View allAll Photos Tagged Insignificant
The Austriabrunnen
Austria figure on top of a fountain
I’m not going to lie. The Austriabrunnen on the Freyung square rarely makes an appearance on any tourist top 10 lists. But this small fountain shows how insignificant features within a city like Vienna hide so much historical detail.
Mid-19th century bronze, granite and limestone fountain
Representations of great rivers hint at the power of the Austrian Empire
Brunnen means fountain in German, which makes translating Austriabrunnen into English relatively easy.
It might seem unimaginative to name something for the country it stands in, but the Austrian Empire was still relatively young at the time.
(Also, the authorities in Vienna have never been reluctant to do a bit of patriotic showboating in bronze and stone.)
Five allegorical figures make up the main part of the fountain, which was first revealed to the public in 1846.
The top figure is the personification of the empire. Armed with lance and shield, the berobed Austria looks across the square in the direction of the Hofburg (home to the emperor).
But the four figures lower down offer a more intriguing story. Each represents a river passing through imperial lands. But not just any rivers.
The Elbe, Danube, Po, and Vistula represent some of Europe’s greatest waterways. Each passed through part of the Austrian Empire at the time, and each discharged its waters into a different sea.
As such, the Austriabrunnen encapsulated the extent and influence of the Habsburg monarchy.
The Elbe would have crossed much of the Austrian crown lands of Bohemia on its way to the North Sea
The Danube passed directly through Vienna and Hungary on its way to the Black Sea
The Po skirted the southernmost parts of the Austria-ruled Kingdom of Lombardy-Venetia and emerged into the Adriatic Sea below Venice
On its journey northward to the Baltic Sea, the Vistula marked much of the border of Austria-ruled Galicia with the Kingdom of Poland
The inscription running around the plinth that holds the four river figures reads (my rough translation):
Erected by the citizens of Vienna during the rule of Ferdinand I
The contract for designing the fountain went to Ludwig von Schwanthaler in Munich (outside the empire!), where Ferdinand Miller’s foundry also cast the various bronze figures.
Schwanthaler’s other works include such relatively famous pieces as the Mozart monument in Salzburg (not to be confused with the Vienna equivalent) and the giant Bavaria statue outside Munich’s colonnaded Ruhmeshalle “hall of fame”.
Miller’s work had an even wider impact. He cast, for example, the Columbus doors of the main entrance to the Capitol Building (!) in Washington DC.
The response to the fountain seems to have been positive: the city made Schwanthaler an honorary citizen in 1847 for his watery contribution.
This is a doctor's room during the Meiji area, in the Meijimura museum.
I have a few versions of this picture, focused at different depths, at the back wall, at the writings on the wall, but this is the one I like the most, with the focus coal heater in the foreground. It gives a kind of strangeness to this object which probably was very common in Japan one century ago.
#1. God is
#2. Your'e not him
Most people wish to serve God - but only in an advisory capacity.
A tabletop creation.
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”.
Since 2009, Daniel Kerkhoff, from Minneapolis, Minnesota, U.S.A., has been creating his own artist-in-residencies in communities in Ghana, Ecuador, and Vietnam.
Embedding himself in a community, he develops multiple connections through creating art (installations), writing poetic journals, making art with children, curating exhibitions, working with artists, assisting art libraries and community libraries, documenting walks and the community, and just being a part of everyday life.
Along with painting, collage, art installations, photography, and writing, his art practice involves connecting, sharing, and weaving people and places.
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”.
Assisting and creating libraries is part of my art practice.
During my art residencies, I continue to bring books and materials, art work, maps, magazines and journals, CDs, DVDs, and photos to the community centers in Adugyama, Ashanti Region Ghana and Sisid-anejo, Cañar, Ecuador. I also give a variety of art books, journals, and materials to fellow artists and art spaces.
In Accra, Ghana, I bring art books and magazines to The Nubuke Foundation and The Center for Contemporary Art, Ghana. In Cuenca, Ecuador, I'm connected to In-Arte Contemporáneo and bring art magazines and information. In Hanoi, I have provided various art publications and books to Cuci Fine Art, Chay Art, and Chaap Collective.
I bring art publications, art work, and music created by friends and colleagues of mine. I document their work in these different communities, creating another form of connection and awareness.
I consider this a weaving project, a form of sharing that can have many on-going effects. –Daniel Kerkhoff, www.danielkerkhoff.com
“Playing Catch, Giving and Receiving”
You are invited to play catch with my prints. Two dimensional prints that hang on the wall are transformed into three dimensional balls, a form of sculpture that is also performance and participatory.
Playing catch is a common past time that's relaxing and connecting. It is an act of giving (throwing) and receiving (catching) involving a ball, and, in this case, prints transformed into a ball (sculpture).
Instead of viewing the stationary print on a wall or a sculpture on the floor, it is viewed moving through time and space, dependent on the participants and their actions.
It is visual, transformative, therapeutic, sharing, interactive, and connecting, simple and playful actions of giving and receiving.
--Daniel Kerkhoff, www.danielkerkhoff.com
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”
“Walking the Path, Prints on Prints”
You are invited to walk on my prints, using them as a path.
It’s another way of experiencing art like a stepping stone meditation,
a different awareness may take place on an intentional walk, slower,
deliberate, a winding pathway, your prints touching these prints.
You become, in a way, the performer, the participant, the collaborator,
your soles connecting and becoming a part of these prints, adding steps,
humbling, engaging, liberating, creating another connection.
The title of this series is: "Paper Trail, A4 (All Over the Place)" from "The Quiet and Ugly Artist (Hanoi, 1965-2015)". These prints are collages made from my daily life in Hanoi -- collections of receipts, maps, brochures, business cards, food wrappers and waste.
They are my journal, a record of my consumption and daily activities, stamped with symbols that reflect my connection with Hanoi. They are painted over,
fragments remain revealed, information becomes cloudy, is lost and buried, like memory and history.
I created these collages during my artist-in-residency in Hanoi from
February 6, 2015 to October 26, 2015.
Walking is an important part of my art residencies. I document a familiar route in the community I’m living in by walking slowly, taking photos, and picking up “treasures”.
--Daniel Kerkhoff, www.danielkerkhoff.com
Man the insignificant
What is a man compared with Nature's power?
An insignificance the blots the world
We strive with petty efforts to control
the power of natural force
We think that mankind matters
and we try and fail, to alter
Natures forces that prevail.
We are as ants - an insect life
we scorn. Yet we too as ants
will Nature sweep aside.
Ben Grader February 2015
Looking quite insignificant in amongst the container port jumble, DBRs 1227 and 1199 wait for clearance to leave the port.
Don't have a small insignificant subject.
Don't put it in the centre of the image.
Don't put the horizon in the middle.
Don't have a large expanse of boring sky.
Don't have the foreground out of focus.
And I don't think it looks better on black.
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”.
Since 2009, Daniel Kerkhoff, from Minneapolis, Minnesota, U.S.A., has been creating his own artist-in-residencies in communities in Ghana, Ecuador, and Vietnam.
Embedding himself in a community, he develops multiple connections through creating art (installations), writing poetic journals, making art with children, curating exhibitions, working with artists, assisting art libraries and community libraries, documenting walks and the community, and just being a part of everyday life.
Along with painting, collage, art installations, photography, and writing, his art practice involves connecting, sharing, and
weaving people and places.
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”.
Assisting and creating libraries is part of my art practice.
During my art residencies, I continue to bring books and materials, art work, maps, magazines and journals, CDs, DVDs, and photos to the community centers in Adugyama, Ashanti Region Ghana and Sisid-anejo, Cañar, Ecuador. I also give a variety of art books, journals, and materials to fellow artists and art spaces.
In Accra, Ghana, I bring art books and magazines to The Nubuke Foundation and The Center for Contemporary Art, Ghana. In Cuenca, Ecuador, I'm connected to In-Arte Contemporáneo and bring art magazines and information. In Hanoi, I have provided various art publications and books to Cuci Fine Art, Chay Art, and Chaap Collective.
I bring art publications, art work, and music created by friends and colleagues of mine. I document their work in these different communities, creating another form of connection and awareness.
I consider this a weaving project, a form of sharing that can have many on-going effects. –Daniel Kerkhoff, www.danielkerkhoff.com
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”
“Walking the Path, Prints on Prints”
You are invited to walk on my prints, using them as a path.
It’s another way of experiencing art like a stepping stone meditation,
a different awareness may take place on an intentional walk, slower,
deliberate, a winding pathway, your prints touching these prints.
You become, in a way, the performer, the participant, the collaborator,
your soles connecting and becoming a part of these prints, adding steps,
humbling, engaging, liberating, creating another connection.
The title of this series is: "Paper Trail, A4 (All Over the Place)" from "The Quiet and Ugly Artist (Hanoi, 1965-2015)". These prints are collages made from my daily life in Hanoi -- collections of receipts, maps, brochures, business cards, food wrappers and waste.
They are my journal, a record of my consumption and daily activities, stamped with symbols that reflect my connection with Hanoi. They are painted over,
fragments remain revealed, information becomes cloudy, is lost and buried, like memory and history.
I created these collages during my artist-in-residency in Hanoi from
February 6, 2015 to October 26, 2015.
Walking is an important part of my art residencies. I document a familiar route in the community I’m living in by walking slowly, taking photos, and picking up “treasures”.
--Daniel Kerkhoff, www.danielkerkhoff.com
“The Insignificant is Significant”, a Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”
“Playing Catch, Giving and Receiving”
You are invited to play catch with my prints. Two dimensional prints that hang on the wall are transformed into three dimensional balls, a form of sculpture that is also performance and participatory.
Playing catch is a common past time that's relaxing and connecting. It is an act of giving (throwing) and receiving (catching) involving a ball, and, in this case, prints transformed into a ball (sculpture).
Instead of viewing the stationary print on a wall or a sculpture on the floor, it is viewed moving through time and space, dependent on the participants and their actions.
It is visual, transformative, therapeutic, sharing, interactive, and connecting, simple and playful actions of giving and receiving.
--Daniel Kerkhoff, www.danielkerkhoff.com
Just a piece of seaweed. Just some sand. Some things seem so insignificant. How far did that seaweed travel before landing upon that sand? How many millions or billions of grains of sand are in that spot where the seaweed came to rest? Maybe those insignificant things are a little more important than they first appeared to be. Maybe it depends on your perspective. Perhaps we should all take a little time to appreciate the small, and perhaps insignificant, things.
Ginkgo biloba 'Jehoshaphat' (Witch broom found at Spring Grove Arboretum, Cincinnati, OH) Photo: F.D.Richards, SE Michigan, 3/2021 - Dwarf Ginkgo aka Ginkgo biloba 'Spring Grove', GINK-oh by-LOE-buh, Size at 10 years: 2x3’, Green Foliage, Insignificant flower, USDA Hardiness Zone 4, In Garden Bed S3,1,0 for 6.8 YEARS (MSU). Planted in 2014.
Dawes Arboretum: A selection of a witches'-broom found at the Spring Grove Arboretum in Cincinnati, OH. Growth is very slow and it is an extremely dwarf form, forming a short, broom-like specimen with a somewhat globose to bun shape with little lateral branching, consisting instead of shortened, spur-like appendages. The name refers to a character in Par Lagerkvist's book The Dwarf. A Dawes Arboretum Introduction.
From Spring Grove Cemetery & Arboretum, Cincinnati, Ohio. Beautiful yellow fall color. Best with full sun exposure but adaptable to a variety of growing conditions including high pH, moisture and wind exposure. Grafted 5/10/2009 by Jon Genereaux, MSU Hidden Lake Gardens. Looks quite good in 2019.
2020 Note: In good shape in 2020. Had some dead branches that I trimmed out. At 6 years old, it is somewhat V shaped and measures 4 feet tall and wide.
Additional photos of this plant from 2014, 15, 16, 17, 18, 19, 20, 21:
64/365
July 29, 2009
This picture captures exactly how I feel...small and insignificant. Apparently I suck at life and everything I do. Somehow, some way everyone around me seems to know better/do better/be better. If I feel anything other than happiness people are appalled and treat me like I'm wrong.
I have a lot of anger in my heart. A lot. I actually considered having today's picture be flipping the bird. However, I've never done it and been taught otherwise...so there's a part of me that hold me from cursing. I swear though, my anger is bubbling and getting to the point where I just want to explode.
But right now I feel small and insignificant. I'm clinging to my diary in this picture (if anyone was wondering). After a year and a half I finally finished it last night. Now I'm onto another one...and I hope this is symbolic in my old and new self.
TRF: If you ever wish you were 18 again, don't. It sucks.
Toda a minha vida eu treinei e lutei contra o destino.
Toda a minha vida eu fiz de tudo para ti alegrar.
Toda a minha vida procurei por respostas que me satisfaçam.
Toda a minha vida chorei lagrimas de dor e decepção.
Toda a minha vida sorri para ti ver feliz.
Toda a minha vida eu procurei por uma razão.
E agora você partiu para nunca mais voltar;
Voou para longe de mim com suas asas negras e cortantes;
As laminas afiadas do seu adeus cortaram bem fundo
Esse coração que era todo seu e agora eu...
Sangro,sangro,sangro...esperando parar de bater!
Doce dor a que eu sinto, amarga vida a que eu vivo,
Tudo estava bem mais você fugiu como um pássaro,
Foge de uma gaiola, mais no caso eu fui o chão
Para você pisar e pisotiar seu tapete preferido
Tudo que eu queria é que eu pudesse dizer que
Posso contar com alguém mais eu só vejo colunas
Altas e brutas, só queria ver rostos ao invés de colunas!
Me sento e olho para o céu para ver se eu consigo te avistar
Quem sabe eu veja um anjo parecido com você?
Quem sabe eu veja uma lagrima em seu rosto?
Eu não sei mais a este ponto já não me resta muito
Me desculpe querido por te amar demais!
Mei Ling Meminger
(esse texto foi feito para o Joseph.)
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”.
Since 2009, Daniel Kerkhoff, from Minneapolis, Minnesota, U.S.A., has been creating his own artist-in-residencies in communities in Ghana, Ecuador, and Vietnam.
Embedding himself in a community, he develops multiple connections through creating art (installations), writing poetic journals, making art with children, curating exhibitions, working with artists, assisting art libraries and community libraries, documenting walks and the community, and just being a part of everyday life.
Along with painting, collage, art installations, photography, and writing, his art practice involves connecting, sharing, and
weaving people and places.
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”.
Assisting and creating libraries is part of my art practice.
During my art residencies, I continue to bring books and materials, art work, maps, magazines and journals, CDs, DVDs, and photos to the community centers in Adugyama, Ashanti Region Ghana and Sisid-anejo, Cañar, Ecuador. I also give a variety of art books, journals, and materials to fellow artists and art spaces.
In Accra, Ghana, I bring art books and magazines to The Nubuke Foundation and The Center for Contemporary Art, Ghana. In Cuenca, Ecuador, I'm connected to In-Arte Contemporáneo and bring art magazines and information. In Hanoi, I have provided various art publications and books to Cuci Fine Art, Chay Art, and Chaap Collective.
I bring art publications, art work, and music created by friends and colleagues of mine. I document their work in these different communities, creating another form of connection and awareness.
I consider this a weaving project, a form of sharing that can have many on-going effects. –Daniel Kerkhoff, www.danielkerkhoff.com
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”
“Walking the Path, Prints on Prints”
You are invited to walk on my prints, using them as a path.
It’s another way of experiencing art like a stepping stone meditation,
a different awareness may take place on an intentional walk, slower,
deliberate, a winding pathway, your prints touching these prints.
You become, in a way, the performer, the participant, the collaborator,
your soles connecting and becoming a part of these prints, adding steps,
humbling, engaging, liberating, creating another connection.
The title of this series is: "Paper Trail, A4 (All Over the Place)" from "The Quiet and Ugly Artist (Hanoi, 1965-2015)". These prints are collages made from my daily life in Hanoi -- collections of receipts, maps, brochures, business cards, food wrappers and waste.
They are my journal, a record of my consumption and daily activities, stamped with symbols that reflect my connection with Hanoi. They are painted over,
fragments remain revealed, information becomes cloudy, is lost and buried, like memory and history.
I created these collages during my artist-in-residency in Hanoi from
February 6, 2015 to October 26, 2015.
Walking is an important part of my art residencies. I document a familiar route in the community I’m living in by walking slowly, taking photos, and picking up “treasures”.
--Daniel Kerkhoff, www.danielkerkhoff.com
“The Insignificant is Significant”, a Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”
“Playing Catch, Giving and Receiving”
You are invited to play catch with my prints. Two dimensional prints that hang on the wall are transformed into three dimensional balls, a form of sculpture that is also performance and participatory.
Playing catch is a common past time that's relaxing and connecting. It is an act of giving (throwing) and receiving (catching) involving a ball, and, in this case, prints transformed into a ball (sculpture).
Instead of viewing the stationary print on a wall or a sculpture on the floor, it is viewed moving through time and space, dependent on the participants and their actions.
It is visual, transformative, therapeutic, sharing, interactive, and connecting, simple and playful actions of giving and receiving.
--Daniel Kerkhoff, www.danielkerkhoff.com
Probably one of the hardest things to describe is the feeling of being so tiny and insignificant when you are stood next to these structures, they are certainly awe inspiring. The Great Pyramid of Giza (also called the Pyramid of Khufu and the Pyramid of Cheops) is the oldest and largest of the three pyramids in the Giza Necropolis bordering what is now El Giza, Egypt, and in a historical irony is the oldest of the Seven Wonders of the Ancient World and the only one that survives substantially intact. It is believed the pyramid was built as a tomb for fourth dynasty Egyptian Pharaoh Khufu (Cheops in Greek) and constructed over a 20 year period concluding around 2551 BC. The Great Pyramid was the tallest man-made structure in the world for over 3,800 years. Originally the Great Pyramid was covered by casing stones that formed a smooth outer surface, and what is seen today is the underlying core structure. Some of the casing stones that once covered the structure can still be seen around the base. There have been varying scientific and alternative theories regarding the Great Pyramid's construction techniques. Most accepted construction hypotheses are based on the idea that it was built by moving huge stones from a quarry and dragging and lifting them into place.
"There is nothing insignificant in the world. It all depends on the point of view."
- Johann Wolfgang von Goethe
Text
ILLUSTRATED HISTORY OF PAWTUCKET.
Pawtucket and Central Falls along the broad lines just laid down; to trace briefly, but at the same time comprehensively, the various steps in the progress of the community from its insignificant beginnings
until the present. The first scene in the story is a clearing in the wilderness, by the side of a picturesque waterfall, whose power was without doubt utilized to turn the machines of the pioneer settler, one of the first skilled workers in iron on the American Continent. As he went on with his work of supplying other pioneers who were engaged in subduing the wilderness, and in bringing its savage denizens, both man and beast, into subjection, the maker of tools and weapons became a man of consequence and distinction. His work was of prime necessity. Under the prevailing conditions, without his skill of hand and brain, or that of some other man similarly gifted, social progress would have been impossible.’ His workshop became a nucleus, a social nerve centre, to which other pioneers constantly gravitated in search of the essential tools they needed; and the neighborhood, because of this fact, had unmistakable social advantages, which attracted and retained other pioneers, who here established their homes. Thus began the settlement at Pawtucket falls, around the home and forge of Joseph Jenks, Jr. The prosperity of the worker in iron continued to increase and descended to his children. The family took its place among the leading ones in the state, and its leader in the second generation attained to the dignity of governor of the colony. But the settlement at Pawtucket falls, although meanwhile slowly increasing, was yet in a sense the private domain of the Jenkses, was at least dominated by them, and as an independent community was in a state of chrysalis. At first the locality was within the jurisdiction of Providence, and afterward in the bounds of North Providence, but in itself it was only an outlying hamlet of no more importance than many another similar group of dwellings. As a part successively of the two towns it had a share in their life and development, while at the same time the course of events was preparing the insignificant village for a larger future and a life of its own. On the east side of the river at the falls, a similar but smaller hamlet slowly grew up in the beginning and middle of the eighteenth century, attracted no doubt primarily by the proximity of the ]enks’ forge. Although in the limits of another colony, the natural bonds of similarity of occupation and human fellowship resulting from propinquity gradually brought about a social unity between the two hamlets. The building of the first bridge in 1713 was the first visible bond of union, although it was intended more as a means of general travel than as a connecting ligament between the two groups of widely scattered dwellings at the
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”.
Since 2009, Daniel Kerkhoff, from Minneapolis, Minnesota, U.S.A., has been creating his own artist-in-residencies in communities in Ghana, Ecuador, and Vietnam.
Embedding himself in a community, he develops multiple connections through creating art (installations), writing poetic journals, making art with children, curating exhibitions, working with artists, assisting art libraries and community libraries, documenting walks and the community, and just being a part of everyday life.
Along with painting, collage, art installations, photography, and writing, his art practice involves connecting, sharing, and weaving people and places.
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”.
Assisting and creating libraries is part of my art practice.
During my art residencies, I continue to bring books and materials, art work, maps, magazines and journals, CDs, DVDs, and photos to the community centers in Adugyama, Ashanti Region Ghana and Sisid-anejo, Cañar, Ecuador. I also give a variety of art books, journals, and materials to fellow artists and art spaces.
In Accra, Ghana, I bring art books and magazines to The Nubuke Foundation and The Center for Contemporary Art, Ghana. In Cuenca, Ecuador, I'm connected to In-Arte Contemporáneo and bring art magazines and information. In Hanoi, I have provided various art publications and books to Cuci Fine Art, Chay Art, and Chaap Collective.
I bring art publications, art work, and music created by friends and colleagues of mine. I document their work in these different communities, creating another form of connection and awareness.
I consider this a weaving project, a form of sharing that can have many on-going effects. –Daniel Kerkhoff, www.danielkerkhoff.com
“Playing Catch, Giving and Receiving”
You are invited to play catch with my prints. Two dimensional prints that hang on the wall are transformed into three dimensional balls, a form of sculpture that is also performance and participatory.
Playing catch is a common past time that's relaxing and connecting. It is an act of giving (throwing) and receiving (catching) involving a ball, and, in this case, prints transformed into a ball (sculpture).
Instead of viewing the stationary print on a wall or a sculpture on the floor, it is viewed moving through time and space, dependent on the participants and their actions.
It is visual, transformative, therapeutic, sharing, interactive, and connecting, simple and playful actions of giving and receiving.
--Daniel Kerkhoff, www.danielkerkhoff.com
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”
“Walking the Path, Prints on Prints”
You are invited to walk on my prints, using them as a path.
It’s another way of experiencing art like a stepping stone meditation,
a different awareness may take place on an intentional walk, slower,
deliberate, a winding pathway, your prints touching these prints.
You become, in a way, the performer, the participant, the collaborator,
your soles connecting and becoming a part of these prints, adding steps,
humbling, engaging, liberating, creating another connection.
The title of this series is: "Paper Trail, A4 (All Over the Place)" from "The Quiet and Ugly Artist (Hanoi, 1965-2015)". These prints are collages made from my daily life in Hanoi -- collections of receipts, maps, brochures, business cards, food wrappers and waste.
They are my journal, a record of my consumption and daily activities, stamped with symbols that reflect my connection with Hanoi. They are painted over,
fragments remain revealed, information becomes cloudy, is lost and buried, like memory and history.
I created these collages during my artist-in-residency in Hanoi from
February 6, 2015 to October 26, 2015.
Walking is an important part of my art residencies. I document a familiar route in the community I’m living in by walking slowly, taking photos, and picking up “treasures”.
--Daniel Kerkhoff, www.danielkerkhoff.com
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”.
Since 2009, Daniel Kerkhoff, from Minneapolis, Minnesota, U.S.A., has been creating his own artist-in-residencies in communities in Ghana, Ecuador, and Vietnam.
Embedding himself in a community, he develops multiple connections through creating art (installations), writing poetic journals, making art with children, curating exhibitions, working with artists, assisting art libraries and community libraries, documenting walks and the community, and just being a part of everyday life.
Along with painting, collage, art installations, photography, and writing, his art practice involves connecting, sharing, and weaving people and places.
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”.
Assisting and creating libraries is part of my art practice.
During my art residencies, I continue to bring books and materials, art work, maps, magazines and journals, CDs, DVDs, and photos to the community centers in Adugyama, Ashanti Region Ghana and Sisid-anejo, Cañar, Ecuador. I also give a variety of art books, journals, and materials to fellow artists and art spaces.
In Accra, Ghana, I bring art books and magazines to The Nubuke Foundation and The Center for Contemporary Art, Ghana. In Cuenca, Ecuador, I'm connected to In-Arte Contemporáneo and bring art magazines and information. In Hanoi, I have provided various art publications and books to Cuci Fine Art, Chay Art, and Chaap Collective.
I bring art publications, art work, and music created by friends and colleagues of mine. I document their work in these different communities, creating another form of connection and awareness.
I consider this a weaving project, a form of sharing that can have many on-going effects. –Daniel Kerkhoff, www.danielkerkhoff.com
“Playing Catch, Giving and Receiving”
You are invited to play catch with my prints. Two dimensional prints that hang on the wall are transformed into three dimensional balls, a form of sculpture that is also performance and participatory.
Playing catch is a common past time that's relaxing and connecting. It is an act of giving (throwing) and receiving (catching) involving a ball, and, in this case, prints transformed into a ball (sculpture).
Instead of viewing the stationary print on a wall or a sculpture on the floor, it is viewed moving through time and space, dependent on the participants and their actions.
It is visual, transformative, therapeutic, sharing, interactive, and connecting, simple and playful actions of giving and receiving.
--Daniel Kerkhoff, www.danielkerkhoff.com
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”
“Walking the Path, Prints on Prints”
You are invited to walk on my prints, using them as a path.
It’s another way of experiencing art like a stepping stone meditation,
a different awareness may take place on an intentional walk, slower,
deliberate, a winding pathway, your prints touching these prints.
You become, in a way, the performer, the participant, the collaborator,
your soles connecting and becoming a part of these prints, adding steps,
humbling, engaging, liberating, creating another connection.
The title of this series is: "Paper Trail, A4 (All Over the Place)" from "The Quiet and Ugly Artist (Hanoi, 1965-2015)". These prints are collages made from my daily life in Hanoi -- collections of receipts, maps, brochures, business cards, food wrappers and waste.
They are my journal, a record of my consumption and daily activities, stamped with symbols that reflect my connection with Hanoi. They are painted over,
fragments remain revealed, information becomes cloudy, is lost and buried, like memory and history.
I created these collages during my artist-in-residency in Hanoi from
February 6, 2015 to October 26, 2015.
Walking is an important part of my art residencies. I document a familiar route in the community I’m living in by walking slowly, taking photos, and picking up “treasures”.
--Daniel Kerkhoff, www.danielkerkhoff.com
Ginkgo biloba 'Jehoshaphat' () 2019 photo - Common Name: Dwarf Ginkgo, Size: 2x3ft., Green Foliage, Insignificant flower, USDA Hardiness Zone 4, In Garden Bed S3 for 5.1 YEARS (MSU ). Planted in 2014.
Dawes Arboretum: A selection of a witches'-broom found at the Spring Grove Arboretum in Cincinnati, OH. Growth is very slow and it is an extremely dwarf form, forming a short, broom-like specimen with a somewhat globose to bun shape with little lateral branching, consisting instead of shortened, spur-like appendages. The name refers to a character in Par Lagerkvist's book The Dwarf. A Dawes Arboretum Introduction.
From Spring Grove Cemetery & Arboretum, Cincinnati, Ohio. Beautiful yellow fall color. Best with full sun exposure but adaptable to a variety of growing conditions including high pH, moisture and wind exposure. Grafted 5/10/2009 by Jon Genereaux, MSU Hidden Lake Gardens.
#Ginkgo #DwarfGinkgo
The Pink-eared Duck is named after an insignificant spot of pink feathers on the side of the drake’s head. More striking are the bold black-and-white stripes which dominate the ducks’ neck, breast and underparts, giving rise to its vernacular name of Zebra Duck or Zebra Teal. Pink-eared Ducks have odd-shaped bills, evolved to feed in a specialised manner: water is sucked through the bill-tip, then expelled through grooves along the side of the bill, filtering out tiny invertebrates in the process.
June 16, 2007
After a particularly tough rehearsal in the theater tonight, Richard and I got out of our car and looked up into the sky to see millions of stars shining down on us. Living in the city doesn't offer me much opportunity to star gaze, so I spent 1/2 hour unwinding and looking up into the heavens, amazed at how vast the universe is (and how insignificant this all is...)
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“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”.
Since 2009, Daniel Kerkhoff, from Minneapolis, Minnesota, U.S.A., has been creating his own artist-in-residencies in communities in Ghana, Ecuador, and Vietnam.
Embedding himself in a community, he develops multiple connections through creating art (installations), writing poetic journals, making art with children, curating exhibitions, working with artists, assisting art libraries and community libraries, documenting walks and the community, and just being a part of everyday life.
Along with painting, collage, art installations, photography, and writing, his art practice involves connecting, sharing, and weaving people and places.
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”.
Assisting and creating libraries is part of my art practice.
During my art residencies, I continue to bring books and materials, art work, maps, magazines and journals, CDs, DVDs, and photos to the community centers in Adugyama, Ashanti Region Ghana and Sisid-anejo, Cañar, Ecuador. I also give a variety of art books, journals, and materials to fellow artists and art spaces.
In Accra, Ghana, I bring art books and magazines to The Nubuke Foundation and The Center for Contemporary Art, Ghana. In Cuenca, Ecuador, I'm connected to In-Arte Contemporáneo and bring art magazines and information. In Hanoi, I have provided various art publications and books to Cuci Fine Art, Chay Art, and Chaap Collective.
I bring art publications, art work, and music created by friends and colleagues of mine. I document their work in these different communities, creating another form of connection and awareness.
I consider this a weaving project, a form of sharing that can have many on-going effects. –Daniel Kerkhoff, www.danielkerkhoff.com
“Playing Catch, Giving and Receiving”
You are invited to play catch with my prints. Two dimensional prints that hang on the wall are transformed into three dimensional balls, a form of sculpture that is also performance and participatory.
Playing catch is a common past time that's relaxing and connecting. It is an act of giving (throwing) and receiving (catching) involving a ball, and, in this case, prints transformed into a ball (sculpture).
Instead of viewing the stationary print on a wall or a sculpture on the floor, it is viewed moving through time and space, dependent on the participants and their actions.
It is visual, transformative, therapeutic, sharing, interactive, and connecting, simple and playful actions of giving and receiving.
--Daniel Kerkhoff, www.danielkerkhoff.com
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”
“Walking the Path, Prints on Prints”
You are invited to walk on my prints, using them as a path.
It’s another way of experiencing art like a stepping stone meditation,
a different awareness may take place on an intentional walk, slower,
deliberate, a winding pathway, your prints touching these prints.
You become, in a way, the performer, the participant, the collaborator,
your soles connecting and becoming a part of these prints, adding steps,
humbling, engaging, liberating, creating another connection.
The title of this series is: "Paper Trail, A4 (All Over the Place)" from "The Quiet and Ugly Artist (Hanoi, 1965-2015)". These prints are collages made from my daily life in Hanoi -- collections of receipts, maps, brochures, business cards, food wrappers and waste.
They are my journal, a record of my consumption and daily activities, stamped with symbols that reflect my connection with Hanoi. They are painted over,
fragments remain revealed, information becomes cloudy, is lost and buried, like memory and history.
I created these collages during my artist-in-residency in Hanoi from
February 6, 2015 to October 26, 2015.
Walking is an important part of my art residencies. I document a familiar route in the community I’m living in by walking slowly, taking photos, and picking up “treasures”.
--Daniel Kerkhoff, www.danielkerkhoff.com
To most folks this image would seem insignificant. It's not really pretty, there are lots of mistakes with it. It's not even in good focus. But to me this image is quite special. This is the very first image I shot after deciding to take up cave photography. This was taken in October of 2003 in Rustys cave located in northern Georgia. What an amazing road it has been. So many things seemed impossible then. Its good to look back sometimes just be sure you always have more dreams than memories. Special thanks for everyone who has helped me through the years. It is you I have to thank for making all of what you see here in my photos a reality. The road is a long one and I'm no where near the end.
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”.
Since 2009, Daniel Kerkhoff, from Minneapolis, Minnesota, U.S.A., has been creating his own artist-in-residencies in communities in Ghana, Ecuador, and Vietnam.
Embedding himself in a community, he develops multiple connections through creating art (installations), writing poetic journals, making art with children, curating exhibitions, working with artists, assisting art libraries and community libraries, documenting walks and the community, and just being a part of everyday life.
Along with painting, collage, art installations, photography, and writing, his art practice involves connecting, sharing, and weaving people and places.
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”.
Assisting and creating libraries is part of my art practice.
During my art residencies, I continue to bring books and materials, art work, maps, magazines and journals, CDs, DVDs, and photos to the community centers in Adugyama, Ashanti Region Ghana and Sisid-anejo, Cañar, Ecuador. I also give a variety of art books, journals, and materials to fellow artists and art spaces.
In Accra, Ghana, I bring art books and magazines to The Nubuke Foundation and The Center for Contemporary Art, Ghana. In Cuenca, Ecuador, I'm connected to In-Arte Contemporáneo and bring art magazines and information. In Hanoi, I have provided various art publications and books to Cuci Fine Art, Chay Art, and Chaap Collective.
I bring art publications, art work, and music created by friends and colleagues of mine. I document their work in these different communities, creating another form of connection and awareness.
I consider this a weaving project, a form of sharing that can have many on-going effects. –Daniel Kerkhoff, www.danielkerkhoff.com
“Playing Catch, Giving and Receiving”
You are invited to play catch with my prints. Two dimensional prints that hang on the wall are transformed into three dimensional balls, a form of sculpture that is also performance and participatory.
Playing catch is a common past time that's relaxing and connecting. It is an act of giving (throwing) and receiving (catching) involving a ball, and, in this case, prints transformed into a ball (sculpture).
Instead of viewing the stationary print on a wall or a sculpture on the floor, it is viewed moving through time and space, dependent on the participants and their actions.
It is visual, transformative, therapeutic, sharing, interactive, and connecting, simple and playful actions of giving and receiving.
--Daniel Kerkhoff, www.danielkerkhoff.com
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”
“Walking the Path, Prints on Prints”
You are invited to walk on my prints, using them as a path.
It’s another way of experiencing art like a stepping stone meditation,
a different awareness may take place on an intentional walk, slower,
deliberate, a winding pathway, your prints touching these prints.
You become, in a way, the performer, the participant, the collaborator,
your soles connecting and becoming a part of these prints, adding steps,
humbling, engaging, liberating, creating another connection.
The title of this series is: "Paper Trail, A4 (All Over the Place)" from "The Quiet and Ugly Artist (Hanoi, 1965-2015)". These prints are collages made from my daily life in Hanoi -- collections of receipts, maps, brochures, business cards, food wrappers and waste.
They are my journal, a record of my consumption and daily activities, stamped with symbols that reflect my connection with Hanoi. They are painted over,
fragments remain revealed, information becomes cloudy, is lost and buried, like memory and history.
I created these collages during my artist-in-residency in Hanoi from
February 6, 2015 to October 26, 2015.
Walking is an important part of my art residencies. I document a familiar route in the community I’m living in by walking slowly, taking photos, and picking up “treasures”.
--Daniel Kerkhoff, www.danielkerkhoff.com
This photograph was taken shortly after the 1906 San Francisco earthquake. The building you see burning down in the background is the Del Monte Milling Company at 1610 Montgomery Street, in San Francisco, CA. The most amazing thing about it though, are the people. They're in the middle of a massive catastrophe, and yet they're all impeccably well dressed. For bonus points, see if you can find the lady taking a stroll with her parasol, cuz really..the last thing she needs on a day like this is a sunburn.
This photograph was taken in the hours immediately following the earthquake. I have no idea who the original photographer was, and I've never seen this photograph in any other collection of 1906 Earthquake photos. As far as I know, it's unique, and unknown to any collection. I believe the people are rescuing what they can from the building, while the city burns around them.
In 1907, a new building was constructed on the same site, and still stands today, at that address, although it's no longer the Del Monte Milling company.
This Sphingidae moth was far from dead! As I got on the ground and touched him with my finger, he stood up on his back legs and began to make boxing movements with his forelegs, he was boxing me and defending himself! From that day forward, I developed a great respect for insects, apparently so insignificant but manifesting an infinite creativity of form and strategies for survival
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”.
Since 2009, Daniel Kerkhoff, from Minneapolis, Minnesota, U.S.A., has been creating his own artist-in-residencies in communities in Ghana, Ecuador, and Vietnam.
Embedding himself in a community, he develops multiple connections through creating art (installations), writing poetic journals, making art with children, curating exhibitions, working with artists, assisting art libraries and community libraries, documenting walks and the community, and just being a part of everyday life.
Along with painting, collage, art installations, photography, and writing, his art practice involves connecting, sharing, and
weaving people and places.
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”.
Assisting and creating libraries is part of my art practice.
During my art residencies, I continue to bring books and materials, art work, maps, magazines and journals, CDs, DVDs, and photos to the community centers in Adugyama, Ashanti Region Ghana and Sisid-anejo, Cañar, Ecuador. I also give a variety of art books, journals, and materials to fellow artists and art spaces.
In Accra, Ghana, I bring art books and magazines to The Nubuke Foundation and The Center for Contemporary Art, Ghana. In Cuenca, Ecuador, I'm connected to In-Arte Contemporáneo and bring art magazines and information. In Hanoi, I have provided various art publications and books to Cuci Fine Art, Chay Art, and Chaap Collective.
I bring art publications, art work, and music created by friends and colleagues of mine. I document their work in these different communities, creating another form of connection and awareness.
I consider this a weaving project, a form of sharing that can have many on-going effects. –Daniel Kerkhoff, www.danielkerkhoff.com
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”
“Walking the Path, Prints on Prints”
You are invited to walk on my prints, using them as a path.
It’s another way of experiencing art like a stepping stone meditation,
a different awareness may take place on an intentional walk, slower,
deliberate, a winding pathway, your prints touching these prints.
You become, in a way, the performer, the participant, the collaborator,
your soles connecting and becoming a part of these prints, adding steps,
humbling, engaging, liberating, creating another connection.
The title of this series is: "Paper Trail, A4 (All Over the Place)" from "The Quiet and Ugly Artist (Hanoi, 1965-2015)". These prints are collages made from my daily life in Hanoi -- collections of receipts, maps, brochures, business cards, food wrappers and waste.
They are my journal, a record of my consumption and daily activities, stamped with symbols that reflect my connection with Hanoi. They are painted over,
fragments remain revealed, information becomes cloudy, is lost and buried, like memory and history.
I created these collages during my artist-in-residency in Hanoi from
February 6, 2015 to October 26, 2015.
Walking is an important part of my art residencies. I document a familiar route in the community I’m living in by walking slowly, taking photos, and picking up “treasures”.
--Daniel Kerkhoff, www.danielkerkhoff.com
“The Insignificant is Significant”, a Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”
“Playing Catch, Giving and Receiving”
You are invited to play catch with my prints. Two dimensional prints that hang on the wall are transformed into three dimensional balls, a form of sculpture that is also performance and participatory.
Playing catch is a common past time that's relaxing and connecting. It is an act of giving (throwing) and receiving (catching) involving a ball, and, in this case, prints transformed into a ball (sculpture).
Instead of viewing the stationary print on a wall or a sculpture on the floor, it is viewed moving through time and space, dependent on the participants and their actions.
It is visual, transformative, therapeutic, sharing, interactive, and connecting, simple and playful actions of giving and receiving.
--Daniel Kerkhoff, www.danielkerkhoff.com
This small insignificant plaque over the south-eastern entrance stairway is the only memorial to the 173 people who died. The "Stairway to Heaven Memorial" campaign seeks to erect a fitting monument to ensure those who died are never forgotten.