View allAll Photos Tagged Intervention

I recently finished short prose/essays by Elena Ferrante where she wrote about a subject each week for a year for The Guardian and rather enjoyed her musings on being an author, mother, human, lover of films, admirer of Daniel Day Lewis, and being Italian,

 

readingintranslation.com/2019/11/11/self-construction-by-...

 

**All photos are copyrighted**

Zeiss Ikon Vario-Talon 70-120 f3.5 MC

The sun trying to break through this morning, provided some nice colour as it shone on the frosted ferms.

 

Facebook: Stuart Leche - C9 Photography

Our local estuary, part of the Space Force Base, gets some heavenly intervention....

(couldn't decide between the 2 rainbow images so I'm going to let the flickrmind decide-only ONE will survive!)

 

Scène tirée du projet de la vidéo

flic.kr/p/26q7W8Q

 

shot in Berlin on a rainy night with Leica M10 and Summilux 50mm in Mitte

I was there to help too, but above all I loved to watch the whole scene, especially the fire and the care with which C. handled the challenging intervention.

Once again, I know not what kind of wildflower this is. If anyone can help me I would greatly appreciate it! It was growing by the roadside in the deep part where it would be more moist, and they grew in clusters. I thought maybe it was joe-pye weed, but it doesn't seem big enough.

 

View On Black

 

Man made structures attempt to slow the effects of erosion.

Jardín de Cactus was the last intervention work César Manrique performed in Lanzarote.

The artist from Lanzarote could see beyond how run down the ancient rofera was. Roferas were the quarries that raids are taken from to create a very particular home for cactaceae flowers from all over he world.

Surrounded by the largest cactus plantation of the island, dedicated to crops of cochineal insect, a product of great financial relevance in Lanzarote in the 19th Century. Jardín de Cactus has around 4,500 specimens of 450 different species, of 13 different families of cactus from the five continents. The green shade of the plants stands out against the blue sky and the dark volcano creating a harmonious explosion of colour that impresses visitors. The only sounds that break the peace and quiet that prevails, are singing birds and boozing insects, enjoying their very own oasis.

High volcanic ash monoliths, that maintain the memory of years gone by, challenging plants from America, Africa and Oceania. At the top, on a small hill, windmills can be seen on the horizon, still standing, where Canarian cornmeal was ground dating back to the 19th Century.

Created with fd's Flickr Toys

 

www.youtube.com/watch?v=fqLvbpcsPj4&feature=related

 

Why Does My Soul feel so Bad ... Moby

Need divine intervention

Need to C the light

God Bless

Guy

5 minutes before taking this, it was pouring with rain!

In the summer of 1864, tens of thousands of Union POWs were dying of thirst at the military prison in Andersonville, Georgia. Suddenly, a spring erupted from the ground within the stockade. The POWs credited its appearance to divine intervention, and "Providence Spring" became part of the established lore of the Civil War.

Castle Campbell was originally known as Castle Gloom, possibly deriving from the Scottish Gaelic: glom, meaning a chasm, and referring to the narrow gorges to either side of the site. The naturally defended position may have been the site of a motte in the 12th century. The present tower was built in around 1430 for John Stewart, Lord Lorne (d.1463), or one of his kinsmen. About 1460, the property was acquired by Colin Campbell, 1st Earl of Argyll (d.1493), on his marriage to Isabel Stewart, Lord Lorne's daughter. The first historical record of the castle dates from the following year, when Pope Paul II issued a bull against Walter Stewart, son of Lord Lorne, for attacking and damaging the "Place of Glowm". Campbell, who was at the papal court at the time, may have been instrumental in arranging the Pope's intervention. The tower shows signs of early rebuilding following this episode.

The acquisition of Castle Gloom expanded the power of the Campbell family, from Argyll in the west into central Scotland, and suited Colin Campbell's position as Master of the Household to King James III of Scotland, which required his frequent presence at court. In February 1490, Campbell petitioned the newly crowned King, James IV of Scotland, to formally change the name of Gloom to "Castle Campbell", and this was done by an act of parliament. The change in name may imply that the term "castle" was seen as particularly prestigious, requiring royal approval for its use. At this time, the castle would have comprised the tower house, with other buildings arranged around the courtyard and gardens outside. The east range was probably added first, and some time after the accession of the 2nd Earl in 1493, the large south range was begun. This building shows the influence of the contemporary works at Stirling Castle, now known as the King's Old Building. It included a state apartment of hall, outer chamber and bedchamber, with large south-facing windows overlooking the gardens, and a view across the Devon Valley. The range also provided additional private lodgings, and was accessed via two symmetrically placed stairways facing the courtyard.

 

Dieser LRZ (Stützpunkt Rotkreuz) hatte wohl im Rahmen der starken Schneefälle alle Hände voll zu tun. Hier ist er unterwegs in Richtung Freiamt, ca. 2 Stunden später kehrte er mit einem Flirt am Hacken zurück.

While shooting an abandoned farm house in the Caroline, Alberta, area, this small herd of cattle came to see what I was doing.

 

PENTAX HD-FA 35 mm F2 AL

Flash + 2 LEDs

“And above all, watch with glittering eyes the whole world around you because the greatest secrets are always hidden in the most unlikely places. Those who don't believe in magic will never find it.”

 

― Roald Dahl

 

Soundtrack : www.youtube.com/watch?v=mer6X7nOY_o

SOMEWHERE ONLY WE KNOW – LILY ALLEN

 

AGENT OF GOOD FORTUNE

 

Like a muse you came to me

the news was so very good to read

I saw the writing on every wall

and in every mirror reflections of your soul

shadows whispering round my heels

soft, floating wishes; an agent of good fortune

marching your feet so very tirelessly

and though I am quite an effort

I am so happy you think I'm worth it

for I've never met another man like you

and I don't suppose I ever wanted to

because you are truly one of a kind

the kind of man who gets me so completely

that I feel whole instead of a jumbled puzzle

a broken plaything that someone else grew tired of

and abandoned me to myself,

like a discarded toy high up on a dusty shelf

but what a gift; a treasure they left so far behind and never knew

like in a fairy tale you woke me from my endless reverie

A Prince that listens to all my tales of woe and misery

and never fails to make me smile

who listens to my nonsense

and levels it with such good advice;

someone who's prepared to go that extra mile

I hear you laughing now, so at least in equal measures

a pinch of sarcasm amid our hidden pleasures

but I can take it; my shoulders broad

even if only metaphorically

but then metaphysically my poetry

doesn't need to rhyme

because the emphasis is on the words

the meanings and not beating time

I know you like it to be simpler

and you pretend to misunderstand

but I know you're smarter

than the average bear Boo-Boo

I can sometimes wax lyrical if you prefer

but I can't always tell how it will end

because I write in a stream of consciousness

and when I read it back

it's often the first I've heard of it

there's no accounting for what's hidden in our minds

but what I do know is what is in my heart

and you captivated a part of me right from the start

it's as though somewhere in the universe

a split appeared and then I fell to Earth

but you'd already been here for a little while

and never knew until one day you saw me smile

and it hit you that I was the other half of you

but there's nothing to be done about it

at least not in this incarnation

even if we had the right inclination

we cannot mess with divine intervention

but be patient because we already

waited several lifetimes

so what's another one or two

and this time round I have a photographic memory

so I will remember and not make the same mistakes again next time

and when the portal to our dreams opens up it's doors once more

I will wait for the perfect moment

and then I will be yours

and we will go to that special place

that special somewhere that only we can know

where there's no other place we want to go

you know the place I mean

it looms so large in both our dreams

I think that you will be my rock

the anchor that weights me down

for in this world I'm only floating

round and round trying hard to never be found

because I don't want to be with anyone else

I'm holding out for another lifetime

when you and I can dance around

and we will be forever bound

together ...

 

- AP – Copyright remains with the author

 

My artwork is a compilation of 4 of my photographs

 

Copyright © protected image please do not reproduce without permission'

L'uomo uscì di casa a mezzogiorno. Il sole batteva forte e deciso, in giro non c'era nessuno, la città era deserta.

Camminava per le vie vuote portando con sé il suo cartello e ripetendo a bassa voce il suo rosario incomprensibile.

Dalle finestre qualche occhio non resisteva alla tentazione di guardare lo show, annunciato ormai da qualche giorno. Gli occhi sbirciavano l'uomo, poi si facevano irridenti, beffardi, a sottolineare quella che tutti chiamavano "pazzia".

Intanto che camminava per le strade del quartiere, qualcuno si mise anche sul marciapiede, nonostante il caldo, a guardarlo passare. Ma nessuno diceva niente e nessuno si univa alla marcia solitaria dell'uomo.

Dopo che era passato il quartiere tornò a nascondersi, come se non fosse successo niente. Lui intanto continuava a battere le strade, imperterrito. Quando arrivò in una stradina, dopo un'ora che camminava, vide tutto bianco.

Crollò per terra, sfiancato dal caldo estivo. La bocca e gli occhi aperti. Nessuno si accorse di lui.

Abstract architecture, Victoria.

Byzantine church, the original building which is cruciform church with a dome, which is supported on four columns with Roman capitals. Built in the 11th century in honor of the Virgin and in remembrance of the Entry of the Temple of the Lord.

In 1834 the church risked to destroy trying restoration and landscaping of the capital of the newly established Greek state, but was saved at the last minute by the intervention of the father of King Otto, Ludwig of Bavaria.

 

Βυζαντινή εκκλησία, το αρχικό κτίριο είναι σταυροειδής ναός με τρούλο, που στηρίζεται σε τέσσερις κίονες με ρωμαϊκά κιονόκρανα. Χτισμένο τον 11ο αιώνα προς τιμήν της Παναγίας και σε ανάμνηση των Εισοδίων της Θεοτόκου.

Το 1834 η εκκλησία κινδύνευε να καταστρέψει την προσπάθεια αποκατάστασης και εξωραϊσμού της πρωτεύουσας του νεοσύστατου ελληνικού κράτους, αλλά σώθηκε την τελευταία στιγμή χάρις στην παρέμβαση του πατέρα του βασιλιά Όθωνα, Λουδοβίκου της Βαυαρίας.

I believe in Divine Intervention! Seriously I am waiting daily for a Divine Intervention in that horrible stuff happening to God's children in Ukraine! We need only to believe..

 

A miracle or act of God that causes something good to happen

or stops something bad from happening!!

Colony IL

 

© Yamabxl 2015 | All rights reserved.

 

Thank you for the visit and comments are welcome.

 

All photos they may not be used or reproduced without my permission. If you would like to use one of my images for commercial purposes or other reason, please contact me.

Defence Fire Risk Management Organisation rapid intervention vehicle.

Nice to see so many Humming Bird Feeders.

I find myself drawn toward scenes where light penetrates darkness. I found this light shining on the edges of a huge boulder that was split in two at Natural Bridge, SC. It reminds me of the cosmic struggle between good and evil.

Ref: 90D2 2806

Gato montés o gato salvaje en el Centro Fauna, Món Natura Pirineus, Les Planes de Son, Pallars Sobirà, Cataluña.

Wildcat at the Wildlife Centre, Món Natura Pirineus, Les Planes de Son, Pallars Sobirà, Catalonia.

 

ENGLISH

The MónNatura Pirineus Wildlife Centre enables visitors to see firsthand the wildlife species that make up the Pyrenees. Here we find animals which for various reasons are unable to suckle from their mothers at the time of their birth. At this point human intervention becomes necessary, and, through an imprinting process, their dignity can be restored and they can live in a state similar to their natural habitat.

monnaturapirineus.com/en/content/wildlife-centre

 

ESPAÑOL

Para conocer algunas de las especies más respresentativas que conforman la fauna salvaje de los Pirineos, MónNatura Pirineus dispone del centro de fauna. En este espacio encontramos animales que en el momento de nacer tuvieron problemas y, como consecuencia, su madre no quiso amamantarlos. Es en este momento cuando interviene el ser humano y, mediante un proceso de improntación, se les puede recuperar y dignificar su vida en un estado similar al de su hábitat natural.

monnaturapirineus.com/es/centro-de-fauna

 

CATALÀ

Per conèixer de primera mà les espècies que conformen la fauna salvatge dels Pirineus, MónNatura Pirineus disposa del Centre de Fauna. En aquest espai hi trobem espècies animals que, en el moment del néixer, van tenir problemes, i com a conseqüència, la seva mare no va participar en l’alletament. És en aquest moment que hi intervé l’ésser humà i, mitjançant un procés d’impressió, se’ls pot recuperar i dignificar la seva vida en un estat similar al del seu hàbitat natural.

monnaturapirineus.com/ca/que-es-monnatura/centre-de-fauna

  

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