View allAll Photos Tagged Intellection
“Men are governed by lines of intellect - women: by curves of emotion” - James Joyce.
10 more uploads and it will be the end of the incomplete 365. well, everything comes to an end. sorry to disappoint you people! :p
Why do we see faults in others? Often even if I don't want to blame others for any wrong doing, why does it happen so? Who shows others negatives like these? Get answers to these questions and lot more at -
In English- www.dadabhagwan.org/path-to-happiness/spiritual-science/a...
In Gujarati- www.dadabhagwan.in/path-to-happiness/spiritual-science/ab...
In Hindi- hindi.dadabhagwan.org/path-to-happiness/spiritual-science...
Monument by Thomas Banks with the sleeping figure of Penelope Boothby aged 5
"I was not in safety, neither had I rest, and the trouble came
To Penelope only child of Sir Brooke and Dame Susanna Boothby; Born April 11th 1785; Died March 12th 1791. She was in form and intellect most exquisite, the unfortunate parents ventured their all on this frail bark, and the wreck was total"
The inscription is in 4 different languages - English, Latin, French and Italian, all of which Penelope spoke.
Penelope was the only child of Sir Brooke Boothby of Ashbourne Hall and wife Susannah daughter of Robert Bristoe & Susanna Philipson
She was the grand daughter of Sir Brooke Boothby, 5th Bt.
Phoebe Hollins www.flickr.com/gp/52219527@N00/ogg316
Her father Sir Brooke Boothby, 6th Baronet 1744 - 1824 was a linguist, translator, poet and landowner,
In the year of his marriage he leased Ashbourne Hall from his father, whose extravagance had forced him to live elsewhere whilst renting out the family seat and began its restoration funded by his wife's dowry. As well as renovating the structure, he remodeled the parkland, he bought rare plants and works of art Like his father before him, he was extravagant in the extreme. That weakness and his emotional self-indulgence were to be his nemeses.
His only daughter, Penelope, was born in the following April.
Sir Joshua Reynolds was a family friend and his painting "The Girl in the Mop Cap" is of Penelope when aged four. www.flickr.com/gp/52219527@N00/9J2z53
However on 19th March 1791, disaster struck when Penelope died at the age of five.
This permanently affected her father and he subsequently published a book of poetry, "Sorrows Sacred to the Memory of Penelope" and commissioned a painting by Henry Fuseli " The Apotheosis of Penelope Boothby" in 1792 en.wikipedia.org/wiki/File:Fuseli_Henry_The_Apotheosis_Of... He also commissioned this monument.
His life continued to decline . He and his wife had separated soon after their daughter's funeral, and she returned to her parents' home in Hampshire , settling later in Dover. Her death was recorded under her maiden name.
As a result of his extravagance Boothby met with economic disaster which completely altered the course of his life. Ashbourne Hall was leased in c1814 - 1817 to Richard grandson of Sir Richard Arkwright. Boothby settled in diminished circumstances in Boulogne in 1815 and died there in 1824. He was buried near to Penelope with his parents and his sister Maria Elizabeth and other Boothby family members.
- Church of St Oswald, Ashbourne Derbyshire
2014 Critical Halloween I-Relevance. October 31, 2014. Photos by Yuko Torihara (www.yukotorihara.us).
I'm IN because a woman in her radiance and joy is magnetic -- she changes the world. We need more female leaders. I'm delighted to support women to follow their passion, creativity, intellect, and heart.
And therefore very suitable for a dedication to my friend Sheila in Millstone. I wish you good luck and a speedy recovery.
"That's no moon, that's a spaceship!"
- Capt. A. Guinness, UNS Falcon, on first sighting the High Prosperity, 2255
No intellect-built object in the known galaxy is as large as a Salvation Worldship. Not even the largest category 5 Arthonid nest can rival the sheer mass of these gargantuan constructs. First sighted in 2255 by a Sol Expeditionary Fleet, the exact age of the Salvations is unknown but believed to be at least several centuries based on long range laser carbon-dating.
Populated by the Vaxtrans, a reclusive and secretive alien race, Worldships are entirely self-sufficient, able to produce their own substenance, fuel, atmosphere and industry. From what little information is available, it appears Worldships were built a long time ago to escape the Enemy, who had destroyed (or overtaken, depending on the translation) the Vaxtran homeworld. Since that time, the Vaxtrans have wandered space on their great ships, trading precious metals in exchange for technology.
While Worldships, whose exact number is unknown, are vast, they are also very crude. Metal-penetrating radar imaging has revealed that Worldships are built from the center out, their size increasing as more and more components are added to them over the years. Newer modules are simply welded over older ones, scrap metal stripped and fused in haphazard ways to various sections to augment armour. Generally speaking, the front of a Worldship is a giant mass of armour, behind which is storage, followed by industrial and recreational areas. Behind these are the living quarters for the ships' population, often numbering in the millions, followed by the multiple power cores and ending with the engines.
This crude building technique is indicative of the Vaxtrans' lack of sophisticated technology. They have no shields powerful enough to cover an entire Worldship, so only critical areas are given coverage. Their space-fold FTL drives, while incredibly fast, take weeks of dedicated charging to power, and are inherently dangerous. The Plentiful Bounty was torn apart by the forces of a space-fold in 2317. True to form, two other Worldships, the High Prosperity and the Infinite Unity salvaged and repurposed the pieces.
While armed with many low-yield plasma cannons and large-bore coilguns, the sheer size of a Salvation Worldship reduces the effective concentration of these weapons, leaving Worldships vulnerable to attack.
While many nations will defend Worldships, as the Sol Union Navy did during the New Paris War, many others see Worldships as juicy targets. The Vaxtrans appear to be a doomed race, cursed to wander the stars, their only hope of salvation a planetary presence which their collective trauma and tradition will never allow.
CERTAIN personal qualities, apart from a keen intellect and a ready wit, are essential for success in a diplomatic career. A perpetual smile on the face and a sense of humour are two of these.
Arthur Lall, the first ever Indian ambassador, had it all. Betty Lall gave able support to her husband. On a warm, pleasant day, if one happens to stroll down the streets of New York, be it uptown, midtown or downtown, the chances were that one would meet them.
The last time this writer had such a downtown encounter, Arthur Lall said, "It is nice to see you still here. Look how wonderful the day is and how everyone here likes to talk. What a difference between here and back home." Betty Lall nodded approvingly.
Arthur Lall, 87 at the time of his death on September 13, will be sorely missed whether it be an Independence Day gathering, an Indian function or a small private cocktail or dinner reception. He was one of the most pleasant personalities one met in New York. Whenever he was called upon to say something to an audience, he compelled attention with his amusing anecdotes and a quaintness of humour that never failed him.
Arthur Lall was among a handful of Indian Civil Service (ICS) officers who were handpicked by Jawaharlal Nehru for responsibilities abroad. His immense erudition was attained at Balliol College, Oxford, after he obtained a firm grounding at home on all basic subjects. Nehru was a strong critic of the ICS officers but he relied heavily on bright young people belonging to the ICS cadre in building the foreign service. Arthur Lall measured up to Nehru's expectations.
UNITED NATIONS
Arthur Lall at the United Nations in 1957.
Another mentor of Arthur Lall was V.K. Krishna Menon, who took him as his assistant during the famous United Nations Security Council debates on Kashmir in the 1950s and on Goa in the early 1960s. Krishna Menon inducted Arthur Lall into U.N.-related work from his position as the Consul-General for India in New York.
For several years after Krishna Menon faded out, Arthur Lall, as the chief Indian delegate and Ambassador, waged many a diplomatic battle for India at the U.N. But his style was different from that of his mentor: he was the permanently smiling Permanent Representative at the U.N. and he created the same effect in his adversaries. After retiring from the foreign service, Arthur Lall became a Professor at Cornell University and later at Columbia, teaching international relations and diplomacy.
Many people paid tributes to Arthur but the most touching tribute came from B.K. Nehru, another distinguished diplomat and his companion at Balliol. B.K. Nehru tells an amusing story about how the two friends, both underweight, went on a fattening diet of bread and cheese and a pitcher of rich, creamy milk. The physical standards needed for entry into the ICS had somehow to be met. While B.K. Nehru attained the requisite dimensions, Arthur retained his underweight figure, a figure that he maintained until the end.
B.K. Nehru says that both he and Arthur passed the ICS in 1933. "Though he was two years younger than I, Arthur had more grey matter in his cranium," he says.
"Arthur came to see me one day and said he had been offered a fabulous salary - I had the impression that it was seven or eight times more than what we were getting - by one of the foremost British commercial houses in Calcutta," B.K. Nehru said. "He wanted to know whether he should accept it or not. I told him if his aim in life was to make more money, he should of course accept it. But he should remember that whenever he came to see me, I would keep him waiting outside my door for a minimum of one hour."
Both he and Nehru corresponded frequently and Arthur Lall's interest in India and patriotism remained so high that he held B.K. Nehru personally responsible for all the wrong things that India did. "And he used to order me from East 81st Street, New York, where he lived, about what to do and what not to do with our beloved but inefficient, incompetent and badly run country."
R.CHAKRAPANI
in New York
Front Line Oct-Nov 1998
Considering his towering intellect, you'd have thought Mr Fox might have become a little more risk averse. Particularly as he's still not been able to source a fitting hard hat .
Taking leave of his senses once again - probably due to the heat - he thought he'd give building a cardboard cone pyramid a go... and why not!
It was all going rather well, Mr Fox is a trained engineer after all... Perched on the very top of his epic structure, just as he was about to place the final block down, Mrs PB entered the fray.... wearing one of the pots on her head!
Mr Fox thought this was strange, as he'd needed exactly all of them to retain structural integrity!
As he teetered on the edge, if he could just get Mrs PB to put it back where she found it everything might be OK. But before negotiations could begin, almost on cue, a certain some ones nose began to twitch. Seconds later there was an excruciating ATCHOO!
Mr Fox came tumbling down.
… and [in His] directing of the winds, there are Signs for people who use their intellect. (Quran 45:5)
Gaurav Tekriwal is the founder President of The Vedic Maths Forum India and a passionate advocate of making Vedic Maths a part of the global dialogue on mathematics. An educator and motivator, Gaurav has been imparting Vedic Mathematics skills over the past five years. He inspires and informs people, helping them to realize their true potential by introducing them to India’s ancient Indian system of Mathematics. Gaurav’s sharp intellect, research, innovative concepts and belief in ‘Vedic Maths isn’t a Miracle- YOU ARE!’ makes him a sought after speaker in the academic circuit.He is also actively associated with the Young Indians, an organization under the Confederation of Indian Industry. Gaurav has spoken at TED@Bangalore and at TEDx Youth London.
Presenting at an academic level is a balancing act between conveying your academic knowledge and in-depth understanding of a subject with an effective presentation style and presentation content that will not overload, bore or confuse your audience.
with their intellect as master, have attempted to force the unwilling medium of paint and canvas into a record of their emotions. i find any digression from this large aim leads me to boredom. [edward hopper]
[droid-a-day keeps the doctor away... ]
deva of intellect and wisdom
Submitted to monthly scavenger hunt - June 2010 (an elephant in the room)
I took this a while ago, I have some more of this youngster on my stream from a family shoot.
One of my ideas was to mix the orange with a suit and a wide angle. This is the result.
I just had it printed on metallic pper and it looks awesome, at that point i realisesd i hadnt posted it here.
Anyway here it is, enjoy!
The knowledge of the soul penetrates through intellect it is known as ego. This is the indirect light of the soul. When the light comes directly, without any matter kept in the middle that is the light of pure soul.
To know more visit :
In English: www.dadabhagwan.org/path-to-happiness/spiritual-science/w...
In Hindi: hindi.dadabhagwan.org/path-to-happiness/spiritual-science...
In Gujarati: www.dadabhagwan.in/path-to-happiness/spiritual-science/wh...
Building on the intellect, hard work, fame and bravery that have been the hallmarks of Connecticut residents for centuries, state Senator Joseph Crisco, Jr. helped unveil the 2016 inductees to the Connecticut Hall of Fame: actress Meryl Streep, American Revolution patriot Nathan Hale, state militia General Henry Burbeck, dentist Horace Wells and author and advocate Helen Keller. (March 7, 2016)
"Men of broader intellect know that there is no sharp distinction betwixt the real and the unreal."
R.I.P. HP Lovecraft
Who are you? How does the world function? How do certain circumstances arise? Why does something happen? What is the mind, intellect, Soul? How are they different? How do you get inner peace? Is there permanent happiness?
All these questions are answered through Akram Vignan (Spritual Science), answers with the right concepts. The most unique and fundamental aspect of Akram Vignan is the Knowledge of the Self. This helps you conduct your worldly interactions with equanimity and brings peace. It is the right understanding that can bring about change, while all the other external circumstances remain the same.
Get to know more about Akram Vignan and Param Pujya Gnani Purush Dada Bhagwan, the pioneer of Akram Vignan
In English: www.dadabhagwan.org/path-to-happiness/akram-vignan/
In Hindi: hindi.dadabhagwan.org/path-to-happiness/akram-vignan
In Gujarati: www.dadabhagwan.in/path-to-happiness/akram-vignan/
Manufacturer: Grenadier
Line: Official AD&D "Solid Gold" line
Set: Dwellers Below
Catalog title: Intellect Devourer
Catalog #: 2012B
Release date: 1980
Painter: Spooktalker
Date painted: 2009
“The creation of something new is not accomplished by the intellect but by the play instinct” – Carl Jung. And this is what sensory development in early childhood does to your child. The mindful usage of touch, hear, taste, smell, and sight in the early stage of life allow the child to observe, explore, indulge in novel adventures and experience evolutions. To familiarise children with balance and coordination is not just crucial but worthwhile. And nothing works more reasonably than the lessons that include their senses. Also, the best part is the probe through senses comes unpretentiously in kids. Nevertheless, if you want to ensure the holistic development of your child, you ought to pour in added efforts through sensory play in early childhood.
Give a five-minute read, and enjoy till the end for everything you need to know about sensory play.
www.berrybee.in/collections/sensory-toys/products/feet-an...
This white furball is cute but doesn't possess the greatest intellect. Still impossible not to love her.
Intellect Technologies Inc
4301 U.S. Highway 1
Suite 120
Monmouth Junction, NJ 08852
609-454-3170
sales@intellecttech.com
“An evolved intellect”
The High Evolutionary, Herbert Edgar Wyndham, meets a like minded friend in Ex Nihilo
Big fan of the F4 retro card gimmick, even more so of the retro Spider-Man cards, and as soon as I saw this guy I knew there was an unfamiliar character I needed to take a deep dive into.
Looking for a digital trade paperback of the Evolutionary Wars (88) if anyone has a suggestion? Not seeing it on Amazon or Marvel’s app.
Very cool sculpt and colors on this guy. Happy to add him to the Cosmic shelf!
#TheHighEvolutionary #Hasbro #LegendsHighEvolutionary #ExNihilo
#HasbroPulse #ACBA #RetroF4 #LegendsExNihilo #CosmicLegends #MarvelMutant #marvel #marvelComics #MarvelLegends #MarvelLegends2022 #MarvelCosmic #actionFigures #CounterEarth #marvelhasbro #HasbroLegends #figurecollection #MakeMineMarvel #PosingActionFigures #toyPhotography #PlasticPhotography #TrueBeliever #FridayFigurePosing
In mythology and the study of folklore and religion, a trickster is a character in a story who exhibits a great degree of intellect or secret knowledge and uses it to play tricks or otherwise disobey normal rules and defy conventional behavior. Such a character may be a god, goddess, spirit, human or anthropomorphisation.
Mythology
Tricksters, as archetypal characters, appear in the myths of many different cultures. Lewis Hyde describes the trickster as a "boundary-crosser".[1] The trickster crosses and often breaks both physical and societal rules: Tricksters "violate principles of social and natural order, playfully disrupting normal life and then re-establishing it on a new basis."[2]
Often, this bending and breaking of rules takes the form of tricks and thievery. Tricksters can be cunning or foolish or both. The trickster openly questions, disrupts and mocks authority.[citation needed]
Many cultures have tales of the trickster, a crafty being who uses tricks to get food, steal precious possessions, or simply cause mischief. In some Greek myths Hermes plays the trickster. He is the patron of thieves and the inventor of lying, a gift he passed on to Autolycus, who in turn passed it on to Odysseus.[1] In Slavic folktales, the trickster and the culture hero are often combined.[citation needed]
Loki cuts the hair of the goddess Sif.
Frequently the trickster figure exhibits gender and form variability. In Norse mythology the mischief-maker is Loki, who is also a shapeshifter. Loki also exhibits sex variability, in one case even becoming pregnant. According to "The Song of Hyndla" in The Poetic Edda, Loki becomes a mare who later gives birth to Odin's eight-legged horse Sleipnir.[citation needed]
In African-American folklore, a personified rabbit, known as Brer Rabbit, is the main trickster figure.[3] In West Africa (and thence into the Caribbean via the slave trade), the spider (see Anansi) is often the trickster.[4] In southern African folklore, the entity known as Kaggen often takes the role of a trickster, usually taking the form of a praying mantis.[5][6]
Comparison with clown
The trickster is a term used for a non-performing "trick maker"; they may have many motives behind their intention but those motives are not largely in public view. They are internal to the character or person.
The clown, on the other hand, is a persona of a performer who intentionally displays their actions in public for an audience.
Native American tradition
While the trickster crosses various cultural traditions, there are significant differences between tricksters from different parts of the world:
Many native traditions held clowns and tricksters as essential to any contact with the sacred. People could not pray until they had laughed, because laughter opens and frees from rigid preconception. Humans had to have tricksters within the most sacred ceremonies for fear that they forget the sacred comes through upset, reversal, surprise. The trickster in most native traditions is essential to creation, to birth.[7]
Native American tricksters should not be confused with the European fictional picaro. One of the most important distinctions is that "we can see in the Native American trickster an openness to life's multiplicity and paradoxes largely missing in the modern Euro-American moral tradition".[8] In some stories, the Native American trickster is foolish; other times wise. He can be a hero in one tale and a villain in the next.
In many Native American and First Nations mythologies, the Coyote spirit (Southwestern United States) or Raven spirit (Pacific Northwest) stole fire from the gods (stars, moon, and/or sun). Both are usually seen as jokesters and pranksters. In Native American creation stories, when Coyote teaches humans how to catch salmon, he makes the first fish weir out of logs and branches.[1]
Wakdjunga in Winnebago mythology is an example of the trickster archetype.
Wisakedjak (Wìsakedjàk in Algonquin, Wīsahkēcāhk(w) in Cree and Wiisagejaak in Oji-Cree) is a trickster figure in Algonquin and Chipewyan Storytelling.
Coyote
Main article: Coyote (mythology)
Coyote often has the role of trickster as well as a clown in traditional stories.
The Coyote mythos is one of the most popular among western Native American cultures, especially among indigenous peoples of California and the Great Basin.
According to Crow (and other Plains) tradition, Old Man Coyote impersonates the Creator: "Old Man Coyote took up a handful of mud and out of it made people".[9] He also bestowed names on buffalo, deer, elk, antelopes, and bear. According to A. Hultkranz, the impersonation of Coyote as Creator is a result of a taboo, a mythic substitute to the religious notion of the Great Spirit whose name was too dangerous and/or sacred to use apart from at special ceremonies.[citation needed]
In Chelan myths, Coyote belongs to the animal people but he is at the same time "a power just like the Creator, the head of all the creatures." while still being a subject of the Creator who can punish him or remove his powers.[10] In the Pacific Northwest tradition, Coyote is mostly mentioned as a messenger, or minor power.
As the culture hero, Coyote appears in various mythic traditions, but generally with the same magical powers of transformation, resurrection, and "medicine". He is engaged in changing the ways of rivers, creating new landscapes and getting sacred things for people. Of mention is the tradition of Coyote fighting against monsters. According to Wasco tradition, Coyote was the hero to fight and kill Thunderbird, the killer of people, but he could do that not because of his personal power, but due to the help of the Spirit Chief. In some stories, Multnomah Falls came to be by Coyote's efforts; in others, it is done by Raven.
More often than not Coyote is a trickster, but always different. In some stories, he is a noble trickster: "Coyote takes water from the Frog people... because it is not right that one people have all the water." In others, he is malicious: "Coyote determined to bring harm to Duck. He took Duck's wife and children, whom he treated badly."[11] Coyote serves as a personification of humanity's traits, both good and bad. This is accomplished by making the character admirable and laughable, he is a character who is never quite satisfied with the way things are. The stories show how Coyote's actions may be alluring, but they also show the consequences of his poor decisions, and how people should think about the fate of Coyote before replicating his actions.[12]
Oral stories
Main article: List of fictional tricksters § Tricksters in folktale and mythology
Trickster subplot in The Relapse: Tom Fashion, pretending to be Lord Foppington, parleys with Sir Tunbelly Clumsey in a 19th-century illustration by William Powell Frith.
Abenaki mythology: Azeban
Afro-Cuban mythology: Eleggua, Eshu
Akan mythology: Kwaku Ananse
American folklore of African origin: Brer Rabbit (compare Compère Lapin in the French-speaking Caribbean), Aunt Nancy (a corruption of Anansi, also spelt 'Anansee', among other spellings)
Arabian mythology: Juha, Sinbad
Ashanti folklore: Anansi
Australian Aboriginal mythology: Bamapana, Crow
Aztec mythology: Huehuecoyotl
Babylonian mythology: Lilith
Bantu mythology: Hare (Tsuro or Kalulu)
Basque mythology: San Martin Txiki
Belgian mythology: Lange Wapper
Brazilian folklore: Saci, Curupira
Bulgarian/Macedonian folklore: Hitar Petar (Itar Pejo), Kuma Lisa
Caribbean folklore: Anansi
Celtic mythology: Fairy, Puck, puca
Chinese mythology: Huli jing (Fox spirit), Nezha, Red Boy, Sun Wukong (Monkey King)
Chukchi mythology: Kutkh
Costa Rican folklore and literature: Tío Conejo (Uncle Rabbit)
Cree mythology: Wisakedjak
Crow mythology: Awakkule, Mannegishi
Dutch folklore: Reynaert de Vos, Tijl Uilenspiegel
Egyptian mythology: Set, Isis
English folklore: Robin Hood, Puck, Brownies
Fijian mythology: Daucina
French folklore: Renart the Fox
German folklore: Reineke Fuchs, the Pied Piper, Till Eulenspiegel
Greek mythology: Eris, Prometheus, Hermes, Odysseus, Sisyphus
Haitian folklore: Anansi, Ti Malice
Hawaiian mythology: Kaulu, Kupua
Hindu mythology: Baby Krishna (stealing butter), Narada, Mohini, Hanuman (shapeshifting and teasing sages).
Hopi and Zuni mythology: Kokopelli
Igbo folklore: Ekwensu
Igbo mythology: Mbeku
Inuit mythology: Amaguq
Irish folklore: Leprechauns, Briccriu
Islamic mythology: Iblis, Khidr, Nasreddin
Italian folklore: Giufà (Sicily), Pulcinella (Naples), Harlequin (Bergamo).
Japanese mythology: Kitsune, Susanoo, Kappa, Bake-danuki, Hare of Inaba
Jewish folklore: Hershele Ostropoler (Ashkenazi), Joha (Sephardic)
Kazakh folklore: Aldar kose
Kiowa folklore: Saynday
Korean folklore: Kumiho, Dokkaebi, Seokga
Lakota mythology: Iktomi, Heyoka
Latin American and Spanish folklore: Pedro Urdemales (Pedro Malasartes in Portuguese)
Levantine mythology: Yaw
Malay folklore: Sang Kancil (The Mousedeer)
Māori mythology: Māui
Mayan mythology: Maya Hero Twins, Kisin
Micronesian mythology: Olifat
Miwok mythology: Coyote
Nigerian mythology: Agadzagadza
Norse mythology: Loki
Norwegian mythology: Espen Askeladd
Northwest Caucasian mythology: Sosruko
Ohlone mythology: Coyote
Ojibwe mythology: Nanabozho
Philippine mythology: Nuno sa Punso, Tikbalang, Pilandok
Polynesian mythology: Maui
Pomo mythology: Coyote
Pueblos dancing: Koshares
Romanian mythology: Păcală
Russian folklore: Ivan the Fool
San Folklore: ǀKaggen
Slavic mythology: Veles
Spanish mythology: Don Juan, The Trickster of Seville
Sumerian religion: Enki
Tibetan folklore: Akhu Tönpa,
Thai folklore: Sri Thanonchai
Tumbuka mythology: Kalulu
Ukrainian folklore: Lys Mykyta, Oleksa Dovbush, Lysychka-sestrychka, Cossack Mamay
Ute mythology: Cin-an-ev
Vietnamese folklore: Trạng Quỳnh, Bang Bạnh – Xã Xệ – Lý Toét, Thằng Bờm, Cuội, Bác Ba Phi
Vodou: Papa Legba, Ti Malice, Baron Samedi
Welsh mythology: Gwydion, Taliesin, Morgan Le Fay, Twm Siôn Cati[13]
West African mythology: Anansi, Tortoise
Yoruba religion: Eshu
Literature and popular culture
In modern literature, the trickster survives as a character archetype, not necessarily supernatural or divine, sometimes no more than a stock character.
Often, the trickster is distinct in a story by their acting as a sort of catalyst; their antics are the cause of other characters' discomfiture, but they are left untouched. Shakespeare's Puck is an example of this. Another once-famous example was the character Froggy the Gremlin on the early USA children's television show "Andy's Gang". A cigar-puffing puppet, Froggy induced the adult humans around him to engage in ridiculous and self-destructive hi-jinks.[14]
For example, many European fairy tales have a king who wants to find the best groom for his daughter by ordering several trials. No brave and valiant prince or knight manages to win them, until a poor and simple peasant comes. With the help of his wits and cleverness, instead of fighting, they evade or fool monsters, villains and dangers in unorthodox ways. Against expectations, the most unlikely candidate passes the trials and receives the reward.[citation needed]
More modern and obvious examples of the trickster archetype include Bugs Bunny, the Cheshire Cat from Lewis Caroll's Alice's Adventures in Wonderland and Jerry from Tom and Jerry.[15]
When writing the screenplay for The Curse of the Black Pearl, Ted Elliott and Terry Rossio envisioned Jack Sparrow as a trickster, and Hector Barbossa as his corrupt foil, though the characters can be viewed as both light and dark tricksters.[16]
Online and multimedia
In online environments, there has been a link between the trickster and Internet trolling. Some have said that a trickster is a type of online community character.[17][18] Gabriel Moshenska argues that Mesopotamian copper merchant Ea-nāṣir is depicted as a trickster in online culture through an imagining of deliberately unfair trade practices that enrich him and leave his customers at a disadvantage, and especially because it appears that he "collected" their complaint letters as trophies.[19]
Anthropologist James Cuffe has called the Chinese internet character Grass Mud Horse (cǎonímǎ 草泥马) a trickster candidate because of its duplicity in meaning.[20] Cuffe argues the Grass Mud Horse serves to highlight the creative potential of the trickster archetype in communicating experiential understanding through symbolic narrative. The Grass Mud Horse relies on the interpretative capacity of storytelling in order to skirt internet censorship while simultaneously commenting on the experience of censorship in China. In this sense Cuffe proposes the Grass Mud Horse trickster as 'a heuristic cultural function to aid the perceiver to re-evaluate their own experiential understanding against that of their communities. By framing itself against and in spite of limits the trickster offers new coordinates by which one can reassess and judges one's own experiences.'[20]
See also
Grotesque body
Juan Bobo
Malandro
Miwok Coyote and Silver Fox
Structuralist approach to myth
References
Hyde, Lewis. Trickster Makes This World: Mischief, Myth, and Art. New York: Farrar, Straus and Giroux, 1998.
Mattick, Paul (February 15, 1998). "Hotfoots of the Gods". The New York Times.
Baker, Houston A. (1972). Long Black Song: Essays in Black American Literature. University Press of Virginia. pp. 10–14. ISBN 9780813904030.
Haase, Donald (2008). The Greenwood Encyclopedia of Folktales and Fairy Tales. Greenwood Publishing Group. pp. 31. ISBN 978-0-313-33441-2.
Bleek (1875) A brief account of Bushman folklore and other texts
Lewis-Williams, David (1997). "The mantis, the eland and the meerkats". African Studies. 56 (2): 195–216. doi:10.1080/00020189708707875.
Byrd Gibbens, Professor of English at University of Arkansas at Little Rock; quoted epigraph in Napalm and Silly Putty by George Carlin, 2001
Ballinger (1991), p. 21.
"Gold Fever California on the Eve- California Indians", Oakland Museum of California
Edmonds, Margot; Ella E. Clark (2003). Voices of the Winds: Native American Legends. Castle Books. p. 5. ISBN 0785817166.
Edmonds, Margot; Clark, Ella E. (Ella Elizabeth); Braun, Molly (2003). Voices of the winds : native American legends. Internet Archive. Edison, NJ : Castle Books. ISBN 978-0-7858-1716-1.
D.F. (2013). "Old Man Coyote". Wild West. 25 (6) – via EBSCOhost.
Carradice, Phil (16 June 2011). "Twm Sion Cati – the Welsh Robin Hood". BBC. Retrieved 18 March 2021.
Smith, R. L. "Remembering Andy Devine".
"Trickster Archetype: Definition, 10 Examples, and How-to Write". 2 March 2023.
Ted Elliott, Terry Rossio, Stuart Beattie, Jay Wolpert (2003). Pirates of the Caribbean: The Curse of the Black Pearl: Audio Commentary (DVD). Buena Vista.
Campbell, J., G. Fletcher & A. Greenhill (2002). "Tribalism, Conflict and Shape-shifting Identities in Online Communities." In the Proceedings of the 13th Australasia Conference on Information Systems, Melbourne Australia, 7–9 December 2002.
Campbell, J., G. Fletcher and A. Greenhill (2009). "Conflict and Identity Shape Shifting in an Online Financial Community", Information Systems Journal (19:5), pp. 461–478. doi:10.1111/j.1365-2575.2008.00301.x.
Moshenska, Gabriel (15 January 2026). "The Legend of Ea-Naṣir: How a Babylonian Businessman Became an Internet Meme". Journal of Contemporary Archaeology. 12 (1): 52–76. doi:10.1558/jca.30204. ISSN 2051-3437. Retrieved 23 January 2026.
Cuffe, James B. (2019-11-28). China at a Threshold: Exploring Social Change in Techno-Social Systems (1 ed.). Abingdon, Oxon; New York, NY: Routledge, 2020. | Series: Contemporary liminality: Routledge. pp. 83 [71–86]. doi:10.4324/9781315183220. ISBN 978-1-315-18322-0. S2CID 213224963.
Sources
Gates, Henry (2004), Julie Rivkin; Michael Ryan (eds.), "The Blackness of Blackness: A Critique on the Sign and the Signifying Monkey", Literary Theory: An Anthology, Oxford: Blackwell Publishing
Earl, Riggins R. Jr. (1993). Dark Symbols, Obscure Signs: God, Self, And Community in the Slave Mind. Maryknoll, New York: Orbis Books.
Bassil-Morozow, Helena (2011). The Trickster in Contemporary Film. Routledge.
Ballinger, Franchot; Vizenor, Gerald (1985). "Sacred Reversals: Trickster in Gerald Vizenor's 'Earthdivers: Tribal Narratives on Mixed Descent'". American Indian Quarterly. 9 (1, The Literary Achievements of Gerald Vizenor): 55–59. doi:10.2307/1184653. JSTOR 1184653.
Ballinger, Franchot (1991). "Ambigere: The Euro-American Picaro and the Native American Trickster". MELUS. 17 (1, Native American Fiction: Myth and Criticism): 21–38. doi:10.2307/467321. JSTOR 467321.
Boyer, L. Bryce; Boyer, Ruth M. (1983). "The Sacred Clown of the Chiricahua and Mescalero Apaches: Additional Data". Western Folklore. 42 (1): 46–54. doi:10.2307/1499465. JSTOR 1499465.
Datlow, Ellen and Terri Windling. 2009. The Coyote Road: Trickster Tales. Firebird.
California on the Eve – California Indians Miwok creation story
Joseph Durwin Coulrophobia & The Trickster
Koepping, Klaus-Peter (1985). "Absurdity and Hidden Truth: Cunning Intelligence and Grotesque Body Images as Manifestations of the Trickster". History of Religions. 24 (3): 191–214. doi:10.1086/462997. JSTOR 1062254. S2CID 162313598.
Lori Landay Madcaps, Screwballs, and Con Women: The Female Trickster in American Culture 1998 University of Pennsylvania Press
Jones, Christa C., editor. Djeha, the North African Trickster. Jackson: University Press of Mississippi, 2023. 196 pages. ISBN 1496847059.
Paul Radin The trickster: a study in American Indian mythology (1956)
Allan J. Ryan The Trickster Shift: Humour and irony in contemporary native art 1999 Univ of Washington ISBN 0-7748-0704-0
Trickster's Way Volume 3, Issue 1 2004 Article 3 "Trickster and the Treks of History".
Tannen, R. S., The Female Trickster: PostModern and Post-Jungian Perspectives on Women in Contemporary Culture, Routledge, 2007
External links
Wikimedia Commons logo
Wikimedia Commons has media related to Tricksters.
Joel Chandler Harris and the Uncle Remus Collection
vte
Clowns
vte
Stock characters
Authority control databases Edit this at Wikidata
Categories: TrickstersMythological archetypesJungian archetypesLiterary archetypes
This page was last edited on 5 March 2026, at 07:12 (UTC).
Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.