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Rudyard Kipling
If you can keep your head when all about you
Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
But make allowance for their doubting too:
If you can wait and not be tired by waiting,
Or, being lied about, don't deal in lies,
Or being hated don't give way to hating,
And yet don't look too good, nor talk too wise;
Alright, one more picture before I leave!
So yeah, leaving in a few hours; back Sunday afternoon. Have a good weekend, and I'll talk to you later!
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IMG_1006426ps
Kipling Fashion Show
From Saturday, 30th Aug 2008 - Sunday, 31st Aug 2008
Catch the Kipling Fashion Show at Mid Valley Megamall, Main Concourse at 2pm.
Cortesía de: Library of Congress
Referencia post:
www.odisea2008.com/2014/10/ilustraciones-del-libro-de-la-...
Cortesía de: Library of Congress
Referencia post:
www.odisea2008.com/2014/10/ilustraciones-del-libro-de-la-...
4077 West Third St.
Los Angeles
Rooms from $2.00 with bath
Cafe Wigand famous for its foodBasement Garage
Kipling Fashion Show
From Saturday, 30th Aug 2008 - Sunday, 31st Aug 2008
Catch the Kipling Fashion Show at Mid Valley Megamall, Main Concourse at 2pm.
Kipling Station, located in the neighbourhood of Islington-City Centre West in the old Toronto borough of Etobicoke is the western terminus of the Bloor-Danforth subway line. People who want to travel any further from the downtown have to leave, have to take a bus like the 192 Airport Rocket or have to cross over to the connected Kipling GO Station to take advantage of regional transit.
Once I got out of Kipling station to the passenger drop-off area Sunday and took a looking around the neighbourhood, becoming steadily denser over time, what struck me was the neighbourhood's contrasts, its irregular development. Towering condo developments lie interspersed with large areas of low-rise development or no-rise, like the mazes of electrical wiring overhead or the flatness of rail routes and roads like Kipling Avenue. There is space here, space that will be filled soon but has not yet been fully taken over. This is a marked contrast to the downtown Toronto neighbourhoods I'm most personally familiar with.
The south side track at the TTC Kipling Subway Station was flowing like a river.
Toronto Thunderstorm and Flood, July 8, 2013.
Ilustrações usada para o Set com referencias de looks para o post "Coleção Basic Holiday". Criado para postagem "Correspondente Kipling"
Kipling got into some ribbon....
It's for the bottom of her shirt, which she's been waiting on all week, poor thing!
‘What are the bugles blowin’ for?' said Files-on-Parade.
‘To turn you out, to turn you out,’ the Colour-Sergeant said.
‘What makes you look so white, so white?’ said Files-on-Parade.
‘I’m dreadin’ what I’ve got to watch,’ the Colour-Sergeant said.
For they’re hangin’ Danny Deever, you can hear the Dead March play,
The Regiment’s in ’ollow square—they’re hangin’ him to-day;
They’ve taken of his buttons off an’ cut his stripes away,
An’ they're hangin’ Danny Deever in the mornin’.
‘What makes the rear-rank breathe so ’ard?’ said Files-on-Parade.
‘It’s bitter cold, it's bitter cold,’ the Colour-Sergeant said.
‘What makes that front-rank man fall down?’ said Files-on-Parade.
‘A touch o’ sun, a touch o’ sun,’ the Colour-Sergeant said.
They are hangin’ Danny Deever, they are marchin’ of ’im round,
They ’ave ’alted Danny Deever by ’is coffin on the ground;
An’ ’e’ll swing in ’arf a minute for a sneakin’ shootin’ hound—
O they’re hangin’ Danny Deever in the mornin!’
‘’Is cot was right-’and cot to mine,’ said Files-on-Parade.
‘’E’s sleepin’ out an’ far to-night,’ the Colour-Sergeant said.
‘I’ve drunk ’is beer a score o’ times,’ said Files-on-Parade.
‘’E’s drinkin’ bitter beer alone,’ the Colour-Sergeant said.
They are hangin’ Danny Deever, you must mark ’im to ’is place,
For ’e shot a comrade sleepin’—you must look ’im in the face;
Nine ’undred of ’is county an’ the Regiment’s disgrace,
While they’re hangin’ Danny Deever in the mornin’.
‘What’s that so black agin the sun?’ said Files-on-Parade.
‘It’s Danny fightin’ ’ard for life,’ the Colour-Sergeant said.
‘What’s that that whimpers over’ead?’ said Files-on-Parade.
‘It’s Danny’s soul that’s passin’ now,’ the Colour-Sergeant said.
For they’re done with Danny Deever, you can ’ear the quickstep play,
The Regiment’s in column, an’ they’re marchin’ us away;
Ho! the young recruits are shakin’, an’ they’ll want their beer to-day,
After hangin’ Danny Deever in the mornin’!
I haven't been very well and was fancying a Mr Kipling's French Fancy, Grand daughter arrived with a box of them to cheer me up. They did the trick.
Lieutenant John Kipling, 2nd Battalion, Irish Guards.
Killed in Action, 27/09/1915, nearly six weeks after his eighteenth birthday
“Have you news of my boy Jack?”
Not this tide.
“When d’you think that he’ll come back?”
Not with this wind blowing, and this tide.
“Has any one else had word of him?”
Not this tide.
For what is sunk will hardly swim,
Not with this wind blowing, and this tide.
“Oh, dear, what comfort can I find?”
None this tide,
Nor any tide,
Except he did not shame his kind —
Not even with that wind blowing, and that tide.
Then hold your head up all the more,
This tide,
And every tide;
Because he was the son you bore,
And gave to that wind blowing and that tide!
Born 17/08/1897 at "The Elms" at Rottingdean in Sussex, the only son of the British author Rudyard Kipling.
Kipling was 16 when the First World War broke out in August 1914. His father, a keen imperialist and patriot, was soon writing propaganda on behalf of the British government. Rudyard sought to get his son a commission, but John was rejected by the Royal Navy due to severe short-sightedness. He was also initially rejected by the army for similar reasons.
However, Rudyard Kipling was friends with Frederick Roberts, 1st Earl Roberts, a former Commander-in-Chief of the British Army, and Colonel of the Irish Guards, and through this influence, John Kipling was commissioned as a second lieutenant into the 2nd Battalion, Irish Guards on 15 August 1914, having just turned 17. After reports of the Rape of Belgium and the sinking of the RMS Lusitania in 1915, Rudyard Kipling came to see the war as a crusade for civilisation against barbarism, and was even more keen that his son should see active service.
After completing his training, John Kipling was sent to France in August along with the rest of the battalion, which was part of the 2nd Guards Brigade of the Guards Division. His father was already there on a visit, serving as a war correspondent.
Kipling was reported injured and missing in action on 27/09/1915 during the Battle of Loos, whilst attacking near the village of Hulluch. There remains no definite evidence relating to the cause of his death but credible reporting indicates he was last seen attacking a German position, possibly with a head injury. With fighting continuing, his body was not identified.
His parents searched vainly for him in field hospitals and interviewed comrades to try to identify what had happened. A notice was published in The Times on 7 October 1915 confirming the known facts that he was "wounded and missing".
The death of John inspired Rudyard Kipling to become involved with the Commonwealth War Graves Commission and write a wartime history of the Irish Guards. The poem My Boy Jack also alludes to the wartime loss of a son, although its themes are rather nautical. He also wrote the short verse: "'My son died laughing at some jest, I would I knew / What it were, and it might serve me at a time when jests are few."
Kipling's grave was reportedly identified in 1992, and he is officially listed as buried in St Mary's ADS Cemetery in Haisnes. In 2002, research by military historians Tonie and Valmai Holt suggested that this grave may be that of another officer, Arthur Jacob of the London Irish Rifles.
However, in January 2016 further research demonstrated that the original identification of the grave was in fact correct. A spokesman for the Commonwealth War Graves Commission stated that it "welcomed the latest research which supports the identification of the grave of John Kipling".
"Si piensas que estás vencido, lo estás.
Si piensas que no te atreves, no lo harás.
Si piensas que te gustaría ganarpero no puedes,
no lo lograrás.
Si piensas que perderás, ya has perdido,
porque en el mundo encontrarás que el éxito comienza
con la voluntad del hombre.
Todo está en el estado mental.
Porque muchas carreras se han perdido
antes de haberse corrido,
y muchos cobardes han fracasado,
antes de haber su trabajo empezado.
Piensa en grande y tus hechos crecerán.
Piensa en pequeño y quedarás atrás.
Piensa que puedes y podrás.
Todo está en el estado mental.
Si piensas que estás aventajado, lo estás.
Tienes que pensar bien para elevarte.
Tienes que estar seguro de ti mismo,
antes de intentar ganar un premio.
La batalla de la vida no siempre la gana
el hombre más fuerte, o el más ligero,
porque tarde o temprano,
el hombre que gana,
es aquél que cree poder hacerlo."
Title
Lest we forget / Davenport.
Summary
Cartoon shows Uncle Sam as a well-dressed stalwart figure wearing striped pants and a waistcoat covered with stars, carrying a tall hat. Behind him stands another Uncle Sam, but this one is emaciated, shabby, and dejected. "Lest we forget" is the refrain in Rudyard Kipling's poem, Recessional, published in 1897 at the height of the British empire. In the poem, Kipling warns against the perils of pride and the impermanence of power. The United States emerged from the Spanish American war in 1899 as a quasi-imperial power. The cartoonist may be cautioning the nation to remember its humble beginnings.
Contributor Names
Davenport, Homer, 1867-1912, artist
Created / Published
1893 [i.e., ca. 1899]
Subject Headings
- Infantry--Pennsylvania--1860-1870
- Military bands--Pennsylvania--1860-1870
- United States--History--Civil War, 1861-1865--Union
- United States--Pennsylvania
Format Headings
Editorial cartoons--American--1890-1900.
Ink drawings--1890-1900.
Notes
- Title from item.
- Inscribed in pencil in lower right corner: New York Journal 1893. Since Davenport did not move to New York to work for the New York Journal until 1895, this notation is probably incorrect.
- Forms part of: Art Wood Collection of Caricature and Cartoon (Library of Congress).
- Unprocessed in WOOD.Davenport.13
- Sources: World encyclopedia of cartoons, p. 187 ljr
Medium
1 drawing on bristol board : India ink over graphite underdrawing ; 66.5 x 45.5 cm.
Call Number/Physical Location
Unprocessed [item] [P&P]
Repository
Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA
Digital Id
ppmsca 03308 //hdl.loc.gov/loc.pnp/ppmsca.03308
Library of Congress Control Number
2003675317
Reproduction Number
LC-DIG-ppmsca-03308 (digital file from original)
Rights Advisory
No known restrictions on publication.
Online Format
image
Description
1 drawing on bristol board : India ink over graphite underdrawing ; 66.5 x 45.5 cm. | Cartoon shows Uncle Sam as a well-dressed stalwart figure wearing striped pants and a waistcoat covered with stars, carrying a tall hat. Behind him stands another Uncle Sam, but this one is emaciated, shabby, and dejected. "Lest we forget" is the refrain in Rudyard Kipling's poem, Recessional, published in 1897 at the height of the British empire. In the poem, Kipling warns against the perils of pride and the impermanence of power. The United States emerged from the Spanish American war in 1899 as a quasi-imperial power. The cartoonist may be cautioning the nation to remember its humble beginnings.
LCCN Permalink
Additional Metadata Formats
MARCXML Record
MODS Record
Dublin Core Record
MARCXML Record
MODS Record
Dublin Core Record
Part of
Lot 4173 (45)
Civil War Glass Negatives and Related Prints (8,726)
Civil War (15,007)
American Memory (501,198)
Prints and Photographs Division (846,391)
Library of Congress Online Catalog (966,676)
Format
Photo, Print, Drawing
Contributors
Davenport, Homer
Dates
1861
1899
Location
Pennsylvania
United States
Language
English
Subjects
Albumen Prints
American
Civil War
Editorial Cartoons
History
Infantry
Ink Drawings
Military Bands
Pennsylvania
Uncle Sam (Symbolic Character)
Union
United States
Rights & Access
Cite This Item
“To Mr Kipling is due the revival of the short story, and without controversy he is, among English writers, the greatest living master of this deceitfully simple ‘form’.” (Taken from my copy of Cassell’s Universal Portrait Gallery, published in 1895.)
There are other illustrations from the book here. And there are more Kipling images, principally from his home, Burwash, here.