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A Javanese Bedhaya dancer has her costume fitted before a performance in Solo (Surakarta), Java, Indonesia
The palace (keraton) of Surakarta, where its sultans and their families have and still lived, although nowadays they have a more ceremonial function locally. The large palace complex beautifully integrates various artistic influences, such as: Javanese, Hindu-Buddhist, Islamic, colonial Dutch and even Chinese.
9 Jul 2005 Nederlands-Indische Spoorweg Maatschappij (NISM) Hartmann 0-4-2T B.2209 (1898 Chemnitz) 3ft 6in gauge. Inside cylinder compound.
Taman Mini Railway Museum, Jakarta, Java, Indonesia.
Photo taken for "Mad Love" series ran in Java Feb '11
Available light shoot w/ 36'' gold/silver mix reflector
Post: They WERE both looking at me... not much else other than levels and contrast
Clothing Designer: Jose Trifilio
Models from: Courtier - www.mycourtier.com/
Assisted by Tyler Green - www.stillhearts.com
Make up by: Rayanna @ Stay Beautiful - www.modelmayhem.com/1273390
9 Jul 2005 JSS Hanomag 2-12-2T F.1015 (1922 Hannover) 3ft 6in gauge.
Taman Mini Railway Museum, Jakarta, Java, Indonesia.
Indonesia - Java.
Yogyakarta - Kraton: the palace of the sultans is the cultural and political heart of the city.
Java hasn't been feeling very well the last little while. But he still likes taking his bumper for a walk on the beach.
A group of young Javanese dance students practice traditional dance movements in Solo (Surakarta), Java, Indonesia
Iscortado on the menu!
Java Espressobar & Kaffeforretning
Oslo, Norway
(August 18, 2017)
the ulterior epicure | Twitter | Instagram | Facebook | Bonjwing Photography
Borobudur is a ninth-century Mahayana Buddhist monument in Magelang, Central Java, Indonesia. The monument comprises six square platforms topped by three circular platforms, and is decorated with 2,672 relief panels and 504 Buddha statues.
A main dome, located at the center of the top platform, is surrounded by 72 Buddha statues seated inside perforated stupa.
The monument is both a shrine to the Lord Buddha and a place for Buddhist pilgrimage. The journey for pilgrims begins at the base of the monument and follows a path circumambulating the monument while ascending to the top through the three levels of Buddhist cosmology, namely Kāmadhātu (the world of desire), Rupadhatu (the world of forms) and Arupadhatu (the world of formlessness). During the journey the monument guides the pilgrims through a system of stairways and corridors with 1,460 narrative relief panels on the wall and the balustrades.