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Inktober Day 27: I drew something for a card to go with my Spectral Knight LEGO minifig for my October Patreon Loot Bag!
This ghostly knight is a mysterious figure known to appear to those in Wulfgard who are called to serve Astra... or have been judged for divine vengeance.
Knight in the name means powered by the Knight Sleeve Valve engine. Please don't ask me to explain Sleeve-valve, as I have seen a description of how it works, but years ago.
Seen at the judged car show, AACA Eastern Region Fall Meet, Hershey, Pennsylvania, October 2009
Elite Star Knight Tahu.
Tahu Nuva Mega Stars Reforged.
New parts & paint
The Yahru Hau is four times stronger and faster at raising its shield and even a fire wall
The gold kanohi variant is eight times stronger and faster
this heavily modified & enhanced kanohi hau was designed in mind to improve its flaws that effected Tahu Nuva and his teammates when the Rahkshi invaded their island paradise, Mata-Nui, homes were destroyed and lives were lost that night. this new mask of shielding greatly improve its defensives from higher: poison, darkness, corruption, magic, water & ice resist.
He's finally here, took more paint then he should have, gave up on the shield but gave it another chance, found a way around fir Tahu to hold it. the official shields got messy when painting so that didnt work. the sword has been reduced down in size from a oversized power hog behemoth to a more user friendly model, smaller and lighter then before, easier to wield and master, energy depletion has been greatly reduced, now only a small portion of Toa energy is required to ignite the Crimson Inferno greatsword, its flame grows larger, hotter and brighter with more Toa energy charged into the lighters hilt.
The Shield was forged by Vahki6
The Kanohi was forged by Onuku
The sword designer by: Narfoxousman on the TTV website
St Andrew’s Anglican Church, Walkerville – the first completed church opened free of debt in South Australia and the third oldest Anglican church in South Australia.
The late Mr F Halcomb, in 1914, undertook the commendable task of publishing a neat comprehensive brochure, collating facts and figures associated with St Andrew's Church from the days of 1848.
The original building stood in the solitary clearing with no fences anywhere, and in the winding bush track, deep rutted by winter rains and builders' carts, the little congregation of 40 or 50 souls assembled on August 23, at the call of the bell.
The district at that time was a sprinkling of huts and cottages scattered among the indigenous trees and bushes — wattle, peppermint, and a few pines, and large gumtrees lining the river flats.
Bishop Short, who arrived for the service in pouring rain, consecrated the church, and Archdeacon Hale preached the sermon.
The church had the distinction of being the first completed and opened free of debt in South Australia. The building was of lime-stone, with brick corners. The length of the body was 40 ft, and the width 25 ft, and the tower (which was completed) 10 ft at the base. The chancel was 10 ft deep, and the entire length of the building was 60 ft.
The interior arrangement was very neat and effective, the seats with Gothic heads being all open, with the exception of two pews on each side of the door. The pulpit, desk, and chancel rails were in unison with the whole, and the chancel window of stained glass was very rich. Provision was made for seating 180 people. The cost of the building was between £600 and £700. The choice of "St. Andrew" as patron saint is said to have been due to the patriotic sentiments of Mr J W McDonald, who was a prominent founder as well as a perfervid Scot.
The building was far from being orientated, its axis being almost due north-west and south east. The trust deed was countersigned by 19 original subscribers: the deed was dated March 12, 1853, the trustees being Augustus Short, Bishop of Adelaide, and Mr Joseph Gould, of the Para.
The Rev Frederick Charles Platts, represented St Andrew's in 1851, and remained until September, 1854. He resided across the river, and in flood time, when the Hackney Bridge was swept away, he had to ride round by Thebarton to get to church.
During interregnum the Revs Richardson Reid, George Farr (head master of St Peter's College), and John Fulford, were among the number who assisted to maintain the services.
In 1856 the Rev Daniel Packard was licensed to Walkerville, and during his incumbency, which lasted until 1862, the church materially advanced: the chancel and transepts were built, the glebe land was given, and the parsonage in Warwick Street was bought. Burial in the church ground was also stopped about that time: and there are now only two graves traceable there.
The additions to the church in 1857 were built by Messrs Frost & Watson, and being designed on a larger plan than the original building, the scale was set for the further extensions of 1879. Mr Edward Hamilton was the architect.
Liberal contributions for the work were made by Messrs John Ellis, Kent Hughes, C B Young, and Col Freeling. A feature reminiscent of old English customs was the building of two large square pews in the transepts for the use of the benefactors. In the year 1861 the number of communicants was shown as 36. Mr Packard died in 1862, the victim of a fever which raged in the district.
Mr Packard was succeeded in October, 1862, by the Rev George Dove, of Corpus Christi College, Cambridge, who, about a year and a half previously, had come to the colony from a curacy in East Dereham, in Norfolk, England. His successful leadership for so long a period as 49 years impressed upon the church a character of attached and sober churchmanship, which has gained it an honoured name throughout the diocese. To that period belonged the building as now completed, and (with one exception) the furnishing.
Mr Dove was made Archdeacon of Adelaide in 1903, and held that office until 1911. St Andrew's is reputed to have been the first church in the colony to establish the regular Sunday communion in the early morning.
With the further settlement of the district, steps were taken in 1877 to enlarge the building. A contract for the new nave was taken by Mr G A Selway, for £1,340, the plans being prepared by Mr J H Grainger. The little old tower was de-molished in the following year. During the rebuilding, the transepts were used for services. The new church was first used on May 31, 1879.
In addition to the nave, the foundations of a tower were put in, but those were found inadequate when bells were decided upon, and they served for the base of the vestry.
The total cost of the building, apart from the tower, was about £2,000.
The position of the tower was altered from the side of the nave, as in the original plan, to its eastern corner. Mr Frank Naish was the architect, and Mr John Varley secured the contract, the total cost being £834. The tower, which is 70 ft. in height, was completed in May 1886.
An order had meanwhile been sent home to Messrs Mears & Stainbank, of Whitechapel, for a peal of six bells. These were tuned to the key of F sharp, and were passed by Dr Bridge, organist of Westminster Abbey.
Their total weight was 2½ tons, and they cost £517.
Having been duly mounted, their chimes were first heard on September 20, 1886. Mr William Knight has been a bellringer since 1888.
The late Mr Kent Hughes had bequeathed £240 towards the building of the tower and his widow had promised to furnish it with a clock in memory of her husband. That gift was installed about the same time as the bells, and was the work of J W Benson, the famous London maker. The clock has two faces, and provision has been made for a third dial.
In 1902 the sons of the Hon G C Hawker, offered to build a choir vestry for the church, and the work was carried out forthwith. The vestry stands in memory of the parents of the givers.
A number of memorials in the church take the form of ornate and costly painted windows, of which there are fourteen, consisting of 27 lights, and representing various sacred characters and scenes.
The Rev R P Hewgill MA, who came from St John's Church, Adelaide. The work at St Andrew's has made considerable progress during his ministry. Having come to the conclusion that the present is a democratic age, it was resolved by the vestry in 1920 to make the church seating free, and owing to terms of an invariable trust which had been in operation since Bishop Short's time, they had to secure Parliamentary sanction for the abolition of pew rents. Mr Hewgill has just been appointed Canon of St Peter's Cathedral.
A block of land adjoining the rectory was purchased, and it is intended to build a parish hall on the site. [Ref: Register (Adelaide) Saturday 18 August 1923]
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The Knights' Room is one of the large grand interiors of the Imperial Museum or the New Hermitage. Originally the room, richly decorated with ornamental painting in the Neo-Grecian style, was intended for the display of coins. Today it houses part of the Hermitage's extremely rich collection of arms and armour that numbers around 15,000 items. The display of Western European artistic arms of the 15th to 17th century presents a wide range of tournament, parade and hunting gear, as well as armour, edged weapons and firearms. They include works by famous craftsmen who worked in the finest armouries in Europe.
'Sir James Deane, knighted at Whitehall 8 July 1604, was descended from the family of Deane or Dene of Denelands. Sir James amassed a large fortune as a merchant adventurer to India, China, and the Spice Islands. He was fined for refusing to act as Alderman. He gave the rectory of Deane in Hampshire to his brother-in-law Holdip and his successors. Lord of the Manor of Basingstoke, to which town he was a liberal benefactor, he built almshouses for eight poor aged men or women, and his bequests, with some others, enabled the Aldermen and Wardens in 1609 to declare the Fraternity or Guild of the Holy Ghost, standing in the ancient cemetery, a Free School, the master being still called the Chaplain of the Chapel of the Holy Ghost. He remembered the poor in every parish in which he had lived or owned property. He was married three times, first to Susan the daughter of Christopher Bumsted, secondly to Elizabeth daughter of Hugh Offley, Alderman of London, his third wife being Elizabeth the daughter of Richard Thornhill of Bromley in Kent, and relict of Christopher Webbe, Esq., eldest son of Sir William Webbe, Knt., Lord Mayor of London in 1591 (by whom she had a son Sir William Webbe, Knt., who married a daughter of Sir Rowland Litton, Knt.). This lady, after the death of Sir James Deane, married as her third husband John Brewster, Esq., of London, secondary of the Fine Office, the 29th of Sept. 1609, and died the 23rd of Oct. 1609, and was buried in St. Sepulchre's the 2nd of Nov following. Sir James Deane died 15 May 1608 aged 62.Sir James Deane: Born February 25, 1632 and Died May 15 1608'... per Monumental Inscriptions and Heraldry in St Olave's, Hart Street, London, with annotations from wills, etc. transcribed and annotated by Arthur J. Jewers, and edited and indexed by A. W. Hughes Clarke, 1929; originally published in Miscellanea Genealogica et Heraldica.
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'St Olave Hart Street is one of the few mediaeval churches to survive the Great Fire of London. It is best known as the burial place of Samuel Pepys and his wife Elizabeth; the famous diaries of Samuel Pepys provide the most vivid first-hand account of the fire of 1666 and subsequent life.
St Olave’s has strong links to several historic London livery companies and other historic associations, most notably The Clothworkers’ Company, The Trinity House, The Environmental Cleaners and The Pepys’ Club. The Victorian author Charles Dickens who lived close by, called St Olave's 'St Ghastly Grim', referring to the gargoyles on the churchyard gate. St Olave’s has been a place of Christian worship and sanctuary for almost 1000 years.
The church is named after Saint Olave. At the 1014 Battle of London Bridge between the Danish army and the English King Ethelred, known to history as 'The Unready', Olav supported the Christian king of England in an attempt to regain his throne from the pagan Danes. In Rouen, Olav encountered the faith of Jesus Christ and was baptised in Rouen, France.
On returning to Norway, Olaf is known for bringing Christianity there; he was canonised after his death in 1030 and became the patron saint of Norway. Our church on Hart Street could well have been built on the site of the battle.
The first church in Hart Street may have been erected around AD 1050, a simple timber structure, but in the 13th century, it was rebuilt in stone, and rebuilt again in 1450 under the patronage of Richard Cely, a wealthy wool merchant who died in 1482. The crypt, which can be visited still, dates from this period.
In 1658 a new churchyard gate was erected, decorated with a rather macabre row of skulls. The skulls were no doubt intended as a reminder of the need to be protected from evil, but they prompted Victorian author Charles Dickens to dub St Olave's, 'St Ghastly Grim' in 'The Uncommercial Traveller': "It is a small small churchyard, with a ferocious, strong, spiked iron gate, like a jail. This gate is ornamented with skulls and cross-bones, larger than the life, wrought in stone."
In 1665 the Great Plague of London broke out around Drury Lane, and spread rapidly; 357 victims were buried in the churchyard. Their names were marked with a 'p' for 'plague' in the church register of burials. Mary Ramsay, popularly credited with bringing the plague to London, was buried in the churchyard on 24 July 1665.
One of the parishioners who survived the Plague was diarist Samuel Pepys, who worked in the Royal Naval offices on Seething Lane. Pepys and his wife worshipped in St Olave’s, and he recorded parish affairs in his diary for 14 years from 1660, often falling asleep in the sermons by the Reverend Daniel Mills!
Pepys had a gallery built, joined to the naval offices by a staircase, so he could attend services without getting caught in the rain. The gallery has been demolished, but a memorial marks the site of the stairway door, seen from the churchyard.
Pepys reacted to the devastating Great Fire in 1666, when he ordered nearby wooden buildings to be pulled down, to stop the fire from spreading so easily. The flames reached within 100 yards of the church, but a change of wind direction allied to Pepys' foresight helped saved the church.
In 1669 his wife Elizabeth died of a fever and was buried in the church. Pepys had a marble bust of his wife sculpted and set on the north wall of the sanctuary, where he could see it during services. Pepys himself died in 1703 and was buried in the nave beside his wife. The Samuel Pepys Club hold an annual service and lecture in his honour, on or near the anniversary of his death on 26 May.
The church was heavily damaged during the Blitz of 1941, leaving just the arches and the tower. During the war King Haakon VII of Norway sometimes worshipped at St Olave’s, after becoming an exile in England, unable to bow down to Hitler’s demands in occupied Norway. Following the destruction, St Olave’s was restored, under the inimitable vision and direction of the Rector, Augustus Powell-Miller. The sympathetic restoration was by the architect Ernest Glanfield and rededicated in the presence of King Haakon VII of Norway in 1954. In 1951 King Haakon had laid the foundation stone, and a link remains with the Norwegian Church of St Olave in Rotherhithe.
Interior highlights include a colourful monument to Sir James Deane (d. 1608), and an ornate memorial to Pepys on the south wall. Another notable historic monument is that of Peter Turner, a wealthy physician who died in 1614; the historic bust went missing during the war and was rediscovered in an art auction in 2010 and rightfully returned to the church.
In the tower, there is a memorial to Monkhouse Davison and Abraham Newman. They were grocers with premises on Fenchurch Street who shipped a cargo of tea to Boston in 1773. The cargo was famously emptied into Boston harbour in a protest - The Boston Tea Party. There are also notable bells.
A number of histories have been written about St Olave’s, a history up to 1895 by the Reverend Alfred Povah, along with All Hallows Staining and St Katherine Coleman. The tower of All Hallows remains, on Mark Lane next to the Clothworkers’ Hall.
A history of St Olave 1895 to the present by Brian Grumbridge, published in 2020, is available for sale, as is a short pictorial history and guide called ‘Our Very Own Church’, available from the church office.'
See ... saintolave.com/about ...
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Knight - Wei Feng
Mists of Kel Doran (MoKD)
Enter the Mists of Kel Doran, a serialized eBook and 3D movie series set in the 'Dark Ages' of civilization. See how man's inhumanity toward man in the name of religion fuels another war, a war the might spell the end for mankind.
Follow us as we bring this fantasy world to life!
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* Unless otherwise noted, the images depicted in this blog are not developed by MoKD artists and are purely used to inspire creativity among individuals wishing to launch their own creative endeavors.
www.facebook.com/FlamingArtTattoo/
www.youtube.com/watch?v=pinVIfrCPds&eurl=http://uk.yo...
The link above is a short video of this tattoo in the making.
My self moc in better lightning, the sun was too bright in the original photo.
Toa Kylorix I Kyle Nuva
Kanohi: Raikiri
The wearer unleashes elemental fury: armed with potent attacks, crushing shield bashes, devastating spin strikes and powerful beam sword strikes – all at full power
Element: Lighting
a Knight in silver and blue armor, also full silver but the blue really adds a nice colorful touch. im a huge fanboy over anything thats from the Medieval era, Knights, Dragons and Castles. a horrible time and place to be alive in but it is extremely fascinating, each and every kind of those things in various shapes, sizes and strength. creations and designs of awe and wonder. parts new and old made my awesome knight possible and i love it. i have no idea when selfmocs became a thing, but at the time i was more into getting the sets, building them and making mocs. making a selfmoc was a new thing on youtube years ago and not many did them, i might of wanted to try myself but wasnt sure back then. but all that changed and i love how it came out. the sword and shield are 3D printed cause lego never really made any good swords. most of their attempts at making swords pretty much suck, with the exception to the Toa Mata, Nuva, Metru and some of G2.
Hau x Miru fusion
Funny story with this forged custom mask, when Lego released mask packs, i got a defective Kanohi Miru and using rubber bands i made that, but forgot how after the bands dried up, so i was lucky to contact a guy who sadly went MIA...just like many Bionicle youtubers. The Chronicler made this mask for me. strange, but i like it
The Knight Train (a.k.a. The Door Crasher) is a heavy duty Batmobile used when the Dark Knight needs more muscle than his usual rides feature. Ablative armour covers most of the outer shell, virtually freeze-proof and heat resistant to over 4000 degrees. The exposed engine compartment allows venting of the extreme heat created by the power plant within.
Even though the Knight Train was designed to be a blunt instrument, able to flip or smash almost any vehicle out of the way and drive through multiple reinforced walls it was created as a tool not a weapon.
Armed with a plethora of non-lethal weaponry including a gattling launcher capable of delivering sting, flash/bang, sonic de-stablizer, gas and other grenades.
Like all of Batman's vehicles, it's lead lined and is meant to serve as a mobile command center in addition to a rolling extension of his utility belt.
Built for the Wheels of Justice! Contest on FBTB and nicknamed the Door Crasher in honour of it's birthday (Black Friday)
I had originally wanted to build a Green Lantern Mobile, but when inspiration hit I started to veer off course and decided on a composite Bat/Lantern Mobile. The more I built, the more it became about the black and wanting to create something different while infusing it with mix of retro roadster, locomotive and a pinch of Mater for attitude. I think I'll finish Knight Train's Cars-ification if I can keep my son from completely destroying it in the next day or so.
Well, one knight, a porter, and a rogue, anyway. And a unicorn. See notes for backstories and character info. If you can work out what happened with Bill and Francine, you win a cookie.
It all started because I wanted to use that shield on a dark green unicorn rider, and it so happens that Dragon Knights are dark green. I think I've worked out enough plot to give them a comic, but I'll need some serious poking before I'm convinced to make one.
Thank you all for the comments and the support. I luv you all ^^
And I think I'm a bit better. I hope so.
Eh, this is Althea's R5 for Portfolio.
I'm not sure about it... it's kinda weird :/
Well... the editing took almost all morning. Phew :/
And, damn, I have to decide what color is Althea's hair, seriously XDD
btw, here's a bigger version of the pose:
i196.photobucket.com/albums/aa32/blue_angel2904/Sims Contest/Portfolio Behind Image/Althea_Chess_Knight.png?t=1223206115