del Paraíso, lugar hacia donde deberían dirigirse los hombres mediante el conocimiento de las Artes y la Teología.
La presencia del escudo de los Reyes Católicos, sostenido por leones y por el águila de San Juan podría tener una significación política o podría ser una alusión a la dedicación del edificio a la Monarquía, a la que Alonso de Burgos nombró heredera y patrona del Colegio.
El patio del Colegio es de planta cuadrada y representa una de las joyas de estilo hispanoflamenco. Sus dos pisos se levantan sobre pilares helicoidales decorados sus capiteles con medias bolas y lises separados ambos por el tema de la cadena.
En las arquerías del piso superior se encuentra toda la decoración mediante calados pretiles de tracería gótica y cortinas pétreas que al abrirse originan arcos geminados de guirnaldas y follaje, entre los que juguetean niños, concebido con una talla muy plana próxima al estilo renacentista. Un friso de yugos y flechas y las gárgolas es lo único que se conserva de su antiguo coronamiento.
El acceso al piso superior se realiza a través de una sola escalera con pretiles góticos a los que se suceden los paramentos almohadillados de su caja decorada también con el timbre heráldico del fundador y con un artesonado mudéjar, en cuyo friso se pueden observar las iniciales de los Reyes Católicos y que cierra todo su ámbito.
es.wikipedia.org/wiki/Colegio_de_San_Gregorio
es.wikipedia.org/wiki/Museo_Nacional_de_Escultura
The Colegio de San Gregorio is an Isabelline style building located in the city of Valladolid, in Castile and León, Spain, it was formerly a college and now is housing the Museo Nacional de Escultura museum. This building is one of the best examples of the architectural style known as Isabelline, which is the characteristic architectural style of the Crown of Castile region during the Catholic Monarchs' reign (late-15th century to early-16th century).
Among other sections highlights its courtyard and its facade for its refined decoration, elegant proportions and the number of symbologies. It was founded as a teaching institution. Aimed at College of Theology for Dominican friars, it has acquired a doctrinal authority and acted as a spiritual and political hotbed in the Central region of Spain's Renaissance and Baroque periods.
The University of Valladolid was founded in the 13th-century during the Alfonso X of Castile the Wise's reign; as in other countries, the emergence of college centers was potentiated, then belatedly was created the Colegio de San Gregorio, who performed in parallel or complementarily in relation to university life. In Valladolid the Colegio Mayor Santa Cruz was also created also in late 15th-century.
The creation of the College, under the title of the Doctor of the Church Saint Gregory the Great, was work of Dominican Alonso de Burgos, the Catholic Monarchs's confessor and Bishop of the dioceses of Córdoba, Cuenca and Palencia. The foundation of the college was confirmed by with Papal Bull of Pope Innocent VIII in 1487, and accepted as Royal patronage by Queen Isabella the Catholic in 1500, after the founder's death.
It attached to the Convento de San Pablo, which Friar Alonso had been its prior, its foundation was subject to the assignment of the Capilla del Crucifijo (Crucifix's chapel), attached to the Epistle's arm of the Dominican church, to become his own funeral chapel, which later acquired dual function to also serve as a chapel for college.
Work began in 1488 in a process from the inside to outside, being the main facade the last in lift. The Royal shields in the corners of the Large courtyard still do not present the Granada's symbol suggests that this part would be completed before 1492. The building is assumed to completed in 1496.
The facade, plain facing and topped with a crest, stands out above all for its spectacular main facade, which by its stylistic features it sets regarding the workshop of Gil de Siloé, a Flemish origin artist, who was at that time in Burgos dealing with the royal sepulchers of the Miraflores Charterhouse and is known to have been commissioned to make the defunct altarpiece of the chapel, very in connection with which the sculptor had made in the Conception's chapel or of Bishop Acuña in the Cathedral of Burgos and has obvious similarities to the upper of the main facade of San Gregorio.
Perhaps evoking the triumphal arches of the architectures at that time were developing in Central Europe, or perhaps the Islamic Madrasas, architects of this building applying an individually decorated of the Castilian late-Gothic (Isabelline), it has a complex symbolic significance in that mix contemporary figures, saints, allegories, wild men, abundant symbolic of power, etc.
It has two bodies framed by two buttresses. The lower hosts a vain lintel decorated with fleur-de-lys, the founder's symbol repeated often enough, covered with three-centered arch in turn covered by another ogee trefoil.
It draw attention to the "savage men" of the jambs and buttresses, a total of sixteen. Theories about the significance of these figures, present in many buildings of 15th-century, are varied and should be put in relation to the context in which these appear. One of its functions would be simple heraldry sculptures. It is also said that, dressed with shield and mace, were the guardians of the building, beastmen guaranteeing security. Or these could allude to the custom of disguising the squires and lackeys in Court (nobility) festivities in which it presented the "savage" as inferior, in relation, for example, the chivalric romances, which mentions hair covered wild men, degraded men, estranged from the civilized world, not Christianized, and could here be in visual confrontation with the knights who also appear on the main facade, with armor, spears and shields, that would be interpreted as allegories of Virtue. On the contrary, these could also be a positive allusion, the mythical image of man in nature, unpolluted, symbol of purity that evokes the time in a perfect and happy world, with prototype to John the Baptist.
Those on the lower part, flanking the main facade, are completely covered with long hair, carrying weapons and the shields are decorated with demonic figures except in one, which has a Knight order of Calatrava's cross, the same motifs of the soldiers's shields of the second floor, the same iconography already seen for over a century.
However, in the top of the main facade are completely different, with the same attributes but without hair on the body and even two hairless, with a more human aspect, and there are authors who consider the oldest representation in Castile of an American Native, reflecting the effect of the Americas's arrival in the European imagination.
The tympanum, on a lintel, seems to represent the offering of the college by Friar Alonso de Burgos to Saint Gregory the Great in the presence of Saints Dominic and Paul, patrons of the neighboring Dominican convent, a somewhat disconcerting scene, unbalanced, with disproportion between the figures and Saint Paul with a cruciferous nimbus, an exclusive attribute of Christ. It seems to be earlier work than the rest, or even reused from other site.
The upper body is divided into three sections, with the center occupied by a hexagonal pylon which starts a pomegranate tree, referring to the Nasrid Kingdom of Granada's conquest in 1492, swirling around putti playing and jumping. It could be a Fountain of Eternal Youth's representation, hence the children, of the Tree of Knowledge, in relation to the building dedicated to the study, an allegory of the Paradise, the place to which men aspire to reach through the knowledge, an allegory of the Golden Age, in relation to the historical moment that was occurring to the Spanish monarchy.
The pomegranate tree is topped by a big shield of the Catholic Monarchs with the St. John's eagle held by two attitude lions and below the Catholic Monarchs's symbols also appear: the beam and arrows. And the use of the royal heraldry with propaganda purposes in this period reached prominence hitherto unknown, present not only in buildings directly promoted by the Catholic Monarchs but also in many that of their closest collaborators, in that way showing participation and acceptance in the political project undertaken by Isabella I and Ferdinand II in relation to the establishment of a modern state with which to control and organize all their territories under their unique power.
Upper body's side sections have the founder's heraldic decoration and two kings of arms placed at height of the central shield.
Distributed among the distributed arboured throughout the main facade are seen multiple scenes related to the defects to be overcome with the study, in relation to the search for truth and rejection of heresy, the triumph of intelligence over force or the strength to overcome temptation.
(Large courtyard) The Patio Grande was the access to the most important stays of the set. It considered a Hispanic-Flemish (Isabelline) gem, is set in relation to Juan Guas for its similarities to Palacio del Infantado in Guadalajara, although have also located abundant motifs that Bartolomé Solórzano, an active artist at that time in the area, used in the Cathedral of Palencia, seat of the Friar Alonso's bishopric.
It is square with two floors, the lower with slender pillars, perhaps a Solomonic reference in relation to a building as a "temple of wisdom", with capitals of average balls and fleur-de-lis sustaining segmental arches, and the upper with one of the most decorative Isabelline galleries, with parapets openwork with Gothic tracery and geminare arches riddled with garlands and foliage among those appears children playing and where already shown Renassaince influence, of midpoint and a form that goes be more flat.
Then follows a frieze of yokes and arrows on highlighting the imaginative gargoyles.
It has abundant emblems of the Catholic Monarchs and the kingdoms of Navarre and Granada, incorporated into the Crown of Castile during the erection of the building.
The only staircase that connects both floors is rectangular of two sections, Isabelline base, decorated walls with padding of Renaissance influence with the founder's heraldry; an impressive Mudéjar roof on a frieze with the Catholic Monarchs's initials; and neo-Gothic parapets with same trace that the base, added in works in the 1860s to replace the wooden fence that had.
en.wikipedia.org/wiki/Colegio_de_San_Gregorio
en.wikipedia.org/wiki/Museo_Nacional_de_Escultura,_Vallad...
Camara / Camera: Nikon D750
Objetivo/Lense: Tamron 24-70 f/2.8 VC
Place: Congost de Mont-rebei (Spain)
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Algunos derechos reservados // Some rights reserved
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**Attribution-NonCommercial-NoDerivs Creative Commons
**Creative Commons Atribución-No Comercial - No Derivs
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If you wish to have a printed copy of this photo, please contact me.
Si te interesa obtener una copia impresa de esta foto, por favor contactad conmigo.
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Steampunk Submarine Air Balloon
In the Victorian era, inventor extraordinaire, Captain Orion Blackwood, had grown tired of the limitations of traditional underwater exploration. Seeking to unlock the secrets of the sky, he combined his knowledge of submarines with the principles of hot air balloons. The result was the Sky Sentinel, a majestic vessel that could soar through the skies and dive into the depths of the ocean.
The Sky Sentinel's maiden voyage took it over the bustling metropolis, where the citizens marveled at its brass and copper body, adorned with hissing steam vents and intricate clockwork mechanisms. As the sun set, casting a warm golden glow over the city, the Sky Sentinel floated serenely above the rooftops, its striped balloon glowing like a beacon.
Captain Blackwood's creation was not just a marvel of engineering but a symbol of innovation and exploration. The Sky Sentinel represented a new era of adventure, where the boundaries between sea and sky were blurred, and the impossible became possible.
CREATED for FACEBOOK Open MIDJOURNEY Source Challenge Group: #openmidjourney-submarine
Steampunk submarine transformed into a hot air balloon, brass and copper body with rivets and pipes, large striped balloon above made of patched canvas, gears and steam vents releasing vapor, floating over a Victorian city at sunset, warm golden light, cinematic, ultra detailed, fantasy adventure atmosphere
--chaos 10
--ar 3:4
--sref 3563277493
--raw
--stylize 600
--weird 8
--profile 2gnx5m7
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Thanks for 7,726,938 views 🙏 February 23, 2026