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Ahmad Abu Bakar
2013
Installation with Paint, Varnish, Glass Bottles, Decals, Traditional Wooden Boat
Collection of the Artist
In November 2013, nearly a year to the day of the beginning of construction, "a year and one day" stands proud and tall on the grounds of Longue Vue House and Gardens in New Orleans, Louisiana. Created to slowly be overgrown with plant-life (both indigenous and invasive) and deteriorate with time, this site-specific time-based artwork continues to evolve. Step inside this tomb and contemplate the cycle of life and death. Light filters through a water prism in the ceiling to create a place of passivity.
"Language Generator" (by Lewis Gesner) has been a solo piece, a duet, and ensemble piece, as well as a public workshop project. It had a duration of anywhere from 6 hours to one week. This is what is done. I enter a gallery space with newsprint paper, markers, scotch tape, and a box of objects. For the duration of the piece, I examine the objects, one at a time, and make a noise to go with it, then, a line or symbol on the paper. I then post the result on the walls. Performance/Installation at Meme gallery, Camb., MA. Photo: ©Bob Raymond, 1/14/11.
"I Wasn't Everything" - a MA Fine Arts graduation show at LASALLE College of the Arts, class of 2015.
Here are some soda cans that were setup as a hallway in Downtown Montreal. It was just there with absolutely no description as to why it was there.
Disposable Forest: Disposed chopsticks collected from one venue on the campus of york university one afternoon and small images of effects of climate change.
In November 2013, nearly a year to the day of the beginning of construction, "a year and one day" stands proud and tall on the grounds of Longue Vue House and Gardens in New Orleans, Louisiana. Created to slowly be overgrown with plant-life (both indigenous and invasive) and deteriorate with time, this site-specific time-based artwork continues to evolve. Step inside this tomb and contemplate the cycle of life and death. Light filters through a water prism in the ceiling to create a place of passivity.
“All the trappings: ask me about it later”: Artist Angela Zammarelli creates her own private island with the use of a toaster oven, some frozen french fries, ketchup, tinfoil, a bathrobe, video, and cardboard during this 72-hour continuous performance, at Mobius. Phot: ©Bob Raymond, 1/16/11.
For this project I chose to translate the photograph of a construction site into a new 3 dimensional design. On the photograph there were many steel rods that appeared textured and curved on the foreground and straighter and less textured on the background. Because of the curvature and the up-close shot of the steel rods on the foreground they looked like they were made out of some softer material rather then rigid steel. I wanted to mimic the same relationship. Therefore, for the foreground lines I decided to use flexible, textured material and for the background – duct tape, which is less textured and flexible. I also decided to raise the floor line and create an interesting intermingling of positive and negative space, so that you will not perceive the space as just a room, but some kind of trap that makes the space more claustrophobic.
David Miller and Jane Wiley - Installation Art
The Prostitution of Art and Signs of Our Times. Exhibition and performances. Co-curated by Jane Wang and James Ellis Coleman. 9/23/10
Photo: ©Bob Raymond
In November 2013, nearly a year to the day of the beginning of construction, "a year and one day" stands proud and tall on the grounds of Longue Vue House and Gardens in New Orleans, Louisiana. Created to slowly be overgrown with plant-life (both indigenous and invasive) and deteriorate with time, this site-specific time-based artwork continues to evolve. Step inside this tomb and contemplate the cycle of life and death. Light filters through a water prism in the ceiling to create a place of passivity.