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Interaction too between the seawater, sunlight and the sand/mud on the beach during low tide, also SOOC. Changing my position so that there was more sunlight to reflect in the seawater.
'Interactions', exhibition by Javier Vallhonrat (52 photograhps, seven videos and a video installation), CGAC (Centro Galego de Arte Contemporánea), Santiago de Compostela, until 27 march, 2016.
'Interactions" can be understood as an exploration of the mountain experience and man's fragility in the presence of nature and extreme conditions, but it also raises questions about the different ways in which the landscape can be represented.
"For, to be a stranger is naturally a very positive relation;
it is a specific form of interaction."
-Georg Simmel
the Oregon snap peas are in full production in
our garden, they are so tasty.
i hope everyone is doing great ♥
happy sliderssunday!
One of my abstract works I painted in the last few days. This is composed of two different ones. I'm very grateful for the suggestions and support from my Flickr friend Andrew.
RKO_9885.
Copyright: Robert Kok. All rights reserved! Watermark protected.
More of my work and activities can be seen on:
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A touch of Red in the Landscape!
Some music for this landscape:
www.youtube.com/watch?v=Din_eWjJWe0
This is a Low Resolution Watermarked upload, for a full size watermark free file please contact Terry Eve Photography via Flickr mail.
Snowy Interaction. These are two Snowy Egrets. They are each quite capable at catching their own fish but seem to spend a great deal of time attempting to steal from other snowies or ibis. I think if they spent more time catching their own fish they'd end up with a fuller belly.
Zooming in on my latest origami tessellation 'Interaction'.
And because it is Sliders Sunday, I did it a color-treatment.
HSS everybody!
If you are interested to see more, have a look at my tessellation album Origami - Tessellation Progression".
Und jetzt? - Ein interaktiver Museumsbesuch ... die Frau hatte Spaß beim Spiel mit einem "Großen Geist" von Thomas Schütte.
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The woman's interactive museum visit - what might happen now?
I had been observing and photographing the Great Gray Owl on the right for about two hours, including as it made several strikes (at least two of which were successful). In this instance it seemed to be mantling (spreading its wings) as if over prey, and I was waiting for it to lift off. Suddenly the owl on the left in this image appeared ‘out of nowhere,’ flying low and fast and closing distance quickly. The owl on the right is just raising its wings to respond to this approach. I held down the shutter release and the following 10 images recorded the dramatic interaction that followed…
{For clarity, I will mention that no baiting, taped calls, or other unethical practises were used to obtain this and the following eleven images — just observation, patience, and a measure of luck.}
In „Interaction of Color“ schreibt Josef Albers: „In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art.“
Stelle mir einen Vortrag von Josef Albers am Pult des Raumes meines vorherigen Bildes vor und nicht nur die Stühle sind besetzt, der Raum ist voller begeisterter interessierter Menschen ...
denn alles Gleiche, was man in verschiedenen Kontexte stellt, bekommt durch die Umgebung einen neue, andere Bedeutung ... warum soll es bei Farbe anders sein ... und Rot hatte für Albers immer eine besondere Bedeutung ... deshalb ist seinen roten Werken aus "Homage to the Square" ein ganzer Raum gewidmet und die Komplimentärfarbe ist zufällig draußen ...
Meisterwerk(e) der Farbanalyse
»Wenn jemand ›Rot‹ sagt (als Bezeichnung einer Farbe) und wenn 50 Personen zuhören, darf man erwarten, dass 50 verschiedene Rot in ihrem Bewusstsein auftauchen. Man darf sicher sein, dass all diese Rot verschieden sind.«
Bereits an diesen beiden ersten Sätzen, mit dem das Meisterwerk der Kunsterziehung "Interaction of Color" beginnt, wird klar, wie komplex die Wirkung von Farbe sein kann sowie deren visuelle Wahrnehmung.
Erstmals 1963 bei Yale University Press als limitierte Siebdruckausgabe mit 150 Farbtafeln erschienen, ging dieser Text ab 1971 als Taschenbuch mit wenigen Farbtafeln in Druck.
Seither wurden mehr als eine Viertelmillion Exemplare in verschiedenen Ausgaben verkauft. Dieses einflussreiche Handbuch und Lehrmittel für Künstler, Dozenten und Studenten erscheint nun, in einer aktualisierten Übersetzung und deutlich erweiterten Ausgabe.
Neu eingeleitet von Heinz Liesbrock sind zudem rund 60 illustrierende Farbstudien abgebildet, mit denen Albers wichtige Prinzipien und Gesetzmäßigkeiten der Farbe und ihrer Wirkung demonstriert.
Dieses Handbuch bietet nach wie vor ein unentbehrliches Wissen für alle, die sich mit visueller Kommunikation beschäftigen möchten.
JOSEF ALBERS (1888, Bottrop–1976, New Heaven, Connecticut) war als Künstler, Pädagoge und Farbtheoretiker ein Pionier der künstlerischen Moderne des 20. Jahrhunderts. Er ist bekannt für seine umfassende Werkserie Homage to the Square (1950–1976). Albers lehrte am Bauhaus, am Black Mountain College und an der Yale University.
J. A. was a German-born artist and educator. The first living artist to be given a solo shows at MoMA and at the Metropolitan Museum of Art in New York, he taught at the Bauhaus and Black Mountain College, headed Yale University's department of design, and is considered one of the most influential teachers of the visual arts in the twentieth century.
_V0A1587_88_pa2
Alberta, Canada
"How we see the world determines how we travel through it, even when we don't realize it that view colours our subconscious interaction with all forms of life"
Always think positive ;-)
As I waited for the Oklahoma sunset over Lake Hefner, I noticed multiple family/friend experiences unfolding in front of me during an unusually warm winter day. This was my favorite.
elephant calf gently touching a subadult at sunrise.
Several elephant herds came to drink near a bridge across the river in Madikwe Game Reserve, South Africa.
We had a great time observing their interaction especially as there were calfs of different ages.
African Elephant
loxodonta africana
Afrikaanse olifant
Eléphant d'Afrique
Afrikanischer Elefant
Many thanks for your views, favorites and supportive comments.
All rights reserved. ButsFons©2019
Please do not use these photos on websites, blogs or in any other media without receiving my explicit permission.
Certainly interesting and exciting to view the interaction of these owls as one would do close flyovers upsetting the other. It didn't last long and other than a few pulled feathers no damage was done.
Thank you for viewing.
jones and chai
with 6 dogs we love to watch interactions.
chai the smooth saluki loves little old jones the basenji best and constantly wants to play with him. neck bites and play bows.
jones is overwhelmed. he runs and either hides beside/behind leon or me, or sits on the back of a chair where chai won't get him.
[the other interaction chai has is with marina the podenco...he bosses her around.]
chai and jones both sleep with me when chai wants to.
the other night I lifted the covers and the two were sleeping snuggled next to each other.
digital
please view large.
Looking in to the hot, Summer evening sun. And towards an industrious spider casting a delicate, but wide web, to catch her dinner.
A bald eagle was flying across the lake and coming directly at us and ultimately flew over us. This was one of the most exciting interactions I've had with the eagles.
Photographed at John Chesnut Senior Park, Palm Harbor, FL.
This photograph/image is copyrighted and may not be used in any way without my permission. If you would like to use it, please contact me via Flickr mail.
Thanks for visiting and for your faves and comments.
(english follow)
GÉNÉRATION
En hommage à Florence, ma petite-fille, qui m’a spontanément proposé le titre de cette image.
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Sur ces rivages bordés d’infini, un père initie son jeune fils à l’art de la pêche en eau peu profonde. Au premier abord, on pourrait croire qu’il s’agit d’une simple scène de pêche, pourtant…
Dans nos sociétés, l’idée de génération est souvent réduite à une opposition statique entre le passé et l’avenir, entre l’ancien et le nouveau. Je crois plutôt qu’il faut y voir un mouvement, un mouvement continu de transmission et d’évolution des connaissances et des mentalités humaines. En somme, cette transmission, notamment par la filiation, permets à l’originel de rester original et de poursuivre l’aventure humaine. * Ce que nous appelons « l’avenir » est, en fait, le résultat de l’interaction et de la transmission par toutes les générations. **
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Ici, sur ces rivages bien en retrait des mondes utopiques qui alimentent la fureur de nos sociétés, le père et le fils renouent avec la patience et la modestie fondamentale de l’existence des êtres. Et aussi avec l’enchantement originel devant la beauté et le mystère de notre monde.
La pêche aura été un bon prétexte pour cela.
Patrice
* Charles Coutel, philosophe français.
** Tim Inglold, anthropologue britannique
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GENERATION
In honor of Florence, my granddaughter, who spontaneously suggested the title of this image.
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On these shores bordered by infinity, a father introduces his young son to the art of shallow-water fishing. At first glance, one might think this is a simple fishing scene, yet...
In our societies, the idea of generation is often reduced to a static opposition between past and future, between old and new. Instead, it should be seen as a movement, a continuous movement of transfer and evolution of knowledge and human mentalities. In short, this transfer, particularly through filiations (kinship), allows the original to remain original and to continue the human adventure.* What we call the future is, in fact, the result of all these generations interacting.
._________
Here, on these shores far removed from the utopian worlds that fuel the fury of our societies, father and son reconnect with the patience and fundamental modesty of being. Also with the original enchantment in front of the beauty and mystery of our world.
Fishing was a good excuse for this.
Patrice
* Charles Coutel, a French philosopher.
** Tim Ingold, British anthropologist.