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Had an interview this morning at the green bus as my shoulder is geting no better so am having to look at going on the buses and forgeting the coach game for now. Seen parked on Hill Street is S881BYJ a Daf ND250 / Optare Spectra . So this week could well be my last week in the coach industry for the time being as time to face up to the fact i am having to stop doing it . Photo taken 10/02/14
NOISECONTROLLERS - INTERVIEW
I don’t know how I feel about it now other than the anatomy is a little weird (which is to be expected from my art these days because I seem to have forgotten how to draw properly rip) but when I finished it I thought it was pretty lit.
Special thanks to @Lacza on deviantart for allowing me to use their graphic in the background here www.deviantart.com/lacza/art/Noisecontrollers-282016605
15 🐺
“Little Red Riding Hood is in the hooooouse!
I have to admit I’m a little starstruck. It’s so nice to meet you! Finally a real star! Thank you for being on today’s 15 th episode of Dolly Interviews!”
Little Red
“Oh of course of course! I had to come forward and use my star power to put a stop to these ridiculous crimes! I mean, how many naked dollies can we have here in the doll case?
Things are becoming deplorable! Unbearable! Scandalous! Crude!
Whoever is responsible needs to come forward immediately!
This is sending me into a PSTD spiral from that whole bit with the wolf popping out of my Grandmothers clothes!”
I was interviewed recently for f/D, a website devoted to pinhole photography. The interview was published yesterday.
Click here to read it:
Japan Camera Hunter - Jesse's Visual Interviews: www.japancamerahunter.com/2019/12/jesses-visual-interview...
I know it's sad but this is the most exciting thing I have witnessed since lockdown started. A news reporter came to interview a staff member from the care home behind where I live. So I dusted the cobwebs off a camera and put a long lens on it to record the event.
If you want to learn all about my creative process and how I got into the whimsical world of building custom LEGO models, check out this month's issue of BrickJournal magazine and read my interview! October is a special video game edition, so naturally my popular electronic Nintendo sprite lamps are prominently featured.
Below is an entire transcription of the interview, which covers my background as an artist, as well as to the technical information on my models:
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If you want to see an assortment of video game themed models, a good place to start is the website Baronvonbrunk.com. “Baron” Julius von Brunk is an artist residing in New York who has been building video game inspired models for more than a few years, with some of his models published in Nintendo Power magazine in 2012. Here, he talks to BrickJournal about his builds.
BrickJournal: What do you do outside of building?
Baron von Brunk: Aside from assembling custom LEGO models, I’m also an independent photographer and aspiring animator. I do in fact make some animations with my LEGO pieces, and hopefully some day I’ll launch some short films of my stop-motion animation. Sometimes I incorporate my various artistic hobbies together, such as using my photography along with my graphic arts for print designs.
Career-wise, I’m a professional graphic artist in New York City, and currently I design images and graphic assets for Goldman Sachs in Manhattan’s Financial District. On a daily basis, I typically develop PowerPoint presentations, including creating covers/section dividers in Photoshop. I also use Illustrator and other vector imaging programs to generate maps for investment bankers. Prior to this job, I’ve worked as a designer in a variety of fields -- including consumer electronics, fashion, and even major league sports. I started off many years ago by designing packages and labels for third-party electronic devices, and I’ve sort of bounced around between industries whilst expanding my portfolio. I’m actually completely self-taught, and never attended college. My career path has been very long and troublesome, but the way I like to describe it, I took the “scenic route” to get where I am!
BJ: How old are you?
BVB: 33 years old, and I’ll be 34 in October.
BJ: When did you start LEGO building?
BVB: “LEGO” was actually the first word I learned how to spell as a kid -- even before my own name! I received Duplo sets at an early age, then around age 3 in the 1980s my parents bought me numerous LEGO sets for Christmas and my birthdays. I’ve consistently been a fan of this toy line since childhood, and even photographed some of my custom creations way back in the 1990s using old film cameras. This passion of mine predated social media by about a decade!
BJ: Did you have a Dark Age? If so, what got you out of it?
BVB: Oh, I definitely had a dark age! Although this is a hobby I’ve liked for most of my life, there was a small moment in my life when I “paused” my fascination with LEGO. I’d say this was during the early-to-mid 2000s, when I was in my late teens. This wasn’t because I grew out of it, but rather because at the time, the dominant models/themes in the 2000s-era LEGO System didn’t fascinate me like in previous years. I personally never liked Bionicle, I was never a fan of Harry Potter, I could never get into Spider-Man comics/movies, and I always despised Spongebob Squarepants. In addition, I could never really get into the Star Wars prequels as much as the originals. With the lack of selection of sets I wanted to buy, I instead focused on occasionally building creations with my preexisting pieces. Also around this time, I didn’t have a job (due to my age and my high school schedule), and the little bit of money I did have I’d use on other things like video games and food.
I got back into purchasing new sets around 2005 or 2006, when the then-new medieval themes were released, along with the Vikings series. This reignited my fascination with LEGO, and I soon focused on creating models and vignettes with medieval themes. At this point I was in my early 20s, and working at various jobs which gave me more disposable income. I’d say 2007 was my definite “LEGO Renaissance”, where my love of LEGO was reborn completely, to the point where it became the dominant creative force in my life, completely reshaping my artistic hobbies and creativity.
BJ: What are your favorite themes?
BVB: For me, the best themes are the late-’80s/early-’90s Space or Castle. Although I played with any LEGO theme since I was young, I was always fascinated the most by spaceships and castles. I’ve had a soft spot for the classic Futurons, M:Tron, Blacktron, and Ice Planet -- as well as Black Falcons, Forestmen, Dragon Masters, and Crusaders. To show this, I have two LEGO
BJ: What inspired you to start building video game inspired models?
BVB: With video game themes, I always wanted to create models like these since I was young, but at the time I was too unskilled. As a child, I would often get inspired by Super Mario and Sonic the Hedgehog. Probably back when I was 11, I wanted to create a large replica of Dr. Robotnik’s Death Egg, but alas, lacked necessary pieces and skill level. Flash forward to around 2011, after I’ve been living in New York for about a year: I wanted to stake a claim in the geeky/nerd fandom universe by creating some memorable and monumental LEGO creations based on video games. In late 2011, I began production for my massive “Fireflower Airship” -- a large replica of an airship level from Super Mario Bros. 3. Around this time, I also worked on creating the first two transforming Nintendo accessories, Domaster and Plasmashock -- Game Boy and Zapper, respectively. With the positive feedback from these aforementioned models, I would go on to create many others, which eventually led Nintendo of America to contact me to create a sculpture for their flagship store in 2013.
BJ: What led you to building the transforming game consoles?
BVB: An early inspiration for the transforming game consoles came about from seeing the crossover Marvel/Transformer figures from the 2000s. There was a line of toys that featured superheroes and Star Wars characters transforming into vehicles, such as Darth Vader transforming into a TIE Fighter. This inspired me to create models of Mario and Luigi transforming into a Zapper and a Game Boy. In the early Mario games, Fire Flower Mario was dressed in red and white, and in my early concepts, I planned on making the grey and orange Zapper transform into a red and white Mario, whereas the green and grey Game Boy would transform into Fire Flower Luigi. This proved dubious for two major reasons: the first is that due to space limitations, it would be physically impossible to have the robot modes resemble Mario or Luigi with such detail. The other reason of course is that the Game Boy robot ended up looking short and stocky, with the Zapper being tall and narrow -- which would be exact opposite body types of Mario and Luigi! Eventually I just kept the Game Boy and Zapper to be original robots akin to traditional Transformer designs, and then maintained this ascetic theme for subsequent models.
BJ: And what got you into electronic lit models?
BVB: With the electronic models, this started as a byproduct of my Fireflower Airship from early 2012. When I first began construction of the ship in late 2011, I decided to “dazzle” the project by installing lights to give it something special, aside from just being a huge replica. My original plan was to make the back of the ship glow with an illuminated sprite of a Fire Flower, and then to install a sound system to play the Super Mario Bros. 3 airship music on a constant loop. This was because I planned on showcasing the ship at art galleries and conventions, and the idea of a sound system with lights would make the whole ship more interesting to people who’d potentially come to see it at the shows. Sadly, due to stability issues (making it difficult to move without breaking), I never showcased the airship at any shows, and because of this, I scrapped the sound system idea at the last minute. As for the lights, however, I succeeded in installing a very crude light and battery system to output illumination for the rear of the ship. This was prior to when I had any real electrical skills, so my crude circuit barely worked, and the light output was rather dull.
Meanwhile, during downtime of the airship’s construction, I made several Mario-themed models to accompany the ship at potential public art shows. One of the Mario-themed creations was a mosaic sprite lamp, using the same sort of techniques as the glowing Fire Flower sprite from the back of the ship, but to be illuminated via a lamp cord that I could plug into a wall. The design scheme for this lamp contained a cube shape with ? block sprites. The mosaic concept was made entirely with transparent LEGO bricks, thus making the illuminated version resemble a Tiffany Lamp or a stained-glass window. Although the lamps looked cool when glowing, unfortunately the transparent LEGO bricks appeared dull and discolored when the lights were off. This led me to create a new concept of inserting transparent LEGO tiles and plates into Technic bricks, so that when turned off, the lamps would still have their colors visible and vibrant. This new concept was developed by me later in 2013, and I soon created several new illuminated projects based on this “bedazzled” concept. The final designs were reminiscent of the old toy called “Lite Brite”, which allowed people to create glowing mosaic patterns using a dot matrix grid.
Some of my more sophisticated and elaborate electronic creations came about as a result of always trying to outdo myself. For instance, after making projects which lit up, my next logical step would be to make projects that also play sounds in addition to lighting up. With that said, throughout the summer of 2014, I worked tirelessly to learn Arduino and program microchips to allow my LEGO projects to simultaneously glow and play music. Since 2015, I haven’t made too many electronic creations, and instead went into honing my photography skills and eventually getting better with stop-motion animation. I plan on making more electronic LEGO models in the future, but as of lately I’ve mainly focused all of my time and effort into animations.
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Location
Vienna (Austria): U-Bahn [Subway].
Subject
In a subway station of Vienna I found the man you see on the right, standing still in the middle of a lane, wearing headphones and holding an humongous microphone in his hands. I was ambushing him along the wall, when the second man came into the frame: it seemed like Big Mike was asking for an interview. Actually, I think that Big Mike was a technician measuring the level of noise in the subway.
Related posts: Images from Vienna
____________________________________________________
Gianluca Vecchi
Web, Digital Marketing and Communication Consultant – Italy www.gnetwork.it ● www.gianlucavecchi.it
For more information ⇒ Check my profile
License my pictures ⇒ 500Prime
via Painters' Table - Contemporary Art Magazine: Daily Painting Links on Artist Blogs, Painting Blogs and Art Websites ift.tt/1Ina8MN
www.recyclart.org/2015/10/recycled-art-interview-2-sophie...
We continue our series of posts interviewing "recycled art" crafters & artists. This week, we interviewed Sophie Marsham, a well-known sculptor in the community of Recycled Art. If you think you deserve to be featured in the next interview, please, drop us an email.
Tell us a little more about you? Who you are? Where are you from?
I am Sophie Marsham, a sculptor, from London, working in reclaimed and found objects.
How did you become a "Recycled Art" artist?
I became a recycled art artist 25 years ago when I was at Chelsea Art School.
Since when are you working with recycled & upcycled materials and more general since when are you in the world of "Recycled Art"?
I partly used reclaimed materials in the beginning as it was a cheap resource as a student.
What are your can’t-live-without essentials?
My can't live with essentials are wire, glue, nuts and bolts and tools.
How would you describe your style? Are there any crafters/artists/designers that you particularly look up to?
I make thought provoking, often humorous pieces from found objects. I love Joseph Cornell, Cornelia Parker, Haroshi and Kendra Haste.
How is your workspace, how do you make it inspiring?
My workspace is in the garden and full of inspiring objects, clock faces, springs, beads, glass, printing blocks, old tools, chocolate moulds etc...
What sorts of things are inspiring you right now? Where do you look for inspiration?
I am inspired by objects that I find in vintage fairs/carboot sales, especially if it's multiples of the same object, such as pen nibs, clock hands, teddy bear eyes... I am mostly inspired by nature, repeated patterns found in nature, bird feathers, snowflakes, shells, stones...
When do you feel the most creative?
I feel pretty creative all the time, as I'm constantly finding new objects to inspire me.
We live in such a mass-produced, buy-it-now society. Why should people continue to make things by hand?
Making things by hand is the most rewarding and making one off art from something that has been previously used and discarded is the most exciting aspect of the work. I love it when the viewer works out what has been used for a certain sculpture, I love the intrigue. I believe in breathing new life into discarded objects.
What is your favorite medium to work in?
I mainly work in metal but also use wood, glass, resin...
What is your guilty pleasure?
My guilty pleasure is good coffee and great cake.
What is your favorite thing to do (other than crafting)?
My favourite thing apart from art is art house independent films. I would love one day to make an animation film with some of my objects.
You have been involved in a lot of artistic projects, are you a full-time artist or is it just a hobby?
I am a full time artist, it's not a hobby and have been working for 22 years. I make tiny hand held pieces and have made many large scale installations up to 6 meters. I love to vary the scale.
Any websites that our readers should not miss?
Not a website to recommend as such, apart from my own of course www.sophiemarsham.com, but a great book called RAW + MATERIAL = ART.
Anything else you would like to tell to the « recycling community »?
Keep up with recycling, it will become even more vital for our kids and their kids.
Thanks a lot Sophie for this interview! :)
To see all the posts by Sophie, it's here.
www.1001pallets.com/2017/01/pallet-crafter-interview-16-w...
Today, we had the chance to ask some questions to Wesley Marien, Crafter from Belgium who made all kind of gorgeous furniture from recycled wooden pallets. If you think you deserve to be featured in the next interview, please, drop us an email.
Tell us a little more about you? Who you are? Where are you from?
My name is Wesley Marien. I live in Belgium, am 31 years old, married to a fantastic wife, a little son (from a former relationship). I’m kind of a rebel. At 20 years old, I started to D.J., but got into music in general when I started playing at age 11. I like to be as versatile as possible. I’m always looking for practical solutions at home or when people ask for my help or skills, and it makes me happy when they ask me. It’s hard to obtain a job though because I’m not the easiest guy to work with, so I want to start on my own business. I can quickly add to my skills, so I want to start something small - on my own and be my own boss. I do like to providing a service to people, so what better way to do it than with some creativity?
Why do you craft?
The urge to create things is greater than ever. Everything I make, I make with pride!
How did you learn to do wood crafts?
I have a basic education in woodcraft from school but never properly finished school. I like to challenge myself because I know I can learn anything if I put my mind to it. My father took me along to do some jobs with family or anyone who paid him when I was only 11 - 12 years old. Ever since I left school I became my father as my friends always could rely on me to do a job no matter what it was. I know a bit of everything... woodwork, electricity, metal, plumbing, and renovation in general, and I’m glad of it!
How long have you been working with pallets?
Since last summer.
Why did you choose to work with pallets instead of purchased wood?
I think we have all the wood we need in the world to recycle. There’s no need for cutting down new trees for mass production. :)
What are your can’t-live-without essentials?
My wife & my son!!! My music!!! My wood!!!
Are there any brands that are your favorites?
I’m not a brand type of guy.
How would you describe your crafting style?
Not perfect at all but solid and playful; unorthodox and maybe a little stubborn.
Are there any crafters/artists/designers that you particularly look up to?
Not really. You can learn from anybody and anything.
Where do you do your wood crafts? How would you describe your workspace?
In my shed and its well organized, otherwise it’s impossible to do a decent job. I always work organized, but never with a plan.
How did you make your workspace more functional and/or inspiring?
I made my own workbench, toolbox, shelves and I know a thing or two about electricity so that’s all well provided. If you create your own workspace then the morale and respect for your equipment is so much greater then when it’s all store-bought.
What types of things inspire you?
Inspiration is like love… you never know from which corner it lurks – like finding a site like 1001pallets.com for example.
Where do you look for inspiration for a new woodcraft?
It all depends… since I’m stubborn I like to do as little inspiration as possible. Not that I don’t do research, but I only need to see something once and then my brain starts to work.
When do you feel the most creative?
All day long!! But it never hurts to let your mind rest every now and then :)
We live in such a mass-produced, buy-it-now society. Why should people continue to make things by hand?
To put a hold on mass production! It’s hard to answer this particular question since I’m not happy with society the way it is. Cutting wood on a massive scale is one thing but what about all the animals that live in and around the trees!? Cut a tree here or there but not the horrible clear-cutting. That’s sad as hell!!
What is your favorite medium to work in (other than pallets)?
Any wood will do as long as it’s not rotten. :)
What are your tips for people who'd like to start crafting?
Push the limit always little by little. Never be afraid to try something new, and watch your fingers.
What are your most important safety tips when woodworking?
Train a steady hand and logic is your friend. Also there’s no need for rushing things while working with wood and be sure to use sharp tools.
What is your guilty pleasure?
Cannabis.
What are some of your other hobbies or favorite things to do (other than crafting)?
Electronic music plays a big part in my life. I’ve played it for 20 years now and also recently into producing tracks and sounds. It’s my ultimate anti-stress, cure against society… music is always with me :) I also like to cook for my family since I’ve worked in several restaurant kitchens and picked up a thing or two from the experience. I make the best salads according to my wife!
Growing crops is also a thing we do in our garden and I have an indoor greenhouse where I spend every day an hour or two. Another thing that I just absolutely love is Western horseback riding. I’m not the best rider, but unafraid and they all say I have the talent for it. My wife says I have golden hands because everything I touch ends up well or turns into gold :)
What are some of your best tips for breaking down, prepping, and cleaning pallets before you build with them?
Take your time, inspect your pieces you want to use and decide where they all go in the project. If there are flaws in the wood, leave them in and give them a strategic place so like it’s meant to be there. Sanding is something you love or hate. I kinda love it because it reveals your end product so train yourself to sand, sand, sand and then sand some more. When the wood is to beat up throw it in the stove :)
Have you designed any special tools or jigs for wood crafts?
Not really but that will change soon.
What are some wood working skills you really want to learn?
Carving and sculpturing.
What is the one project you’re the proudest of so far?
For the moment it must be my famous (local) cathouse.
What else would you like to share with the pallet community?
No project can be bigger than the wood you have!
Editor’s Note: Thank you for your time and for sharing your story with us, and with our fellow Crafters. Your work is beautiful and inspiring to all of us, and we truly look forward to more from you in the future! Keep those gorgeous pieces coming!
Thanks Wesley for this interview :)
To find more on Wesley:
check his profile on 1001Pallets
Mew drummer Silas being gently grilled by a Roman journalist.
I was wandering past, and when I saw how the late afternoon light was hitting him I just had to run and get my camera.
Whenever I take photos of people I tend to panic, and snap without much regard to the background or overall composition, but I'm pleased with this one.
Finnian foi Tagg pela Ste Ferreira <3
Eu ñ sei vcs mas eu estou com problemas de postar fotos no flick, diz q o arquivo expirou..... vai entender....
______________________________________
1 - Como foi a sua infância?
Finnian: Acho que foi bem normal... acho..
2 - Se você pudesse voltar no tempo e mudar alguma coisa, o que seria?
Finnian: Hum...... tenho q pensar em algo q eu ñ possa me arrepender.........
... acho q foi quando eu li spoiler de GoT
... ñ... acho q foi quando eu coloquei "lemon" no google...
... espera... acho q foi quando eu estava em duvida entre Charmander, Squirtle ou Bulbasaur
... estou pensando....
...
- ok proxima pergunta...
3 - Quanto você pesa?
Finnian: Acho que uns 45Kg
4 - Alguma vez você já amou e perdeu?
Finnian: Animal de estimação vale? *começa a fazer cara de choro*
5 - O que você faz para ganhar a vida e por quê?
Finnian: Sou estudante... ñ faço mais nada
6 - Que tipo de música você gosta?
Finnian: Gosto de trilhas sonoras
7 - Quantos anos você tem?
Finnian: Tenho 15
8 - Qual é a coisa mais irritante do mundo?
Finnian: Quando as pessoas vem conversar comigo quando estou lendo ou jogando ¬w¬'
9 - Qual é a sua palavra favorita?
Finnian: hum... acho q é "abraço"
10 - Você tem algum hobby interessante?
Finnian: Eu gosto de ler e jogar D; para mim são interessantes -q
11 - Qual é a coisa mais romântica que alguém já fez por você?
Finnian: Hum.... *pensando*..................... se alguém fez algo assim para mim eu ñ me lembro
12 - Como você relaxar no final de um longo dia?
Finnian: Eu leio ou jogo
13 - Você tem obsessões?
Finnian: No momento eu quero tentar fazer mais jovens se interessarem pela leitura *olha feio para o Ulric*
14 - Qual é a sua nacionalidade?
Finnian: Sou brasileiro, mas o meu pai é norte americano e as vezes me manda umas cartas.
15 - Que idiomas você fala?
Finnian: Português e um pouco de inglês
16 - Se você pudesse ter qualquer animal de estimação no mundo, o que seria?
Finnian: Um dragão *0*
- Acho q esse não vale..
17 - Qual é a coisa mais aleatória que você se encontrar fazendo todos os dias?
Finnian: Acho q é sair de fininho para ñ ter q encarar todos de manhã >_<'
18 - Favoritos, rápido, vai! Livro, filme , jogo, bebida, cor?
Finnian: Calma calma >//////< ern... acho q é O Hobbit, Como treinar o seu dragão, Pokemon, milkshake de chocolate e creme
19 - Qual é a coisa mais sentimental que você possui e por quê?
Finnian: Acho q são alguns livros que tenho desde pequeno...
20 - Você está em um relacionamento?
Finnian: Não... e não quero.
21 - Qual foi a sua pior lesão?
Finnian: Foi quando caiu um livro na minha cabeça @w@'
22 - O que te assusta mais?
Finnian: Algumas pessoas me assustam... por exemplo as garotas que vivem aqui.... >_>'
23 - Algo que a maioria das pessoas não sabe sobre você?
Finnian: Eu gosto de ser organizado! o_ó
24 - Você tem algum animal de estimação?
Finnian: No momento não.
25 - O que você acha desta entrevista?
Finnian: Já acabou? estou pensando sobre a pergunta numero 2 ainda....
_________________________
Taggueados:
Dino e Rae da Larissa
Just opened my Interviewer doll from JHD and I am happy with her.
The box design and quality is superb. Her outfit is fantastic as is her face paint and hair. Love that they have improved the hands. They are still a bit soft but far from the earlier rubber feel. She comes with earrings, a bracelet, a nice folder with inserts of the models' bio, and a stand. And an extra set of hands (BOTH pairs of hands have long nails. No cheapness there!)
At $130, she is amazing. I wish JHD could keep their dolls around the $150 mark. I'd buy more of them and look back even less at others.
Interview Tag - Georgina
1 - Como foi a sua infância?
Georgina: Ótima. Um pouco aqui, um pouco ali... Aprendi bastante em cada país onde estive e também deixei um pedacinho de mim por onde passei.
2 - Se você pudesse voltar no tempo e mudar alguma coisa, o que seria?
Georgina: Teria nascido antes, para poder viver nos anos 50.
3 - Quanto você pesa?
Georgina: Vamos fazer assim, para eu não mandar você plantar batatas, vou dizer que peso 50kg.
4 - Alguma vez você já amou e perdeu?
Georgina: Claro! Amei um batom vermelho maravilhoso e perdi em algum banheiro de estrada... Fiquei arrasada e nunca consegui substituí-lo!
5 - O que você faz para ganhar a vida e por quê?
Georgina: Pergunta indelicada essa... minha família é rica, não preciso trabalhar, se é isso que você quer saber.
6 - Que tipo de música você gosta
Georgina: Rockabilly, baby!
7 - Quantos anos você tem?
Georgina: Como é mesmo o nome daquela música? Lembrei! 20 e poucos anos!
8 - Qual é a coisa mais irritante do mundo?
Georgina: Um banheiro sem espelho! u.u
9 - Qual é a sua palavra favorita?
Georgina: freedom \o/
10 - Você tem algum hobby interessante?
Georgina: Interessante não.
11 - Qual é a coisa mais romântica que alguém já fez por você?
Georgina: Me carregar no colo depois de passar horas dançando *-*
12 - Como você relaxa no final de um longo dia?
Georgina: Me jogando na primeira coisa macia que eu ver pela frente.
13 - Você tem obsessões?
Georgina: Claro que não. Tenho 50 batons vermelhos, como qualquer pessoa normal tem... *disfarça*
14 - Qual é a sua nacionalidade?
Georgina: Mamãe e papai queriam que eu fosse sueca, como minha prima Scarlett, mas eu quis nascer na terra do Rei. Então sou americana, norte-americana, estadunidense, ianque, ou como você quiser chamar quem nasce nos EUA.
15 - Que idiomas você fala?
Georgina: Para não deixar ninguém constrangido, vou citar só as que eu uso com freqüência, que são inglês, francês, sueco e português, okay?
16 - Se você pudesse ter qualquer animal de estimação no mundo, o que seria?
Georgina: Algum que fosse independente, porque estou sempre viajando.
17 - Qual é a coisa mais aleatória que você se encontra fazendo todos os dias?
Georgina: Poses para fotos....
18 - Favoritos, rápido, vai! Livro, filme , jogo, bebida, cor?
Georgina: Não gosto de ler nem de ver TV, meu negócio é música! Bebida a que tiver serve. Cor, vermelho, of course!
19 - Qual é a coisa mais sentimental que você possui e por quê?
Georgina: Meu coração, porque ele sempre acelera quando sinto alguma coisa fora do normal...
20 - Você está em um relacionamento?
Georgina: Hum...I don’t think so.
21 - Qual foi a sua pior lesão?
Georgina: Quebrar o salto durante uma maratona de dança e torcer o tornozelo. Tive que abandonar a prova e fiquei com o segundo lugar...
22 - O que te assusta mais?
Georgina: I don’t know...
23 - Algo que a maioria das pessoas não sabe sobre você?
Georgina: A cor natural do meu cabelo.... achou que eu ia contar um segredo, né? Te peguei!
24 - Você tem algum animal de estimação?
Georgina: Não.
25 - O que você acha desta entrevista?
Georgina: Legal, vai sair em alguma revista? Precisa de fotos? Posso fazer algumas poses se precisar...
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Obrigada por me taggear Thai! ^^
Vou taggear:
Vanille da Thai
Yve da Raíssa
Nadine da Fran
Rubi da Vicky
Recently, there was an interview about me on the net. I was asked to show three of my photos that I liked and tell why I liked them. I also told how and why I do my photography in the way that I do. You can read the full interview at this web address:
Not a good dress attire because the tie make it too funerally. If he change his tie to a color print , he may be able to pull this suit off for and interview.
Governor Hogan Speaks with MPT on Sine Die by Patrick Siebert at 110 State Circle, Annapolis, MD 21401
Kristen Stewart on the cover of interview mag.
The first decade of the 21st century, which is about to draw to a close, is in serious danger of being remembered as the time when fame was measured in pokes, tweets, and the ability to parlay a death-defying (and sometimes not so death-defying) degree of persona recklessness into a reality-television deal. But just as the door was about to slam shut on the double aughts, in walks—or, more appropriately, saunters—Kristen Stewart.
At 19, Stewart has already earned a place in the annals of pop-culture history. This is due to her starring role in Twilight, which—in case you’ve somehow managed to elude word of its all-encompassing death grip on young America—is a film based on the first in a series of very popular books about vampires, werewolves, and teenage life in the town of Forks, Washington. Stewart’s character, Bella Swan, is a newcomer to Forks who is forced to cope with the dueling pressures of starting life at a new school and the fact that her prospective boyfriend, the rakish Edward Cullen (played by the rakish Robert Pattinson), is a 104-year-old undead bloodsucker.
Given Twilight’s preoccupation with the timeless themes of misunderstood youth, troubled young love, and the intervening forces of darkness, the film’s success isn’t all that surprising. (To date, it has grossed more than $380 million worldwide.) Nor is the fact that more Twilights are in the offing: A second installment, New Moon, hits theaters in November, and a third, Eclipse, is due out next year. But the growing size and complexity of the Twilight machine has had some unavoidable implications:
In the last 12 months, Stewart has become a tabloid regular and a blog-stalked cynosure. The fact that her Twilight character is romantically linked to Pattinson’s in the film has also fueled nonstop speculation that they are involved in real life. BUYING A HOUSE? and GETTING MARRIED? were just a couple of the early autumn headlines. Between filming Twilight sequels, Stewart did a turn as Joan Jett in Floria Sigismondi’s new rock-band biopic The Runaways; even her hair for the film—which was chopped and dyed to mimic Jett’s late-’70s shag—inspired reams of media critique.
Stewart grew up in Los Angeles in a Hollywood family of sorts—her mother is a script supervisor, and her father is a stage manager—and as a kid announced her interest in working in front of the camera. Her second film, David Fincher’s 2002 thriller, Panic Room, in which she played Jodie Foster’s too-quick, too-wise, too-over-it daughter, proved an early indicator of her ability to play young, smart, but not precocious. Her performance in more left-of-center projects such as Sean Penn’s Into the Wild (2007) and this year’s Adventureland has only reinforced that notion. But if there’s a thread that runs through her relatively small body of work, it’s one that’s closely connected to the idea that you don’t have to be old to have soul. With Stewart, you don’t get 19-going-on-35. What you do get is a visceral window into what it means to be young and struggling to make sense of your own life and the world around you—and all the alternating waves of darkness and confusion and brightness and possibility that come with that. In many ways, it’s the unwritten nature of Stewart’s own story now, with its surreal subplots and recent twists and turns, that makes her compelling to watch. It’s true that she might very well be a rebel anodyne to many of her bleached and sprayed-on contemporaries. Or, like Bella Swan, she might just be someone who comes from somewhere, found her way into something exceptional, and is on her way to someplace else. Either way, she’s got a solid arc.
In celebration of Interview’s 40th anniversary, we askedactor, director, writer, and photographer Dennis Hopper—whose connection to the magazine reaches across all fourdecades—to handle the interviewing duties for this cover story. He graciously obliged. He spoke to Stewart, who was shooting Eclipse in Vancouver, from the set of his cable series, Crash, in Albuquerque, New Mexico.
DENNIS HOPPER: Before we start, I have a little six-year-old daughter here who’s going crazy right now because you’re on the phone. Could I just put her on for a second to say hello?
KRISTEN STEWART: Yeah, sure.
HOPPER: Okay, her name is Galen. [hands phone]
GALEN HOPPER: Hi!
STEWART: Hi! How are you?
GALEN: Good.
STEWART: It’s really nice to meet you, Galen. [pause] Hello?
GALEN: Hi!
HOPPER: [takes phone] She’s so excited.
STEWART: Wow, that made me so nervous!
HOPPER: It made you nervous?
STEWART: Yeah. I’m just sort of intimidated by kids. I didn’t know what to say.
HOPPER: Well, thank you for doing that. So how are you doing?
STEWART: I’m pretty good. I’m not very good at interviews, but this is a trip. Why in god’s name did you want to do this? You have no idea how cool this is for me.
HOPPER: Well, you’re a really good actress. And my daughter is your biggest fan, so I thought, What the hell? [laughs] I usually don’t do this, either. But you must be going through a lot right now, the way Twilight is hitting. You must have no peace at all.
STEWART: The sad thing is that I feel so boring because Twilight is literally how every conversation I have these days begins—whether it’s someone I’m meeting for the first time or someone I just haven’t seen in a while. The first thing I want to say to them is, “It’s insane! And, as a person, I can’t do anything!” But then I think to myself, God damn it, shut the fuck up.
HOPPER: [both laugh] You know, you’re giving really wonderful performances. Since you didn’t know you’d be making sequels when you were making the first Twilight, has it been difficult for you to get back into character for these new ones?
STEWART: I’ve actually always been interested in following a character more long term, but the only place to really do that as an actor is on a TV series. But the Twilight series is cool because you know what’s ahead of you—all of the books have been written. And I get breaks in between. It’s sort of a depressing thing to lose a character just when you’ve been able to get to know her. Usually, at the end of a film it’s like I’ve finally gotten to know this person completely, and then we’re done. That actually happened on the set of Twilight, and then it happened again on New Moon. Each time my character Bella became a different person, and I got to know that person and take her to the next level.
HOPPER: Have you been able to enjoy it? Or do you feel more pressure doing these sequels?
STEWART: I do feel more of a pressurized strain than what is typical for me. Usually, what drives you is your own personal responsibility to the script and the character and the people you are working with. But in this case, I have a responsibility not only to that but to everyone who has personal involvement in the books—and now that spans the world. It’s an insane concept. There are certain things in Twilight . . . As much as I’m proud of that movie and I do like it, I feel like maybe I brought too much of myself to the character. I feel like I really know Bella now. But most readers feel like they know Bella because it’s a first-person narrative. She’s like a little vessel and everyone experiences the story through her. All of these girls who are fans personally feel like they encapsulate that character. So it’s like, “How the hell am I going to do that for all of them? It’s impossible!” But I’ve decided, if you’re just unabashedly honest all of the time, you have nothing to be ashamed of.
HOPPER: These Twilight books have some dark material.
STEWART: But the movies aren’t that dark, as much as we’d all have loved to have made those films. But as pretty as it is to watch and as nice as it is to have watched these two characters find solace in each other, everything around them is absolute chaos. I mean, you have to question their motivations—to watch two people so unhealthily devoted to each other . . . I stand behind everything that they do. I have to justify it in my mind, or else I couldn’t play the character. But they are definitely not the most pragmatic characters. The weirdest fucking themes run through this story—like dominance and masochism. I mean, you always have to realize that the story needs to make sense to the 11-year-olds who read the book and aren’t necessarily going to be viewing a scene as foreplay. But then there is the other segment of the audience—a large percentage—who does see the scene as foreplay. And it’s pretty deep, heady foreplay. [laughs] So it’s fun to play it both ways. I mean, I don’t know what it feels like to make out with my vampire boyfriend because it isn’t something that anybody has ever felt. But it’s funny to think that a lot of the audience is 10 years old and will maybe one day grow up to realize there are a lot of involved thoughts in Twilight that they didn’t see before.
HOPPER: Well, you’re getting a lot of attention.
STEWART: Yeah, it’s weird. There’s an idea about who I am that’s eternally projected onto me, and then I almost feel like I have to fulfill that role. Even when things come out of my mouth, I want to be sure I’m saying exactly what I mean. All I’m thinking of is the fact that everything that I say is going to be criticized—not criticized, just evaluated and analyzed. And it’s always something that matters so much to me that doesn’t come out right. But in terms of how my life has changed, I never really went out a whole lot before. I’m sort of an in-my-head kind of person. I wish I could take more walks . . .
HOPPER: You can’t take walks?
STEWART: I’d like to take more walks after work, instead of having to come back to my hotel room and not leave. So it can be boring. I’ve been working as an actress since I was very young, and I know a lot of people who are actors who don’t have to deal with having a persona . . . You know, if you look up the word persona, it isn’t even real. The whole meaning of the word is that it’s made up, and it’s like I didn’t even get to make up my own. It can be annoying. But I have a really strong feeling that this is going to go away, that this is the most intense it’s going to get—and could get—and that it’s fleeting. So in a few years, I will hopefully become more like the people I want to become like.
HOPPER: Does it bother you to see yourself in the tabloids?
STEWART: There’s nothing you can do about it, to be honest. I don’t leave my hotel room—literally, I don’t. I don’t talk to anybody about my personal life, and maybe that perpetuates it, too. But it’s really important to own what you want to own and keep it to yourself. That said, the only way for me not to have somebody know where I went the night before is if I didn’t go out at all. So that’s what I’m trading. It depends what mood I’m in. Some nights, I think, “You know what? I don’t care. I’m just going to do what I want to do.” Then the next day I think, “Ugh.Now everyone thinks I’m going out to get the attention.” But it’s like, no, I actually, for a second, thought that maybe I could be like a normal person.
HOPPER: I was looking at all the films you’ve done, and you’ve worked with some extraordinarily talented people: Patricia Clarkson—god, she’s a great actress—and Jodie Foster. Just really wonderful people. And your performances are very different. You started when you were nine years old. You wanted to act, right? It wasn’t like you were forced into it because your parents were in the industry?
STEWART: No. Not at all.
HOPPER: Because Dean Stockwell is one of my best friends, and he has horror stories about acting when he was a kid. But you wanted to do this, right?
STEWART: It’s a weird thing to expect a child that young to say what they want to do, like act. I’m not sure it was a natural inclination for me either, but it was something that I fell into. To be honest, I had fun at first. It was the first thing I ever thrived at. My parents are crew. They were both baffled that I wanted to act. But they support anything that me and my brothers want to do. It was something I thought was fun because I grew up on sets. And then a few years later, I grew up and acting became very different to me. I think I was about 13.
HOPPER: Did you study with anyone? Or did you just pick it up through association?
STEWART: No, I just walked into it.
HOPPER: You learned it there. That’s the best place to learn. I saw Panic Room again last night.
STEWART: Really? I haven’t seen that in so long. That was the second movie I ever made. Thank god Jodie Foster did that movie because I wasn’t thinking about anything on that set. I was literally just hanging out with her and being myself. I can’t think about watching that—it would kill me. It would be like watching a home movie.
HOPPER: But you’re so good in it. Did you go to school while you were working as a kid?
STEWART: I went to public school up until junior high. I know it’s a little late and I’m a little old, but I just finished high school—with honors. The other day I was doing a graduation scene on Eclipse, and I had just finished high school myself the week before, so I told the crew, “Hey, just so you know, I’m actually graduating right now, and I’m not going to have another ceremony.” So I took a mock picture with an extra. I literally asked the actor to come back and shake my hand and hand me the diploma while I was dressed in a cap and gown.
Fanning, and he knows her as well, so it was cool. I actually hadn’t seen him in a couple of years. So it was sort of a trip because I’m different and he’s not. You know what I’m saying?
This is an excerpt of the October cover story. To read the full Kristen Stewart interview pick up a copy of Interview.
www.interviewmagazine.com/film/kristen-stewart-1/
oh pls. don't try to copy me
no POSERS allowed here!!!
pls. don't take my photos with w/out my permission
no STEALING pls.
btw. don't just view. leave comments && notes too:)
vampirekisses<333
I was fortunate enough to have been asked by Andy Butler to do an interview for Mobiography Magazine.
www.mobiography.net/interview/new-york-street-photography...
I was interviewed at www.joshspear.com/item/speartalks-grant-hamilton/#more-5725. Reading it would be an excellent way to pass the time while on the potty.
I usually shy away from interviews but Offscreen is such a beautifully produced mag, I just couldn't say no…
Processed with Analog
"I've just got back from a University interview, it was for a course to study song writing and contemporary composing. I got the place so I'm pretty chuffed. I like the idea of spending my days writing and composing, it's about getting your feelings out. At the moment all I'm feeling is teenage angst, but maybe in a few years, after a hair cut, I'll feel some real emotions"
"Is the hair holding you back?"
"Yeah, it's dragging me down"
"There's an emotion...What do you want to accomplish with this course?"
"I just want my work, in whatever form it takes, to be out there really. It must be a satisfying but surreal feeling, giving something to others simply from a song. I'm fully aware that there's a better chance that it's not going to happen rather than becoming hugely successful from it. Music is such an accessible medium these days and there's more and more people doing it. I've seen people become conceited over it. I just think that it's important to not kid yourself, there's always going to be someone who's going to be equally good or better at than you so it's about being grounded and working on those things which make you happy and you enjoy.”
I - Interviewer
S - Sharidan
I: It's nice to see you Sharidan!
S: The pleasure is all mine!
I: So let's talk about your experience in BTNM.
S: Okay, what would you like to know?
I: Well.. How was it of cousre? Haha
S: Oh! I feel so embarrased now, I'm so sorry! Haha. It was great! One of the most wonderful things that I could have ever experienced!
I: That's great to know! Now, how did you get along with the other girls in the house?
S: I didn't really interact with any of the other girls to be honest, I just sort of kept to myself. I did however become friends with Emma half way through the competion wich was a surprise to me, because I thought she hated me. xD but I was obviously wrong.
I: That's also great! We've heard that there was a girl in the house that may or may not have hated you, would you care to explain?
S: Sure, Well I had just gotten first call-out for my 'Disturbia' Photo after being in the bottom two the week before with my "Wind-Swept' Photo, and I had felt great about it, until one of the other girls, Ariiana, started saying that I didn't deserve my placing, which I took as an insult and it really lowered my self esteem.. but I didn't want to really talk about it around the other girls, but a couple of weeks later Ariiana, Emma, and I had gotten into a huge arguement over the call-out for the 'Floral Royalty' photoshoot and I kind of let what I was feeling slip out, I sort of lost control, and started blurting out stuff that I would never usually say, and I felt horrible about it..
I: Interesting! Have you and Ariiana worked everything out? and what about Emma and Ariiana, are they alright now?
S: It's kind of hard to tell, I think Ariiana and I are alright now, but I can't really say much for Emma, you'd just have to ask her herself.
I: Ah, I see. Well now I think it's time for the question everyone has been waiting for, How did it feel when you realized you had won, and became BNTM?
S: At first I didn't believe I had won, I stared at the screen in shock for like 5 minutes, and then it hit me, and by it I meant Emma! LOL! But don't worry it was just a friendly punch in the arm, although it did leave a huge bruise.. o.o
I: Haha! That's great! So how are you and Emma? Still Friends?
S: Yes we are! We've been contacting eachother online, and by phone, we plan to meet up soon and do something fun! :)
I: Awesome! Well that pretty much wraps up just about everything. Congrats on winning BNTM!
S: Thank you so much, and thanks for having me! :)
My interview for BJD Magazine :
bjdmagazine.com/2010/12/07/bjd-faceups-by-caroline-seales...
thanks for reading! :)
edit :
and here's part 2!
bjdmagazine.com/2010/12/09/bjd-faceups-by-caroline-seales...