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Influence of alignment filtering.(A) Random filtering and phylogenetic filtering both remove sequences from the unfiltered alignment, which is represented by the large tree a, but result in trees (b and c) that differ in the length of terminal branches (red). Tree b (random filter) is similar to a in containing many extremely short terminal branches that are known to challenge coevolution detectors. In contrast, tree c (phylogenetic filter) lacks short terminal branches. (B) Opposing effects of progressively increasing strength of filtering, which leaves gradually fewer sequences in the alignment. The top graph shows, for the phylogenetic filter, the minimal sequence-sequence distance among all sequence pairs in the filtered alignment. The two lower graphs show performance, measured by , of a coevolution detector for both the phylogenetic and random filter. The first effect, specific to the phylogenetic filter, is a rise of with increasing strength of filtering (decreasing number remaining sequences). This reflects the disappearance of short terminal branches, which in turn improves performance, until a maximum is reached around 250 sequences remaining. The second effect is the deterioration of performance with increasing strength of filtering, since fewer sequences provide less information for the coevolution detector. This effect is clearly seen for the random filter regardless of the number of remaining sequences but it becomes apparent for the phylogenetic filter only with strong filtering. Conditions: detector = MIp; protein family = ABC-C. Trees were plotted using FigTree v1.3.1 (tree.bio.ed.ac.uk/software/figtree/).
Influencer Marketing is the use of a social media marketing tool to create business awareness directly with a potential client or by a third party for the purpose of influencing the target individual.
Bradley Beach Free Public Library
Borough of Bradley Beach, New Jersey
Listed 12/24/2013
Reference Number: 13000976
Constructed in 1927 as a Free Public Library, the Bradley Beach Library embodies the civic efforts of the Woman's Improvement League (WIL), a local woman's club, which established the library to provide educational enrichment to the citizens of Bradley Beach. The civic efforts of the women of Bradley Beach during the early 20th-century reflect the initiatives of women's voluntary organizations throughout the country and the State of New Jersey to influence the development of their communities, promoting cultural, educational, religious and social reforms. Although the Bradley Beach Free Public Library was constructed after the Carnegie Foundation discontinued the construction of local libraries, the design of the Bradley Beach Library followed many of the design guidelines and innovations recommended by Andrew Carnegie and James Bertram, Carnegie's personal secretary. The Bradley Beach Library is locally significant as a representative example of the instrumental role women's clubs and women's civic, cultural, and social volunteer organizations played in spearheading successful local library campaigns in hundreds of communities throughout the country during the first quarter of the 20th-century. The Library is also significant as a representative example of early 20th century library design, embracing the ideals of the "Free Library Movement," which were reflected in Andrew Carnegie's reforms of American library architecture. The period of significance of the Library is 1927, the year the building was constructed.
National Register of Historic Places Homepage
Bradley Beach Free Public Library, Borough of Bradley Beach, New Jersey Summary Page
Influencers church (Paradise) fireworks 19/12/2014
Carols and Fireworks.
Canon EOS 5D, 24-70L, ND2-400 Variable filter, 1 sec exposure and longer
2015
_MG_8966
Singers, Bands and Rappers can now use #TribeFluenceapp to grow your audience #beat #instamusic #dubstep #remix #like4like #edm #radio #singer #newsong #rappers #underground #hiphop #music #rapper #beats #rnb #producer #trap #artist #dj #pop #song #newmusic #dope #mixtape #rapmusic #hiphopmusic #freestyle
The influence of the Nickel Plate is visible in the placement of the signal heads on this home signal in Spencer, Ohio. The NKP acquired the original Wheeling & Lake Erie in the late 1940s.
San Diego Fashion Week 2014 - SS 15 Collection - American Prep Clothing Co.
AP is an upscale sportswear manufacturer based in Louisiana. The company caters to the exquisite tastes of the fashionable few. Our garments are designed with our discerning customer in mind-offering impeccably tailored garments in sophisticated color palettes on luxurious fabrics. AP made its debut in 2012, offering it’s consumer a luxe capsule collection inspired by classic, timeless pieces with modern silhouettes, impeccable details, and luxurious fabrics. The response was so great that we knew we should expand our product offering. Now, quickly gaining recognition, AP will soon be found in select fine retailers, boutiques and exclusive resorts across the country. Our clothes are proudly manufactured in the U.S.A. The Creatives at AP have always been influenced by vintage clothing. However, they drew their inspiration from style icons of decades past who graced the fashions of the 40‘s, 50‘s and 60‘s with impeccable elegance. The fashion forward men and women of these glorious decades had a gift of timeless and effortless elegance. If you opened their closets today, you would still be able to wear these garments—-the definition of ‘timeless’! It is these same classic, timeless details and quality construction that are a must in every piece produced under the American Prep Clothing Company™ product line. The American Prep™ philosophy is based on a commitment to quality. Most of our designs are based on influences of the past. That type of detail and quality is often hard to come by in today’s modern world. American Prep™ is here to fill the void with our “New Classics”, known for their impeccable quality, construction and detail.
Kartikeya (/ˌkɑrtɪˈkeɪjə/), also known as Skanda, Murugan and Subramaniyan, is the Hindu god of war. He is the commander-in-chief of the army of the devas (gods) and the son of Shiva and Parvati.
Murugan is often referred to as "Tamil Kadavul" (meaning "God of Tamils") and is worshiped primarily in areas with Tamil influences, especially South India, Sri Lanka, Mauritius, Malaysia, Singapore and Reunion Island. His six most important shrines in India are the Arupadaiveedu temples, located in Tamil Nadu. In Sri Lanka, Hindus as well as Buddhists revere the sacred historical Nallur Kandaswamy temple in Jaffna and Katirkāmam Temple situated deep south.[1] Hindus in Malaysia also pray to Lord Murugan at the Batu Caves and various temples where Thaipusam is celebrated with grandeur.
In Karnataka and Andhra Pradesh, Kartikeya is known as Subrahmanya with a temple at Kukke Subramanya known for Sarpa shanti rites dedicated to Him and another famous temple at Ghati Subramanya also in Karnataka. In Bengal and Odisha, he is popularly known as Kartikeya (meaning 'son of Krittika').
Other names[edit]
Like most Hindu deities, Subrahmanya is known by many other names, including Senthil, Vēlaṇ, Kumāran (meaning 'prince or child or young one'), Swaminatha (meaning 'smart' or 'clever'), Saravaṇa, Arumugam or Shanmuga (meaning 'one with six faces'), Dandapani (meaning God with a Club), Guhan or Guruguha (meaning 'cave-dweller'), Subrahmanya, Kartikeya and Skanda (meaning 'that which is spilled or oozed).[3][4] He was also known as Mahasena and the Kadamba Dynasty kings worshiped him by this name.[5]
Vedas[edit]
The Atharva Veda describes Kumaran as 'Agnibhuh' because he is form of 'Agni' (Fire God) & Agni hold in his hand when kumaran born. The Satapatha Brahmana refers to him as the son of Rudra and the six faces of Rudra. The Taittiriya Aranyaka contains the Gayatri mantra for Shanmukha. The Chandogya Upanishad refers to Skanda as the "way that leads to wisdom". The Baudhayana Dharmasutra mentions Skanda as 'Mahasena' and 'Subrahmanya.' The Aranya Parva canto of the Mahabharata relates the legend of Kartikeya Skanda in considerable detail. The Skanda Purana is devoted to the narrative of Kartikeya.[6] The Upanishads also constantly make a reference to a Supreme Being called Guha, the indweller.
The first elaborate account of Kartikeya's origin occurs in the Mahabharata. In a complicated story, he is said to have been born from Agni and Svaha, after the latter impersonated the six of the seven wives of the Saptarishi (Seven Sages). The actual wives then become the Pleiades. Kartikeya is said to have been born to destroy the Asura Mahisha.[7] (In later mythology, Mahisha became the adversary of Durga.) Indra attacks Kartikeya as he sees the latter as a threat, until Shiva intervenes and makes Kartikeya the commander-in-chief of the army of the Devas. He is also married to Devasena, Indra's daughter. The origin of this marriage lies probably in the punning of 'Deva-sena-pati'. It can mean either lord of Devasena or Lord of the army (sena) of Devas. But according to Shrii Shrii Anandamurti, in his master work on Shiva[8] and other works, Kartikeya was married to Devasenā and that is on the ground of his name as Devasena's husband, Devasenāpati, misinterpreted as Deva-senāpati (Deva's general) that he was granted the title general and made the Deva's army general.[9]
Tolkappiyam, possibly the most ancient of the Tamil literature mentions him as "Seyon", the three other gods referred in Tolkappiyam are "Maayon", "Indhiran" and "Kotravai(see:Durga). Extant Sangam works, dated between the 3rd century BCE and 5th century CE glorified Murugan, "the red god seated on the blue peacock, who is ever young and resplendent," as "the favoured god of the Tamils."[10] The Sangam poetry divided space and Tamil land into five allegorical areas (tinai) and according to the Tirumurugarruppatai ( c. 400–450 AD) attributed to the great Sangam poet Nakkiirar, Murugan was the presiding deity the Kurinci region (hilly area). (Tirumurugaruppatai is a deeply devotional poem included in the ten idylls (Pattupattu) of the age of the third Sangam). The other Sangam era works in Tamil that refer to Murugan in detail include the Paripaatal, the Akananuru and the Purananuru. One poem in the Paripaatal describes the veneration of Murugan thus:
"We implore thee not for boons of enjoyment or wealth,
But for thy grace beatific, love and virtuous deeds."
According to the Tamil devotional work, Thiruppugazh, "Murugan never hesitates to come to the aid of a devotee when called upon in piety or distress". In another work, Thirumurukkarrupatai, he is described as a god of eternal youth;
His face shines a myriad rays light and removes the darkness from this world.[11]
The references to Murugan can be traced back to the first millennium BCE. There are references to Murugan in Kautilya's Arthashastra, in the works of Patanjali, in Kalidasa's epic poem the Kumarasambhavam. The Kushanas, who governed from what is today Peshawar, and the Yaudheyas, a republican clan in the Punjab, struck coins bearing the image of Skanda. The deity was venerated also by the Ikshvakus, an Andhra dynasty, and the Guptas.[6] The worship of Kumāra was one of the six principal sects of Hinduism at the time of Adi Shankara. The Shanmata system propagated by him included this sect. In many Shiva and Devi temples of Tamil Nadu, Murugan is installed on the left of the main deity. The story of His birth goesas follows:
Sati immolated herself in a pyre as her father King Daksha had insulted Shiva, her Lord. She was reborn as Parvathi or Uma, daughter of the King of Himalayas, Himavan. She then married her Lord Shiva. The Devas were under onslaught from the Asuras whose leader was Soorapadman. He had been granted boons that only Lord Shiva or his seed could kill him. Fearless he vanquished the Devas and made them his slaves. The Devas ran to Vishnu for help who told them that it was merely their fault for attending Daksha's yagna, without the presence of Lord Shiva. After this, they ran to Shiva for help. Shiva decided to take action against Soorapadman's increasing conceit. He frowned and his third eye- the eye of knowledge- started releasing sparks. These were six sparks in total. Agni had the responsibility to take them to Saravana Lake. As he was carrying them, the sparks were growing hotter and hotter that even the Lord of Fire could not withstand the heat. Soon after Murugan was born on a lotus in the Saravana Lake with six faces, giving him the name Arumukan. Lord Shiva and Parvati visited and tears of joy started flowing as they witnessed the most handsome child. Shiva and Parvathi gave the responsibility of taking care of Muruga to the six Krittika sisters. Muruga grew up to be a handsome, intelligent, powerful, clever youth. All the Devas applauded at their saviour, who had finally come to release them from their woes. Murugan became the supreme general of the demi-gods, then escorted the devas and led the army of the devas to victory against the asuras.
Though slightly varying versions occur in the Puranas, they broadly follow the same pattern. By this period, the identification of Shiva/Rudra with Agni, that can be traced back to the Vedas and Brahmanas, had clearly made Kartikeya the son of Shiva.[citation needed]
The Skanda Purana narrates that Shiva first wed Dakshayani (also named Sati), the first incarnation of Adi Shakthi the granddaughter of Brahma, and the daughter of Daksha. Daksha was a Vishnu devotee and never liked Shiva, who symbolized destruction of evil, detachment, and who lives a simple life . Daksha publicly insults Shiva in a Yagna ceremony, and Dakshayani immolates herself. The Yagna is destroyed by Shiva's avatar Virabhadra. Virabhadra broke the sacrificial vessels, polluted the offerings, insulted the priests and finally cut off Daksha's head, trampled on Indra, broke the staff of Yama, scattered the gods on every side; then he returned to Kailash.[12] Taraka believed that, because Shiva is an ascetic and his earlier marriage was conducted with great difficulty, his remarriage was out of the question, hence his boon of being killed by Shiva's son alone would give him invincibility.
The Devas manage to get Shiva married to Parvati (who was Dakshayani, reborn), by making Manmatha (also known as Kama), the God of love awaken him from his penance, but Manmatha incurred the Lord's wrath indicated by the opening his third eye – "Netri Kann", and being destroyed and resurrected. Shiva hands over his effulgence of the third eye used to destroy Manmatha to Agni, as he alone is capable of handling it until it becomes the desired offspring. But even Agni, tortured by its heat, hands it over to Ganga who in turn deposits it in a lake in a forest of reeds (sharavanam). Then Goddess Parvati, took the form of this water body as she alone is capable of taming the Tejas of Shiva, her consort. . The child is finally born in this forest (vana) with six faces: eesanam, sathpurusham, vamadevam, agoram, sathyojatham and adhomugam. He is first spotted and cared for by six women representing the Pleiades — Kritika in Sanskrit. He thus gets named Kartikeya. As a young lad, he destroys Tarakasur. He is also called Kumara (Tamil and Sanskrit for "youth")
Historically, God Kartikeya was immensely popular in the Indian subcontinent. One of the major Puranas, the Skanda Purana is dedicated to him. In the Bhagavad-Gita (Ch.10, Verse 24), Krishna, while explaining his omnipresence, names the most perfect being, mortal or divine, in each of several categories. While doing so, he says: "Among generals, I am Skanda, the lord of war."
Kartikeya's presence in the religious and cultural sphere can be seen at least from the Gupta age. Two of the Gupta kings, Kumaragupta and Skandagupta, were named after him. He is seen in the Gupta sculptures and in the temples of Ellora and Elephanta. As the commander of the divine armies, he became the patron of the ruling classes. His youth, beauty and bravery was much celebrated in Sanskrit works like the Kathasaritsagara. Kalidasa made the birth of Kumara the subject of a lyrical epic, the Kumaarasambhavam. In ancient India, Kartikeya was also regarded as the patron deity of thieves, as may be inferred from the Mrichchakatikam, a Sanskrit play by Shudraka, and in the Vetala-panchvimshati, a medieval collection of tales. This association is linked to the fact that Kartikeya had dug through the Krauncha mountain to kill Taraka and his brothers (in the Mrichchakatikam, Sarivilaka prays to him before tunnelling into the hero's house).
However, Kartikeya's popularity in North India receded from the Middle Ages onwards, and his worship is today virtually unknown except in parts of Haryana. There is a very famous temple dedicated to Him in the town of Pehowa in Haryana and this temple is very well known in the adjoining areas, especially because women are not allowed anywhere close to it. Women stay away from this temple in Pehowa town of Haryana because this shrine celebrates the Brahmachari form of Kartikeya. Reminders of former devotions to him include a temple at Achaleshwar, near Batala in Punjab, and another temple of Skanda atop the Parvati hill in Pune, Maharashtra. Another vestige of his former popularity can be seen in Bengal and Odisha, where he is worshipped during the Durga Puja festivities alongside Durga. Lord Subramanya is the major deity among the Hindus of northern Kerala. Lord Subramanya is worshipped with utmost devotion in districts of Dakshina Kannada and Udupi in the state of Karnataka. Rituals like nagaradhane are unique to this region.Temples[edit]
The main temples of Murugan are located in Tamil Nadu and other parts of south India. They include the Aru Padaiveedu (six abodes) — Thiruchendur, Swamimalai, Pazhamudircholai, Thirupparangunram, Palani (Pazhani), Thiruthani and other important shrines like Mayilam, Sikkal, Marudamalai, Kundrathur, Vadapalani, Kandakottam, Thiruporur, Vallakottai, Vayalur, Thirumalaikoil, Pachaimalai and Pavalamalai near Gobichettipalayam. Malai Mandir, a prominent and popular temple complex in Delhi, is one of the few dedicated to Murugan in all of North India apart from the Pehowa temple in Haryana.There are many temples dedicated to Lord Subramanya in Kerala. Amongst them are Atiyambur Sri Subramanya Temple in Kanhangad Kasaragod, Payyannur Subramanya Swamy temple in Payyanur, Panmana Subramanya Swamy temple in Panmana and the Subramanya temple in Haripad. There is a temple in Skandagiri, Secunderabad and one in Bikkavolu, East Godavari district in the state of Andhra Pradesh. In Karnataka there is the Kukke Subramanya Temple where Lord Murugan is worshiped as the Lord of the serpents. Aaslesha Bali, Sarpa Samskara with nagapathista samarpa are major prayers here. There is a temple called Malai Mandir in South Delhi. Malai means hill in Tamil. Mandir means temple in Hindi.
The key temples in Sri Lanka include the sylvan shrine in Kataragama / (Kadirgamam) or Kathirkamam in the deep south, the temple in Tirukovil in the east, the shrine in Embekke in the Kandyan region and the famed Nallur Kandaswamy temple in Jaffna. There are several temples dedicated to Lord Murugan in Malaysia, the most famous being the Batu Caves near Kuala Lumpur. There is a 42.7-m-high statue of Lord Murugan at the entrance to the Batu Caves, which is the largest Lord Murugan statue in the world. Sri Thandayuthapani Temple in Tank Road, Singapore is a major Hindu temple where each year the Thaipusam festival takes place with devotees of Lord Muruga carrying Kavadis seeking penance and blessings of the Lord.
In the United Kingdom, Highgate Hill Murugan temple is one of the oldest and most famous. In London, Sri Murugan Temple in Manor park is a well-known temple. In Midlands, Leicester Shri Siva Murugan Temple[20] is gaining popularity recently. Skanda Vale[21] in West Wales was founded by Guruji, a Tamil devotee of Subramaniam, and its primary deity is Lord Murugan. In Australia, Sydney Murugan temple in Parramatta (Mays Hill), Perth Bala Muruguan temple in Mandogalup and Kundrathu Kumaran temple in Rockbank, Melbourne are major Hindu temples for all Australian Hindus and Murugan devotees. In New Zealand, there is a Thirumurugan Temple in Auckland and a Kurinji Kumaran Temple in Wellington, both dedicated to Lord Murugan. In the USA, Shiva Murugan Temple[22] in Concord, Northern California and Murugan Temple of North America[23] in Maryland, Washington DC region are popular. In Toronto, Canada, Canada Kanthasamy Temple is known amongst many Hindus in Canada. In Dollard-des-Ormeaux, a suburb of the city of Montreal in Canada, there is a monumental temple of Murugan. The Sri Sivasubramaniar Temple, located in the Sihl Valley in Adliswil, is the most famous and largest Hindu temple in Switzerland.[24]
"Influenced by the rich cultural traditions of Los Angeles muralists, sign lettering, graffiti and calligraphy, artists Siner, Fishe and Dreye will be exhibiting works in a variety of mediums. In addition to the three featured artists work on display will be pieces from the SURVIVE campaign and original large-scale mural collaborations. REFRACTION balances the distinctively raw aesthetics, but complementary works of each artist. What emerges is a continuous visual identity that both provokes and subdues the senses. The result is unfiltered and illuminated"
-Juxtapos Magazine
™VidéoOo vimeo.com/groslee
&
Additional information at www.Superviveredesign.com
Anna Nystrom Net Worth: The Swedish Fitness Model and Internet Sensation Is How Rich? To read about Anna Nystrom visit: Anna Nystrom Biography
Under the influence of painters such as the Impressionists and Cézanne, as well as the light-filled landscapes of the French Riviera, Matisse forsook these conservative roots and developed a new style based on flat shapes of vivid color. In 1905, he exhibited work at the Salon d'Automne in Paris as the leader of the Fauves (French for "wild beasts").
Matisse painted "The Young Sailor" in 1906, at the height of his involvement with the Fauves. The sitter of this picture is an eighteen-year-old fisherman, Germain Augustin Barthélémy Montargès, from the small Mediterranean village of Collioure, near the Spanish border.
In the Metropolitan Museum of Art, New York.
Audience: Church members
Direction: To visualize influence. Being that darkness cannot help but be influenced by light, I decided that this was the direction.
This is the sermon's title slide. The first direction I took was to make "Influence" look like it was echoing, but then discovered I could turn the "i" into a little person. Then, I tried doing echoes around the little dude with ellipses, but it looked ugly. Finally, I came up with the concept you see here.
Any feedback is welcome, and as always, if you'd like the source file, just send me your email address in message!
Check out my new website:
After fighting broke out in April 1775, Washington appeared at the Second Continental Congress in military uniform, signaling that he was prepared for war. Washington had the prestige, the military experience, the charisma and military bearing, the reputation of being a strong patriot, and he was supported by the South, especially Virginia. Although he did not explicitly seek the office of commander and even claimed that he was not equal to it, there was no serious competition. Congress created the Continental Army on June 14, 1775; the next day, on the nomination of John Adams of Massachusetts, Washington was appointed Major General and elected by Congress to be Commander-in-chief.[11]
Washington assumed command of the Continental Army in the field at Cambridge, Massachusetts in July 1775,[11] during the ongoing siege of Boston. Realizing his army's desperate shortage of gunpowder, Washington asked for new sources. British arsenals were raided (including some in the Caribbean) and some manufacturing was attempted; a barely adequate supply (about 2.5 million pounds) was obtained by the end of 1776, mostly from France.[29] Washington reorganized the army during the long standoff, and forced the British to withdraw by putting artillery on Dorchester Heights overlooking the city. The British evacuated Boston and Washington moved his army to New York City.
Although negative toward the patriots in the Continental Congress, British newspapers routinely praised Washington's personal character and qualities as a military commander.[30] Moreover, both sides of the aisle in Parliament found the American general's courage, endurance, and attentiveness to the welfare of his troops worthy of approbation and examples of the virtues they and most other Britons found wanting in their own commanders. Washington's refusal to become involved in politics buttressed his reputation as a man fully committed to the military mission at hand and above the factional fray.
In August 1776, British General William Howe launched a massive naval and land campaign designed to seize New York and offer a negotiated settlement. The Continental Army under Washington engaged the enemy for the first time as an army of the newly declared independent United States at the Battle of Long Island, the largest battle of the entire war. This and several other British victories sent Washington scrambling out of New York and across New Jersey, leaving the future of the Continental Army in doubt. On the night of December 25, 1776, Washington staged a counterattack, leading the American forces across the Delaware River to capture nearly 1,000 Hessians in Trenton, New Jersey. Washington followed up his victory at Trenton with another one at Princeton in early January. These winter victories quickly raised the morale of the army, secured Washington's position as Commander, and inspired young men to join the army.
British forces defeated Washington's troops in the Battle of Brandywine on September 11, 1777. Howe outmaneuvered Washington and marched into Philadelphia unopposed on September 26. Washington's army unsuccessfully attacked the British garrison at Germantown in early October. Meanwhile, Burgoyne, out of reach from help from Howe, was trapped and forced to surrender his entire army at Saratoga, New York. France responded to Burgoyne's defeat by entering the war, openly allying with America and turning the Revolutionary War into a major worldwide war. Washington's loss of Philadelphia prompted some members of Congress to discuss removing Washington from command. This attempt failed after Washington's supporters rallied behind him.[31]
Washington's army camped at Valley Forge in December 1777, staying there for the next six months. Over the winter, 2,500 men of the 10,000-strong force died from disease and exposure. The next spring, however, the army emerged from Valley Forge in good order, thanks in part to a full-scale training program supervised by Baron von Steuben, a veteran of the Prussian general staff. The British evacuated Philadelphia to New York in 1778 but Washington attacked them at Monmouth and drove them from the battlefield. Afterwards, the British continued to head towards New York. Washington moved his army outside of New York, and in the summer of 1779, at Washington's direction, General John Sullivan carried out a decisive scorched earth campaign that destroyed at least forty Iroquois villages throughout what is now upstate New York in retaliation for Iroquois and Tory attacks against American settlements earlier in the war. Washington delivered the final blow in 1781, after a French naval victory allowed American and French forces to trap a British army in Virginia. The surrender at Yorktown on October 17, 1781 marked the end of most fighting. Though known for his successes in the war and of his life that followed, Washington suffered many defeats before achieving victory.
Depiction by John Trumbull of Washington resigning his commission as commander-in-chief.In March 1783, Washington used his influence to disperse a group of Army officers who had threatened to confront Congress regarding their back pay. The Treaty of Paris (signed that September) recognized the independence of the United States. Washington disbanded his army and, on November 2, gave an eloquent farewell address to his soldiers.[32] On November 25, the British evacuated New York City, and Washington and the governor took possession. At Fraunces Tavern on December 4, Washington formally bade his officers farewell and on December 23, 1783, he resigned his commission as commander-in-chief, emulating the Roman general Cincinnatus, an exemplar of the republican ideal of citizen leadership who rejected power. During this period, the United States was governed under the Articles of Confederation without a President, the forerunner to the Constitution.
Washington's retirement to Mount Vernon was short-lived. He made an exploratory trip to the western frontier in 1784,[11] was persuaded to attend the Constitutional Convention in Philadelphia in the summer of 1787, and was unanimously elected president of the Convention. He participated little in the debates involved (though he did vote for or against the various articles), but his high prestige maintained collegiality and kept the delegates at their labors. The delegates designed the presidency with Washington in mind, and allowed him to define the office once elected. After the Convention, his support convinced many, including the Virginia legislature, to vote for ratification; the new Constitution was ratified by all 13 states.
Presidency: 1789–1797
One thing that I was not expecting traveling to Cape Town was the dutch influence (lack of research on my part).
These are Dutch influenced homes on Wale Street. These bright colors traditionally would signify the trade of the person that lived in the homes. If you needed a tailor you would go to the blue house, for example. This was within very close proximity to our hotel
Vision, Language, and Influence:
Photographs of the South by Baldwin Lee, Walker Evans, and Eudora Welty
Knoxville Museum of Art
May 14 – August 1, 2010
Vision, Language, and Influence brings together for the first time the work of three photographers of the American South over a 50-year period. Walker Evans (1903-1976) is represented by incisive images of Alabama sharecroppers stemming from his epic collaboration with James Agee on Let Us Now Praise Famous Men. Eudora Welty (1909-2001) was a Pulitzer Prize-winning Southern writer and photographer who traveled across Mississippi in the 1930s and early 1940s taking photographs and documenting rural and small-town life in her home state. Baldwin Lee (born 1951) is a professor of photography at the University of Tennessee, and a former assistant to Walker Evans. Complementing the 50 or so works by Evans and Welty are more than 30 of Lee’s images of African-American life in the South taken during the 1980s with the support of fellowships from the Guggenheim Foundation and the National Endowment for the Arts.
Vision, Language, and Influence was organized by the Knoxville Museum of Art in collaboration with Baldwin Lee.
This shot was made by a friend. He picked up my cam and made this great image. No processing at all. Thx Mü
Jean Dominique Antony Metzinger (June 24, 1883 – November 3, 1956) was a major 20th-century French painter, theorist, writer, critic and poet, who along with Albert Gleizes, developed the theoretical foundations of Cubism.[1][2][3][4] His earliest works, from 1900 to 1904, were influenced by the Neo-impressionism of Georges Seurat and Henri-Edmond Cross. Between 1904 and 1907 Metzinger worked in the Divisionist and Fauvist styles with a strong Cézannian component, leading to some of the first proto-Cubist works.
From 1908 Metzinger experimented with the faceting of form, a style that would soon become known as Cubism. His early involvement in Cubism saw him both as an influential artist and principal theorist of the movement. The idea of moving around an object in order to see it from different view-points is treated, for the first time, in Metzinger's Note sur la Peinture, published in 1910.[5] Before the emergence of Cubism, painters worked from the limiting factor of a single view-point. Metzinger, for the first time, in Note sur la peinture, enunciated the interest in representing objects as remembered from successive and subjective experiences within the context of both space and time. Jean Metzinger and Albert Gleizes wrote the first major treatise on Cubism in 1912, entitled Du "Cubisme". Metzinger was a founding member of the Section d'Or group of artists.