Flickr Social Club
View allAll Photos Tagged Interaction
Interaction between the seawater, sunlight and the sand/mud on the beach during low tide. Just a SOOC.
Interaction too between the seawater, sunlight and the sand/mud on the beach during low tide, also SOOC. Changing my position so that there was more sunlight to reflect in the seawater.
"For, to be a stranger is naturally a very positive relation;
it is a specific form of interaction."
-Georg Simmel
the Oregon snap peas are in full production in
our garden, they are so tasty.
i hope everyone is doing great ♥
happy sliderssunday!
One of my abstract works I painted in the last few days. This is composed of two different ones. I'm very grateful for the suggestions and support from my Flickr friend Andrew.
A touch of Red in the Landscape!
Some music for this landscape:
www.youtube.com/watch?v=Din_eWjJWe0
This is a Low Resolution Watermarked upload, for a full size watermark free file please contact Terry Eve Photography via Flickr mail.
Snowy Interaction. These are two Snowy Egrets. They are each quite capable at catching their own fish but seem to spend a great deal of time attempting to steal from other snowies or ibis. I think if they spent more time catching their own fish they'd end up with a fuller belly.
Thank you all, my dear friends for all your support, feedback, faves and friendships throughout 2022, it really does mean a lot.
I haven’t been on line for a while, depression came back to bite me in the bum over winter, the cold weather usually does affect my mental health. This year, even more so, we discovered the new house has quite a bad issue with damp, and some of the interior walls become wet when it’s raining, which has caused mould to grow. We left the previous house due to damp and having a landlord who wouldn’t deal with the situation. Now, the damp here is much worse, and again we have a letting agent who don’t seem to be in a hurry to resolve it. Antonio is allergic to damp and mould also, luckily it doesn’t seem to be in his bedroom which is a blessing, but it’s not great. We’ve had builders round to survey the house and now awaiting for them to come and do the repairs that are causing the walls to get wet, but their hands are tied until the letting agent gives the go ahead. 😳
Apologies for not responding to all my recent notifications, I just haven’t felt up to online interaction. Trying to keep optimistic and hoping that the horrid weather will soon get better as it’s also much too freezing cold for me to go out shooting, which is always something that helps my mental health. Roll on summer. Lots of love and best wishes for 2023.
‘Brain fog’ is a re-edit taken in the Lake District in October, 2021. Have a wonderful weekend, all. ❤️😍
Und jetzt? - Ein interaktiver Museumsbesuch ... die Frau hatte Spaß beim Spiel mit einem "Großen Geist" von Thomas Schütte.
---
The woman's interactive museum visit - what might happen now?
Chamber Music Hall at the Philharmonie, Berlin.
Built 1960-63.
Architect: Hans Scharoun .
Its unusual tent-like shape makes it one of the city’s landmarks.
"Interaction", my final and altered version of "Dance", folded with thinner paper. Almost all the different forms are 'moving', no escape possible ;-)
I found a nice quote by Jodi Aman for this tessellation: “Everyone we interact with becomes a part of us.”
For some reason this tessellation doesn't want to be flat, (it has a slight convex), I have to find a new place to store it ;-)
The other side "Rotor" looks like this.
Folded with 'Anett paper', named after a dear origami-friend from Germany, who provided me this paper. It is indeed lovely paper for this kind of tessellations, so I am grateful to her ;-)).
Because this paper is whitish, I decided to go for a black and white version.
Grid 1:64", hexagon about 33cm, finished model about 17cm.
If you are interested to see more, have a look at my tessellation album Origami - Tessellation Progression".
In „Interaction of Color“ schreibt Josef Albers: „In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art.“
Stelle mir einen Vortrag von Josef Albers am Pult des Raumes meines vorherigen Bildes vor und nicht nur die Stühle sind besetzt, der Raum ist voller begeisterter interessierter Menschen ...
denn alles Gleiche, was man in verschiedenen Kontexte stellt, bekommt durch die Umgebung einen neue, andere Bedeutung ... warum soll es bei Farbe anders sein ... und Rot hatte für Albers immer eine besondere Bedeutung ... deshalb ist seinen roten Werken aus "Homage to the Square" ein ganzer Raum gewidmet und die Komplimentärfarbe ist zufällig draußen ...
Meisterwerk(e) der Farbanalyse
»Wenn jemand ›Rot‹ sagt (als Bezeichnung einer Farbe) und wenn 50 Personen zuhören, darf man erwarten, dass 50 verschiedene Rot in ihrem Bewusstsein auftauchen. Man darf sicher sein, dass all diese Rot verschieden sind.«
Bereits an diesen beiden ersten Sätzen, mit dem das Meisterwerk der Kunsterziehung "Interaction of Color" beginnt, wird klar, wie komplex die Wirkung von Farbe sein kann sowie deren visuelle Wahrnehmung.
Erstmals 1963 bei Yale University Press als limitierte Siebdruckausgabe mit 150 Farbtafeln erschienen, ging dieser Text ab 1971 als Taschenbuch mit wenigen Farbtafeln in Druck.
Seither wurden mehr als eine Viertelmillion Exemplare in verschiedenen Ausgaben verkauft. Dieses einflussreiche Handbuch und Lehrmittel für Künstler, Dozenten und Studenten erscheint nun, in einer aktualisierten Übersetzung und deutlich erweiterten Ausgabe.
Neu eingeleitet von Heinz Liesbrock sind zudem rund 60 illustrierende Farbstudien abgebildet, mit denen Albers wichtige Prinzipien und Gesetzmäßigkeiten der Farbe und ihrer Wirkung demonstriert.
Dieses Handbuch bietet nach wie vor ein unentbehrliches Wissen für alle, die sich mit visueller Kommunikation beschäftigen möchten.
JOSEF ALBERS (1888, Bottrop–1976, New Heaven, Connecticut) war als Künstler, Pädagoge und Farbtheoretiker ein Pionier der künstlerischen Moderne des 20. Jahrhunderts. Er ist bekannt für seine umfassende Werkserie Homage to the Square (1950–1976). Albers lehrte am Bauhaus, am Black Mountain College und an der Yale University.
J. A. was a German-born artist and educator. The first living artist to be given a solo shows at MoMA and at the Metropolitan Museum of Art in New York, he taught at the Bauhaus and Black Mountain College, headed Yale University's department of design, and is considered one of the most influential teachers of the visual arts in the twentieth century.
_V0A1587_88_pa2
elephant calf gently touching a subadult at sunrise.
Several elephant herds came to drink near a bridge across the river in Madikwe Game Reserve, South Africa.
We had a great time observing their interaction especially as there were calfs of different ages.
African Elephant
loxodonta africana
Afrikaanse olifant
Eléphant d'Afrique
Afrikanischer Elefant
Many thanks for your views, favorites and supportive comments.
All rights reserved. ButsFons©2019
Please do not use these photos on websites, blogs or in any other media without receiving my explicit permission.
Certainly interesting and exciting to view the interaction of these owls as one would do close flyovers upsetting the other. It didn't last long and other than a few pulled feathers no damage was done.
Thank you for viewing.
It was a fun and very entertaining interaction, the way one on the left side was using his wing was really amazing!
One of the things that I like when I'm out in nature are the various interactions that happen, and because often I'm the only adult in the stream playing with rocks, that tends to make people curious, and today was no exception.
This stone sculpture came together in only about five minutes, with a bit of time deliberating whether or not there should be a third stone to top it off, only to then decide that simplicity is the key after all.
This is Anne who is also a painter and textiles artist who I enjoyed some time talking with today.
jones and chai
with 6 dogs we love to watch interactions.
chai the smooth saluki loves little old jones the basenji best and constantly wants to play with him. neck bites and play bows.
jones is overwhelmed. he runs and either hides beside/behind leon or me, or sits on the back of a chair where chai won't get him.
[the other interaction chai has is with marina the podenco...he bosses her around.]
chai and jones both sleep with me when chai wants to.
the other night I lifted the covers and the two were sleeping snuggled next to each other.
digital
please view large.
Looking in to the hot, Summer evening sun. And towards an industrious spider casting a delicate, but wide web, to catch her dinner.
Male Belted Kingfisher (Megaceryle alcyon) flies toward female that immediately exits; SLO County; CA; USA; Sony a9; Sony 200-600mm lens + 1.4X at 840 mm; 1/4000 sec; f/9; IS) 3200; Gitzo tripod; Topaz Sharpen