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Photos by Miller Taylor.
August 2016 CreativeMornings/Raleigh event (global theme: Weird) with guest speaker Tarish Pipkins.
Tarish Pipkins a.k.a. Jeghetto, is a self-taught artist and has been creating art from a very young age. In the late 90s Tarish joined the BridgeSpotters Collective and became known for his live paintings and poetry.
He moved to North Carolina in 2005 where he launched his career in puppetry. There he fine-tuned his skills by doing street performances with his puppets. In 2008 he started working with Paperhand Puppet Intervention. He has built puppets and performed in several Paperhand productions.
Tarish is now a teacher at Just Right Academy, a private alternative school for children with special needs. Tarish is married and a proud father of five children. Jeghetto’s passion is promoting Oneness through the magic of puppetry.
Special thanks to our host CAM Raleigh and sponsors CompostNow, Remedy, for video production, Counter Culture Coffee, who generously provided us with complimentary coffee, and Neomonde Mediterranean, who provided the tasty breakfast snacks.
Went to the grampians with paul, and saw some bushfires on the way back, which made for some sexy rays of sun, and orange clouds!
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A little manual intervention as East Wind and Sunflowers respective autopilots decided to cross paths
Paperhand Puppet Interventions presents "As The Crow Flies: Tales From Four Drections" -- Sunday, August 13, 2006.
Part 4: "The Librarian of Basra"
The puppet show was told as recounted in Jeanette Winter's book "The Librarian of Basra".
This account is written according to my memories of the show.
Photos taken by Danielle Latman.
26-year-old mother of four, Saada Umer caries 2-year-old Sumaya on her back while tending to the livestock. Her daily tasks became much easier four months ago after a water tap was installed on their land, enabling them to take water whenever they need. In the past, she had to carefully measure out water from jerry cans which she filled daily at a water point 3 kilometres away. Saada and her husband are farmers living at the edge of Boku town, Fedis woreda (district) in Oromia region. ©UNICEF Ethiopia/2017/Rebbeca Beauregard
Paperhand Puppet Interventions presents "As The Crow Flies: Tales From Four Drections" -- Sunday, August 13, 2006.
Part 4: "The Librarian of Basra"
The puppet show was told as recounted in Jeanette Winter's book "The Librarian of Basra".
This account is written according to my memories of the show.
Photos taken by Danielle Latman.
Eggs Collective are an eclectic bunch of Manchester-based female performers, working together to create shows, workshops, public interventions and whatever else takes our creative fancy.
Since forming in the basement of a bar back in Easter 2009, we have marched 100 people through the streets of Manchester dressed as Dorothy from the Wizard of Oz; played Guess Who dating in traditional theatre spaces and facilitated a Saturday night mass Conga aided only by glo-sticks and kazoos.
We have performed one-act plays at festivals nationwide, presented spoken word accompanied by classical cello and danced our way through self-composed tracks. Our alter-egos include a 6-foot dog, an opera singing bearded lady and a snail who’s a fan of Edith Piaf. What more do you need to know?
We believe in creating egg-citing and challenging new work, conceived and developed by the women involved. Eggs are committed to providing a meaningful creative platform to women of all ages and art forms, and we believe that the magic of our collective lies in the variety and diversity of the individuals involved.
As Eggs, we make collaborative work that showcases a powerhouse of talent; work that is fun, energetic and always original, never poached (we also like puns).
Our relationship with Contact has been invaluable to the development of Eggs Collective.
Our Key Partner Company status has given an immeasurable boost to our growth in a million and one ways. We can’t wait to get cracking on the rest of our journey, and we really, really hope that you will come along for the ride…
Performative Intervention im öffentlichen Raum Berlin
Berlin Biennale, Akademie der Künste, ESMT European School of Management and Technology, KW Institute for Contemporary Art, Blue-Star, U Bahn Fehrbelliner Platz, Museumsinsel, Ernst-Thälmann-Denkmal, Deutscher Bundestag, Kastanienallee und Gleisdreieck, Berlin - August 2016
Nagl ~ Wintersberger 2016
Our July photo takes us to the heart of Colombia, where the Watermasters are on a mission at Lake Fúquene. Once a thriving ecosystem, this lake has been grappling with pollution, eutrophication, and sedimentation. But, with the CAR Cundinamarca’s intervention using the Watermaster amphibious multipurpose dredgers to remove nutrient pollution and excess vegetation, the tide is beginning to turn. This vital work will help ensure the future biodiversity and health of this beautiful lake.
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Contact us for more information about the many capabilities and applications of the amphibious multipurpose Watermaster dredger: watermaster@watermaster.fi
Young women in Nyinbuoli, Aweil West, Northern Bahr el Ghaza are receiving chicken at a small stock market organized livestock market.
Photo credits must be given to: ©WorldConcern/Harrison Kamau
Intervention de Lionel Janin lors de la conférence "Artificial Intelligence in the UK and in France", organisée par l'ambassade d'Angleterre à Paris, le mardi 13 février 2018.
Climate Change intervention lead by students from Kamla Nehru College, New Delhi, India at Launch of Corporate Disaster Resource Network (CDRN) at Conference on Combating Climate Change for Disaster Reduction and Sustainable Business with Climate Friendly Private Sector Initiatives in New Delhi, India Under Auspices of NDMA and an Initiative of Aidmatrix & CSO Partners
Beneficiary registration at the nutrition market in Nyibuoli, Aweil West.
Photo credits must be given to: ©WorldConcern/Harrison Kamau
MIT's radome on top of the Green Building was the setting for "Water on the Roof" by Sara Goheen, Collin Russell, and Pamela Hersche
Resonating MIT is the culmination of a semester-long interdisciplinary collaboration that deploys sonic interventions to amplify unexplored spatial atmospheres on MIT’s historic campus. A series of performances, installations, and a mobile-ready website provided gateways to critical spatial inquiries using sound from the past, present, and the speculative future of the Institute. It will featured new works produced by MIT students from the Spring 2014 class 4.373 Sound Installations and Sonic Interventions and the works of CAST visiting artists Stephen Vitiello and Robin Rimbaud, aka Scanner, as well as compositions by students from the class 21M.351 Music Composition performed by the avant-garde visiting artist ensemble Either/Or.
The class 4.373 Sound Installations and Sonic Interventions was taught by Professor Gediminas Urbonas and Teaching Assistant Ann Lui with Media Associate Madeleine Gallagher and Fabrication Associate Seth Avecilla in collaboration with Prof. Keeril Makan and ACT Fellow Neil Leonard.
For more information: artsm.it/1nEuvsV
Photo by Andy Ryan
Please ask before use
Resonating MIT is the culmination of a semester-long interdisciplinary collaboration that deploys sonic interventions to amplify unexplored spatial atmospheres on MIT’s historic campus. A series of performances, installations, and a mobile-ready website provided gateways to critical spatial inquiries using sound from the past, present, and the speculative future of the Institute. It will featured new works produced by MIT students from the Spring 2014 class 4.373 Sound Installations and Sonic Interventions and the works of CAST visiting artists Stephen Vitiello and Robin Rimbaud, aka Scanner, as well as compositions by students from the class 21M.351 Music Composition performed by the avant-garde visiting artist ensemble Either/Or.
The class 4.373 Sound Installations and Sonic Interventions was taught by Professor Gediminas Urbonas and Teaching Assistant Ann Lui with Media Associate Madeleine Gallagher and Fabrication Associate Seth Avecilla in collaboration with Prof. Keeril Makan and ACT Fellow Neil Leonard.
For more information: artsm.it/1nEuvsV
Photo by Andy Ryan
Please ask before use