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Technology arrives in the world of the insurance claim. One small bump in a car park, and a few photos later the repair is approved.
Most of it would polish out, and a bit of coloured tape makes the rear light legal, but the bent and cracked plastic bumper means a trip to the body shop. And that means an insurance claim.
This abstract is made up of just two photos, the rear light, and my reflection whilst photographing the VIN , buried under the wipers and windscreen.
The Metropolitan Life Insurance (MetLife) Tower and its Playful Sculptural Reinterpretation by Alexandre Arrechea
nyclovesnyc.blogspot.com/2013/07/the-metropolitan-life-in...
Italian postcard by Bromofoto, Milano, no. 227. Mistake alert. This is NOT American actress Joan Leslie as indicated on the card but British actress Hazel Court!
Flame-haired English actress Hazel Court (1926 – 2008) was a Horror Queen of the Hammer films of the 1950s and Roger Corman’s Edgar Allan Poe adaptations of the early 1960s. Alfred Hitchcock called her 'the best screamer in the business'.
Hazel Court was born in Sutton Coldfield, Great Britain in 1926. She attended Boldmere School and Highclare College. Her father was G.W. Court, a professional cricketer. At the age of fourteen, Hazel studied drama at the Birmingham Repertory Theatre and the Alexandra Theatre, also in Birmingham. Two years later, she met director Anthony Asquith in London, which won her a bit part in the musical film Champagne Charlie (Alberto Cavalcanti, 1944), made by Ealing Studios. Her only line of dialogue was "I never drank champagne before". The film was based on a play that depicted the real-life rivalry between 19th-century English music hall performer George Leybourne (Tommy Trinder), who first performed the song 'Champagne Charlie', and his colleague Alfred Vance (Stanley Holloway). She got a contract with the Rank Organisation and trained at the studio’s ‘charm school’. Court won a British Critics Award for her supporting role as a crippled girl in Carnival (Stanley Haynes, 1946) about a ballet dancer of the Edwardian era, starring Sally Gray. Years later, Tom Vallance wrote in his obituary of Court in The Independent: “Pert and pretty, Hazel Court was a versatile actress who for several years was the epitome of the deceptively demure, often spunky, but very English heroine in British films of the Forties.” She appeared in supporting parts in the comedy Holiday Camp (Ken Annakin, 1947) with Flora Robson, My Sister and I (Harold Huth, 1948) with Sally Ann Howes, and the drama Bond Street (Gordon Parry, 1948), starring Jean Kent. About the latter Hal Erickson writes at AllMovie: “This multistoried drama purports to detail the events occurring in a single 24-hour period on Bond Street, a "typical" British thoroughfare. The Grand Hotel-like construction of the film allows for several colourful character vignettes.”
In 1949 Hazel Court married Irish actor Dermot Walsh. They co-starred together in the fantasy film Ghost Ship (1952, Vernon Sewell) as a young couple that acquires a yacht. The ship is haunted by the ghosts of a crew that had disappeared off the ship years before. A cult classic became the science fiction film Devil Girl from Mars (David MacDonald, 1954). Patricia Laffan starred as Nyah, an uptight, leather-clad female alien, armed with a ray gun and accompanied by a menacing robot. She arrives at a Scottish inn to collect men as breeding stock, while Court played a disillusioned fashion model who hides for a man who is following her. In 1957 Court played the naive cousin-fiancee of Baron Victor Frankenstein (Peter Cushing) in The Curse of Frankenstein (Terence Fisher, 1957). It was the first colour horror production by Hammer Film and the first of the studio’s Frankenstein series. Its worldwide success led to several sequels, and Hammer's new versions of Dracula (1958) and The Mummy (1959). Court's red hair and green eyes were seen in colour for the first time and her role plus her buxom gained her the status of a ‘scream queen’. However, she wanted to act in comedy films, and in the 1957-1958 television season, she appeared in Dick and the Duchess, a CBS sitcom filmed in England. She played the role of Jane Starrett, a patrician Englishwoman married to an American insurance claims investigator living in London (Patrick O'Neal). Court travelled back and forth between Hollywood and England, appearing in four episodes of the TV series Alfred Hitchcock Presents (1958-1961). One of them showed her being transformed by her jealous husband (Laurence Harvey) into chicken feed. In England, she played in Hammer horror films like The Man Who Could Cheat Death (Terence Fisher, 1959) with Anton Diffring and Christopher Lee, and Doctor Blood's Coffin (Sidney J. Furie, 1961) with Kieron Moore. In the first, Diffring played a sculptor who had found a way of stopping the ageing process so that he was around 70 years older than he looked. While posing for him, Court bared her breasts, a scene cut from the British and American releases and only used for the foreign film market.
By the early 1960s, Hazel Court had permanently moved to the United States. In Hollywood, she continued to appear in horror films, now for American International Pictures. She knew how to project a smouldering sensuality in her roles, and it propelled her to a cult siren. Court was featured in three of AIP’s Edgar Allan Poe adaptations. At the climax of the first one, The Premature Burial (Roger Corman, 1962), Ray Milland shovels dirt on her as she lies in a grave. In the black comedy The Raven (Roger Corman, 1963), she co-starred with Vincent Price, Peter Lorre, and Boris Karloff as a trio of rival sorcerers. The third and best was the exotic The Masque of the Red Death (Roger Corman, 1964), with Vincent Price. The blog Cult Sirens notes: “The Masque of the Red Death in 1964 is probably her most well-known role and surely her best performance. As Juliana, the bride of Prince Prospero (Vincent Price), her sex appeal is at its peak and her tragic death (a bit on the bloody side) is one of the film's highlights.” Court's roles often relied on her cleavage and her ability to shriek in fear and die horrible deaths. It brought her fan mail, even in her later years. Court had divorced Dermot Walsh in 1963. They had a daughter, Sally Walsh, who at the age of four had appeared with her mother in The Curse of Frankenstein (1957). While shooting an episode of Alfred Hitchcock Presents, Court met American actor-director Don Taylor. They married in 1964, and Court retired from the film business to concentrate on being a wife and mother. They had a son, Jonathan, and a daughter, Courtney. Through the years, she guest starred in episodes of many classic TV series such as The Third Man (1959), The Invisible Man (1959), Bonanza (1960), Danger Man (1960-1961), Rawhide (1964), The Twilight Zone (1964), and Twelve O’Clock High (1964-1965). She continued to do so and could be seen in Dr Kildare (1965), Gidget (1966), The Wild Wild West (1966), Mission: Impossible (1967), Mannix (1968) and McMillan & Wife (1972). Finally, she appeared briefly in the third Omen film, The Final Conflict (Graham Baker, 1981), starring Sam Neill and Rossano Brazzi. Like in her first film, she was uncredited in this Horror thriller and played a champagne-drinking guest at a party. In addition to acting, she was also a painter and sculptress and studied sculpting in Italy. Following her husband Don Taylor's death in 1998, she appeared on the cult movie conventions circuit. In 2008 Hazel Court died of a heart attack at her home near Lake Tahoe, California, aged 82. A week later, her autobiography 'Hazel Court - Horror Queen' was published by Tomahawk Press. One of Court's biggest fans is writer Stephen King who mentions her in various of his novels.
Sources: Tom Vallance (The Independent), Ronald Bergan (The Guardian), Hal Erickson (AllMovie), Tom Weaver (IMDb), Horror Stars, Cult Sirens, Wikipedia, and IMDb.
Why hire a life insurance?
Do not neglect the life insurance. Now that the good weather is more than normal to see everything in a more positive way. We seem to forget some of the risks that we may happen.
There may be rare cases where the subject does not worry the user. For example, it could be...
Uses: Insurance
Free Creative Commons Finance Images... I created these images in my studio and have made them all available for personal or commercial use. Hope you like them and find them useful.
To see more of our CC by 2.0 finance images click here... see profile for attribution.
Pamphlet for Metropolitan Life Insurance Company. (c) 1956. No artist mentioned.
UPDATE: Several people got in touch with me and have said that the illustrator is most likely JP Miller. Thanks for the help, guys!
President Barack Obama checks his BlackBerry in a holding room before making remarks on the health insurance reform bill at the Department of Interior, March 23, 2010. (Official White House Photo by Pete Souza)
This official White House photograph is being made available only for publication by news organizations and/or for personal use printing by the subject(s) of the photograph. The photograph may not be manipulated in any way and may not be used in commercial or political materials, advertisements, emails, products, promotions that in any way suggests approval or endorsement of the President, the First Family, or the White House.
Life insurance. Hatch inspections are a regular maintenance task on the International Space Sation.
Lebensversicherung. Regelmäßige Untersuchungen der Luken gehören zu unseren Routineaufgaben auf der ISS.
Credits: ESA/NASA
337_3018
Tokio Marine & Nichido Fine Insurance Building (東京海上日動本社ビル).
Architect : Kunio Maekawa (設計：前川國男).
Contractor : Takenaka Corporation (施工：竹中工務店、大林組、鹿島建設、清水建設JV).
Completed : March 1974 (開業：1974年3月).
Use : Office (用途：オフィス).
Structured : Steel (構造：S造).
Height : 354ft (高さ：108.1m).
Floor : 25th (階数：25階).
Floor area : 679,420 sq.ft. (延床面積：63,120.19㎡).
Location : 1-2-1, Marunouchi, Chiyoda Ward, Tokyo, Japan (所在地：日本国東京都千代田区丸の内1-2-1).
Referenced :
ja.wikipedia.org/wiki/%E6%9D%B1%E4%BA%AC%E6%B5%B7%E4%B8%8...
ir.library.osaka-u.ac.jp/dspace/bitstream/11094/1491/22/1...
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The sky was wild when I went out to do a wildflower walk. I figured it might be gone by the time I got anywhere, so took this in the parking lot.
Pamphlet for Metropolitan Life Insurance Company. (c) 1956. No artist mentioned.
UPDATE: Several people got in touch with me and have said that the illustrator is most likely JP Miller. Thanks for the help, guys!
Some nice character designs here.
Hi Flickr folks. My family and I are safe and sound but our poor community is devastated from flooding. I had to laugh posting this image I took yesterday as BCAA insurance is at the end of the rainbow. Dark humour in these times, but it is necessary to keep a sense of humour.
With the rising cost of education, you need to plan well for your children's big plans. Through this video, learn how Aviva Child Insurance plans can help you make your kid's future safe, secure and bright!
Uses: Anything relating to finance and money.
Free Creative Commons Finance Images... I created these images in my studio and have made them all available for personal or commercial use. Hope you like them and find them useful.
To see more of our CC by 2.0 finance images click here... see profile for attribution.
Uses: car insurance, car finance, buying, leasing... etc.
Free Creative Commons Finance Images... I created these images in our studio and have made them all available for personal or commercial use. Hope you find them useful.
Find more of our CC by 2.0 finance images by visiting our "photo stream" or see "about" for attribution.
A zoomed in photograph of a health insurance claim form next to glasses and a pen.
Want to use one of our images on your own site? That's great! We do ask that you please give credit for the image by including a link to www.franchiseopportunities.com/
Wedding insurance | What it covers?
Wedding insurance has never thought…
After 8 years of dating Ana and Peter were clear, They must go one step further than they did as they were only for Catholics, but because they wanted and wanted to ride a big celebration for friends and family. In sh...
Uses: Anything relating to finance and money.
Free Creative Commons Finance Images... I created these images in my studio and have made them all available for personal or commercial use. Hope you like them and find them useful.
To see more of our CC by 2.0 finance images click here... see profile for attribution.
Uses: Car insurance. Shopping for insurance.
Looking for VACATION on some fascinating beach with your LOVED ONES? or THINKING for FAMILY REUNION ? STARiNSURED - Travel Insurance covers you Before and During YOUR TRIP. Get Medical cover, Lost Luggage, Travel Disaster, Trip Cancellation and many more.
Pamphlet for Metropolitan Life Insurance Company. (c) 1956. No artist mentioned.
UPDATE: Several people got in touch with me and have said that the illustrator is most likely JP Miller. Thanks for the help, guys!
Don't ever tick off Mommy, people.
Free Creative Commons Finance Images... I created these images in my studio and have made them all available for personal or commercial use. Hope you like them and find them useful.
To see more of our CC by 2.0 finance images click here... see profile for attribution.
Inspiration: Health insurance. Health insurance policy. Universal health care. Medicare for all.
Pamphlet for Metropolitan Life Insurance Company. (c) 1956. No artist mentioned.
UPDATE: Several people got in touch with me and have said that the illustrator is most likely JP Miller. Thanks for the help, guys!
This is a wonderful scene. I love the motion of the guy running towards the bus and all the characters riding in the bus. This is at the bottom of a two-page spread.
Best when viewed larger.
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1915 postmarked postcard view of a grain elevator at Medaryville, Indiana. This business is shown in the 1904 Sanborn™ fire insurance map set for Medaryville and is identified as the Crabs, Reynolds & Taylor Grain Elevator. In the 1909 map set, little had changed except the name. The elevator had become the Guild & Robinson (lessees) Elevator with Crabs, Reynolds and Taylor as owners.
The elevator was located on the northwest corner where the Monon Route (Chicago, Indianapolis & Louisville Railroad) crossed Pearl Street. The photographer was facing northwest from the southeast side of the Pearl Street crossing. The elevator business office was in the wood frame building on the corner. The 1904 map set shows the railroad depot one block south on the southeast corner of the Main Street crossing, but the 1909 map set shows a larger depot structure about ½ block farther south.
From a private collection.
The full postcard image can be seen here.
www.flickr.com/photos/hoosier_recollections/31875959055/i...
Copyright 2010-2016 by Hoosier Recollections. All rights reserved. This image is part of a creative package that includes the associated text, geodata and/or other information. Neither this package in its entirety nor any of the individual components may be downloaded, transmitted or reproduced without the prior written permission of Hoosier Recollections.
A zoomed in photograph of a health insurance claim form next to glasses and a pen.
Want to use one of our images on your own site? That's great! We do ask that you please give credit for the image by including a link to www.franchiseopportunities.com/
Choosing the right Houston auto insurance company is to consider the type of coverage that you need. For instance, if you have a less than perfect driving record or past credit problems, you may want to compare auto insurance costs from companies who specialize in giving customers a second chance to earn discount auto insurance. If you own more than one vehicle, you may find that some Houston insurance companies will offer cheap auto insurance rates in exchange for becoming your exclusive provider. In other words, transferring all of your policies to one company may result in discount Houston tx auto insurance at its best.http://amtexinsurance.com/location-finder/houston/