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Made by an Australian Artist; this is an installation made from taut plastic, brightly colored ribbons. The piece in question was inspired by the Op Art movement in the 1960s. This is an example of Optical Mixture – aside from being an installation, the colors utilized (such as the yellow and violets) create an immense amount of depth for such a simple design.
site-specific installation: acrylic, wood and cardboard door chips.
first installed: project contemporary artspace, wollongong, australia.
Installation ceremony of Rtn. Atul Shah as President of the Rotary Club of Nagpur, the largest Club in RI Dist. 3030 and one of the largest in South-East Asia. He was installed by out-going President Tauby Bhagwagar at Hotel Centre Point on Thursday, 5th July, 2012.
Installation ceremony of Rtn. Atul Shah as President of the Rotary Club of Nagpur, the largest Club in RI Dist. 3030 and one of the largest in South-East Asia. He was installed by out-going President Tauby Bhagwagar at Hotel Centre Point on Thursday, 5th July, 2012.
nstallation ceremony of Rtn. Atul Shah as President of the Rotary Club of Nagpur, the largest Club in RI Dist. 3030 and one of the largest in South-East Asia. He was installed by out-going President Tauby Bhagwagar at Hotel Centre Point on Thursday, 5th July, 2012.
nstallation ceremony of Rtn. Atul Shah as President of the Rotary Club of Nagpur, the largest Club in RI Dist. 3030 and one of the largest in South-East Asia. He was installed by out-going President Tauby Bhagwagar at Hotel Centre Point on Thursday, 5th July, 2012.
The panels were delivered, Daniel Blackstone, the contractor found we needed longer lag bolts. He spent most of the day driving around looking for some. We'll have them in the morning. Meanwhile, He's taking the panels home to pre-drill holes. We'll begin installation 8 am.
While studying Year One Fine Art one of our assignments was to make a walk in installation for our corresponding Studio Work in a small group. For our project I worked along two of my friends to create our vision of a fully immersive and colourful experience. We wanted to be as free as possible with our creation of the small room, throwing water balloons filled with paint at the paper lined structure. Creating large brush strokes from the catalyst drips of acrylic paint. At the time of creation, we we're all indulging in a more abstract, surrealist or expressionist style. So it was natural for our installation to follow suit. With bold colours and unique figures, images that are suggestive and supposed to invoke question. Colour theory at the time was a large inspiration for my work, learning about the way that colours assosciate with different emotions and therefore state of minds. It was an incredibly freeing experience, and something I would be very interested in following up from. This was the first time I had worked on such a large scale, and in future I believe that the process would make a great foundation for multimedia to be worked into it, not just hung upon it.
Photo from the translucency assignment. Cut it out of original print. Cut foam core to shape. Spray adhesive to attach picture to cut out foam core. Then printed again, did the same to the tail. The spray mounted the whole thing to another print of the kitty. Installed it all in a shadow box picture frame with velcro.