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German edition of WIRED magazine, featuring a wimmelbild style illustration by Christoph Hoppenbrock.
Perhaps it depends entirely on the user: Do you want aerial photographs so you can experience the fun of spotting your own place on Earth from a Satellite? Does the photograph provide affirmation that your patch is as photogenic or democratically important as the next person’s?
If you actually use electronic maps as a tool for locative information, distance between places, as a navigation device like a paper map, is the photographic so helpful? Would another form be of more use?
Generated by MidJourney for Aaron Ximm, v3 engine, late July 2022; prompt: "intricate colorful ::burning-man-festival, illustrations, botanical illustration, earthy palette, natural dyes. Volumetric shading. Many species. Colored pencil and water color. Isometric false perspective. Long shot. Style of Rousseau, Seuss, Sendak, Arts-and-Crafts. The playa at golden hour. --ar 3:2"
This is an isometric view of the underside of my Lego attack helicopter. It's a generic attack helicopter design that incorporates design elements from the A129, the Apache, Eurocopoter Tiger, the Mi-28, the Rooivalk, and the WZ-10 helicopters, using a woodland-like camouflage.
Following a countershade color scheme, the underside of the helicopter is light-colored.
The design is created with Lego Digital Designer. A physical copy doesn't actually exist, yet. It's difficult(if at all possible), expensive, and time-consuming to obtain all the required pieces, in the right colors, to build this.
Questions, comments, and suggestions are welcomed.
Pages and close-ups of Paper Pusher's 2013 Isometric Riso printed Calendar. Can be ordered online here:
I wanted to create a book which would be used to organise journal entries, moods and other data. I wanted to create something where the actual content would be created by the user, therefore creating a book about themselves, I have designed the book as foundations to do this. Everything is left untitled for the user to fill in their own text, every page is organised and indexed by the code and index system I created.
I also wanted the challenge peoples reliance of the internet and their use of writing blog entries and socialising through networking sites such as myspace and facebook. I wanted to see if there was a 'back to basics' approach to socialising/blog websites.
Sections
Contents - Indexing entries
Profile - Information about user
Red - Frustration
Yellow - Concentration
Green - Relaxation
Blue - Creativity
Airport isometric vector illustration, including a metal detector security section, news agent and cafe. Editable vector EPS file. This one's FREE!! download vector eps here:
FREE Airport Shop Isometric Vector
For more isometric vector illustrations or if you need a commercial illustrator go to www.dougillustration.com
@PXLFLX : Something #retro for #ThrowbackThursday! NES Ice Hockey. #isometric #pixelart #Nintendo #fanart t.co/pRqziABdHl (via Twitter twitter.com/PXLFLX/status/692832305979600897)
I recently worked with Fission Creative providing illustration for the redesign of Bettingjobs.com. The new site has just been launched. Bettingjobs.com is the premier recruitment consultancy specialising in the online gaming and betting industry. Bettingjobs.com
© Rod Hunt 2011
View Rod Hunt full portfolio here
Precinct Police Station in Bedford Styvestant Brooklyn
By Barie Fez-Barringten:AIA/NCARB/Yale M.Arch68’
The below are most of my original drawings as presented to the Yale theseis jury in 1967. These all drawn by hand by me with out the use of computers. Lieutenant Goodale of New York City's Police Headquarters spent his time to teach me about the policies and operations of precinct stations and then assigned me to spend a week at the precinct where I observed the works of the stations and rode in patrol cars.
On day we rode to street where the was a gun fight from one side to the canyon-like streets six storied tenements to the other.
I was told to get down and call for backup on the car phone which they handed me as the two officers darted off to deal with the situation.
After I complied I slithered along the pavement to a close phone booth to call my wife to five her may parting farewells and inform her what was going on.
So was my indoctrination to this design.
The whole reason I selected this project was at the encouragement of my former teacher and mentor Forrest Wilson who had traced my life from my earliest years growing up on the streets of the Bronx.
These episodes were daily occurrences when we lived on th East Bronx Simpson Street. I have put these and other such stories into a manuscript called :"Bronx Stardust".
All approximate 50 drawings filled the Yale University jury area and complicate the jury consisting of Vincent Scully, Sir James Stirling, Paul Rudolf, Charles Moore, Peter Millard, King Lui Wuu and Phillip Johnson.
It was Dr. Johnson who championed my project calling the jury's attention to the complete, comprehensive and coordinated documentation of my thesis as well as the above-excellent drawing and draftsmanship.
Unlike any of the jury members before coming to Yale I had designed skyscrapers, public works, multi family housing and High -end commercial interiors in Manhattan's competitive real estate market.
I had already designed a university under Edward D. Stone, office building under Khan and Jacobs and holy shrines under Frederick Kiesler.
Other pointed to the way one drawing spoke to the other and confirmed my then emerging theory that architecture was the making of metaphors.
As much as educators spoke of conceptual metaphors they did little to teach about the technical metaphor.It was both the technical and conceptual metaphor I choose to bring together in this micro project.
From site selection, site planning to the knitting together of program input from the community planning boards
and police the metaphor bridged, carried over and represented a new paradigm. None of this was lost to Phillip Johnson ,Vincent Scully and Paul Weiss.
The drawings are a study of the muti-dimensional characteristics of a work of architecture leaving no view or aspect to chance but all made part of the metaphor. In this description I shall leave you to read the drawings and learn the metaphor and its workings.
I can only hope it to be as much an aesthetic experience for you as it was for me, Lieutenant Goodale, and the jury.
Keep in mind this was all before computer aided design was even an embryo and when draftsmanship was appreciated for the art it actually was.
In fact my works was so well appreciated that when he published his book on the work of his office, Morris Lapidus included several of my drawings as examples.
Pages and close-ups of Paper Pusher's 2013 Isometric Riso printed Calendar. Can be ordered online here: