Faversham /ˈfævərʃəm/ is a market town and civil parish in the Swale district of Kent, England. The town is 48 miles from London and 10 miles from Canterbury and lies next to the Swale, a strip of sea separating mainland Kent from the Isle of Sheppey in the Thames Estuary. It is close to the A2, which follows an ancient British trackway which was used by the Romans and the Anglo-Saxons, and known as Watling Street. The Faversham name is of Latinvia Old English origin, meaning "the metal-worker's village".

 

There has been a settlement at Faversham since pre-Roman times, next to the ancient sea port on Faversham Creek, and archaeological evidence has shown a Roman theatre was based in the town. It was inhabited by the Saxons and mentioned in the Domesday bookas Favreshant. The town was favoured by King Stephen who established Faversham Abbey, which survived until the Dissolution of the Monasteries in 1538. Subsequently, the town became an important seaport and established itself as a centre for brewing, and the Shepherd Neame Brewery, founded in 1698, remains a significant major employer.

 

The town was also the centre of the explosives industry between the 17th and early 20th century, before a decline following an explosion in 1916 which killed over 100 workers. This coincided with a revival of the shipping industry in the town. Faversham has a number of landmarks, with several historic churches including St Mary of Charity, Faversham Parish Church, the Maison Dieu and Faversham Recreation Ground. Faversham Market has been established for over 900 years and is still based in the town centre. There are good road and rail links, including a Southeastern service to the High Speed 1 line at Ebbsfleet International and London.

 

History

 

Faversham was established as a settlement before the Roman conquest. The Romans established several towns in Kent including Faversham, with traffic through the Saxon Shore ports of Reculver, Richborough, Doverand Lympne converging on Canterbury before heading up Watling Street to London. The town was less than 10 miles from Canterbury, and consequently Faversham had become established on this road network by 50 AD following the initial conquest by Claudius in 43 AD. Numerous remains of Roman buildings have been discovered in and around Faversham, including under St Mary of Charity Church where coins and urns were discovered during reconstruction of the western tower in 1794. In 2013, the remains of a 2,000-year-old Roman theatre, able to accommodate some 12,000 people, were discovered at a hillside near the town. The cockpit-style outdoor auditorium, the first of its kind found in Britain, was a style the Romans used elsewhere in their empire on the Continent.

 

There is archaeological evidence to suggest that Faversham was a summer capital for the Saxon kings of Kent. It was held in royaldemesne in 811, and is further cited in a charter granted by Coenwulf, the King of Mercia. Coenwulf described the town as the King's little town of Fefresham, while it was recorded in the Domesday Book as Favreshant. The name has been documented as meaning "the metal-worker's village", which may derive from the Old English fæfere, which in turn comes from the Latin "faber" meaning "craftsman" or "forger". The town had established itself as a seaport by the Middle Ages, and became part of the Confederation of the Cinque Ports in the 13th century, providing a vessel to Dover. The Gough Map of Britain, printed in 1360, shows the Swale as an important shipping channel for trade.

 

The manor was recorded as Terra Regis, meaning it was part of the ancient royal estates. King Stephen gave it to his chief lieutenant, William of Ypres, but soon made him swap it with Lillechurch (now Higham) so that the manor of Faversham could form part of the endowment of Faversham Abbey. Stephen established the abbey in 1148, and is buried there with his consort Matilda of Boulogne, and his son, Eustace, the Earl of Boulogne. Stephen favoured the town because of the abbey, and so it was historically important during his reign. King John tried to give the church to Simon of Wells in 1201, but it was owned by the monks of St Augustine's Abbeyat Canterbury, who appealed to Rome and denied the request. Abbey Street was constructed around this time in order to provide an appropriate approach to the abbey from the town. It still houses timber framed buildings and has been described as "the finest medieval street in southeast England".

 

Sir Thomas Culpeper was granted Faversham Abbey by Henry VIII during the Dissolution of the Monasteries in 1538. Most of the abbey was demolished, and the remains of Stephen were rumoured to have been thrown into Faversham Creek. An excavation of the abbey in 1964 uncovered the empty graves. The entrance gates survived the demolition and lasted until the mid-18th century, but otherwise only a small section of outer wall survived. The abbey's masonry was taken to Calais to reinforce defence of the town, then in British possession, against the French army. In 1539, the ground upon which the abbey had stood, along with nearby land, passed to Sir Thomas Cheney, Lord Warden of the Cinque Ports.

 

Among the few surviving buildings of Faversham Abbey are the two barns at Abbey Farm. Minor Barn was built around 1425; Major Barn, the larger of the two, dates from 1476. Next to the barns is the Abbey Farmhouse, part of which dates from the 14th century. The Abbey Guest house, on the east side of the Abbey's Outer Gateway, has survived as Arden's House. This house, now a private residence in Abbey Street, was the location of the murder of Thomas Arden in 1551. The Faversham Almshouses were founded and endowed by Thomas Manfield in 1614, with additional houses being built by Henry Wright in 1823.

 

Due to the poor quality of roads in the middle ages, travel by sea was an important transport corridor. Richard Tylman (or Tillman), mayor in 1581, expanded the port at Faversham, building two wharfs. He became a key figure in exporting corn, wheat and malt to London from the town.

 

Several notable people in the middle ages had origins in Faversham. Haymo of Faversham was born in Faversham and later moved to Paris to join the Franciscans, becoming the "Aristotelian of Aristotelians".[27] Simon of Faversham was born in the town around the middle of the 13th century and later became Chancellor of the University of Oxford in 1304. The notorious pirate Jack Ward is believed to have been born in Faversham around 1553. John Wilson, lutenist and teacher was born in Faversham in 1595 who was the principal composer for the King's Men and a professor of music at Oxford. There is now a plaque at the site of the house in Abbey Street where he was born.

 

A gunpowder plant had been established around 1573 in Faversham. The town had a stream which could be dammed at intervals to provide power for watermills. It became known as the Home Works in the 18th century and was nationalised in 1759. By the 19th century, the site stretched for around a mile along the waterfront. A second explosive works was established at Oare to the northwest of town in the late 17th century, with the Marsh Works following in 1786. Towards the end of the 19th century, two new factories were built alongside the Swale to manage production of TNT and cordite. Faversham developed six explosive factories, and from 1874 to 1919, the town was the centre of the explosives industry in the UK.

 

The first production of guncotton took place in the Marsh Works in 1847. Due to a lack of experience with production methods, an explosion took place soon after work started, with several fatalities. On Sunday 2 April 1916, an explosion occurred at one of the Swale factories in Uplees after sparks from a chimney ignited the works containing around 150 tonnes of high explosives. The incident killed over 100 people, which led to decline of the explosives industry in the town. Later accounts suggested that had the incident not happened on a Sunday, there would have been many more casualties.

 

All three gunpowder factories closed in 1934 due to the impending threat of World War II. Production was moved to Ardeer in Ayrshire, Scotland, and the munition industry around Faversham is now extinct. The town is now a harbour and market community; old sail-powered Thames barges are repaired, rebuilt and moored along the creekside.

 

Kent is the centre of hop-growing in England, being centred on nearby Canterbury and Faversham has been the home of several breweries. The Shepherd Neame Brewery was officially founded in 1698, though brewing activities in Faversham pre-date this. The brewery claims to be the oldest in Britain and continues to be family-owned. The Rigden brewery was founded in the early 18th century by Edward Rigden. It subsequently merged with the Canterbury based George Beer in 1922 to become George Beer & Rigden before being purchased by the Maidstone based Fremlins. Whitbread bought out Fremlins in 1967, and closed the Faversham brewery in 1990. The site is now a Tesco superstore. Shepherd Neame remains a significant regional brewer despite a decline in consumption of traditional bitter beer, producing around 230,000 barrels a year. It now also makes India Pale Ale under licence.

 

A shipyard was established in Faversham by James Pollock & Sons (Shipbuilders) in 1916 at the request of Lord Fisher, the First Lord of The Admiralty, for manufacturing barges for landing craft. Faversham already had a tradition of shipbuilding, and it soon became a major contributor to markets throughout the world, producing vessels such as the Molliette and the Violette, both constructed of concrete. Over 1200 ships were built and launched from Faversham between 1916 and 1969.

 

Faversham Market is still held in the town centre. It is now the oldest street market in Kent, dating back over 900 years. Monthly markets are also held in Preston Street and Court Street.

 

Having been an important thoroughfare since the 12th century, Abbey Street went into decline around the start of the 20th. Some buildings on the street adjoining Quay Lane were demolished in 1892 and much of the entire street was intended for demolition as recently as the 1950s, until intervention from the Society for the Protection of Ancient Buildings. Local people began a determined fight to restore and preserve the area. Faversham has a highly active archaeological society and a series of community archaeologyprojects are run every year. In 2009, evidence of the town's medieval tannery was unearthed in back gardens of one street, and evidence from the Saxon period was uncovered during the Hunt the Saxons project between 2005 and 2007.

 

en.m.wikipedia.org/wiki/Faversham

  

Old BN Train Station

Kent, WA

 

Olympus PEN-F

Panasonic 7-14mm

DJI Mini 3 Pro drone

Kent.

Kent

After reading that 2015 is a good year for poppies, I found this field of poppies at sunset in Kent, England, UK.

Not the best photo as i was getting back into my car as she went past.

Kent

www.adamswaine.co.uk

Kent OH

Kenting Pingtung Taiwan

East Kent 7775 (F775 EKM) allocated to Thanet (Westwood) garage was working a special service to the superstores at Westwood when observed in Margate on August 26th 1993. This MCW Metrobus was one of a batch of five bus seated examples delivered to the operator in April 1989.

Kent

Kenting National Park (Chinese: 墾丁國家公園; pinyin: Kěndīng Gúojiā Gōngyuán), commonly known as Kenting (Chinese: 墾丁; pinyin: Kěndīng), is a national park located on the Hengchun Peninsula of Pingtung County, Taiwan, covering Hengchun, Checheng, and Manzhou Townships. Established on January 1, 1984, it is Taiwan's oldest and the southernmost national park on the main island, covering the southernmost area of the Taiwan island along Bashi Channel. Administered by the Executive Yuan's Ministry of the Interior, this national park is well known for its tropical climate and sunshine, scenic mountain and beach, the Spring Scream rock-band festival held in every March,[1] and has long been one of the most popular tourist destinations in Taiwan with 5.84 million visitors in 2016.[2]

en.wikipedia.org/wiki/Kenting_National_Park

Ightham Mote is a medieval manor house dating back to circa 1340 - 1360. The house is surrounded on all sides by a square moat, crossed by three bridges. It has more than 70 rooms around a central courtyard.

 

In 1989, the National Trust began an ambitious conservation project that involved dismantling much of the building and recording its construction methods before rebuilding it. During this process, the effects of centuries of ageing, weathering, and the destructive effect of the deathwatch beetle were highlighted. The project ended in 2004 after revealing numerous examples of structural and ornamental features which had been covered up by later additions The house is a Grade I listed building, and parts of it are a Scheduled Ancient Monument.

This beautiful old barn sits back from the road in Kent Hollow. The barn will never look this way again as the property owner is in the process of restoring it.

Westgate

 

Canterbury (/ˈkæntərbəri/) is a historic English cathedral city and UNESCO World Heritage Site, situated in the heart of the City of Canterbury, a local government district of Kent, England. It lies on the River Stour.

 

The Archbishop of Canterbury is the primate of the Church of England and the worldwide Anglican Communion owing to the importance of St Augustine, who served as the apostle to the pagan Kingdom of Kent around the turn of the 7th century. The city's cathedral became a major focus of pilgrimage following the 1170 martyrdom of Thomas Becket, although it had already been a well-trodden pilgrim destination since the murder of St Alphege by the men of King Canute in 1012. A journey of pilgrims to Becket's shrine served as the frame for Geoffrey Chaucer's 14th century classic The Canterbury Tales.

 

Canterbury is a popular tourist destination: consistently one of the most-visited cities in the United Kingdom, the city's economy is heavily reliant upon tourism. The city has been occupied since Paleolithic times and served as the capital of the Celtic Cantiaci and Jute Kingdom of Kent. Many historical structures fill the area, including a city wall founded in Roman times and rebuilt in the 14th century, the ruins of St Augustine's Abbey and a Norman castle, and the oldest extant school in the world, the King's School. Modern additions include the Marlowe Theatre and the St Lawrence Ground, home of the Kent County Cricket Club. There is also a substantial student population, brought about by the presence of the University of Kent, Canterbury Christ Church University, the University for the Creative Arts, and the Girne American University Canterbury campus. Canterbury remains, however, a small city in terms of geographical size and population, when compared with other British cities.

 

The Roman settlement of Durovernum Cantiacorum ("Kentish Durovernum") occupied the location of an earlier British town whose ancient British name has been reconstructed as *Durou̯ernon ("stronghold by the alder grove"), although the name is sometimes supposed to have derived from various British names for the Stour. (Medieval variants of the Roman name include Dorobernia and Dorovernia.) In Sub-Roman Britain, it was known in Old Welsh as Cair Ceint ("stronghold of Kent"). Occupied by the Jutes, it became known in Old English as Cantwareburh ("stronghold of the Kentish men"), which developed into the present name.

 

Landmarks

 

Canterbury Cathedral is the Mother Church of the Anglican Communion and seat of the Archbishop of Canterbury. Founded in 597 AD by Augustine, it forms a World Heritage Site, along with the Saxon St. Martin's Church and the ruins of St Augustine's Abbey. With one million visitors per year, it is one of the most visited places in the country. Services are held at the cathedral three or more times a day.

 

The Roman Museum houses an in situ mosaic pavement dating from around 300 AD. Surviving structures from the Roman times include Queningate, a blocked gate in the city wall, and the Dane John Mound, once part of a Roman cemetery. The Dane John Gardens were built beside the mound in the 18th century, and a memorial was placed on the mound's summit. A windmill was on the mound between 1731 and 1839.

 

The ruins of the Norman Canterbury Castle and St Augustine's Abbey are both open to the public. The medieval St Margaret's Church now houses "The Canterbury Tales", in which life-sized character models reconstruct Geoffrey Chaucer's stories. The Westgate is now a museum relating to its history as a jail. The medieval church of St Alphege became redundant in 1982 but had a new lease of life as the Canterbury Urban Studies Centre, later renamed the Canterbury Environment Centre; the building is used by the King's School. The Old Synagogue, now the King's School Music Room, is one of only two Egyptian Revival synagogues still standing. The city centre contains many timber-framed 16th and 17th century houses, however there are far fewer than there were before the Second World War, as many were damaged during the Baedecker Blitz. Many are still standing, including the "Old Weaver's House" used by the Huguenots. St Martin's Mill is the only surviving mill out of the six known to have stood in Canterbury. It was built in 1817 and worked until 1890; it is now a house conversion. St Thomas of Canterbury Church is the only Roman Catholic church in the city and contains relics of Thomas Becket.

 

Canterbury Heritage Museum houses many exhibits - including the Rupert Bear Museum. The Herne Bay Times has reported that the Heritage at Risk Register includes 19 listed buildings in Canterbury which need urgent repair but for which the council has insufficient funds.

 

(Wikipedia)

 

The Westgate is a medieval gatehouse in Canterbury, Kent, England. This 60-foot (18 m) high western gate of the city wall is the largest surviving city gate in England. Built of Kentish ragstone around 1379, it is the last survivor of Canterbury's seven medieval gates, still well-preserved and one of the city's most distinctive landmarks. The road still passes between its drum towers. This scheduled monument and Grade I listed building houses the West Gate Towers Museum.

 

The gatehouse is expensively faced in coursed ashlar of Kentish ragstone. It has battered plinths to the drum towers, battlements, machicolations and eighteen gunloops: a high number for a gateway, and among the earliest gunholes in Britain. The gunloops would have been added by the beginning of the fifteenth century. It had a drawbridge over the Stour, a portcullis and wooden doors.

 

The gateway has three floors. The ground floor was designed so that the gateway and vaulted passage had entrances to the towers on each side. Each tower had a ground-floor room with fireplace and four gunloops. The north tower's ground-floor room had a spiral staircase to upper floors. The first floor contains a large room with fireplace and, originally, the portcullis mechanism over the vaulted entranceway. This room had doors to the upper room of each tower, each with fireplace and three gunloops, and a northern door to a spiral staircase leading to the roof. Repairs were carried out due to an invasion scare during the 1470s and 1480s. In 1491 or 1492 a large, two-light, transomed, perpendicular east window was added to the large first-floor room, with a view towards the cathedral and along St Peter's Street.

 

The roof over the large first-floor central room has a battlemented parapet walk, originally with access to the tops of both towers and machicolations, as well as to the two low chambers, each with two gunports, in the tops of both towers. This part of the tower was less well-built than the lower storeys, either due to haste during the Peasants' Revolt or because it was built later. In 1793−1794 the hall over the gate was split into three and the present square lantern added to the roof, along with the wooden doors and cell linings which are visible today; the cost was £400.

 

(Wikipedia)

 

Canterbury [ˈkæntəbəɹɪ] (von altenglisch Cantwaraburig für „Burg (oder Stadt, Ort) der Leute von Kent“, lat. Cantuaria, veraltet im Deutschen auch Kanterberg, Kanterburg oder Kantelberg) ist eine Universitätsstadt mit 55.240 Einwohnern (2011). Sie liegt am Fluss Stour in der Grafschaft Kent im Südosten Englands und ist Sitz des Erzbischofs von Canterbury und Zentrum der Anglikanischen Kirche Englands.

 

Canterbury soll der Sage nach 900 v. Chr. von Rudilibas angelegt und von den alten Briten Caerther oder Caerkent (Stadt von Kent) genannt worden sein. Ab 43 n. Chr. entstand an ihrer Stelle das römische Durovernum Cantiacorum (römisch: duro = „Fort“, verno = „Sumpf“), das sich zu einem Verwaltungszentrum entwickelte und das größte römische Theater Britanniens besaß; ab 200 n. Chr. wurde die Stadt mit einer Stadtmauer umgeben. Æthelberht von Kent, der ab 568 n. Chr. regierte, machte Canterbury zu seiner Residenz und nannte sie Cantwarabyrig.

 

Nach dem Übertritt der Angelsachsen zum Christentum wurde die Stadt Sitz des Erzbischofs-Primas, dem geistlichen Oberhaupt der Kirche von England und der anglikanischen Kommunion. Die Erzbischöfe von Canterbury werden seit dem Bruch Heinrichs VIII. mit Rom vom englischen König (später britischen König) bestimmt.

 

Der Mord an Thomas Becket ist Gegenstand in den Dramen von George Darley (1840), Alfred Tennyson (1884) und Jean Anouilh (1959) sowie in T. S. Eliots Theaterstück Murder in the Cathedral (1935), das im Chapter House uraufgeführt wurde und in Ken Folletts Roman Die Säulen der Erde.

 

Die Erzählungen der Canterbury Tales (deutsch: „Canterbury-Geschichten“) des mittelalterlichen Dichters Geoffrey Chaucer sind in eine Rahmenhandlung eingebunden, die von einer Pilgergruppe auf ihrem Weg von London nach Canterbury zum Grabmal von Thomas Becket handelt. Die Themen der Erzählungen variieren und beinhalten höfische Liebe, Verrat und Habsucht. Die Genres variieren ebenso, es gibt Romanzen, bretonische Lai (kurze rhythmische Erzählungen), Predigten und Fabeln.

 

Canterbury entwickelte sich in römischer Zeit als besagtes Durovernum Cantiacorum zu einer bedeutenden Siedlung. Nach der Christianisierung Kents wurden einige frührömische Kirchen wieder für den Gebrauch hergerichtet, so z. B. St. Martin und die damals an der Stelle der jetzigen Kathedrale befindliche Kirche. Seit jener Zeit ist Canterbury Mittelpunkt der Kirche in England und Anziehungspunkt für viele Besucher; nach der Ermordung von Thomas Becket waren das vor allem Wallfahrer. Im 12. Jahrhundert avancierte Canterbury zur zweitgrößten Münzstätte Englands nach London. Im 16. Jahrhundert setzte dank der Einführung der Weberei durch die Hugenotten, die als Religionsflüchtlinge vom Festland kamen, ein wirtschaftlicher Aufschwung ein. Im Jahr 1888 erhielt die Stadt Grafschaftsrechte, obwohl sie bis dahin von der Industriellen Revolution kaum berührt wurde und die Zahl der Einwohner nur geringfügig zugenommen hatte.

 

Die Stadt blieb über lange Zeit weitgehend unverändert, wurde aber im Zweiten Weltkrieg durch die deutsche Luftwaffe bei den „Baedeker-Vergeltungsangriffen“ auf kulturell bedeutende Städte Englands im Jahr 1942, vor allem am 1. Juni, stark beschädigt. Seitdem hat sich Canterbury zu einer modernen Stadt und einem wichtigen Einkaufszentrum entwickelt, mit großem Freizeitangebot, guten Verkehrsverbindungen und vielfältigen Unterkunftsmöglichkeiten. Weil viele historische Bauwerke erhalten blieben, konnte der mittelalterliche Charakter des Stadtkerns bewahrt werden. Bemerkenswert sind außer der Kathedrale auch die vielen anderen alten Kirchenbauwerke in der Stadt. Erwähnenswert sind hier u. a. Greyfriars, St Martin’s Church und St. Dunstan's Church.

 

Ein Großteil der Stadtmauer ist unversehrt; von den sechs alten Toren ist nur noch eins, das Westgate, aus der Zeit Richards II. erhalten; es beherbergt heute ein Museum. Am Fluss Stour entlang reihen sich die historischen Weberhäuser aneinander, und weiter flussabwärts liegen die Klöster der Blackfriars und Greyfriars aus dem 13. Jahrhundert. Canterbury bietet eine Vielzahl weiterer historischer Sehenswürdigkeiten wie den Bergfried des ehemaligen normannischen Canterbury Castles oder die normannische Treppe der King’s School. Einige von ihnen haben berühmten Dichtern und Schriftstellern als Anregung gedient. Christopher Marlowe wurde in Canterbury geboren und in St. Georg getauft. Trotz seiner engeren Bindungen an Rochester und Broadstairs wählte Charles Dickens als Schauplatz seines Romans David Copperfield Canterbury.

 

Neben der Kathedrale von Canterbury ist auch die St Martin’s Church Weltkulturerbe.

 

(Wikipedia)

Rope

A couple of weeks back, we met a couple in a pub in Canterbury, and they had been out exploring the city and said they were disappointed by the cathedral.

 

Not enough labels they said.

 

That not withstanding, I thought it had been some time since I last had been, so decided to revisit, see the pillars of Reculver church in the crypt and take the big lens for some detail shots.

 

We arrived just after ten, so the cathedral was pretty free of other guests, just a few guides waiting for groups and couples to guide.

 

I went round with the 50mm first, before concentrating on the medieval glass which is mostly on the south side.

 

But as you will see, the lens picked up so much more.

 

Thing is, there is always someone interesting to talk to, or wants to talk to you. As I went around, I spoke with about three guides about the project and things I have seen in the churches of the county, and the wonderful people I have met. And that continued in the cathedral.

 

I have time to look at the tombs in the Trinity Chapel, and see that Henry IV and his wife are in a tomb there, rather than ay Westminster Abbey. So I photograph them, and the Black Prince on the southern side of the chapel, along with the Bishops and Archbishops between.

 

Round to the transept and a chance to change lenses, and put on the 140-400mm for some detailed shots.

 

I go round the cathedral again.

 

Initially at some of the memorials on the walls and the canopy of the pulpit, but it is the windows that are calling.

 

At least it was a bright, sunny day outside, which meant light was good in the cathedral with most shots coming out fine with no camera shake.

 

As I edit the shots I am stunned at the details of windows so high up they mostly seem like blocks of colour.

 

And so far, I have only just started to edit these shots.

 

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St Augustine, the first Archbishop of Canterbury, arrived on the coast of Kent as a missionary to England in 597AD. He came from Rome, sent by Pope Gregory the Great. It is said that Gregory had been struck by the beauty of Angle slaves he saw for sale in the city market and despatched Augustine and some monks to convert them to Christianity. Augustine was given a church at Canterbury (St Martin’s, after St Martin of Tours, still standing today) by the local King, Ethelbert whose Queen, Bertha, a French Princess, was already a Christian.This building had been a place of worship during the Roman occupation of Britain and is the oldest church in England still in use. Augustine had been consecrated a bishop in France and was later made an archbishop by the Pope. He established his seat within the Roman city walls (the word cathedral is derived from the the Latin word for a chair ‘cathedra’, which is itself taken from the Greek ‘kathedra’ meaning seat.) and built the first cathedral there, becoming the first Archbishop of Canterbury. Since that time, there has been a community around the Cathedral offering daily prayer to God; this community is arguably the oldest organisation in the English speaking world. The present Archbishop, The Most Revd Justin Welby, is 105th in the line of succession from Augustine. Until the 10th century, the Cathedral community lived as the household of the Archbishop. During the 10th century, it became a formal community of Benedictine monks, which continued until the monastery was dissolved by King Henry VIII in 1540. Augustine’s original building lies beneath the floor of the Nave – it was extensively rebuilt and enlarged by the Saxons, and the Cathedral was rebuilt completely by the Normans in 1070 following a major fire. There have been many additions to the building over the last nine hundred years, but parts of the Quire and some of the windows and their stained glass date from the 12th century. By 1077, Archbishop Lanfranc had rebuilt it as a Norman church, described as “nearly perfect”. A staircase and parts of the North Wall – in the area of the North West transept also called the Martyrdom – remain from that building.

 

Canterbury’s role as one of the world’s most important pilgrimage centres in Europe is inextricably linked to the murder of its most famous Archbishop, Thomas Becket, in 1170. When, after a long lasting dispute, King Henry II is said to have exclaimed “Who will rid me of this turbulent priest?”, four knights set off for Canterbury and murdered Thomas in his own cathedral. A sword stroke was so violent that it sliced the crown off his skull and shattered the blade’s tip on the pavement. The murder took place in what is now known as The Martyrdom. When shortly afterwards, miracles were said to take place, Canterbury became one of Europe’s most important pilgrimage centres.

 

The work of the Cathedral as a monastery came to an end in 1540, when the monastery was closed on the orders of King Henry VIII. Its role as a place of prayer continued – as it does to this day. Once the monastery had been suppressed, responsibility for the services and upkeep was given to a group of clergy known as the Chapter of Canterbury. Today, the Cathedral is still governed by the Dean and four Canons, together (in recent years) with four lay people and the Archdeacon of Ashford. During the Civil War of the 1640s, the Cathedral suffered damage at the hands of the Puritans; much of the medieval stained glass was smashed and horses were stabled in the Nave. After the Restoration in 1660, several years were spent in repairing the building. In the early 19th Century, the North West tower was found to be dangerous, and, although it dated from Lanfranc’s time, it was demolished in the early 1830s and replaced by a copy of the South West tower, thus giving a symmetrical appearance to the west end of the Cathedral. During the Second World War, the Precincts were heavily damaged by enemy action and the Cathedral’s Library was destroyed. Thankfully, the Cathedral itself was not seriously harmed, due to the bravery of the team of fire watchers, who patrolled the roofs and dealt with the incendiary bombs dropped by enemy bombers. Today, the Cathedral stands as a place where prayer to God has been offered daily for over 1,400 years; nearly 2,000 Services are held each year, as well as countless private prayers from individuals. The Cathedral offers a warm welcome to all visitors – its aim is to show people Jesus, which we do through the splendour of the building as well as the beauty of the worship.

 

www.canterbury-cathedral.org/heritage/history/cathedral-h...

 

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History of the cathedral

THE ORIGIN of a Christian church on the scite of the present cathedral, is supposed to have taken place as early as the Roman empire in Britain, for the use of the antient faithful and believing soldiers of their garrison here; and that Augustine found such a one standing here, adjoining to king Ethelbert's palace, which was included in the king's gift to him.

 

This supposition is founded on the records of the priory of Christ-church, (fn. 1) concurring with the common opinion of almost all our historians, who tell us of a church in Canterbury, which Augustine found standing in the east part of the city, which he had of king Ethelbert's gift, which after his consecration at Arles, in France, he commended by special dedication to the patronage of our blessed Saviour. (fn. 2)

 

According to others, the foundations only of an old church formerly built by the believing Romans, were left here, on which Augustine erected that, which he afterwards dedicated to out Saviour; (fn. 3) and indeed it is not probable that king Ethelbert should have suffered the unsightly ruins of a Christian church, which, being a Pagan, must have been very obnoxious to him, so close to his palace, and supposing these ruins had been here, would he not have suffered them to be repaired, rather than have obliged his Christian queen to travel daily to such a distance as St. Martin's church, or St. Pancrace's chapel, for the performance of her devotions.

 

Some indeed have conjectured that the church found by St. Augustine, in the east part of the city, was that of St.Martin, truly so situated; and urge in favor of it, that there have not been at any time any remains of British or Roman bricks discovered scattered in or about this church of our Saviour, those infallible, as Mr. Somner stiles them, signs of antiquity, and so generally found in buildings, which have been erected on, or close to the spot where more antient ones have stood. But to proceed, king Ethelbert's donation to Augustine was made in the year 596, who immediately afterwards went over to France, and was consecrated a bishop at Arles, and after his return, as soon as he had sufficiently finished a church here, whether built out of ruins or anew, it matters not, he exercised his episcopal function in the dedication of it, says the register of Christ-church, to the honor of Christ our Saviour; whence it afterwards obtained the name of Christ-church. (fn. 4)

 

From the time of Augustine for the space of upwards of three hundred years, there is not found in any printed or manuscript chronicle, the least mention of the fabric of this church, so that it is probable nothing befell it worthy of being recorded; however it should be mentioned, that during that period the revenues of it were much increased, for in the leiger books of it there are registered more than fifty donations of manors, lands, &c. so large and bountiful, as became the munificence of kings and nobles to confer. (fn. 5)

 

It is supposed, especially as we find no mention made of any thing to the contrary, that the fabric of this church for two hundred years after Augustine's time, met with no considerable molestations; but afterwards, the frequent invasions of the Danes involved both the civil and ecclesiastical state of this country in continual troubles and dangers; in the confusion of which, this church appears to have run into a state of decay; for when Odo was promoted to the archbishopric, in the year 938, the roof of it was in a ruinous condition; age had impaired it, and neglect had made it extremely dangerous; the walls of it were of an uneven height, according as it had been more or less decayed, and the roof of the church seemed ready to fall down on the heads of those underneath. All this the archbishop undertook to repair, and then covered the whole church with lead; to finish which, it took three years, as Osbern tells us, in the life of Odo; (fn. 6) and further, that there was not to be found a church of so large a size, capable of containing so great a multitude of people, and thus, perhaps, it continued without any material change happening to it, till the year 1011; a dismal and fatal year to this church and city; a time of unspeakable confusion and calamities; for in the month of September that year, the Danes, after a siege of twenty days, entered this city by force, burnt the houses, made a lamentable slaughter of the inhabitants, rifled this church, and then set it on fire, insomuch, that the lead with which archbishop Odo had covered it, being melted, ran down on those who were underneath. The sull story of this calamity is given by Osbern, in the life of archbishop Odo, an abridgement of which the reader will find below. (fn. 7)

 

The church now lay in ruins, without a roof, the bare walls only standing, and in this desolate condition it remained as long as the fury of the Danes prevailed, who after they had burnt the church, carried away archbishop Alphage with them, kept him in prison seven months, and then put him to death, in the year 1012, the year after which Living, or Livingus, succeeded him as archbishop, though it was rather in his calamities than in his seat of dignity, for he too was chained up by the Danes in a loathsome dungeon for seven months, before he was set free, but he so sensibly felt the deplorable state of this country, which he foresaw was every day growing worse and worse, that by a voluntary exile, he withdrew himself out of the nation, to find some solitary retirement, where he might bewail those desolations of his country, to which he was not able to bring any relief, but by his continual prayers. (fn. 8) He just outlived this storm, returned into England, and before he died saw peace and quientness restored to this land by king Canute, who gaining to himself the sole sovereignty over the nation, made it his first business to repair the injuries which had been done to the churches and monasteries in this kingdom, by his father's and his own wars. (fn. 9)

 

As for this church, archbishop Ægelnoth, who presided over it from the year 1020 to the year 1038, began and finished the repair, or rather the rebuilding of it, assisted in it by the royal munificence of the king, (fn. 10) who in 1023 presented his crown of gold to this church, and restored to it the port of Sandwich, with its liberties. (fn. 11) Notwithstanding this, in less than forty years afterwards, when Lanfranc soon after the Norman conquest came to the see, he found this church reduced almost to nothing by fire, and dilapidations; for Eadmer says, it had been consumed by a third conflagration, prior to the year of his advancement to it, in which fire almost all the antient records of the privileges of it had perished. (fn. 12)

 

The same writer has given us a description of this old church, as it was before Lanfranc came to the see; by which we learn, that at the east end there was an altar adjoining to the wall of the church, of rough unhewn stone, cemented with mortar, erected by archbishop Odo, for a repository of the body of Wilfrid, archbishop of York, which Odo had translated from Rippon hither, giving it here the highest place; at a convenient distance from this, westward, there was another altar, dedicated to Christ our Saviour, at which divine service was daily celebrated. In this altar was inclosed the head of St. Swithin, with many other relics, which archbishop Alphage brought with him from Winchester. Passing from this altar westward, many steps led down to the choir and nave, which were both even, or upon the same level. At the bottom of the steps, there was a passage into the undercroft, under all the east part of the church. (fn. 13) At the east end of which, was an altar, in which was inclosed, according to old tradition, the head of St. Furseus. From hence by a winding passage, at the west end of it, was the tomb of St. Dunstan, (fn. 14) but separated from the undercroft by a strong stone wall; over the tomb was erected a monument, pyramid wife, and at the head of it an altar, (fn. 15) for the mattin service. Between these steps, or passage into the undercroft and the nave, was the choir, (fn. 16) which was separated from the nave by a fair and decent partition, to keep off the crowds of people that usually were in the body of the church, so that the singing of the chanters in the choir might not be disturbed. About the middle of the length of the nave, were two towers or steeples, built without the walls; one on the south, and the other on the north side. In the former was the altar of St. Gregory, where was an entrance into the church by the south door, and where law controversies and pleas concerning secular matters were exercised. (fn. 17) In the latter, or north tower, was a passage for the monks into the church, from the monastery; here were the cloysters, where the novices were instructed in their religious rules and offices, and where the monks conversed together. In this tower was the altar of St. Martin. At the west end of the church was a chapel, dedicated to the blessed Virgin Mary, to which there was an ascent by steps, and at the east end of it an altar, dedicated to her, in which was inclosed the head of St. Astroburta the Virgin; and at the western part of it was the archbishop's pontifical chair, made of large stones, compacted together with mortar; a fair piece of work, and placed at a convenient distance from the altar, close to the wall of the church. (fn. 18)

 

To return now to archbishop Lanfranc, who was sent for from Normandy in 1073, being the fourth year of the Conqueror's reign, to fill this see, a time, when a man of a noble spirit, equal to the laborious task he was to undertake, was wanting especially for this church; and that he was such, the several great works which were performed by him, were incontestable proofs, as well as of his great and generous mind. At the first sight of the ruinous condition of this church, says the historian, the archbishop was struck with astonishment, and almost despaired of seeing that and the monastery re edified; but his care and perseverance raised both in all its parts anew, and that in a novel and more magnificent kind and form of structure, than had been hardly in any place before made use of in this kingdom, which made it a precedent and pattern to succeeding structures of this kind; (fn. 19) and new monasteries and churches were built after the example of it; for it should be observed, that before the coming of the Normans most of the churches and monasteries in this kingdom were of wood; (all the monasteries in my realm, says king Edgar, in his charter to the abbey of Malmesbury, dated anno 974, to the outward sight are nothing but worm-eaten and rotten timber and boards) but after the Norman conquest, such timber fabrics grew out of use, and gave place to stone buildings raised upon arches; a form of structure introduced into general use by that nation, and in these parts surnished with stone from Caen, in Normandy. (fn. 20) After this fashion archbishop Lanfranc rebuilt the whole church from the foundation, with the palace and monastery, the wall which encompassed the court, and all the offices belonging to the monastery within the wall, finishing the whole nearly within the compass of seven years; (fn. 21) besides which, he furnished the church with ornaments and rich vestments; after which, the whole being perfected, he altered the name of it, by a dedication of it to the Holy Trinity; whereas, before it was called the church of our Saviour, or Christ-church, and from the above time it bore (as by Domesday book appears) the name of the church of the Holy Trinity; this new church being built on the same spot on which the antient one stood, though on a far different model.

 

After Lanfranc's death, archbishop Anselm succeeded in the year 1093, to the see of Canterbury, and must be esteemed a principal benefactor to this church; for though his time was perplexed with a continued series of troubles, of which both banishment and poverty made no small part, which in a great measure prevented him from bestowing that cost on his church, which he would otherwise have done, yet it was through his patronage and protection, and through his care and persuasions, that the fabric of it, begun and perfected by his predecessor, became enlarged and rose to still greater splendor. (fn. 22)

 

In order to carry this forward, upon the vacancy of the priory, he constituted Ernulph and Conrad, the first in 1104, the latter in 1108, priors of this church; to whose care, being men of generous and noble minds, and of singular skill in these matters, he, during his troubles, not only committed the management of this work, but of all his other concerns during his absence.

 

Probably archbishop Anselm, on being recalled from banishment on king Henry's accession to the throne, had pulled down that part of the church built by Lanfranc, from the great tower in the middle of it to the east end, intending to rebuild it upon a still larger and more magnificent plan; when being borne down by the king's displeasure, he intrusted prior Ernulph with the work, who raised up the building with such splendor, says Malmesbury, that the like was not to be seen in all England; (fn. 23) but the short time Ernulph continued in this office did not permit him to see his undertaking finished. (fn. 24) This was left to his successor Conrad, who, as the obituary of Christ church informs us, by his great industry, magnificently perfected the choir, which his predecessor had left unfinished, (fn. 25) adorning it with curious pictures, and enriching it with many precious ornaments. (fn. 26)

 

This great undertaking was not entirely compleated at the death of archbishop Anselm, which happened in 1109, anno 9 Henry I. nor indeed for the space of five years afterwards, during which the see of Canterbury continued vacant; when being finished, in honour of its builder, and on account of its more than ordinary beauty, it gained the name of the glorious choir of Conrad. (fn. 27)

 

After the see of Canterbury had continued thus vacant for five years, Ralph, or as some call him, Rodulph, bishop of Rochester, was translated to it in the year 1114, at whose coming to it, the church was dedicated anew to the Holy Trinity, the name which had been before given to it by Lanfranc. (fn. 28) The only particular description we have of this church when thus finished, is from Gervas, the monk of this monastery, and that proves imperfect, as to the choir of Lanfranc, which had been taken down soon after his death; (fn. 29) the following is his account of the nave, or western part of it below the choir, being that which had been erected by archbishop Lanfranc, as has been before mentioned. From him we learn, that the west end, where the chapel of the Virgin Mary stood before, was now adorned with two stately towers, on the top of which were gilded pinnacles. The nave or body was supported by eight pair of pillars. At the east end of the nave, on the north side, was an oratory, dedicated in honor to the blessed Virgin, in lieu, I suppose, of the chapel, that had in the former church been dedicated to her at the west end. Between the nave and the choir there was built a great tower or steeple, as it were in the centre of the whole fabric; (fn. 30) under this tower was erected the altar of the Holy Cross; over a partition, which separated this tower from the nave, a beam was laid across from one side to the other of the church; upon the middle of this beam was fixed a great cross, between the images of the Virgin Mary and St. John, and between two cherubims. The pinnacle on the top of this tower, was a gilded cherub, and hence it was called the angel steeple; a name it is frequently called by at this day. (fn. 31)

 

This great tower had on each side a cross isle, called the north and south wings, which were uniform, of the same model and dimensions; each of them had a strong pillar in the middle for a support to the roof, and each of them had two doors or passages, by which an entrance was open to the east parts of the church. At one of these doors there was a descent by a few steps into the undercroft; at the other, there was an ascent by many steps into the upper parts of the church, that is, the choir, and the isles on each side of it. Near every one of these doors or passages, an altar was erected; at the upper door in the south wing, there was an altar in honour of All Saints; and at the lower door there was one of St. Michael; and before this altar on the south side was buried archbishop Fleologild; and on the north side, the holy Virgin Siburgis, whom St. Dunstan highly admired for her sanctity. In the north isle, by the upper door, was the altar of St. Blaze; and by the lower door, that of St. Benedict. In this wing had been interred four archbishops, Adelm and Ceolnoth, behind the altar, and Egelnoth and Wlfelm before it. At the entrance into this wing, Rodulph and his successor William Corboil, both archbishops, were buried. (fn. 32)

 

Hence, he continues, we go up by some steps into the great tower, and before us there is a door and steps leading down into the south wing, and on the right hand a pair of folding doors, with stairs going down into the nave of the church; but without turning to any of these, let us ascend eastward, till by several more steps we come to the west end of Conrad's choir; being now at the entrance of the choir, Gervas tells us, that he neither saw the choir built by Lanfranc, nor found it described by any one; that Eadmer had made mention of it, without giving any account of it, as he had done of the old church, the reason of which appears to be, that Lanfranc's choir did not long survive its founder, being pulled down as before-mentioned, by archbishop Anselm; so that it could not stand more than twenty years; therefore the want of a particular description of it will appear no great defect in the history of this church, especially as the deficiency is here supplied by Gervas's full relation of the new choir of Conrad, built instead of it; of which, whoever desires to know the whole architecture and model observed in the fabric, the order, number, height and form of the pillars and windows, may know the whole of it from him. The roof of it, he tells us, (fn. 33) was beautified with curious paintings representing heaven; (fn. 34) in several respects it was agreeable to the present choir, the stalls were large and framed of carved wood. In the middle of it, there hung a gilded crown, on which were placed four and twenty tapers of wax. From the choir an ascent of three steps led to the presbiterium, or place for the presbiters; here, he says, it would be proper to stop a little and take notice of the high altar, which was dedicated to the name of CHRIST. It was placed between two other altars, the one of St. Dunstan, the other of St. Alphage; at the east corners of the high altar were fixed two pillars of wood, beautified with silver and gold; upon these pillars was placed a beam, adorned with gold, which reached across the church, upon it there were placed the glory, (fn. 35) the images of St. Dunstan and St. Alphage, and seven chests or coffers overlaid with gold, full of the relics of many saints. Between those pillars was a cross gilded all over, and upon the upper beam of the cross were set sixty bright crystals.

 

Beyond this, by an ascent of eight steps towards the east, behind the altar, was the archiepiscopal throne, which Gervas calls the patriarchal chair, made of one stone; in this chair, according to the custom of the church, the archbishop used to sit, upon principal festivals, in his pontifical ornaments, whilst the solemn offices of religion were celebrated, until the consecration of the host, when he came down to the high altar, and there performed the solemnity of consecration. Still further, eastward, behind the patriarchal chair, (fn. 36) was a chapel in the front of the whole church, in which was an altar, dedicated to the Holy Trinity; behind which were laid the bones of two archbishops, Odo of Canterbury, and Wilfrid of York; by this chapel on the south side near the wall of the church, was laid the body of archbishop Lanfranc, and on the north side, the body of archbishop Theobald. Here it is to be observed, that under the whole east part of the church, from the angel steeple, there was an undercrost or crypt, (fn. 37) in which were several altars, chapels and sepulchres; under the chapel of the Trinity before-mentioned, were two altars, on the south side, the altar of St. Augustine, the apostle of the English nation, by which archbishop Athelred was interred. On the north side was the altar of St. John Baptist, by which was laid the body of archbishop Eadsin; under the high altar was the chapel and altar of the blessed Virgin Mary, to whom the whole undercroft was dedicated.

 

To return now, he continues, to the place where the bresbyterium and choir meet, where on each side there was a cross isle (as was to be seen in his time) which might be called the upper south and north wings; on the east side of each of these wings were two half circular recesses or nooks in the wall, arched over after the form of porticoes. Each of them had an altar, and there was the like number of altars under them in the crost. In the north wing, the north portico had the altar of St. Martin, by which were interred the bodies of two archbishops, Wlfred on the right, and Living on the left hand; under it in the croft, was the altar of St. Mary Magdalen. The other portico in this wing, had the altar of St. Stephen, and by it were buried two archbishops, Athelard on the left hand, and Cuthbert on the right; in the croft under it, was the altar of St. Nicholas. In the south wing, the north portico had the altar of St. John the Evangelist, and by it the bodies of Æthelgar and Aluric, archbishops, were laid. In the croft under it was the altar of St. Paulinus, by which the body of archbishop Siricius was interred. In the south portico was the altar of St. Gregory, by which were laid the corps of the two archbishops Bregwin and Plegmund. In the croft under it was the altar of St. Owen, archbishop of Roan, and underneath in the croft, not far from it the altar of St. Catherine.

 

Passing from these cross isles eastward there were two towers, one on the north, the other on the south side of the church. In the tower on the north side was the altar of St. Andrew, which gave name to the tower; under it, in the croft, was the altar of the Holy Innocents; the tower on the south side had the altar of St. Peter and St. Paul, behind which the body of St. Anselm was interred, which afterwards gave name both to the altar and tower (fn. 38) (now called St. Anselm's). The wings or isles on each side of the choir had nothing in particular to be taken notice of.— Thus far Gervas, from whose description we in particular learn, where several of the bodies of the old archbishops were deposited, and probably the ashes of some of them remain in the same places to this day.

 

As this building, deservedly called the glorious choir of Conrad, was a magnificent work, so the undertaking of it at that time will appear almost beyond example, especially when the several circumstances of it are considered; but that it was carried forward at the archbishop's cost, exceeds all belief. It was in the discouraging reign of king William Rufus, a prince notorious in the records of history, for all manner of sacrilegious rapine, that archbishop Anselm was promoted to this see; when he found the lands and revenues of this church so miserably wasted and spoiled, that there was hardly enough left for his bare subsistence; who, in the first years that he sat in the archiepiscopal chair, struggled with poverty, wants and continual vexations through the king's displeasure, (fn. 39) and whose three next years were spent in banishment, during all which time he borrowed money for his present maintenance; who being called home by king Henry I. at his coming to the crown, laboured to pay the debts he had contracted during the time of his banishment, and instead of enjoying that tranquility and ease he hoped for, was, within two years afterwards, again sent into banishment upon a fresh displeasure conceived against him by the king, who then seized upon all the revenues of the archbishopric, (fn. 40) which he retained in his own hands for no less than four years.

 

Under these hard circumstances, it would have been surprizing indeed, that the archbishop should have been able to carry on so great a work, and yet we are told it, as a truth, by the testimonies of history; but this must surely be understood with the interpretation of his having been the patron, protector and encourager, rather than the builder of this work, which he entrusted to the care and management of the priors Ernulph and Conrad, and sanctioned their employing, as Lanfranc had done before, the revenues and stock of the church to this use. (fn. 41)

 

In this state as above-mentioned, without any thing material happening to it, this church continued till about the year 1130, anno 30 Henry I. when it seems to have suffered some damage by a fire; (fn. 42) but how much, there is no record left to inform us; however it could not be of any great account, for it was sufficiently repaired, and that mostly at the cost of archbishop Corboil, who then sat in the chair of this see, (fn. 43) before the 4th of May that year, on which day, being Rogation Sunday, the bishops performed the dedication of it with great splendor and magnificence, such, says Gervas, col. 1664, as had not been heard of since the dedication of the temple of Solomon; the king, the queen, David, king of Scots, all the archbishops, and the nobility of both kingdoms being present at it, when this church's former name was restored again, being henceforward commonly called Christ-church. (fn. 44)

 

Among the manuscripts of Trinity college library, in Cambridge, in a very curious triple psalter of St. Jerome, in Latin, written by the monk Eadwyn, whose picture is at the beginning of it, is a plan or drawing made by him, being an attempt towards a representation of this church and monastery, as they stood between the years 1130 and 1174; which makes it probable, that he was one of the monks of it, and the more so, as the drawing has not any kind of relation to the plalter or sacred hymns contained in the manuscript.

 

His plan, if so it may be called, for it is neither such, nor an upright, nor a prospect, and yet something of all together; but notwithstanding this rudeness of the draftsman, it shews very plain that it was intended for this church and priory, and gives us a very clear knowledge, more than we have been able to learn from any description we have besides, of what both were at the above period of time. (fn. 45)

 

Forty-four years after this dedication, on the 5th of September, anno 1174, being the 20th year of king Henry II.'s reign, a fire happened, which consumed great part of this stately edifice, namely, the whole choir, from the angel steeple to the east end of the church, together with the prior's lodgings, the chapel of the Virgin Mary, the infirmary, and some other offices belonging to the monastery; but the angel steeple, the lower cross isles, and the nave appear to have received no material injury from the flames. (fn. 46) The narrative of this accident is told by Gervas, the monk of Canterbury, so often quoted before, who was an eye witness of this calamity, as follows:

 

Three small houses in the city near the old gate of the monastery took fire by accident, a strong south wind carried the flakes of fire to the top of the church, and lodged them between the joints of the lead, driving them to the timbers under it; this kindled a fire there, which was not discerned till the melted lead gave a free passage for the flames to appear above the church, and the wind gaining by this means a further power of increasing them, drove them inwardly, insomuch that the danger became immediately past all possibility of relief. The timber of the roof being all of it on fire, fell down into the choir, where the stalls of the manks, made of large pieces of carved wood, afforded plenty of fuel to the flames, and great part of the stone work, through the vehement heat of the fire, was so weakened, as to be brought to irreparable ruin, and besides the fabric itself, the many rich ornaments in the church were devoured by the flames.

 

The choir being thus laid in ashes, the monks removed from amidst the ruins, the bodies of the two saints, whom they called patrons of the church, the archbishops Dunstan and Alphage, and deposited them by the altar of the great cross, in the nave of the church; (fn. 47) and from this time they celebrated the daily religious offices in the oratory of the blessed Virgin Mary in the nave, and continued to do so for more than five years, when the choir being re edified, they returned to it again. (fn. 48)

 

Upon this destruction of the church, the prior and convent, without any delay, consulted on the most speedy and effectual method of rebuilding it, resolving to finish it in such a manner, as should surpass all the former choirs of it, as well in beauty as size and magnificence. To effect this, they sent for the most skilful architects that could be found either in France or England. These surveyed the walls and pillars, which remained standing, but they found great part of them so weakened by the fire, that they could no ways be built upon with any safety; and it was accordingly resolved, that such of them should be taken down; a whole year was spent in doing this, and in providing materials for the new building, for which they sent abroad for the best stone that could be procured; Gervas has given a large account, (fn. 49) how far this work advanced year by year; what methods and rules of architecture were observed, and other particulars relating to the rebuilding of this church; all which the curious reader may consult at his leisure; it will be sufficient to observe here, that the new building was larger in height and length, and more beautiful in every respect, than the choir of Conrad; for the roof was considerably advanced above what it was before, and was arched over with stone; whereas before it was composed of timber and boards. The capitals of the pillars were now beautified with different sculptures of carvework; whereas, they were before plain, and six pillars more were added than there were before. The former choir had but one triforium, or inner gallery, but now there were two made round it, and one in each side isle and three in the cross isles; before, there were no marble pillars, but such were now added to it in abundance. In forwarding this great work, the monks had spent eight years, when they could proceed no further for want of money; but a fresh supply coming in from the offerings at St. Thomas's tomb, so much more than was necessary for perfecting the repair they were engaged in, as encouraged them to set about a more grand design, which was to pull down the eastern extremity of the church, with the small chapel of the Holy Trinity adjoining to it, and to erect upon a stately undercroft, a most magnificent one instead of it, equally lofty with the roof of the church, and making a part of it, which the former one did not, except by a door into it; but this new chapel, which was dedicated likewise to the Holy Trinity, was not finished till some time after the rest of the church; at the east end of this chapel another handsome one, though small, was afterwards erected at the extremity of the whole building, since called Becket's crown, on purpose for an altar and the reception of some part of his relics; (fn. 50) further mention of which will be made hereafter.

 

The eastern parts of this church, as Mr. Gostling observes, have the appearance of much greater antiquity than what is generally allowed to them; and indeed if we examine the outside walls and the cross wings on each side of the choir, it will appear, that the whole of them was not rebuilt at the time the choir was, and that great part of them was suffered to remain, though altered, added to, and adapted as far as could be, to the new building erected at that time; the traces of several circular windows and other openings, which were then stopped up, removed, or altered, still appearing on the walls both of the isles and the cross wings, through the white-wash with which they are covered; and on the south side of the south isle, the vaulting of the roof as well as the triforium, which could not be contrived so as to be adjusted to the places of the upper windows, plainly shew it. To which may be added, that the base or foot of one of the westernmost large pillars of the choir on the north side, is strengthened with a strong iron band round it, by which it should seem to have been one of those pillars which had been weakened by the fire, but was judged of sufficient firmness, with this precaution, to remain for the use of the new fabric.

 

The outside of this part of the church is a corroborating proof of what has been mentioned above, as well in the method, as in the ornaments of the building.— The outside of it towards the south, from St. Michael's chapel eastward, is adorned with a range of small pillars, about six inches diameter, and about three feet high, some with santastic shasts and capitals, others with plain ones; these support little arches, which intersect each other; and this chain or girdle of pillars is continued round the small tower, the eastern cross isle and the chapel of St. Anselm, to the buildings added in honour of the Holy Trinity, and St. Thomas Becket, where they leave off. The casing of St. Michael's chapel has none of them, but the chapel of the Virgin Mary, answering to it on the north side of the church, not being fitted to the wall, shews some of them behind it; which seems as if they had been continued before, quite round the eastern parts of the church.

 

These pillars, which rise from about the level of the pavement, within the walls above them, are remarkably plain and bare of ornaments; but the tower above mentioned and its opposite, as soon as they rise clear of the building, are enriched with stories of this colonade, one above another, up to the platform from whence their spires rise; and the remains of the two larger towers eastward, called St. Anselm's, and that answering to it on the north side of the church, called St. Andrew's are decorated much after the same manner, as high as they remain at present.

 

At the time of the before-mentioned fire, which so fatally destroyed the upper part of this church, the undercrost, with the vaulting over it, seems to have remained entire, and unhurt by it.

 

The vaulting of the undercrost, on which the floor of the choir and eastern parts of the church is raised, is supported by pillars, whose capitals are as various and fantastical as those of the smaller ones described before, and so are their shafts, some being round, others canted, twisted, or carved, so that hardly any two of them are alike, except such as are quite plain.

 

These, I suppose, may be concluded to be of the same age, and if buildings in the same stile may be conjectured to be so from thence, the antiquity of this part of the church may be judged, though historians have left us in the dark in relation to it.

 

In Leland's Collectanea, there is an account and description of a vault under the chancel of the antient church of St. Peter, in Oxford, called Grymbald's crypt, being allowed by all, to have been built by him; (fn. 51) Grymbald was one of those great and accomplished men, whom king Alfred invited into England about the year 885, to assist him in restoring Christianity, learning and the liberal arts. (fn. 52) Those who compare the vaults or undercrost of the church of Canterbury, with the description and prints given of Grymbald's crypt, (fn. 53) will easily perceive, that two buildings could hardly have been erected more strongly resembling each other, except that this at Canterbury is larger, and more pro fusely decorated with variety of fancied ornaments, the shafts of several of the pillars here being twisted, or otherwise varied, and many of the captials exactly in the same grotesque taste as those in Grymbald's crypt. (fn. 54) Hence it may be supposed, that those whom archbishop Lanfranc employed as architects and designers of his building at Canterbury, took their model of it, at least of this part of it, from that crypt, and this undercrost now remaining is the same, as was originally built by him, as far eastward, as to that part which begins under the chapel of the Holy Trinity, where it appears to be of a later date, erected at the same time as the chapel. The part built by Lanfranc continues at this time as firm and entire, as it was at the very building of it, though upwards of seven hundred years old. (fn. 55)

 

But to return to the new building; though the church was not compleatly finished till the end of the year 1184, yet it was so far advanced towards it, that, in 1180, on April 19, being Easter eve, (fn. 56) the archbishop, prior and monks entered the new choir, with a solemn procession, singing Te Deum, for their happy return to it. Three days before which they had privately, by night, carried the bodies of St. Dunstan and St. Alphage to the places prepared for them near the high altar. The body likewise of queen Edive (which after the fire had been removed from the north cross isle, where it lay before, under a stately gilded shrine) to the altar of the great cross, was taken up, carried into the vestry, and thence to the altar of St. Martin, where it was placed under the coffin of archbishop Livinge. In the month of July following the altar of the Holy Trinity was demolished, and the bodies of those archbishops, which had been laid in that part of the church, were removed to other places. Odo's body was laid under St. Dunstan's and Wilfrid's under St. Alphage's; Lanfranc's was deposited nigh the altar of St. Martin, and Theobald's at that of the blessed Virgin, in the nave of the church, (fn. 57) under a marble tomb; and soon afterwards the two archbishops, on the right and left hand of archbishop Becket in the undercrost, were taken up and placed under the altar of St. Mary there. (fn. 58)

 

After a warning so terrible, as had lately been given, it seemed most necessary to provide against the danger of fire for the time to come; the flames, which had so lately destroyed a considerable part of the church and monastery, were caused by some small houses, which had taken fire at a small distance from the church.— There still remained some other houses near it, which belonged to the abbot and convent of St. Augustine; for these the monks of Christ-church created, by an exchange, which could not be effected till the king interposed, and by his royal authority, in a manner, compelled the abbot and convent to a composition for this purpose, which was dated in the year 1177, that was three years after the late fire of this church. (fn. 59)

 

These houses were immediately pulled down, and it proved a providential and an effectual means of preserving the church from the like calamity; for in the year 1180, on May 22, this new choir, being not then compleated, though it had been used the month be fore, as has been already mentioned, there happened a fire in the city, which burnt down many houses, and the flames bent their course towards the church, which was again in great danger; but the houses near it being taken away, the fire was stopped, and the church escaped being burnt again. (fn. 60)

 

Although there is no mention of a new dedication of the church at this time, yet the change made in the name of it has been thought by some to imply a formal solemnity of this kind, as it appears to have been from henceforth usually called the church of St. Thomas the Martyr, and to have continued so for above 350 years afterwards.

 

New names to churches, it is true. have been usually attended by formal consecrations of them; and had there been any such solemnity here, undoubtedly the same would not have passed by unnoticed by every historian, the circumstance of it must have been notorious, and the magnificence equal at least to the other dedications of this church, which have been constantly mentioned by them; but here was no need of any such ceremony, for although the general voice then burst forth to honour this church with the name of St. Thomas, the universal object of praise and adoration, then stiled the glorious martyr, yet it reached no further, for the name it had received at the former dedication, notwithstanding this common appellation of it, still remained in reality, and it still retained invariably in all records and writings, the name of Christ church only, as appears by many such remaining among the archives of the dean and chapter; and though on the seal of this church, which was changed about this time; the counter side of it had a representation of Becket's martyrdom, yet on the front of it was continued that of the church, and round it an inscription with the former name of Christ church; which seal remained in force till the dissolution of the priory.

 

It may not be improper to mention here some transactions, worthy of observation, relating to this favorite saint, which passed from the time of his being murdered, to that of his translation to the splendid shrine prepared for his relics.

 

Archbishop Thomas Becket was barbarously murdered in this church on Dec. 29, 1170, being the 16th year of king Henry II. and his body was privately buried towards the east end of the undercrost. The monks tell us, that about the Easter following, miracles began to be wrought by him, first at his tomb, then in the undercrost, and in every part of the whole fabric of the church; afterwards throughout England, and lastly, throughout the rest of the world. (fn. 61) The same of these miracles procured him the honour of a formal canonization from pope Alexander III. whose bull for that purpose is dated March 13, in the year 1172. (fn. 62) This declaration of the pope was soon known in all places, and the reports of his miracles were every where sounded abroad. (fn. 63)

 

Hereupon crowds of zealots, led on by a phrenzy of devotion, hastened to kneel at his tomb. In 1177, Philip, earl of Flanders, came hither for that purpose, when king Henry met and had a conference with him at Canterbury. (fn. 64) In June 1178, king Henry returning from Normandy, visited the sepulchre of this new saint; and in July following, William, archbishop of Rhemes, came from France, with a large retinue, to perform his vows to St. Thomas of Canterbury, where the king met him and received him honourably. In the year 1179, Lewis, king of France, came into England; before which neither he nor any of his predecessors had ever set foot in this kingdom. (fn. 65) He landed at Dover, where king Henry waited his arrival, and on August 23, the two kings came to Canterbury, with a great train of nobility of both nations, and were received with due honour and great joy, by the archbishop, with his com-provincial bishops, and the prior and the whole convent. (fn. 66)

 

King Lewis came in the manner and habit of a pilgrim, and was conducted to the tomb of St. Thomas by a solemn procession; he there offered his cup of gold and a royal precious stone, (fn. 67) and gave the convent a yearly rent for ever, of a hundred muids of wine, to be paid by himself and his successors; which grant was confirmed by his royal charter, under his seal, and delivered next day to the convent; (fn. 68) after he had staid here two, (fn. 69) or as others say, three days, (fn. 70) during which the oblations of gold and silver made were so great, that the relation of them almost exceeded credibility. (fn. 71) In 1181, king Henry, in his return from Normandy, again paid his devotions at this tomb. These visits were the early fruits of the adoration of the new sainted martyr, and these royal examples of kings and great persons were followed by multitudes, who crowded to present with full hands their oblations at his tomb.— Hence the convent was enabled to carry forward the building of the new choir, and they applied all this vast income to the fabric of the church, as the present case instantly required, for which they had the leave and consent of the archbishop, confirmed by the bulls of several succeeding popes. (fn. 72)

 

¶From the liberal oblations of these royal and noble personages at the tomb of St. Thomas, the expences of rebuilding the choir appear to have been in a great measure supplied, nor did their devotion and offerings to the new saint, after it was compleated, any ways abate, but, on the contrary, they daily increased; for in the year 1184, Philip, archbishop of Cologne, and Philip, earl of Flanders, came together to pay their vows at this tomb, and were met here by king Henry, who gave them an invitation to London. (fn. 73) In 1194, John, archbishop of Lions; in the year afterwards, John, archbishop of York; and in the year 1199, king John, performed their devotions at the foot of this tomb. (fn. 74) King Richard I. likewise, on his release from captivity in Germany, landing on the 30th of March at Sandwich, proceeded from thence, as an humble stranger on foot, towards Canterbury, to return his grateful thanks to God and St. Thomas for his release. (fn. 75) All these by name, with many nobles and multitudes of others, of all sorts and descriptions, visited the saint with humble adoration and rich oblations, whilst his body lay in the undercrost. In the mean time the chapel and altar at the upper part of the east end of the church, which had been formerly consecrated to the Holy Trinity, were demolished, and again prepared with great splendor, for the reception of this saint, who being now placed there, implanted his name not only on the chapel and altar, but on the whole church, which was from thenceforth known only by that of the church of St. Thomas the martyr.

  

On July 7, anno 1220, the remains of St. Thomas were translated from his tomb to his new shrine, with the greatest solemnity and rejoicings. Pandulph, the pope's legate, the archbishops of Canterbury and Rheims, and many bishops and abbots, carried the coffin on their shoulders, and placed it on the new shrine, and the king graced these solemnities with his royal presence. (fn. 76) The archbishop of Canterbury provided forage along all the road, between London and Canterbury, for the horses of all such as should come to them, and he caused several pipes and conduits to run with wine in different parts of the city. This, with the other expences arising during the time, was so great, that he left a debt on the see, which archbishop Boniface, his fourth successor in it, was hardly enabled to discharge.

 

¶The saint being now placed in his new repository, became the vain object of adoration to the deluded people, and afterwards numbers of licences were granted to strangers by the king, to visit this shrine. (fn. 77) The titles of glorious, of saint and martyr, were among those given to him; (fn. 78) such veneration had all people for his relics, that the religious of several cathedral churches and monasteries, used all their endeavours to obtain some of them, and thought themselves happy and rich in the possession of the smallest portion of them. (fn. 79) Besides this, there were erected and dedicated to his honour, many churches, chapels, altars and hospitals in different places, both in this kingdom and abroad. (fn. 80) Thus this saint, even whilst he lay in his obscure tomb in the undercroft, brought such large and constant supplies of money, as enabled the monks to finish this beautiful choir, and the eastern parts of the church; and when he was translated to the most exalted and honourable place in it, a still larger abundance of gain filled their coffers, which continued as a plentiful supply to them, from year to year, to the time of the reformation, and the final abolition of the priory itself.

 

www.british-history.ac.uk/survey-kent/vol11/pp306-383

Ramsgate, a lovely seaside town in East Kent, on a lovely albeit blustery summer evening.

 

did you know this sleepy small town was frequented by none other than Charles Dickens? was he inspired by the soft lapping of the sea waves or the beautiful twilights? its hard to tell.

 

View On Black

Seen in Aldwych in London in October 2016 is Kent Coach Tours of Ashford KCT926, a 2013 Volvo B9R / Plaxton Panther new to Logan of Dunloy as YN13GXF.

 

Thanks to Colin Hicks for the previous id on this coach.

Pentax 67 /55mm Takumar / Ilford HP5 / Xtol

Another image i take through the seasons on the kent weald.

Colorado High School Girls Field Hockey--Kent Denver v. Golden High School. Kent wins 5-0

BKR836Y Ramsgate 06/07/91

Kent Coach Tours Dennis Dart SLF Plaxton Pointer 2 SN03 EBX retains the "Blue Star" paintwork of its previous owner - Go South Coast - as it works in Ashford on 28th March, 2019.

Volvo V70 - 2010

 

Kent Police Traffic Car

Code 3, based Minichamps

Code3, based Hongwell

The Kent County Jail was built in 1895 in Clairemont, Texas. The 18 x 24 sandstone block jailhouse contains a a thick, 2-cell steel cage inside. The jail was well-known across west Texas as being virtually escape-proof. But it had one major shortcoming...no indoor plumbing.

 

Night, 6-minute exposure, 9 pops of a red-gelled strobe within the jailhouse.

 

View On Black

 

NEW! See my "Texas Ghost Towns by Night" article in Texas Escapes Online Magazine.

  

Scammell Constructor belonging to Winters of Strood. April 1981.

 

Pentax SP1000/50mm

Kodachrome 64

Copernicus is a large steeply sloped crater situated in Mare Insularum (sea of islands). It is 56 miles 93km in diameter and 900 metres deep. It has central mountains (1200m) and an extensive ray system making it a young crater. The smallest craters visible are around 1 mile 1.6 km in diameter.

Eratosthenes is the other distinctive crater with the ghost crater Stadius situated between them.

 

This image was taken 1 day after "Around Copernicus" and demonstrates how lunar objects appear to change when lit from a different angle by the Sun.

 

CPC9.25, ZWO ASI224MC, ZWO 850nm filter

Dennis Sabre Fire Appliance

DJI Mini 3 Pro drone

dungeness, kent

PFN788M was an AEC Reliance 6U3ZR / Duple Dominant C42F purchased new by East Kent in September 1974. East Kent was unusual in not having fleet numbers on their vehicles for many years. Note the opening windows. It later passed to Venture Reed of Consett for further service.

Kent, Ohio Police

2012 Chevrolet Caprice

East Kent Park Royal bodied AEC Reliance in "Skyways" contract livery. Victoria Coach Stattion, March 1970.

Cuyahoga River in Kent, OH