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A week or two ago I went out to see my sister. We took a walk/ hike out past her land, through the woods and out the other side to this pleasant scene. To say that sharing images here with all of you has an influence on the way I now see things is surely an understatement. I couldn't help but see one of calakmul's abandoned farms here ( actually there is one about a half mile behind where we were), or maybe one of Ambre Dawn's combines coming across the field, and of course with my sister's dog, Giblet, leading the way, I couldn't help but think of Pastor Rick's Stumpy Jack! It seems where ever I go with a camera you all go along!
The 2013 NHPTV Women of Influence luncheon on April 11, 2013 in Bedford featured guest speaker Pat Harrison, CEO of the Corporation for Public Broadcasting. (Photos by Lisa Nugent, UNH Photo Services)
When I was walking to this car, I was absolutely sure it was a Russian "Volga", but it turned out to be an original "Dodge"!
48 lounge 8/2/10 #morebelve
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Michael "Mancini" McConnell
Team Mancini Lifestyle Inc.
Marketing and Brand Management
Phone: 347.528.6144
Belvedere Vodka-Brand Ambassador NYC
Website: www.teammancini.com
This is an image from an influencer marketing campaign that was created and managed by ApexDrop Influencer Marketing on behalf of Ably. In order to use these images, you must follow the creative commons license and include a link to www.apexdrop.com.
Often one student painting influences another in the choice classroom. A
student was attracted to the calico cats and has joined the painter to make her
own smaller version.
"Eternal Bloom"
Stamplistic
Stamped Image +
One Piece Die
August 2019 Kit
The one piece die is very easy to trim down into layers.
July 2019
Influenced by the artisans of southern Chinese provinces, Cheng Hoon Teng temple is notable for its carved woodwork.
IMG_5944
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This is an image from an influencer marketing campaign that was created and managed by ApexDrop Influencer Marketing on behalf of Ably. In order to use these images, you must follow the creative commons license and include a link to www.apexdrop.com.
On November 17th, 2011, SFU's Beedie School of Business hosted its Annual EMBA Tune Up and Reception.
Dr. Tom Lawrence gave a presentation on Social Innovation - Harnessing Multi-Sector Creativity to Address Complex Social Problems. The lecture was followed by one from Carolyn Egri, who presented her thoughts on Climbing the Corporate Ladder: The etches of upward influence in 42 societies.
The tune up concluded with an alumni reception for guests to network and reconnect.
4me4you visits Rosenfeld Gallery which featured six artists whose practice is heavily influenced by five equally rich artistic traditions. -“inspirations from the ancients”.
Artists featured: Teodora Axente / Nicola Samorì / Shiva Ahmadi’ / Keita Miyazaki / Lu Chao / Qingzhen Han
The Romanian artist Teodora Axente’s highly ornate paintings bear a clear debt to the Dutch fifteenth and sixteenth century panel painting tradition.
The Italian artist Nicola Samorì’s paintings are influenced by the Italian baroque in general, but also by the whole of Italian artistic tradition.
The Iranian artist Shiva Ahmadi has continually used the world of Persian miniatures as a primary source of inspiration for her highly politicised artworks.
The Japanese artist Keita Miyazaki has, over the last few years, made a series of ‘Vanitas’ metal cases which began their existence as a ‘homage’ to the seventeenth century Dutch paintings which developed into a renowned tradition in the way these exquisitely made works with their skulls, partially eaten fruit, jewels depicted human vanity in its metaphorical portrayal of the accumulation of wealth and its uselessness as a defence against the fragility of existence.
The Chinese painter Lu Chao’s works are influenced by the master calligraphers of the Yuan Dynasty (1271 - 1368). How- ever, as with the other artist’s in the exhibition, Lu Chao’s ‘homage’ is no slavish adoption of a previous technique, but merely an attention towards the beauty and power of the gesture, although in his own works, at the service of figuration and not abstraction.
Qingzhen Han’s works embrace abstraction. Often working the extremities of the surface and allowing empty space in the middle of the painting, in a stark reversal of conventional practice. Han applies a layer of white ‘gesso’ to the canvas which then, apart from the resultant light which emanates from the blank canvas, encourages us to accept that empty space is actually a metaphysical concept. Furthermore, fundamentally to the ideas she wishes to express, she can subsequently apply paint to various depths of the work as some gestures can almost disappear into the gesso, whilst others remain far more pronounced.
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