View allAll Photos Tagged Intersecting
Réf. : DSC03782
Une structure qui se tient debout, légèrement penchée, avec des lignes de force évoquant la taille d'une femme qui marche. Ce pourrait être les restes d'un bas-relief antique. C'est seulement (?) un gros plan d'une surface rocheuse dont la couleur m'appelle.
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A structure that stands upright, leaning slightly, with lines of force evoking the silhouette of a woman walking. It could be the remains of an ancient bas-relief. It is only (?) a close-up of a rocky surface whose color appeals to me.
I'm sure loads of people have already done this... don't know why I didn't think of it sooner! Using jumpers with 1x4 bricks with grooves.
Not entirely sure what use it will be - I think it will be great to create stable interlocking sections in models (the three parts are not attached)
A use of this technique is here
Thought of a name for this technique - the Groovy Jumper!
Another irregular tesselation, but with a little more symmetry than previously. I again used CirclePack to generate the Circle Packing this is based on.
Folded from one sheet of elephant hide paper scored with a Craft ROBO.
The concept was previously explored by Daniel Kwan and Philip Chapman-Bell.
CPs for all the "Intersecting Cylinders" models can be found here.
Beau bâtiment universitaire au Grabengasse 1 dans le vieux Heidelberg, Land de Bade-Wurtemberg, en Allemagne. Ce bâtiment de l’Universität Heidelberg abrite un musée et le service du soutien scolaire.
Une vue vers le nord-est à partir de l’intersection des rues Grabengasse et Merianstraße.
De nombreux poètes ont chanté des louanges de la ville Heidelberg et d’innombrables peintres (dont J. M. W. Turner) ont immortalisé sur leurs tableaux la célèbre vue du Chemin des Philosophes (Philosophenweg) sur le Neckar, la vieille ville et le château séduits par la beauté naturelle du site et les ruines de son château dont les remparts de grès rouge se découpent sur le vert de la forêt. Tous ces artistes ont fait de la ville un haut lieu du Romantisme allemand.
L'électeur Ruprech 1er y fonda en 1386 la première université d'Allemagne qui deviendra, au 16e siècle, aussi un haut-lieu de la Réforme protestante. La ville resta pendant des siècles la capitale politique de L'état du Palatinat mais elle ne put résister aux troupes françaises qui la dévastèrent entièrement pendant la guerre d'Orléans (1688-1697). Sa reconstruction au 18e siècle lui donna un visage baroque. Aujourd'hui, cette perle du Neckar, loin d’être une ville-musée, est aujourd’hui une cité universitaire animée, qui vibre d’une intense vie culturelle.
The theme for week 15 is intersecting. Hedgerows intersect the countryside providing highways for wildlife and fields for farmers.
Processed through Dynamic Photo HDR and tweaked a little in Serif.
Call me Snake offers an optimistic provocation – ‘imagine what could be here’ by Judy Millar. On a walk into the city October 3, 2015 Christchurch New Zealand.
The work is comprised of vibrant graphics of Millar’s looped paintings, which are adhered to five intersecting flat planes, and draws inspiration from the forms found in pop-up books. The colourful piece will add a dramatic and rhythmic counterpoint to the city’s current urban landscape — a mix of flattened sites, construction zones and defiant buildings that have stood through the quakes. The work employs theatricality, playfulness and visual trickery, whereby the viewer is unsure about the work’s flatness or three-dimensionality; and it has been designed to offer a different perspective from each angle. The bright colours interrupt the grey of the work’s surrounds, and as buildings pop up around it,
SCAPE 8, New Intimacies curated by Rob Garrett was a contemporary art event which mixed new artworks with existing legacy pieces, an education programme, and a public programme of events. The SCAPE 8 artworks were located around central Christchurch and linked via a public art walkway. All aspects of SCAPE 8 were free-to-view.
The title for the 2015 Biennial – New Intimacies – came from the idea that visually striking and emotionally engaging public art works can create new connections between people and places. Under the main theme of New Intimacies there are three other themes that artists responded to: Sight-Lines, Inner Depths and Shared Strengths.
For more Info: www.scapepublicart.org.nz/scape-8-judy-millar
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Lights dangle from intersecting cords forming lines and angles and patterns of interest. The photograph is well anchored by the post set on the third of the frame. Clouds mix with post processing textures to create depth and more interest. Color is removed for simplicity.
www.roxanneoverton.com – where you will find more photography and information on my instructional and travel series photography books.
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Hasselblad 501 C/M (Zone Sieve pinhole) with Kodak Tri-X 400 developed in Rodinal.
Printed on Kodak Ektalure
Lith development:
LD20 / D / E
Selenium 1+4 15s
- www.kevin-palmer.com - I've looked into Bighorn Canyon many times from the west side. But this was my first time seeing it from the east side which is much harder to reach.
a full view of this model.
from Roma Remme's "intersecting cylinders" family. you really should have a look at his other models.