View allAll Photos Tagged Interweave
Interweaving Landscape.
Δυναμική ανάμειξη επίμονων φύσεων ρυθμός συναρπαστικές εκφράσεις απορρόφησης αυξανόμενα κακοφωνικά χρώματα που φουσκώνουν τόνους διευρύνοντας τα όνειρα,
hostilitates insecta extremae conflictus sordidae profunditates corruptiones theatri contradictiones alienantes effectus deserti campi stroller pictor modernorum capitum,
immensités surveillances folie interprétations du monde jaunes vues intenses concentration psychique voyance intime emprise morale pensées extatiques,
psychologische Rohheit einladendes Rosa krampfhaftes Grün krumme Gefühle Ermutigung Rot gestrecktes Blau skulpturale Entwicklungen,
afgelegen vormen monumentale harmonie's positieve connotaties existentiële excursies exotische bergen onontwikkelde bomen suggestieve vogels hoog,
解放のシンボル 出現するパープル 反抗する 合理化 世俗主義者の意識的な裸 ファッショナブルな反響 神秘的で美しい喜び 型破りな再生 感じられる.
Steve.D.Hammond.
As I end the series of fair shots for now (I may interweave some more over the next few weeks) - I thought I would show those unfamiliar with this Fair, the immense size.
This is looking down Grand Ave about 1/2 mile long and is only one main street of the fair. It is like a small city coming to life like a big city for 10 days - then turns quiet right after.
They expect 100,000 visitors a day plus vendor and exhibitor shows.
This Carolina wren (Thryothorus ludovicianus) kept singing away as I moved on the patio to get a better background. Their song is so bright and loud for their size although sometimes it hard to localize.
The Cornell Labs says this about their song, "Unlike other wren species in its genus, only the male Carolina Wren sings the loud song. In other species, such as the Stripe-breasted Wren of Central America, both members of a pair sing together. The male and female sing different parts, and usually interweave their songs such that they sound like a single bird singing."
I was back to the little enchanted world of the meanders of the river Adda, downstream the Lake Como - my little secret garden. A deep peace pulsed around me, a striking variety of bird calls interweaving with each other to compose a rich living tapestry, a symphony unfolding over the low murmurs of the lazy waters.
We have been experiencing a severe drought for the last months, the major Italian rivers reduced to thin, shallow streams snaking along gravel banks. The rivers are revealing long hidden mementos of the last war and even fossilised skeletons of ancient animals living in the Padan plain when it was a swampy savannah.
I have tread on places usually covered with water, nonetheless the river is still able to show its beauty in this specific location.
The sky was still unnervingly cloudless, as it always is lately, yet there was a beautiful, golden light - and the trees were wearing their springy, festive dress, encrusted with amazingly coloured filigrees of budding leaves.
There is a thriving flock of YouTube tutorials sporting titles of the "don't use wide-angle for landscape" kind and yes, I use wide-angle, but I sometimes enjoy to zoom into my landscape, exploring it, looking for some little world nestled within the scene - something that is always there, but usually gets lost in the rich vastness of a wide-angle view. This is one of those occasions. When I zoomed on the opposite bank, I discovered a rich tapestry of trunks and branches, and sparkling budding leaves. The sunlight pouring from the hilltops played all through the scene and, for a fleeting moment, I was able to feel the delicate yet powerful footsteps of the approaching Goddess, flowers blooming in her footprints and flowery scents diffusing in the air at her dance.
(if you are wondering about what kind of substance I might had assumed, please, go and read the beautiful proem of Lucretius' De Rerum Natura)
Explored on 2022/05/21 nr. 44
Exactly at the point where I usually consider my processing workflow finished, I stared at the picture, wondering what was lacking. Yes, an undefined "something" was definitely lacking, and it was something that one would usually call a defect. So I blended on top of the tower a layer with the +2.0 ev shot, I blurred it a lot, and I set the "soft light" blending mode. Nice, at least after applying a layer mask that was a grayscale version of the picture and tweaking it to exclude the water in the foreground. But something was still lacking. At last I duplicated that overexposed and blurred layer and used it to add a soft bloom in the top left corner, whence that golden light poured onto the river and its valley. That was it. I hope that you enjoy the picture and its springy feeling!
I have processed this picture by blending an exposure bracketing [-2.0/-1.0/0/+1.0/+2.0 EV] by luminosity masks with the Gimp (EXIF data, as usual, refer to the "normal" exposure shot), then I added some final touches with Nik Color Efex Pro 4.
Along the journey I tried the inverted RGB blue channel technique described by Boris Hajdukovic to give a slight tonal boost to the whole scene, excluding the lazy waters in the foreground. As usual, I gave the finishing touches with Nik Color Efex Pro 4.
Raw files processed with Darktable.
Nasa Visitor Center, Greenbelt, MD "an abstract kinetic sculpture with three mirrored orbs representing the Sun, Earth and the satellites that are activated by the wind." Nasa
... that I should not merely survive my everyday life...
I am wandering through a muddy existential swamp, struggling to live through my days, constantly on the verge of physical and psychological exhaustion. I have been in need for a good early morning photographic session for months, but sadly lacking the inner spark to actually ignite it. I forced myself, at last, even "knowing" that it would have been an unsatisfactory trip; I was back to the little enchanted world of the meanders of the river Adda, downstream the Lake Como - my little secret garden. A deep peace pulsed around me, if not within myself, a striking variety of bird calls interweaving with each other to compose a rich living tapestry, a symphony unfolding over the low murmurs of the lazy waters.
We have been experiencing a severe drought for the last months, the major Italian rivers reduced to thin, shallow streams snaking along gravel banks. The rivers are revealing long hidden mementos of the last war and even fossilised skeletons of ancient animals living in the Padan plain when it was a swampy savannah.
I have tread on places usually covered with water, nonetheless the river is still able to show its beauty in this specific location.
The sky was still unnervingly cloudless, as it always is lately, yet there was a beautiful, golden light - and the trees were wearing their springy, festive dress, encrusted with amazingly coloured filigrees of budding leaves.
To be honest, I am posting one of the most flawed photos from that session - technically speaking, at last. Yes, it is endowed with a huge lot of technical flaws, but I have fallen in love with it (and no better alternatives capturing that fleeting moment) so I processed the bracketing and I am posting it, hoping that it can still send positive vibes to your souls.
Explored on 2022/05/01 nr. 34
I have processed this picture by blending an exposure bracketing [-2.0/-1.0/0/+1.0/+2.0 EV] by luminosity masks with the Gimp (EXIF data, as usual, refer to the "normal" exposure shot), then I added some final touches with Nik Color Efex Pro 4.
Along the journey I tried the inverted RGB blue channel technique described by Boris Hajdukovic, which has contributed especially to the trees in the distance and their reflections. As usual, I gave the finishing touches with Nik Color Efex Pro 4. Raw files processed with Darktable.
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Jeremiah, our 10 year old Grandson, and really just as nice as he appears in this image.
This one made it into Explore #189
road and rail flows in complicated ways ...
bridge linking the port area of kobe to port island
to sail under this bridge take a cruise round the bay with kobe seabus fantasy !
ps.my cruise round the bay was on the ferry boat from kix osaka airport direct to kobe, a bumpy ride, but not as bumpy as the earthquake a night or so later
kobe, hyogo prefecture honshu japan
Abstract Geometrical Background from thin digital fibre. Pattern With Optical Illusion. 3d illustration.
The historical center of Rivello can be reached along an intricate interweaving of narrow streets and stairways hung under narrow passages.
Wandering around the various corners of the village you come across the Palazzo Megale, whose origins date back to the year 1000 and whose structure includes an external chapel and an internal chapel dedicated to the Madonna del Rosario.
The building has furnishings dating back to the early twentieth century, and a particular impact has raised its gaze to the splendid frescoed ceiling, with four painted medallions representing the Belle Arts at the corners.
Only 23 historic buildings are concentrated in the historic center, two of which define the two distinct nucleus of the city, the legacy of the dispute between the Longobards and Byzantines, of which Rivello has long been the subject. The upper part extends along the mother church of San Nicola (11th century), the lower part, however, around the cheisa of Santa Maria del Poggio.
Chinampas, or 'floating islands' are one of the most well known Aztec agricultural practices. These rectangular artificial islands of arable land were created by by interweaving reeds with stakes beneath the water surface in the shallow waters of a freshwater lake. Then layers of soil and aquatic vegetation were built on top until a layer of soil was visible on the water's surface. With excellent irrigation and abundance of available nutrients, chinampas produced high yields of maize and other crops such as beans, squash, chillis and avocados. Willow trees were planted in the corners of the plots to bind the soil into the lake's bottom over time. The lakes also provided protein in the form of fish and water fowl.
An entry into the farmstead figures category of Brickscalibur. Chinampa design modified from Stefan G here: www.flickr.com/photos/130125244@N05/45414525155/
This cave was built around 350 years ago when paddy fields were cultivated.
made for
Near the cave, you can go down to the riverside
The morning sun shining into the cave,
And the various expressions depending on the season are fascinating.
We waited for the arrival of the morning sun while it was still dark.
The long-awaited weak morning sun pours into the cave.
At that moment, the scene suddenly becomes a dreamlike sky
Enveloped in the space and intoxicated by the magical world of light
The islets are made of totora reeds, which grow in the Titicaca lake, Peru. The dense roots that the plants develop and interweave form a natural layer called Khili (about one to two meters thick) that support the islands . They are anchored with ropes attached to sticks driven into the bottom of the lake. The reeds at the bottoms of the islands rot away fairly quickly, so new reeds are added to the top constantly, about every three months; this is what it makes exciting for tourists when walking on the island.] This is especially important in the rainy season when the reeds rot a lot faster. The islands last about thirty years.
(wikipedia)
Copyright © RositaSo Image. All rights reserved.
The interweaving of the Botín Museum on Paseo Pereda has been perfect.
Example of modern architecture, in its broadest sense.
Waterfall in Dark ditch in the clear water valley stream park in Kimitsu-city, Chiba-prefecture.
It's the land of mystery where access is very good as about only 1 hour from downtown.
There may be a person who seems the beautiful view nature interweaves, too.
It's said that the cave in a waterfall in this dark ditch was made artificially.
Its fantastic landscape becomes the topic of conversation in Instgram.
Many tourists also visit from a various part of Japan and the world.
This turtle Rock cave was made for rice paddy cultivation about 350 years ago.
It's confirmed that a rock similar to a turtle is in the cave, at the time of a long-run average water flow
It's said that it's possible to see the shape of the turtle clearly.
It's able to come down to a riverside near the cave in turtle Rock, in a cave, the difference
You do and show me various expressions by the crowded morning sun and a season.
This is the 3rd time, but a visit to this cave clear up well from a morning on this day, please.
It drew in and I still endured the dim coldness and waited for an arrival of the morning sun in earnestness.
The morning sun of the fact 2 hour expectation for which I wait put in through a cave!
Have a view of its moment environment in a moment and wrap oneself up in dreamy space.
The full of emotion was made magic of light.
A setting looking to the northeast while taking in views across the hoodoos with the eroded formations and layers of rock present at Sunset Point in Bryce Canyon National Park.
Gossamer stars scarf pattern from Interweave Knits Summer 2008.
The Knittery's Merino Chubby Socks in Merlot.
Seamed and awaiting a border. Current dimensions: 48 by 42 inches. Pattern: Babette Blanket, Interweave Crochet, Spring 2006. Materials: 11 skeins of Cascade 220. (See my 'Babette blanket' set for photos of 3 different seaming techniques.)
abstract composition of frames with a random rotation angle. Pattern With Optical Illusion. 3d illustration.
my afghan design included in the Interweave book "Crochet at Home" edited by Brett Bara. made with over 25 different colors of cascade 220 and with no seaming, this blanket was so fun to make. i loved making it and i still love it.
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
You can see my images on fluidr: click here
You can see my most interesting photo's on flickr: click here
Pattern: Embossed leaves socks from Favorite Socks (Interweave Press)
Yarn: Blue Moon Fiber Arts Socks That Rock Lightweight in Bleck (purplish-gray)
Needles: Knit Picks Options #1 (2.25mm) dpns
For: Joanne for Christmas