View allAll Photos Tagged Intervention

Reflect what will still be vegetation in 5 10 years...

 

* I'm grateful for visit, favs and comments of my photo.

As randomness would have it, tonight was good vs evil at Nuit.

I pulled out my favorite wings.

I also learned a friend of mine needs to be lifted up and offered a few extra thoughts and prayers in the upcoming days.. Sent...♥

The function of art vis-a-vis antiquity.

Mitakon Speedmaster at F8.

I recently finished short prose/essays by Elena Ferrante where she wrote about a subject each week for a year for The Guardian and rather enjoyed her musings on being an author, mother, human, lover of films, admirer of Daniel Day Lewis, and being Italian,

 

readingintranslation.com/2019/11/11/self-construction-by-...

 

**All photos are copyrighted**

Zeiss Ikon Vario-Talon 70-120 f3.5 MC

Digital remix of a single exposure of a drab interior concrete floor. Came out rather well, I thought.

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Scène tirée du projet de la vidéo

flic.kr/p/26q7W8Q

 

shot in Berlin on a rainy night with Leica M10 and Summilux 50mm in Mitte

Man made structures attempt to slow the effects of erosion.

Created with fd's Flickr Toys

 

www.youtube.com/watch?v=fqLvbpcsPj4&feature=related

 

Why Does My Soul feel so Bad ... Moby

Need divine intervention

Need to C the light

God Bless

Guy

In the summer of 1864, tens of thousands of Union POWs were dying of thirst at the military prison in Andersonville, Georgia. Suddenly, a spring erupted from the ground within the stockade. The POWs credited its appearance to divine intervention, and "Providence Spring" became part of the established lore of the Civil War.

Les sculptures de Laurent Trezegnies sont en grande partie conditionnées par une prise en considération des lieux d’intervention et par une volonté de modifier la façon dont ils peuvent être appréhendés. Pour Art Public Liège, il a développé une installation au moyen de sangles d’arrimage tendues entre la base des deux piles de la passerelle Saucy et la structure de son tablier. Les traits rouges définissent ainsi deux faisceaux qui rayonnent vers le haut. Il y a des jeux avec la présence du fleuve : d’oppositions avec la noirceur de ses eaux ; de reflets avec sa surface ; de résonances avec le mouvement des vagues. « Je travaille sur la richesse expressive du trait, sur ses interprétations. Avec une pièce comme celle-là, je questionne en quoi le dessin peut être appliqué à des formes environnementales pour élargir, renouveler, enrichir la perception du lieu et en proposer une nouvelle vibration. Comme dans la plupart de mes interventions, les matériaux sont industriels, de ceux dont la puissance expressive est généralement tenue pour inexistante. En outre, les sangles modifient la fréquence du vent et apporte une dimension sonore. »

 

Laurent Trezegnies’s sculptures are largely conditioned by a consideration of places of intervention and by a desire to modify the way in which they may be understood. For Art Public Liège, he developed an installation using lashing straps stretched between the base of the two piers of the Saucy footbridge and the structure of its deck. The red lines thus define two beams which radiate upwards. There are games with the presence of the river: oppositions with the blackness of its waters; reflections with its surface; of resonances with the movement of waves. “I work on the expressive richness of the line, on its interpretations. With a piece like this, I question how drawing can be applied to environmental forms to expand, renew, enrich the perception of the place and offer a new vibration. As in most of my interventions, the materials are industrial, those whose expressive power is generally held to be non-existent. In addition, the straps modify the frequency of the wind and bring a sound dimension. "

Even though I have an unlisted number, God called me early this morning and told me to go to Detroit. I always listen to God. If you want to see more, please visit my Zenfolio gallery. A direct link is in messages.

Ferrari Enzo

 

I would REALLY appreciate some feedback on this picture because I am really proud of it. Thanks!

 

Thank you to Dave Toussaint (www.flickr.com/photos/davetoussaint) for the cloud layering.

 

PENTAX HD-FA 35 mm F2 AL

Flash + 2 LEDs

Garden centres and the beautification of antiquity.

Mitakon Speedmaster at F8.

I haven't Felt like playing with the elves like I had in the past years, poor Menace is ignored to death with all the crappy stress at work.

 

It's funny I don't feel like playing elves when this is the most I have ever had hah :) Darn their Adorable Faces <3

 

While shooting an abandoned farm house in the Caroline, Alberta, area, this small herd of cattle came to see what I was doing.

 

Abstract architecture, Victoria.

L'uomo uscì di casa a mezzogiorno. Il sole batteva forte e deciso, in giro non c'era nessuno, la città era deserta.

Camminava per le vie vuote portando con sé il suo cartello e ripetendo a bassa voce il suo rosario incomprensibile.

Dalle finestre qualche occhio non resisteva alla tentazione di guardare lo show, annunciato ormai da qualche giorno. Gli occhi sbirciavano l'uomo, poi si facevano irridenti, beffardi, a sottolineare quella che tutti chiamavano "pazzia".

Intanto che camminava per le strade del quartiere, qualcuno si mise anche sul marciapiede, nonostante il caldo, a guardarlo passare. Ma nessuno diceva niente e nessuno si univa alla marcia solitaria dell'uomo.

Dopo che era passato il quartiere tornò a nascondersi, come se non fosse successo niente. Lui intanto continuava a battere le strade, imperterrito. Quando arrivò in una stradina, dopo un'ora che camminava, vide tutto bianco.

Crollò per terra, sfiancato dal caldo estivo. La bocca e gli occhi aperti. Nessuno si accorse di lui.

I believe in Divine Intervention! Seriously I am waiting daily for a Divine Intervention in that horrible stuff happening to God's children in Ukraine! We need only to believe..

 

A miracle or act of God that causes something good to happen

or stops something bad from happening!!

... the intervention of foreign interest groups and powers and war and violence have been going on. This book has about 950 pages and was published a quarter of a century ago. Since then, the tragedies and the suffering of the people have been continuing. The story of the destruction of the Congo is a very long one beginning centuries ago and with new lows in the 20th and 21st centuries. Our attention span may be short and exhausted anyway by the terrible events in other parts of the world. However, the memory of the atrocities in the Congo is a long one. It will not go away. Leica M8, Elmar (collapsible) 2.8/50.

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