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Hi everyone.
I guess it’s easy to see where I took inspiration from to make this card... yeap, RIC… and quite literally. When I saw that fantastic dress, a mix of trends, styles and influences, I knew I had to play with my gelli plate, and so I did. Love that stuff, and there is so much more to experiment…
1 - Started by stamping the flowers on a piece of paper, where I planned them to be on the final card. Positioned that piece of paper under the plate and masked the flowers on the gelli plate. Added the acrylic paints in the colors I wanted, and then removed the masks. Put a piece of white cardstock over the painted area and printed using a brayer. Please note that you will end up with a mirror image, which means that you’ll want to put colors on the plate in reverse order when you have a scheme to follow.
2 - Stamped the flowers on the printed cardstock, in the previously masked areas, and painted with a brush and white Distress paint. Let dry. In some flowers I used lighter tones of the final layer on top of the white coat, let dry again, and then added the final layer of color(s), scratching with the back of the brush to create visual interest and depth.
3 - I added the die cut sentiment in black, and called it finished. Love the vibrant opaque colors and expression in the dress, and in this card.
Challenges I’m submitting this card to:
The Mixed Media Card Challenge #1 -
themixedmediacardchallenge.blogspot.pt/2014/07/mmcc-1-tou...
RIC #63 - runwayinspired.blogspot.pt/2014/07/ric63-just-cavallli-re...
Virginia’s View Challenge #5 - virginiasviewchallenge.blogspot.ca/2014/07/virginias-view...
Supplies:
Stamps: SSS - Favorite Flowers, Summer Garden; TCM - Beautiful Spring.
Dies: SSS - Big Hugs.
Coloring: Distress Paint - spun sugar, picket fence, wild honey, salty ocean, mowed lawn; Marabu, Folk Art, Acrilex and Daler-Rowney acrylic paints.
Others: Neenah Solar white cardstock and black cardstock; homemade gelli plate.
Thank you for visiting.
Copyright.
New Zealand early Modern.
View from album.
Te Mania house, Conway Flat, Kaikoura, New Zealand.
Built 1937.
The Wilding family farm-house Te Mania, rural Conway Flats near the river mouth, south of Kaikoura, is a notable example of early modern New Zealand architecture. Influenced by Le Corbusier, and the Bauhaus. Architect Richard D. Harman of Christchurch. Built in 1937 of reinforced concrete in-situ. Clean lines, startling for the times, but practical and lasting; depending on advance and recess in balanced proportions. The plan was considered in advance for the time too, with spatial flow. The house has come to fit well with down-to-earth farming and became centre for its famous Angus beef stud. [300 hectare farm]. See also its likeness to other early modern examples by New Zealand architects, such as Connell's 1930 High and Over at Amersham, north of London: www.flickr.com/photos/peteshep/8177531255/in/album-721576... and John Anderson's Auckland Wharatane of 1928: www.flickr.com/photos/peteshep/7776625390/in/photolist-KV...
Architecturally, despite magazine stories, no "Deco" about it -- a misunderstanding of Modern.
It relies on its size, simple lines, frank concrete, and spatial rectilinear expression. It was softened by Virginia creeper as above; then green creeper was balanced with the Virginia.
[Conway Flat is a rural locality south of the Conway River mouth, 5+km south-east of Hundalee; Parnassus, Hurunui District.]
From Walking in your footsteps to Learning to fly?
Leica Camera AG Leica M10-R
Voigtlander Nokton 50mm f/1.0 Aspherical MC
Lucin, Utah
Nancy Holt is most widely known for her large-scale artwork Sun Tunnels (located in Lucin, UT); however, she has created works in public places all over the world. The artist's interest in light, perspective, time, and space certainly influenced her photographs, films, sculpture, and installation art, but perhaps it is most magnificently illustrated in her Land art. Land art emerged in the 1960s, coinciding with a growing ecology movement in the United States, which asked people to become more aware of the impact they can have on the natural environment. Land art changed the way people thought of art; not only did it take art out of the gallery and museum, but it also took art out of the market. Many Land art sites are located in remote, uninhabited regions. We are lucky that such an influential work of art is within a day's drive from the UMFA.
Sun Tunnels consists of four massive concrete tunnels, each eighteen feet long and nine feet in diameter, laid out in the desert in an open X configuration. On the solstices, the tunnels frame the sun as it passes the horizon at sunrise and sunset. In the top of each tunnel, Holt drilled small holes to form the constellations of Draco, Perseus, Columba, and Capricorn. These holes, and the tunnels themselves, act as frames or lenses through which the visitor can view the surrounding sky and landscape of the Great Basin Desert.
To create her 1978 film Sun Tunnels, Holt camped for days on end in the barren desert. In Holt's cinematic and photographic documents currently on view at the Utah Museum of Fine Arts, we can observe myriad nuances of light and shadow inhabiting the installation over time. But to fully experience this important work of Land art, climb into the tunnels, view the surrounding landscape through the cylindrical frames, and feel the desert air in Utah's Great Basin.
Photo on the Left:
Our American Century Turbulent Years: The 60s. 1998. Edited by Sara Brash and Loretta Britten. Alexandria, Virginia: Time-Life Books, 159. (Photography Copyright Apple Corps LTD., London.)
Photo on the Right:
Our American Century Turbulent Years: The 60s. 1998. Edited by Sara Brash and Loretta Britten. Alexandria, Virginia: Time-Life Books, 156. (Photography taken by: Harry Benson, 1964.)
With their very first entrance into America (pictured right in 1964), the Beatles like the rest of their country at that initial time defined and solidified the mod culture of the early 60’s. The Beatles took the popular transformation of the crew cut and parted hair to that of longer, un-parted hair. They often had an effect on men’s fashion, with the appearance of Sgt. Pepper’s Lonely Hearts club band album in 1967, satin uniforms with braids like those on the cover became popular (American Decades: 1960-1969 1995).
Just as they had defined the cleanness of the mod look, they took a complete opposite direction when they decided to loosen up and thus help in the defining of the youth counterculture (pictured left in August 1969.)Their style of music and dress over a single decade alone is somewhat of an outward illustration of the changes of that time. From their initial boyish clean-cut looks and matching coats upon their arrival to their long hair and beards like those being sported by many of the hippies, they had helped to launch not only the wearing of long hair by men; but as the years passed, the wearing of outlandish outfits to their gradual but dramatic loosening of appearance over the decade (Chalmers 1991).
At their peak in 1966, the summer of love, their songs were reflective of the unfolding of drugs, as they got high with such songs as “Revolver” and higher with “Lucy in the Sky with Diamonds” (Chalmers 1991).
They followed not only the hippie movement in their fashion, but also in their call for peace as John Lennon wrote the anti-Vietnam War anthem “Give Peace a Chance.” However, one song, “Helter Skelter”, was greatly misinterpreted leading to a far cry from peace (Chalmers 1991).
“The range and excitement of the Beatles’ musicianship and creative talent were part of the bridge that brought the high culture into a loose combination with the popular culture of the sixties. The constant experimentation with dress, drug, lifestyle, and musical form both reflected the frantic pace of the sixties and also influenced the many young people who took the Beatles as cultural heroes and models” (Chalmers 1991).
American Decades: 1960-1969. 1995. Edited by Richard Layman. New York: Gale Research International Limited.
Chalmers, David. And the Crooked Places Made Straight: The Struggle for Social Change in the 1960s. 1991. Baltimore: The Johns Hopkins University Press.
For further information on the Beatles: en.wikipedia.org/wiki/Beatles
I was inspired by one of the most influential British artists of the 20th century David Hockney. His work is influenced by the pop art movement of the 1960's. The way Hockney’s photographs and images appear are colorful with bright lighting details. Hockney's focus was to translate the real world into paint and art. My photograph tried to emulate Hockney's pop art style trying to bring the real world into a cartoon or a blur version photograph. I had to use a certain cartoon filter for the photograph of my everyday job building and I feel it came so well that I want an actual canvas to be placed somewhere in my house. I tried for the image to have somewhat a bright light color rather than colorful because of the buildings how they are light. The surroundings of the image gave it a different look from balancing and making it stand out providing the outdoor looked tone even out.
This 12 Part Series of photos reflect one summer day a few years back, along with our old-timer friend of 92 years, when visiting our favorite garden to see the special exhibit on early 20th Century art glass in perfume bottles, a collection jointly designed and created by François Coty and René Lalique—a mariage made in perfume heaven. The name of this special event was “A Bottle of Art.”
Coty perfumes, from 1904 to the early 1930’s had been widely considered as amongst the very finest in the world. With a vision of attracting more high end customers and devotees, he commissioned Rene Lalique, of the famous Lalique Glass, to wow the world with exquisite art to represent the desirable perfumes offered by Coty. It was a grand success, as the realm of fine perfumes entered the art world. Eventually, the bottles took on great status and became items of wonderful collections in art glass. The exhibit was held in the lovely, ornate Music Room, a favorite of the du Ponts, and a site where many special displays are presented.
CHECK OUT OUR “LONGWOOD GARDENS” ALBUM, AND YOU WILL BE AMAZED AT THE INCREDIBLE SELECTION OFFERED AT THIS WONDERFUL PLACE.
The wide variety of flowers and plants at Longwood Gardens are absolutely stunning in all stages and species . . . truly a Garden of Eden for anyone with a deep passion for these gifts of nature. In addition, the architectural designs and structures throughout accentuate the experience, never ceasing to amaze. Situated on over 1,000 acres of magnificent grounds, and with the great influence of the original owner and founder, Pierre du Pont, still evident today, this is widely considered as one of the very finest garden in the world. One can visit every month over the course of any given year, and enjoy a new and exciting experience with the constant introduction of seasonal plants and flowers, along with one spectacular event or another.
New Mexico influence.
Mariposa is wearing
Catya v3.2-mainstore
Applier: Spirit/Sabina/Nut/Uber
Maitreya Lara v4.1 mainstore
Hair: Moon/Tender/b&w/mainstore
Ears: Pumec/Mesh Ears #2/gacha/mainstore
Outfit: Reign/Ronnie dress/mainstore
Shoes: Pure Poison/Mandala platforms
Nose piercing: Reign/kitty gem nose stud/mainstore
Infuencer marketing has become a hot topic trend among marketers because it is extremely effective. In fact, 94% of marketers who use influencer marketing says that it has helped boost their business, which is a pretty amazing statistic.
Here is the drawing I made of phantom manor. It's my take on the character, Melanie Ravenswood. Phantom manor is a Disney ride, strongly influenced by the haunted mansion. However, phantom manor is a darker ride, and actually has a consistent storyline, unlike the haunted mansion, whose story is just myths from guest. I will also put the story, as I've heard and read it, of phantom manor below. Phantom manor is only in Disneyland Paris, so I sadly never had the chance to ride the ride. But in my picture I really wanted to make the bride, Melanie, the main focus. As I felt so bad for her. I also wanted to incorporate some haunted mansion memorabilia. Such as the hatbox ghost as a king painting, medusa, and the original haunted mansion bride, Constance, who killed her five husbands with her infamous axe. And see the shadow up at the top left corner? That would be the phantom. This is all done in colored pencils too, so it's not a painting, but rather on paper.
Phantom manor story:
Henry Ravenswood was a western settler who struck gold in the big thunder mountain, and founded the thunder Mesa mining company. Thus creating the town, Thunder Mesa. Ravenswood became very wealthy, and married a woman named Martha. He built a Victorian manor high on Boot Hill, overlooking big thunder mountain, where he raised a family and had a daughter Melanie Ravenswood, born 1842.
Big thunder mountain was rumored by natives to be cursed, and to be the home of the thunder bird. A powerful spirit possessing a treasure. According to the legend, it's wrath could cause a devastating earthquake. However, Henry Ravenswood would not believe such stories. As time went on, the gold in big thunder mountain ran out, making miners dig deeper into the cursed mountain. It also led all the towns people, mainly miners, to leave thunder Mesa. Which made Henry Ravenswood very angry. Melanie at this time has grown up to be a beautiful woman, and became engaged to a train engineer who planned to take her far away from thunder Mesa, which upset Henry Ravenswood very much. Henry did everything he could to stop the wedding, even threatening his daughter, saying "you will never leave his house". But his useless attempts came to a hault, when the thunder bird was awakened, and caused a terrible earthquake that killed Henry and his wife, Martha, and half the town.
On Melanie's wedding day, a mysterious phantom appeared in the house. While Melanie was preparing herself for her wedding, the phantom lured her fiancé up to the attic, where he hung him by the neck from the rafters. In the ballroom the bride say alone, with no sign of her groom. At this time all of her guests left, and started to eat the grand feast in the dining hall, which was meant for after the wedding. As guests were partying, Melanie was convinced "some day, he will come". And so, never taking off her wedding dress, or put down her bouquet, she wandered aimlessly around the estate, looking for her lost fiancé, while singing melancholy songs of lost love. The phantom, which is rumored to be her father, laughs at her human devotion of true love. Days became months, and months became years, as Melanie lost her youth, she still has seen no sight of her intended. The house began to fall into disrepair, people fled the once gold rush town, making the town a ghost town. the phantom began to invite his ghostly demons to stay in the house and in the ghost town. As more time went on, Melanie found her long lost love dead in the attic. At that time she realized what was going on, and saw the phantom, who she realized was her father. As he laughs at her shocking sad discovery, saying "you will never leave this house!". She fled, she tried to escape by getting in a carriage, unknowing that the town she once knew, had become a ghost town. And everywhere she went, she kept seeing the phantom. As he kept laughing at her distress and mocking her true love. Melanie tried to escape her phantom father, but landed in a ditch with sharp rocks from the thunder bird earthquake, and died. She never got to leave her house, she was cursed from the beginning. She now is rumored to still be in the manor on Boot Hill, searching for her lost fiancé, singing melancholy songs of lost love. With the phantom, and his demons haunting her.
Blue is cool
Gato Calavera, CDMX. January 11, 2018
Murder Abraham is a deathcore mexican band from Mexico City formed in 2012.
Their influences: The Faceless, Job For A Cowboy, Allestorm, Necrophigist, Bullet For My Valentine, Avenged Sevenfold, Cradle Of Filth, Lamb Of God, Animals As Leaders, A Day To Remeber, The Black Dahlia Murder, Carnifex.
Follow them in FB: www.facebook.com/MurdrAbraham/
Have you ever heard of Eva Padlock? She is a Spanish experienced model who was born May 13, 1984.
read more:
I am always intrigued by the work of the great artists and how they affect our work. I was thinking of Claude Monet and his painting, "Water Lilies" when I saw this reflection. But the elements I wanted just would not cooperate, I needed the water to move just a little and of course it was still with a perfect reflection.
It took a long time but a slight breeze came up just when some people were walking by; just what I was hoping for. Patience can be rewarding, and on this day, I was definitely "Influenced" by Monet.
The visualization shows the influence of the economic crisis in the lexicon of Italian fiction. Analyzed(*) are the ten books awarded with the last ten editions of the Strega Prize. Books are arranged chronologically (x-axis) and by the total number of words (y-axis). For each novel the visualization displays a syntactic and semantic study on the frequency of fifty words, divided into five categories, and related to the theme of the crisiss. In order to understand the actual influence of the crisis semantic vocabulary within the novel, the visualization also shows the placement of the words along the timeplot of the novel through a dispesion plot on books’ length normalized.
The exploitation rights for this text are the property of the Vienna Tourist Board. This text may be reprinted free of charge until further notice, even partially and in edited form. Forward sample copy to: Vienna Tourist Board, Media Management, Invalidenstraße 6, 1030 Vienna; media.rel@wien.info. All information in this text without guarantee.
Author: Andreas Nierhaus, Curator of Architecture/Wien Museum
Last updated January 2014
Architecture in Vienna
Vienna's 2,000-year history is present in a unique density in the cityscape. The layout of the center dates back to the Roman city and medieval road network. Romanesque and Gothic churches characterize the streets and squares as well as palaces and mansions of the baroque city of residence. The ring road is an expression of the modern city of the 19th century, in the 20th century extensive housing developments set accents in the outer districts. Currently, large-scale urban development measures are implemented; distinctive buildings of international star architects complement the silhouette of the city.
Due to its function as residence of the emperor and European power center, Vienna for centuries stood in the focus of international attention, but it was well aware of that too. As a result, developed an outstanding building culture, and still today on a worldwide scale only a few cities can come up with a comparable density of high-quality architecture. For several years now, Vienna has increased its efforts to connect with its historical highlights and is drawing attention to itself with some spectacular new buildings. The fastest growing city in the German-speaking world today most of all in residential construction is setting standards. Constants of the Viennese architecture are respect for existing structures, the palpability of historical layers and the dialogue between old and new.
Culmination of medieval architecture: the Stephansdom
The oldest architectural landmark of the city is St. Stephen's Cathedral. Under the rule of the Habsburgs, defining the face of the city from the late 13th century until 1918 in a decisive way, the cathedral was upgraded into the sacral monument of the political ambitions of the ruling house. The 1433 completed, 137 meters high southern tower, by the Viennese people affectionately named "Steffl", is a masterpiece of late Gothic architecture in Europe. For decades he was the tallest stone structure in Europe, until today he is the undisputed center of the city.
The baroque residence
Vienna's ascension into the ranks of the great European capitals began in Baroque. Among the most important architects are Johann Bernhard Fischer von Erlach and Johann Lucas von Hildebrandt. Outside the city walls arose a chain of summer palaces, including the garden Palais Schwarzenberg (1697-1704) as well as the Upper and Lower Belvedere of Prince Eugene of Savoy (1714-22). Among the most important city palaces are the Winter Palace of Prince Eugene (1695-1724, now a branch of the Belvedere) and the Palais Daun-Kinsky (auction house in Kinsky 1713-19). The emperor himself the Hofburg had complemented by buildings such as the Imperial Library (1722-26) and the Winter Riding School (1729-34). More important, however, for the Habsburgs was the foundation of churches and monasteries. Thus arose before the city walls Fischer von Erlach's Karlskirche (1714-39), which with its formal and thematic complex show façade belongs to the major works of European Baroque. In colored interior rooms like that of St. Peter's Church (1701-22), the contemporary efforts for the synthesis of architecture, painting and sculpture becomes visible.
Upgrading into metropolis: the ring road time (Ringstraßenzeit)
Since the Baroque, reflections on extension of the hopelessly overcrowed city were made, but only Emperor Franz Joseph ordered in 1857 the demolition of the fortifications and the connection of the inner city with the suburbs. 1865, the Ring Road was opened. It is as the most important boulevard of Europe an architectural and in terms of urban development achievement of the highest rank. The original building structure is almost completely preserved and thus conveys the authentic image of a metropolis of the 19th century. The public representational buildings speak, reflecting accurately the historicism, by their style: The Greek Antique forms of Theophil Hansen's Parliament (1871-83) stood for democracy, the Renaissance of the by Heinrich Ferstel built University (1873-84) for the flourishing of humanism, the Gothic of the Town Hall (1872-83) by Friedrich Schmidt for the medieval civic pride.
Dominating remained the buildings of the imperial family: Eduard van der Nüll's and August Sicardsburg's Opera House (1863-69), Gottfried Semper's and Carl Hasenauer's Burgtheater (1874-88), their Museum of Art History and Museum of Natural History (1871-91) and the Neue (New) Hofburg (1881-1918 ). At the same time the ring road was the preferred residential area of mostly Jewish haute bourgeoisie. With luxurious palaces the families Ephrussi, Epstein or Todesco made it clear that they had taken over the cultural leadership role in Viennese society. In the framework of the World Exhibition of 1873, the new Vienna presented itself an international audience. At the ring road many hotels were opened, among them the Hotel Imperial and today's Palais Hansen Kempinski.
Laboratory of modernity: Vienna around 1900
Otto Wagner's Postal Savings Bank (1903-06) was one of the last buildings in the Ring road area Otto Wagner's Postal Savings Bank (1903-06), which with it façade, liberated of ornament, and only decorated with "functional" aluminum buttons and the glass banking hall now is one of the icons of modern architecture. Like no other stood Otto Wagner for the dawn into the 20th century: His Metropolitan Railway buildings made the public transport of the city a topic of architecture, the church of the Psychiatric hospital at Steinhofgründe (1904-07) is considered the first modern church.
With his consistent focus on the function of a building ("Something impractical can not be beautiful"), Wagner marked a whole generation of architects and made Vienna the laboratory of modernity: in addition to Joseph Maria Olbrich, the builder of the Secession (1897-98) and Josef Hoffmann, the architect of the at the western outskirts located Purkersdorf Sanatorium (1904) and founder of the Vienna Workshop (Wiener Werkstätte, 1903) is mainly to mention Adolf Loos, with the Loos House at the square Michaelerplatz (1909-11) making architectural history. The extravagant marble cladding of the business zone stands in maximal contrast, derived from the building function, to the unadorned facade above, whereby its "nudity" became even more obvious - a provocation, as well as his culture-critical texts ("Ornament and Crime"), with which he had greatest impact on the architecture of the 20th century. Public contracts Loos remained denied. His major works therefore include villas, apartment facilities and premises as the still in original state preserved Tailor salon Knize at Graben (1910-13) and the restored Loos Bar (1908-09) near the Kärntner Straße (passageway Kärntner Durchgang).
Between the Wars: International Modern Age and social housing
After the collapse of the monarchy in 1918, Vienna became capital of the newly formed small country of Austria. In the heart of the city, the architects Theiss & Jaksch built 1931-32 the first skyscraper in Vienna as an exclusive residential address (Herrengasse - alley 6-8). To combat the housing shortage for the general population, the social democratic city government in a globally unique building program within a few years 60,000 apartments in hundreds of apartment buildings throughout the city area had built, including the famous Karl Marx-Hof by Karl Ehn (1925-30). An alternative to the multi-storey buildings with the 1932 opened International Werkbundsiedlung was presented, which was attended by 31 architects from Austria, Germany, France, Holland and the USA and showed models for affordable housing in greenfield areas. With buildings of Adolf Loos, André Lurçat, Richard Neutra, Gerrit Rietveld, the Werkbundsiedlung, which currently is being restored at great expense, is one of the most important documents of modern architecture in Austria.
Modernism was also expressed in significant Villa buildings: The House Beer (1929-31) by Josef Frank exemplifies the refined Wiener living culture of the interwar period, while the house Stonborough-Wittgenstein (1926-28, today Bulgarian Cultural Institute), built by the philosopher Ludwig Wittgenstein together with the architect Paul Engelmann for his sister Margarete, by its aesthetic radicalism and mathematical rigor represents a special case within contemporary architecture.
Expulsion, war and reconstruction
After the "Anschluss (Annexation)" to the German Reich in 1938, numerous Jewish builders, architects (female and male ones), who had been largely responsible for the high level of Viennese architecture, have been expelled from Austria. During the Nazi era, Vienna remained largely unaffected by structural transformations, apart from the six flak towers built for air defense of Friedrich Tamms (1942-45), made of solid reinforced concrete which today are present as memorials in the cityscape.
The years after the end of World War II were characterized by the reconstruction of the by bombs heavily damaged city. The architecture of those times was marked by aesthetic pragmatism, but also by the attempt to connect with the period before 1938 and pick up on current international trends. Among the most important buildings of the 1950s are Roland Rainer's City Hall (1952-58), the by Oswald Haerdtl erected Wien Museum at Karlsplatz (1954-59) and the 21er Haus of Karl Schwanzer (1958-62).
The youngsters come
Since the 1960s, a young generation was looking for alternatives to the moderate modernism of the reconstruction years. With visionary designs, conceptual, experimental and above all temporary architectures, interventions and installations, Raimund Abraham, Günther Domenig, Eilfried Huth, Hans Hollein, Walter Pichler and the groups Coop Himmelb(l)au, Haus-Rucker-Co and Missing Link rapidly got international attention. Although for the time being it was more designed than built, was the influence on the postmodern and deconstructivist trends of the 1970s and 1980s also outside Austria great. Hollein's futuristic "Retti" candle shop at Charcoal Market/Kohlmarkt (1964-65) and Domenig's biomorphic building of the Central Savings Bank in Favoriten (10th district of Vienna - 1975-79) are among the earliest examples, later Hollein's Haas-Haus (1985-90), the loft conversion Falkestraße (1987/88) by Coop Himmelb(l)au or Domenig's T Center (2002-04) were added. Especially Domenig, Hollein, Coop Himmelb(l)au and the architects Ortner & Ortner (ancient members of Haus-Rucker-Co) by orders from abroad the new Austrian and Viennese architecture made a fixed international concept.
MuseumQuarter and Gasometer
Since the 1980s, the focus of building in Vienna lies on the compaction of the historic urban fabric that now as urban habitat of high quality no longer is put in question. Among the internationally best known projects is the by Ortner & Ortner planned MuseumsQuartier in the former imperial stables (competition 1987, 1998-2001), which with institutions such as the MUMOK - Museum of Modern Art Foundation Ludwig, the Leopold Museum, the Kunsthalle Wien, the Architecture Center Vienna and the Zoom Children's Museum on a wordwide scale is under the largest cultural complexes. After controversies in the planning phase, here an architectural compromise between old and new has been achieved at the end, whose success as an urban stage with four million visitors (2012) is overwhelming.
The dialogue between old and new, which has to stand on the agenda of building culture of a city that is so strongly influenced by history, also features the reconstruction of the Gasometer in Simmering by Coop Himmelb(l)au, Wilhelm Holzbauer, Jean Nouvel and Manfred Wehdorn (1999-2001). Here was not only created new housing, but also a historical industrial monument reinterpreted into a signal in the urban development area.
New Neighborhood
In recent years, the major railway stations and their surroundings moved into the focus of planning. Here not only necessary infrastructural measures were taken, but at the same time opened up spacious inner-city residential areas and business districts. Among the prestigious projects are included the construction of the new Vienna Central Station, started in 2010 with the surrounding office towers of the Quartier Belvedere and the residential and school buildings of the Midsummer quarter (Sonnwendviertel). Europe's largest wooden tower invites here for a spectacular view to the construction site and the entire city. On the site of the former North Station are currently being built 10,000 homes and 20,000 jobs, on that of the Aspangbahn station is being built at Europe's greatest Passive House settlement "Euro Gate", the area of the North Western Railway Station is expected to be developed from 2020 for living and working. The largest currently under construction residential project but can be found in the north-eastern outskirts, where in Seaside Town Aspern till 2028 living and working space for 40,000 people will be created.
In one of the "green lungs" of Vienna, the Prater, 2013, the WU campus was opened for the largest University of Economics of Europe. Around the central square spectacular buildings of an international architect team from Great Britain, Japan, Spain and Austria are gathered that seem to lead a sometimes very loud conversation about the status quo of contemporary architecture (Hitoshi Abe, BUSarchitektur, Peter Cook, Zaha Hadid, NO MAD Arquitectos, Carme Pinós).
Flying high
International is also the number of architects who have inscribed themselves in the last few years with high-rise buildings in the skyline of Vienna and make St. Stephen's a not always unproblematic competition. Visible from afar is Massimiliano Fuksas' 138 and 127 meters high elegant Twin Tower at Wienerberg (1999-2001). The monolithic, 75-meter-high tower of the Hotel Sofitel at the Danube Canal by Jean Nouvel (2007-10), on the other hand, reacts to the particular urban situation and stages in its top floor new perspectives to the historical center on the other side.
Also at the water stands Dominique Perrault's DC Tower (2010-13) in the Danube City - those high-rise city, in which since the start of construction in 1996, the expansion of the city north of the Danube is condensed symbolically. Even in this environment, the slim and at the same time striking vertically folded tower of Perrault is beyond all known dimensions; from its Sky Bar, from spring 2014 on you are able to enjoy the highest view of Vienna. With 250 meters, the tower is the tallest building of Austria and almost twice as high as the St. Stephen's Cathedral. Vienna, thus, has acquired a new architectural landmark which cannot be overlooked - whether it also has the potential to become a landmark of the new Vienna, only time will tell. The architectural history of Vienna, where European history is presence and new buildings enter into an exciting and not always conflict-free dialogue with a great and outstanding architectural heritage, in any case has yet to offer exciting chapters.
Info: The folder "Architecture: From Art Nouveau to the Presence" is available at the Vienna Tourist Board and can be downloaded on www.wien.info/media/files/guide-architecture-in-wien.pdf.
A única sombra que comprei da coleção, mas ainda quero 2 que estavam esgotadas nas 2 lojas da mac que fui
Esse azul é tudo!! Comprei mais por causa dele!! Lindão
Aos poucos vou fazendo os swatches ta gente??
Source: en.wikipedia.org/wiki/Philadelphia
Philadelphia, commonly referred to as Philly, is the most populous city in the U.S. state of Pennsylvania and the second-most populous city in the Northeast megalopolis and Mid-Atlantic regions after New York City. Philadelphia is known for its extensive contributions to United States history, especially the American Revolution, and served as the nation's capital until 1800. It maintains contemporary influence in business and industry, culture, sports, and music. Philadelphia is the nation's sixth-most populous city with a population of 1,603,797 as of the 2020 census and is the urban core of the larger Delaware Valley (or Philadelphia metropolitan area), the nation's seventh-largest and one of the world's largest metropolitan regions consisting of 6.245 million residents in the metropolitan statistical area and 7.366 million residents in its combined statistical area.
Philadelphia was founded in 1682 by William Penn, an English Quaker and advocate of religious freedom. The city served as the capital of the Pennsylvania Colony during the British colonial era and went on to play a historic and vital role as the central meeting place for the nation's founding fathers whose plans and actions in Philadelphia ultimately inspired the American Revolution and the nation's independence following the Revolutionary War. Philadelphia hosted the First Continental Congress in 1774, preserved the Liberty Bell, and hosted the Second Continental Congress during which the founders signed the Declaration of Independence, which historian Joseph Ellis has described as "the most potent and consequential words in American history". Once the Revolutionary War commenced, the Battle of Germantown and the siege of Fort Mifflin were fought within Philadelphia's city limits. The U.S. Constitution was later ratified in Philadelphia at the Philadelphia Convention of 1787. Philadelphia remained the nation's largest city until 1790, when it was surpassed by New York City, and it served as the nation's first capital from May 10, 1775, until December 12, 1776, and on four subsequent occasions during and following the American Revolution, including from 1790 to 1800 during the construction of the new national capital of Washington, D.C.
With 18 four-year universities and colleges, Philadelphia is one of the nation's leading centers for higher education and academic research. As of 2018, the Philadelphia metropolitan area was the state's largest and nation's ninth-largest metropolitan economy with a gross metropolitan product of US$444.1 billion. The city is home to five Fortune 500 corporate headquarters as of 2022. As of 2023, metropolitan Philadelphia ranks among the top five U.S. venture capital centers, facilitated by its proximity to New York City's entrepreneurial and financial ecosystems. The Philadelphia Stock Exchange, owned by Nasdaq since 2008, is the nation's oldest stock exchange and a global leader in options trading. 30th Street Station, the city's primary rail station, is the third-busiest Amtrak hub in the nation, and the city's multimodal transport and logistics infrastructure, includes Philadelphia International Airport, and the rapidly-growing PhilaPort seaport. A migration pattern has been established from New York City to Philadelphia by residents opting for a large city with relative proximity and a lower cost of living.
Philadelphia is a national cultural center, hosting more outdoor sculptures and murals than any other city in the nation. Fairmount Park, when combined with adjacent Wissahickon Valley Park in the same watershed, is 2,052 acres (830 ha), representing one of the nation's largest and the world's 45th-largest urban park. The city is known for its arts, culture, cuisine, and colonial and Revolution-era history; in 2016, it attracted 42 million domestic tourists who spent $6.8 billion, representing $11 billion in economic impact to the city and its surrounding Pennsylvania counties.
With five professional sports teams and one of the nation's most loyal fan bases, Philadelphia is often ranked as the nation's best city for professional sports fans. The city has a culturally and philanthropically active LGBTQ+ community. Philadelphia also has played an immensely influential historic and ongoing role in the development and evolution of American music, especially R&B, soul, and rock.
Philadelphia is a city of many firsts, including the nation's first library (1731), hospital (1751), medical school (1765), national capital (1774), university (by some accounts) (1779), stock exchange (1790), zoo (1874), and business school (1881). Philadelphia contains 67 National Historic Landmarks, including Independence Hall. From the city's 17th century founding through the present, Philadelphia has been the birthplace or home to an extensive number of prominent and influential Americans. In 2021, Time magazine named Philadelphia one of the world's greatest 100 places.
Additional Foreign Language Tags:
(United States) "الولايات المتحدة" "Vereinigte Staaten" "アメリカ" "美国" "미국" "Estados Unidos" "États-Unis"
(Pennsylvania) "بنسلفانيا" "宾夕法尼亚州" "Pennsylvanie" "पेंसिल्वेनिया" "ペンシルベニア" "펜실베니아" "Пенсильвания" "Pensilvania"
(Philadelphia) "فيلادلفيا" "费城" "Philadelphie" "फिलाडेल्फिया" "フィラデルフィア" "필라델피아" "Филадельфия" "Filadelfia"
So this was an extremely hard set to shoot but one I had been planning in my head for a long long time.
Its the second set from the ‘outside influences’ project based on the stereotypes in the media on how the media itself effects children.. this set is simply called ‘Fashion’
They are not mean to be pretty and sadly I am not good with subtlety, but that was again part of the point..if anything they are a caricature of the percieved issues..
My daughter is wonderful to work with, the shoots themselves spark long conversations on the topics at hand and she nails the emotion for me.
A genealogy (who influenced whom) of philosophers and related people. The network was clustered into natural clusters and layouted by the yEd program. Color denotes graph distance from Thales, size betweenness centrality.
The data was taken from the Wikipedia entries for philosophers that had an "influenced by/influenced" box. I will make a more full network later, many important names are left out.
For a PDF version that allows better printing, zooming and searching, see
www.aleph.se/andart/archives/2006/10/genealogy_the_next_g...
The Uyghur gastronomy is influenced by the Turkish, Persian and Chinese cuisines. Mutton constitutes the base of their diet, in dumplings at breakfast, or with rice and other condiments. They don’t waist anything of the mutton, cooking and consuming even the lungs and brain of the animal. They cook pilau, fried and sticky rice, with date juice or spices. Maize and wheat are also part of their diet and laghman (a kind of noodles), kebabs, pigeons and cabbage are among some of the traditional Uyghur meals. Uyghurs also have all kinds of bread called çong nan (large and thin bread), toğaç (small and thick bread) for example. They also bake short puff pitas (qatlima) as well as thin pancakes (poşqal). Uyghurs traditionally drink rose tea or ayran tea (with fermented milk). Uighurs cook a lot in the streets on wood stoves and eat there as well.
The Silk Road, or Silk Route is a modern term referring to a historical network of interlinking trade routes accross the Afro-Eurasian landmass connecting East, South and Western Asia with the Mediterranean and European world, as well as parts of North and East Africa on about 4,000 miles (6,500 km). It gets its name from the lucrative Chinese silk trade along it, which began during the Han Dynasty (206 BC – 220 AD). Trade on the Silk Road was a significant factor in the development of the civilizations of China, India, Persia, Europe and Arabia. Though silk was certainly the major trade item from China, many other goods were traded, and various technologies, religions and philosophies, as well as the bubonic plague (the « Black Death ») also traveled along the Silk Routes.
© Eric Lafforgue
The Postcard
A postally unused carte postale that was printed by L. Menard in 1926.
Marie Antoinette
Marie Antoinette was born Maria Antonia Josepha Johanna on the 2nd. November 1755. She was the last queen of France before the French Revolution.
Marie was born an Archduchess of Austria, and was the penultimate child and youngest daughter of Empress Maria Theresa and Emperor Francis I.
Marie became Dauphine of France in May 1770 at the age of 14 upon her marriage to Louis-Auguste, heir apparent to the French throne. On the 10th. May 1774, her husband ascended the throne as Louis XVI, and she became queen.
Marie Antoinette's position at court improved when, after eight years of marriage, she started having children. She became increasingly unpopular among the people, however, with the French libelles accusing her of being profligate, promiscuous, harbouring sympathies for France's perceived enemies - particularly her native Austria - and her children of being illegitimate.
The false accusations of the Affair of the Diamond Necklace damaged her reputation further. During the Revolution, she became known as Madame Déficit because the country's financial crisis was blamed on her lavish spending and her opposition to the social and financial reforms of Turgot and Necker.
Several events were linked to Marie Antoinette during the Revolution after the government had placed the royal family under house arrest in the Tuileries Palace in October 1789.
The June 1791 attempted flight to Varennes and her role in the War of the First Coalition had disastrous effects on French popular opinion. On the 10th. August 1792, the attack on the Tuileries forced the royal family to take refuge at the Assembly, and they were imprisoned in the Temple Prison on the 13th. August.
The Death of Louis XVI
On the 21st. September 1792, the French monarchy was abolished. Louis XVI was executed by guillotine on the 21st. January 1793.
The Death of Marie Antoinette
Marie Antoinette's trial began on the 14th. October 1793, and two days later she was convicted by the Revolutionary Tribunal of high treason and executed, also by guillotine, on the Place de la Révolution on the 16th. October 1793.
The Palace of Fontainebleau
The Palace of Fontainebleau, or Château de Fontainebleau, is located 55 kilometers (34 miles) southeast of the centre of Paris.
The castle and subsequent palace served as a residence for French monarchs from Louis VII to Napoleon III.
Francis I and Napoleon were the monarchs who had the most influence on the Palace as it stands today.
It became a national museum in 1927, and was designated a UNESCO World Heritage Site in 1981 for its unique architecture and historical importance.
The Medieval Palace
The earliest record of a fortified castle at Fontainebleau dates to 1137. It became a favorite residence and hunting lodge of the Kings of France because of the abundant game and many springs in the surrounding forest.
Fontainebleau took its name from one of the springs, la Fontaine de Bliaud, located now in the English Garden, next to the wing of Louis XV.
Fontainebleau was used by King Louis VII, for whom Thomas Becket consecrated the chapel in 1169; also by Philip II; by Louis IX (later canonised as Saint Louis), who built a hospital and a convent, the Couvent des Trinitaires, next to the castle; and by Philip IV, who was born and died in the castle.
The Renaissance Château of Francis I (1528–1547)
In the 15th. century some modifications and embellishments were made to the castle by Isabeau of Bavaria, the wife of King Charles VI, but the medieval structure remained essentially intact until the reign of Francis I (1494–1547).
He commissioned the architect Gilles Le Breton to build a palace in the new Renaissance style, recently imported from Italy. Le Breton preserved the old medieval donjon, where the King's apartments were located, but incorporated it into the new Renaissance-style Cour Ovale, built on the foundations of the old castle.
It included the monumental Porte Dorée, as its southern entrance. as well as a monumental Renaissance stairway, the Portique de Serlio, to give access the royal apartments on the north side.
Beginning in about 1528, Francis constructed the Galerie François I, which allowed him to pass directly from his apartments to the chapel of the Trinitaires. He brought the architect Sebastiano Serlio from Italy, and the Florentine painter Rosso Fiorentino, to decorate the new gallery.
Between 1533 and 1539 Fiorentino filled the gallery with murals glorifying the King, framed in stucco ornament in high relief, and panelling sculpted by the furniture maker Francesco Scibec da Carpi.
Another Italian painter, Francesco Primaticcio from Bologna, joined later in the decoration of the palace. Together their style of decoration became known as the first School of Fontainebleau. This was the first great decorated gallery built in France. Fontainebleau introduced the Renaissance to France.
In about 1540, Francis began another major addition to the château. Using land on the east side of the château purchased from the order of the Trinitaires, he began to build a new square of buildings around a large courtyard.
The château was surrounded by a new park in the style of the Italian Renaissance garden, with pavilions and the first grotto in France.
The Château of Henry II and Catherine de' Medici (1547–1570)
Following the death of Francis I, King Henry II decided to continue and expand the château. The King and his wife chose the architects Philibert de l'Orme and Jean Bullant to do the work.
They extended the east wing of the lower court and decorated it with the first famous horseshoe-shaped staircase which was built between 1547 and 1559. The staircase was subsequently re-built for Louis XIII by Jean Androuet du Cerceau in about 1632-1634.
In the Oval Court, they transformed the loggia planned by Francois into a Salle des Fêtes or grand ballroom with a coffered ceiling. Facing the courtyard of the fountain and the fish pond, they designed a new building, the Pavillon des Poeles (destroyed), to contain the new apartments of the King.
The decoration of the new ballroom and the gallery of Ulysses with murals by Francesco Primaticcio and sculptured stucco continued.
At Henri's orders the Nymphe de Fontainebleau by Benvenuto Cellini was installed at the gateway entrance of Château d'Anet, the domain of Henri's primary mistress Diane de Poitiers (the original bronze lunette is now in the Musée du Louvre, with a replica in place).
Following the death of Henry II in a jousting accident, his widow, Catherine de' Medici, continued the construction and decoration of the château. She named Primaticcio as the new superintendent of royal public works.
He designed the section known today as the wing of the Belle Cheminée, noted for its elaborate chimneys and its two opposing stairways. In 1565, as a security measure due to the Wars of Religion, she also had moat dug around the château to protect it against attack.
Château of Henry IV (1570–1610)
King Henry IV made more additions to the château than any King since Francis I. He extended the oval court toward the west by building two pavilions, called Tiber and Luxembourg.
Between 1601 and 1606, he remade all the façades around the courtyard, including that of the chapel of Saint-Saturnin, to give the architecture greater harmony. On the east side, he built a new monumental domed gateway, the Porte du Baptistère.
Between 1606 and 1609, he built a new courtyard, the Cour des Offices or Quartier Henry IV, to provide a place for the kitchens as well as residences for court officials.
Two new galleries, the Galerie de Diane de Poitiers and the Galerie des Cerfs, were built to enclose the old garden of Diane. He also added a large Jeu de Paume, or indoor tennis court, the largest such court in the world.
A Second School of Fontainebleau painters and decorators went to work on the interiors. The architect Martin Fréminet created the ornate chapel of the Trinity, while the painters Ambroise Dubois and Toussaint Dubreuil created a series of heroic paintings for the salons. A new wing, named after its central building, La Belle Cheminée, was built next to the large carp pond.
Henry IV also devoted great attention to the park and gardens around the Château. The garden of the Queen or garden of Diane, created by Catherine de' Medici, with the fountain of Diane in the centre, was located on the north side of the palace.
Henry IV's gardener, Claude Mollet, who trained at Château d'Anet, created a large parterre of flower beds, decorated with ancient statues and separated by paths into large squares.
The fountain of Diana and the grotto were made by Tommaso Francini, who may also have designed the Medici Fountain in the Luxembourg Garden for Marie de Medici.
On the south side, Henry created a park, planted with pines, elms and fruit trees, and laid out a grand canal 1200 meters long, sixty years before Louis XIV built his own grand canal at Versailles.
The Château from Louis XIII through Louis XVI
King Louis XIII was born and baptized in the Château, and continued the works begun by his father. He completed the decoration of the chapel of the Trinity, and assigned the court architect Jean Androuet du Cerceau to re-construct the horseshoe stairway on the courtyard that had become known as the Cour de Cheval Blanc.
After his death, his widow, Anne of Austria, re-decorated the apartments within the Wing of the Queen Mothers (Aile des Reines Mères) next to the Court of the Fountain, designed by Primatrice.
King Louis XIV spent more days at Fontainebleau than any other monarch. He liked to hunt there every year at the end of summer and the beginning of autumn.
He made few changes to the exterior of the Château, but did build a new apartment for his companion Madame de Maintenon. He furnished it with major works of André-Charles Boulle. He also demolished the old apartments of the baths under the Gallery of Francis I to create new apartments for the royal princes.
The architect Jules Hardouin-Mansard built a new wing alongside the Galerie des Cerfs and the Galerie de Diane in order to provide more living space for the Court.
Louis XIV made major changes to the park and gardens; he commissioned André Le Nôtre and Louis Le Vau to redesign the large parterre into a French formal garden. He destroyed the hanging garden which Henry IV had built next to the large carp lake, and instead built a pavilion, designed by Le Vau, on a small island in the centre of the lake.
Louis XIV signed the Edict of Fontainebleau at the Château on the 22nd. October 1685, revoking the policy of tolerance towards Protestants begun by Henry IV.
Louis welcomed many foreign guests at the Château, including the former Queen Christina of Sweden, who had just abdicated her crown. While a guest in the Château on the 10th. November 1657, Christina suspected her Master of the Horse and reputed lover, the Marchese Gian Rinaldo Monaldeschi, of betraying her secrets to her enemies.
Her servants chased him through the halls of the Château and stabbed him to death. Louis XIV came to see her at the Château, did not mention the murder, and allowed her to continue her travels.
On the 18th. and 20th. May 1717, following the death of Louis XIV, the Russian Czar Peter the Great was a guest at Fontainebleau. A hunt for stags was organized for him, along with a banquet.
Although officially the visit was a great success, later memoires revealed that Peter disliked the French style of hunting, and that he found the Château too small, compared to the other royal French residences.
The routine of Fontainebleau also did not suit his tastes; he preferred beer to wine (and brought his own supply with him) and he liked to get up early, unlike the French Court.
The renovation projects of Louis XV were more ambitious than those of Louis XIV. To create more lodging for his enormous number of courtiers, in 1737–38 the King built a new courtyard, called the Cour de la Conciergerie or the Cour des Princes, to the east of the Galerie des Cerfs.
On the Cour du Cheval Blanc, the wing of the Gallery of Ulysses was torn down and gradually replaced by a new brick and stone building, built in stages in 1738–1741 and 1773–74, extending west toward the Pavilion and grotto of the pines.
Between 1750 and 1754, the King commissioned the architect Ange-Jacques Gabriel to build a new wing along the Cour de la Fontaine and the carp lake.
The old Pavilion des Poeles was demolished and replaced by the Gros Pavilion, built of cream-colored stone. Lavish new apartments were created inside this building for the King and Queen. The new meeting room for the Royal Council was decorated by the leading painters of the day, including François Boucher, Carle Vanloo, Jean-Baptiste Marie Pierre and Alexis Peyrotte. A magnificent small theatre was created on the first floor of the wing of the Belle Cheminée.
King Louis XVI also made additions to the Château in order to create more space for his courtiers. A new building was constructed alongside the Gallery of Francis I; it created a large new apartment on the first floor, and a number of small apartments on the ground floor, but also blocked the windows on the north side of the Gallery of Francis I.
The apartments of Queen Marie-Antoinette were redone, a Turkish-style salon was created for her in 1777, a room for games in 1786–1787, and a boudoir in the arabesque style. Louis XVI and Marie-Antoinette made their last visit to Fontainebleau in 1786, on the eve of the French Revolution.
The Château during the Revolution and the First Empire
During the French Revolution the Château did not suffer any significant damage, but all the furniture was sold at auction. The buildings were occupied by the Central School of the Department of Seine-et-Marne until 1803, when Napoleon I installed a military school there.
As he prepared to become Emperor, Napoleon wanted to preserve as much as possible of the palaces and protocol of the Old Regime. He chose Fontainebleau as the site of his historic 1804 meeting with Pope Pius VII, who had travelled from Rome to crown Napoleon Emperor.
Napoleon had a suite of rooms decorated for the Pope, and had the entire Château refurnished and decorated. The bedroom of the Kings was transformed into a throne room for Napoleon. Apartments were refurnished and decorated for the Emperor and Empress in the new Empire style.
The Cour du Cheval Blanc was re-named the Cour d'Honneur. One wing facing the courtyard, the Aile de Ferrare, was torn down and replaced with an ornamental iron fence and gate, making the façade of the Palace visible.
The gardens of Diane and the gardens of the Pines were replanted and turned into an English landscape garden.
Napoleon's visits to Fontainebleau were not frequent, because he was occupied so much of the time with military campaigns. Between 1812 and 1814, the Château served as a very elegant prison for Pope Pius VII. On the 5th. November 1810, the chapel of the Château was used for the baptism of Napoleon's nephew, the future Napoleon III, with Napoleon serving as his godfather, and the Empress Marie-Louise as his godmother.
Napoleon spent the last days of his reign at Fontainebleau, before abdicating there on the 4th. April 1814. On the 20th. April, after failing in an attempt to commit suicide, he gave an emotional farewell to the soldiers of the Old Guard, assembled in the Court of Honor. Later, during the One Hundred Days, he stopped there on the 20th. March 1815.
In his memoires, written while in exile on Saint Helena, he recalled his time at Fontainebleau:
"The true residence of Kings, the house of
the centuries. Perhaps it was not a rigorously
architectural palace, but it was certainly a place
of residence well thought out and perfectly
suitable. It was certainly the most comfortable
and happily situated palace in Europe.”
The Château during the Restoration and the Reign of Louis-Philippe (1815–1848)
Following the restoration of the Monarchy, Kings Louis XVIII and Charles X each stayed at Fontainebleau, but neither made any major changes to the palace. Louis-Philippe was more active, both restoring some rooms and redecorating others in the style of his period.
The Hall of the Guards and Gallery of Plates were redecorated in a Neo-Renaissance style, while the Hall of Columns, under the ballroom, was remade in a neoclassical style. He added new stained glass windows, made by the royal manufactory of Sèvres.
The Château During the Second Empire
Emperor Napoleon III, who had been baptised at Fontainebleau, resumed the custom of long stays at the Château, particularly during the summer. Many of the historic rooms, such as the Galerie des Cerfs, were restored to something like their original appearance, while the private apartments were redecorated to suit the tastes of the Emperor and Empress.
Numerous guest apartments were squeezed into unused spaces within the buildings. The old theatre of the palace, built in the 18th. century, was destroyed by a fire in the wing of the Belle Cheminée 1856. Between 1854 and 1857 the architect Hector Lefuel built a new theatre in the style of Louis XVI.
On the ground floor of the Gros Pavilion, the Empress Eugénie built a small but well-stocked museum, containing gifts from the King of Siam in 1861, and works of art taken during the pillage of the Summer Palace in Beijing.
The museum also featured paintings by contemporary artists, including Franz Xaver Winterhalter, and the sculptor Charles Henri Joseph Cordier. Close by, in the Louis XV wing, the Emperor established his office, and the Empress made her Salon of Lacquer.
These were the last rooms created by the royal residents of Fontainebleau. In 1870, during the Franco-German War, the Empire fell, and the Château was closed.
The Château from the Third Republic to the Present Day
During the Franco-Prussian War, the palace was occupied by the Prussians on the 17th. September 1870, and briefly used as an army headquarters by Frederic Charles of Prussia from March 1871.
Following the war, two of the buildings became the home of the advanced school of artillery and engineering of the French Army, which had been forced to leave Alsace when the province was annexed by Germany.
The Château was occasionally used as a residence by the Presidents of the Third Republic, and to welcome state guests including King Alexander I of Serbia (1891), King George I of Greece (1892) Leopold II of Belgium (1895) and King Alphonse XIII of Spain (1913).
It also received a visit by the last survivor of its royal residents, the Empress Eugenie, on the 26th. June 1920.
The façades the major buildings received their first protection by classification as historic monuments on the 20th. August 1913.
In 1923, following the Great War, the Château became the home of the Écoles d'Art Américaines, schools of art and music, which still exist today. In 1927 it became a national museum. Between the wars the upper floors of the wing of the Belle Cheminée, burned in 1856, were rebuilt by a grant from the Rockefeller Foundation.
During World War II, Fontainebleau was occupied by the Germans on the 16th. June 1940, and occupied until the 10th. November 1940, and again from the 15th. May to the end of October 1941.
Following the war, part of the Château became a headquarters of the Western Union and later NATO's Allied Forces Central Europe/Supreme Headquarters Allied Powers Europe, until 1966.
The general restoration of the Château took place between 1964 and 1968 under President Charles De Gaulle and his Minister of Culture, Andre Malraux. It was classified as a UNESCO World Heritage Site in 1981. In 2006, the Ministry of Culture purchased the royal stables, and began their restoration.
Beginning in 2007, restoration began of the theatre of the Château, created by Napoleon III during the Second Empire. The project was funded by the government of Abu-Dhabi, and in exchange the theater was renamed after Sheik Khalifa Bin Zayed al Nahyan. It was inaugurated on the 30th. April 2014.
On the 1st. March 2015, the Chinese Museum of the Château was robbed by professional thieves. They broke in at about six in the morning, and, despite alarms and video cameras, in seven minutes stole about fifteen of the most valuable objects in the collection, including the replica of the crown of Siam given by the Siamese government to Napoleon III, a Tibetan mandala, and an enamel chimera from the reign of the Qianlong Emperor (1736–1795).
The Grand Apartments at Fontainebleau
The Gallery of Francis I
The Gallery of Francis I is one of the first and finest examples of Renaissance decoration in France. It was originally constructed in 1528 as a passageway between the apartments of the King with the oval courtyard and the great chapel of the convent Trinitaires, but in 1531 Francis I made it a part of his royal apartments, and between 1533 and 1539 it was decorated by artists and craftsmen from Italy, under the direction of the painter Rosso Fiorentino, in the new Renaissance style.
The lower walls of the passage were the work of the master Italian furniture maker Francesco Scibec da Carpi; they are decorated with the coat of arms of France and the salamander, the emblem of the King. The upper walls are covered by frescoes framed in richly sculpted stucco. The frescoes used mythological scenes to illustrate the virtues of the King.
On the side of the gallery with windows, the frescoes represent Ignorance Driven Out; The Unity of the State; Cliobis and Biton; Danae; The Death of Adonis; The Loss of Perpetual Youth; and The Battle of the Centaurs and the Lapithes.
On the side of the gallery facing the windows, the frescoes represent: A Sacrifice; The Royal Elephant; The Burning of Catane; The Nymph of Fontainebleau (painted in 1860–61 by J. Alaux to cover a former entry to the gallery); The Sinking of Ajax; The Education of Achilles and The Frustration of Venus.
The Ballroom
The Ballroom was originally begun as an open passageway, or loggia, by Francis I. In about 1552 King Henry II closed it with high windows and an ornate coffered ceiling, and transformed it into a room for celebrations and balls.
The 'H', the initial of the King, is prominent in the decor, as well as figures of the crescent moon, the symbol of Henry's mistress Diane de Poitiers.
At the western end is a monumental fireplace, decorated with bronze statues originally copied from classical statues in Rome. At the eastern end of the room is a gallery where musicians played during balls.
The decor was restored many times over the years. The floor, which mirrors the design of the ceiling, was built by Louis-Philippe in the first half of the 19th. century.
The frescoes on the walls and pillars were painted beginning in 1552 by Nicolo dell'Abate, following drawings by Primatice. On the garden side of the ballroom, they represent: The Harvest; Vulcan forging weapons for Love at the request of Venus; Phaeton begging the sun to let him drive his chariot; and Jupiter and Mercury at the home of Philemon and Baucis.
The frescoes on the side of the Oval Courtyard represent: The feast of Bacchus; Apollo and the Muses on Mount Parnassus; The Three Graces dancing before the gods; and The wedding feast of Thetis and Peleus.
St. Saturnin's Chapel
Behind the ballroom, there is St. Saturnin's Chapel. The lower chapel was originally built in the 12th. century, but was destroyed and completely rebuilt under Francis I. The windows made in Sèvres were installed during Louis Philippe's period, and were designed by his daughter Marie, an artist herself.
The upper chapel was the royal chapel decorated by Philibert de l'Orme. The ceiling, made in the same style as the ballroom, ends with a dome.
Room of the Guards
A room for the guards was always located next to the royal bedchambers. The Salle des Gardes was built during the reign of Charles IX. Some traces of the original decor remain from the 1570's, including the vaulted ceiling and a frieze of military trophies attributed to Ruggiero d'Ruggieri.
In the 19th. century Louis Philippe turned the room into a salon, and redecorated it with a new parquet floor of exotic woods echoing the design of the ceiling, along with a monumental fireplace (1836), which incorporates pieces of ornament from demolished rooms that were built the 15th. and early 16th. century.
The bust of Henry IV, attributed to Mathieu Jacquet, is from that period, as are the two figures on either side of the fireplace. The sculpted frame around the bust, by Pierre Bontemps, was originally in the bedchamber of Henry II.
The decorations added by Louis Philippe include a large vase decorated with Renaissance themes, made by the Sèvres porcelain manufactory in 1832.
During the reign of Napoleon III, the hall was used as a dining room.
Stairway of the King
The stairway of the King was installed in 1748 and 1749, in the space occupied during the reign of Francis I by the bedroom of Anne de Pisseleu, the Duchess of Étampes, a favorite of the King.
It was designed by the architect Ange-Jacques Gabriel, who used many decorative elements from the earlier room, which had originally been decorated by Primatice.
The upper portion of the walls is divided into panels, oval and rectangular, with scenes representing the love life of Alexander the Great. The paintings are framed by large statues of women by Primatice. The eastern wall of the room was destroyed during the reconstruction, and was replaced during the reign of Louis Philippe in the 19th. century with paintings by Abel de Pujol.
The Queen's Bedroom
All of the Queens and Empresses of France from Marie de Medici to the Empress Eugènie slept in the bedchamber of the Queen. The ornate ceiling over the bed was made in 1644 by the furniture-maker Guillaume Noyers for the Dowager Queen Anne of Austria, the mother of Louis XIV, and bears her initials.
The room was redecorated by Marie Leszczynska, the Queen of Louis XV in 1746–1747. The ceiling of the alcove, the decoration around the windows and the wood panelling were made by Jacques Vererckt and Antoine Magnonais in the rocaille style of the day. The decoration of the fireplace dates to the same period.
The doors have an arabesque design, and were made for Marie-Antoinette, as were the sculpted panels over the doors, installed in 1787. The bed was also made especially for Marie Antoinette, but did not arrive until 1797, after the Revolution and her execution. it was used instead by Napoleon's wives, the Empress Josephine and Marie-Louise of Austria.
The walls received their ornamental textile covering, with a design of flowers and birds, in 1805. It was restored in 1968–1986 using the original fabric as a model.
The furniture in the room all dates to the First Empire. The balustrade around the bed was originally made for the throne room of the Tuileries Palace in 1804. The armchairs with a sphinx pattern, the consoles and screen and the two chests of drawers were placed in the room in 1806.
The Boudoir of Marie-Antoinette
The boudoir next to the Queen's bedroom was created for Queen Marie-Antoinette in 1786, and permitted the Queen to have a measure of privacy.
The room is the best surviving example of the decorative style just before the French Revolution, inspired by ancient Roman models, with delicately painted arabesques, cameos, vases, antique figures and garlands of flowers against a silver background, framed by gilded and sculpted woodwork.
The room was made for the Queen by the same team of artists and craftsmen who also made the game room; the design was by the architect Pierre Rousseau (1751-1829); the wood panelling was sculpted by Laplace, and painted by Michel-Hubert Bourgeois and Louis-François Touzé.
Eight figures of the Muses were made in plaster by Roland; the ornate mantle of the fireplace was made by Jacques-François Dropsy, and decorated with glided bronze works by Claude-Jean Pitoin.
The mahogany parquet floor, decorated with the emblems of the Queen, was made by Bernard Molitor, and finished in 1787. The painted ceiling, by Jean-Simon Berthélemy, shows Aurora with a group of angels.
The furnishings were designed for the room by Jean-Henri Riesener, using the finest materials available; mother of pearl, gilded bronze, brass, satin and ebony. Some of the original furnishings remain, including the cylindrical desk and the table, which were made between 1784 and 1789.
The two armchairs are copies of the originals made by Georges Jacob which are now in the Gulbenkian Museum in Lisbon, while the footstool is the original.
The Throne Room of Napoleon (former bedroom of the King)
The Throne Room was the bedroom of the Kings of France from Henry IV to Louis XVI.
In 1808 Napoleon decided to install his throne in the former bedroom of the Kings of France in the location where the royal bed had been. Under the Old Regime, the King's bed was a symbol of royal authority in France and was saluted by courtiers who passed by it. Napoleon wanted to show the continuity of his Empire with the past monarchies of France.
The majority of the carved wood ceiling, the lower part of the wood panelling, and the doors date to the reign of Louis XIII. The ceiling directly over the throne was made at the end of the reign of Louis XIV.
Louis XV created the portion of the ceiling directly over the throne, a new chimney, sculpted wooden medallions near the fireplace, the designs over the doors, and the fine carved woodwork facing the throne (1752–54).
He also had the ceiling painted white and gilded and decorated with mosaics, to match the ceiling of the bedroom of the Queen.
Napoleon added the standards with his initial and the Imperial eagle. The decoration around the throne was originally designed in 1804 by Jacob-Desmalter for the Palace of Saint-Cloud, and the throne itself came from the Tuileries Palace.
The chimney was originally decorated with a portrait of Louis XIII painted by Philippe de Champaigne, which was burned in 1793 during the French Revolution. Napoleon replaced it with a portrait of himself, by Robert Lefèvre. In 1834, King Louis-Philippe took down Napoleon's picture and replaced with another of Louis XIII.
The Council Chamber
The Council Chamber, where the Kings and Emperors met their closest advisors, was close to the Throne Room. It was originally the office of Francis I, and was decorated with painted wooden panels showing following designs of Primatice, the virtues and the heroes of antiquity.
The room was enlarged under Louis XIV, and the decorator, Claude Audran, followed the same theme.
The room was entirely redecorated between 1751 and 1754 by the architect Ange-Jacques Gabriel, with arcades and wooded panels showing the virtues, and allegories of the seasons and the elements, painted by Jean-Baptiste Marie Pierre and Carle van Loo.
The painter Alexis Peyrotte added another series of medallions to the upper walls depicting floral themes, the sciences and arts. The five paintings on the vaulted ceiling were the work of François Boucher, and show the seasons and the sun beginning its journey and chasing away the night.
A half-rotonda on the garden side of the room was added by Louis XV in 1773, with a painted ceiling by Lagrenée depicting Glory surrounded by his children.
The room was used as a council chamber by Napoleon I, and the furnishings are from that time. The armchairs at the table for the ministers are by Marcion (1806) and the folding chairs for advisors are by Jacob-Desmalter (1808).
Apartment of the Pope and of the Queen-Mothers
The apartment of the Pope, located on the first floor of the wing of the Queen Mothers and of the Gros Pavillon, takes its name from the 1804 visit of Pope Pius VII, who stayed there on his way to Paris to crown Napoleon I the Emperor of France.
He stayed there again, involuntarily, under the close supervision of Napoleon from 1812 to 1814. Prior to that, beginning in the 17th. century it was the residence of the Queen Mothers Marie de' Medici and Anne of Austria.
It was also the home of the Grand Dauphin, the oldest son of Louis XIV. In the 18th. century it was used by the daughters of Louis XV, and then by the Count of Provence, the brother of Louis XVI.
During the First Empire it was used by Louis, the brother of Napoleon, and his wife Queen Hortense, the daughter of the Empress Josephine. During the reign of Louis-Philippe, it was used by his eldest son, the Duke of Orleans.
During the Second Empire, it was occupied by Stephanie de Bade, the adopted niece of Napoleon I. It was restored in 1859–1861, and used thereafter for guests of high rank. It was originally two apartments, which were divided or joined over the years depending upon its occupants.
The Grand Salon, the Antechamber to the Bedroom of the Queen-Mother (Mid-17th. century)
The Salon de Reception was the anteroom to the bedroom of Anne of Austria, wife of Louis XIII and mother of Louis XIV. It features a gilded and sculpted ceiling divided into seven compartments, representing the sun and the known planets, along with smaller compartments for military trophies.
The room was created in 1558 by Ambroise Perret as the bedroom of Henry II in the pavilion des Poeles, a section of the Château that was later destroyed. Anne had it moved and decorated with her own emblems, including a pelican. The wood paneling in the room is probably from the same period.
The decor of the bedroom dates largely to the 1650's; it includes grotesque paintings in compartments on the ceiling, attributed to Charles Errard; richly carved wood paneling featuring oak leaves and putti; and paintings over the doors of Anne of Austria costumed as Minerva and Marie-Therese of Austria costumed as Abundance, both painted by Gilbert de Sève.
The bedroom was modified in the 18th. century by the addition of a new fireplace and sculptured borders of cascades of flowers around the mirrors added in 1784. During the Second Empire, painted panels imitating the style of the 17th. century were added above the mirrors and between the mirrors and the doors.
The Gallery of Diana
The Gallery of Diana, an eighty-metre (242 feet) long corridor now lined with bookcases, was created by Henry IV at the beginning of the 17th. century as a place for the Queen to promenade. The paintings on the vaulted ceiling, painted beginning in 1605 by Ambroise Dubois and his workshop, represented scenes from the myth of Diana, goddess of the Hunt.
At the beginning of the 19th. century, the gallery was in ruins. In 1810 Napoleon decided to turn it into a gallery devoted to the achievements of his Empire. A few of the paintings still in good condition were removed and put in the Gallery of Plates.
The architect Hurtault designed a new plan for the gallery, inspired by the Grand Gallery of the Louvre, featuring paintings on the ceiling illustrating the great events of Napoleon's reign.
By 1814 the corridor had been rebuilt and the decorative frames painted by Moench and Redouté, but the cycle of paintings on the Empire had not been started when Napoleon fell from power.
Once the monarchy was restored, King Louis XVIII had the gallery completed in a neoclassical style. A new series of the goddess Diana was done by Merry-Joseph Blondel and Abel de Pujol, using the painted frames prepared for Napoleon's cycle.
Paintings were also added along the corridor, illustrating the history of the French monarchy, painted in the Troubador style of the 1820's and 1830's, painted by a team of the leading academic painters.
Beginning in 1853, under Napoleon III, the corridor was turned into a library and most of the paintings were removed, with the exception of a large portrait of Henry IV on horseback by Jean-Baptiste Mauzaisse. The large globe near the entrance of the gallery, placed there in 1861, came from the office of Napoleon in the Tuileries Palace.
The Apartments of Napoleon
In 1804 Napoleon decided that he wanted his own private suite of apartments within the Palace, separate from the old state apartments. He took over a suite of six rooms which had been created in 1786 for Louis XVI, next to the Gallery of Francis I, and had them redecorated in the Empire style.
The Emperor's Bedroom
Beginning in 1808, Napoleon had his bedroom in the former dressing room of the King. From this room, using a door hidden behind the drapery to the right of the bed, Napoleon could go directly to his private library or to the offices on the ground floor.
Much of the original decor was unchanged from the time of Louis XVI; the fireplaces, the carved wooden panels sculpted by Pierre-Joseph LaPlace and the sculpture over the door by Sauvage remained as they were.
The walls were painted with Imperial emblems in gold on white by Frederic-Simon Moench. The bed, made especially for the Emperor, was the summit of the Empire style; it was crowned with an imperial eagle and decorated with allegorical sculptures representing Glory, Justice, and Abundance.
The Emperor had a special carpet made by Sallandrouze in the shape of the cross of the Legion of Honor; the branches of the cross alternate with symbols of military and civilian attributes.
The chairs near the fireplace were specially designed, with one side higher than the other, to contain the heat from the fire while allowing the occupants to see the decorations of the fireplace.
The painting on the ceiling of the room was added later, after the downfall of Napoleon, by Louis XVIII. Painted by Jean-Baptiste Regnault, it is an allegory representing The clemency of the King halting justice in its course.
The study was a small room designated as Napoleon's work room. In 1811 he added the camp bed, similar to the bed he used on his military campaigns, so he could rest briefly during a long night of work.
The salon of the Emperor was simply furnished and decorated. It was in this room, on the small table on display, that the Emperor signed his abdication in 1814.
The Theatre
Concerts, plays and other theatrical productions were a regular part of court life at Fontainebleau. Prior to the reign of Louis XV these took place in different rooms of the palace, but during his reign, a theatre was built in the Belle-Cheminée wing. It was rebuilt by the architect Gabriel, but was destroyed by a fire in 1856.
It had already been judged too small for the court of Napoleon III, and a new theatre was begun in 1854 at the far eastern end of the wing of Louis XIV. It was designed by architect Hector Lefuel in the style of Louis XVI, and was inspired by the opera theatre at the palace of Versailles and that of Marie-Antoinette at the Trianon Palace.
The new theatre, with four hundred seats arranged in a parterre, two balconies and boxes in a horseshoe shape, was finished in 1856. It has the original stage machinery, and many of the original sets, including many transferred from the old theatre before the fire of 1856.
The theatre was closed after the end of the Second Empire and was rarely used. A restoration began in 2007, funded with ten million Euros by the government of Abu-Dhabi. In exchange, the theatre was renamed after Sheik Khalifa Bin Zayed al Nahyan.
It was inaugurated on the 30th. April 2014. The theatre can be visited, but it no longer can be used for plays because some working parts of the theater, including the stage, were not included in the restoration.
The Chinese Museum
The Chinese Museum, on the ground floor of the Gros Pavillon close to the lake, was among the last rooms decorated within the Chateau while it was still an imperial residence.
In 1867, the Empress Eugenie had the rooms remade to display her personal collection of Asian art, which included gifts given to the Emperor by a delegation sent by the King of Siam in 1861, and other objects taken during the destruction and looting of the Old Summer Palace near Beijing by a joint British-French military expedition to China in 1860.
The objects displayed in the antechamber include two royal palanquins given by the King of Siam, one designed for a King and the other (with curtains) for a Queen. Inside the two salons of the museum, some of the walls are covered with lacquered wood panels in black and gold, taken from 17th. century Chinese screens, along with specially designed cases to display antique porcelain vases.
Other objects on display include a Tibetan stupa containing a Buddha taken from the Summer Palace in China; and a royal Siamese crown given to Napoleon III.
The salons are lavishly decorated with both Asian and European furnishings and art objects, including silk-covered furnishings and Second Empire sculptures by Charles Cordier and Pierre-Alexandre Schoenewerk. The room also served as a place for games and entertainment; an old bagatelle game and a mechanical piano from that period are on display.
In addition to the Chinese Museum, the Empress created a small office in 1868, the Salon of Lacquerware, which was also decorated with lacquered panels and Asian art objects, on the ground floor of the Louis XV wing. This was the last room decorated before the fall of the Empire, and the eventual transformation of the Château into a museum.
The Chapel of the Trinity
The Chapel of the Trinity was built at the end of the reign of Francis I to replace the old chapel of the convent of the Trinitaires. It was finished under Henry II, but was without decoration until 1608, when the painter Martin Freminet was commissioned to design frescoes for the ceiling and walls.
The sculptor Barthèlemy Tremblay created the vaults of the ceiling out of stucco and sculpture. The paintings of Freminet in the central vaults depict the redemption of Man, from the appearance of God to Noah at the launching of the Ark (Over the tribune) to the Annunciation.
They surrounded these with smaller paintings depicting the ancestors of the Virgin Mary, the Kings of Judah, the Patriarchs announcing the coming of Christ, and the Virtues.
Between 1613 and 1619 Freminet and Tremblay added paintings in stucco frames between the windows on the sides of the chapel, depicting the life of Christ. Freminet died in 1619, and work did not resume until 1628.
The Trinity chapel, like Sainte-Chapelle in Paris other royal chapels, had an upper section or tribune, where the King and his family sat, with a separate entrance; and a lower part, where the rest of the Court was placed.
Beginning in 1628, the side chapels were decorated with iron gates and carved wood panelling, and the Florentine sculptor Francesco Bordoni began work on the marble altar. The figure to the left depicts Charlemagne, with the features of Henry II, while the figure on the right depicts Louis IX, or Saint Louis, with the features of Louis XIII, his patron.
Bordoni also designed the multicolored marble pavement before the altar and on the walls of the nave. The painting of the Holy Trinity over the altar, by Jean Dubois the Elder, was added in 1642.
In the mid-17th. century the craftsman Anthony Girault made the sculpted wooden doors of the nave. while Jean Gobert made the doors of the tribune where the Royal family worshipped.
In 1741 the royal tribune was enlarged, while ornate balconies of wrought iron were added between the royal tribune and the simpler balconies used by the musicians and those who chanted the mass. In 1779, under Louis XVI, the frescoes of Freminet illustrating the life of Christ, which had deteriorated with time, were replaced by new paintings on the same theme. The paintings were done in the same style by about a dozen painters from the Royal Academy of Painting and Sculpture.
Under Napoleon, the old tabernacle of the chapel, which had been removed during the Revolution, was replaced by a new one designed by the architect Maximilien Hurtault.
Beginning in 1824, the chapel underwent a program of major renovation and restoration that lasted for six years. The twelve paintings of the life of Christ were removed, as well as the gates to the side chapels.
During the Second Empire, the wood panelling of the side chapels was replaced. The restoration was not completed until the second half of the 20th. century, when the twelve paintings, which had been scattered to different museums, were brought together again and restored in their stucco frames. Between 1772 and 1774, a small organ made by François-Henri Cilquot was installed on the left side of the chapel, near the altar.
On the 5th. September 1725, the chapel was the setting for the wedding of Louis XV and Marie Leszczynska. Napoleon III was baptized there on 4 November 1810, and Ferdinand-Philippe d'Orleans, the son of King Louis-Philippe, was married there to Helene de Mecklembourg Schwerin on the 30th. May 1837.
The Gardens and the Park at Fontainebleau
From the time of Francis I, the palace was surrounded by formal gardens, representing the major landscaping styles of their periods; the French Renaissance garden, inspired by Italian Renaissance gardens; the French formal garden, the favorite style of Louis XIV; and, in the 18th. and 19th. century, the French landscape garden, inspired by the English landscape garden.
The Garden of Diana
The Garden of Diana was created during the reign of Henry IV; it was the private garden of the King and Queen, and was visible from the windows of their rooms.
The fountain of Diana was originally in the centre of the garden, which at that time was enclosed by another wing, containing offices and later, under, Louis XIV, an orangery. That building, and another, the former chancellery, were demolished in the 19th. century, thereby doubling the size of the garden.
From the 17th. until the end of the 18th. century, the garden was in the Italian and then the French formal style, divided by straight paths into rectangular flower beds centred on the fountains, and decorated with statues, ornamental plants and citrus trees in pots.
It was transformed during the reign of Napoleon I into a landscape garden in the English style, with winding paths and trees grouped into picturesque landscapes, and it was enlarged during the reign of Louis-Philippe. it was opened to the public after the downfall of Napoleon III.
The fountain in the centre was made by Tommaso Francini, the master Italian fountain-maker, whose work included the Medici Fountain in the Jardin du Luxembourg in Paris.
The bronze statue of Diana, the goddess of the hunt, with a young deer, was made by the Keller brothers in 1684 for another royal residence, at Marly. It is a copy of an antique Roman statue, Diana of Versailles, which was given by the Pope to King Henry IV, and which is now in the Louvre.
The original statue of the fountain, made by Barthelemy Prieur in 1602, can be seen in the Gallery of the Cerfs inside the palace. The sculptures of hunting dogs and deer around the fountain were made by Pierre Biard.
The Carp Lake, English Garden, Grotto and Spring
The lake next to the palace, with an area of four hectares, was made during the reign of Henry IV, and was used for boating parties by members of the Court, and as a source of fish for the table and for amusement.
Descriptions of the palace in the 17th. century tell of guests feeding the carp, some of which reached enormous size, and were said to be a hundred years old. The small octagonal house on an island in the center of the lake, Pavillon de l'Étang, was added during the reign of Louis XIV, then rebuilt under Napoleon I, and is decorated with his initial.
The English garden also dates back to the reign of Henry IV. In one part of the garden, known as the garden of pines, against the wing of Louis XV, is an older structure dating to Francis I; the first Renaissance-style grotto to be built in a French garden, a rustic stone structure decorated with four statues of Atlas.
Under Napoleon, his architect, Maximilien-Joseph Hurtault, turned this part of the garden into an English park, with winding paths and exotic trees, including catalpa, tulip trees, sophora, and cypress trees from Louisiana, and with a picturesque stream and boulders.
The garden also features two 17th. century bronze copies of ancient Roman originals, the Borghese gladiator and the Dying Gladiator. A path leads from the garden through a curtain of trees to the spring which gave its name to the palace, next to a statue of Apollo.
The Parterre and Canal
On the other side of the Château, on the site of the garden of Francis I, Henry IV created a large formal garden, or parterre Along the axis of the parterre, he also built a grand canal 1200 metres long, similar to one at the nearby château of Fleury-en-Biere.
Between 1660 and 1664 the chief gardener of Louis XIV, André Le Nôtre, and Louis Le Vau rebuilt the parterre on a grander scale, filling it with geometric designs and paths bordered with boxwood hedges and filled with colourful flowerbeds.
They also added a basin, called Les Cascades, decorated with fountains, at the head of the canal. Le Nôtre planted shade trees along the length of the canal, and also laid out a wide path, lined with elm trees, parallel to the canal.
The fountains of Louis XIV were removed after his reign. More recently, the Cascades were decorated with works of sculpture from the 19th. century. A large ornamental fountain was installed in the central basin in 1817.
A bronze replica of an ancient Roman statue, "The Tiber", was placed in the round basin in 1988. It replaced an earlier statue from the 16th. century which earlier had decorated the basin.
Two statues of sphinxes by Mathieu Lespagnandel, from 1664, are placed near the balustrade of the grand canal.
This manuscript was created ca. 1500 in Bruges or Ghent, and was influenced by the Master of the Prayerbooks, the Master of the Dresden Prayerbook, and the Master of the David Scenes in the Grimani breviary. It was likely made for a female patron with Franciscan affinity, as suggested by the contents of the calendar. The book is heavily illuminated with nineteen miniatures, marginalia on pages without miniatures, and twenty-four calendar illuminations, the latter including zodiac signs paired with illustrations of the labors of the month. Miniatures show detailed interior spaces with Renaissance architectural elements and proportional figures.
Influenced by the hit movie, Kimi no Na wa (Your Name).
Twilight gives us an opportunity to see beauty hidden during the day.
"Crude, Rude & Lewd does not win Friends & Influence People!"
Full set of Women’s March NYC images here:
www.flickr.com/photos/jimkiernan/albums/72157677929379890
Other Protest Images, Here:
March on Washington (2014)
www.flickr.com/photos/jimkiernan/albums/72157649757466322
Ramarley Graham Rally (2013)
www.flickr.com/photos/jimkiernan/albums/72157633522048023
Trayvon Martin Rally (2012)
www.flickr.com/photos/jimkiernan/albums/72157629639260721
Occupy Wall Street – Day One (2011)
Origins of a 14 Trillion Dollar Defecit
Project for the New American CenturyFrom Wikipedia, the free encyclopedia
Project for the New American Century
Formation 1997
Extinction 2006
Public policy think tank
Location Washington, D.C.
Website newamericancentury.org
The Project for the New American Century (PNAC) was an American think tank based in Washington, D.C. that lasted from 1997 to 2006. It was co-founded as a non-profit educational organization by William Kristol and Robert Kagan. The PNAC's stated goal was "to promote American global leadership."[1] Fundamental to the PNAC were the view that "American leadership is both good for America and good for the world" and support for "a Reaganite policy of military strength and moral clarity."[2] The PNAC exerted influence on high-level U.S. government officials in the administration of U.S. President George W. Bush and affected the Bush Administration's development of military and foreign policies, especially involving national security and the Iraq War.[3][4]
Contents [hide]
1 History
1.1 Statement of Principles
1.2 Calls for regime change in Iraq during Clinton years
1.3 Rebuilding America's Defenses
1.4 Post-9/11 call for regime change in Iraq
1.5 Human Rights and the EU Arms Embargo
1.6 End of the organization
2 Controversy
2.1 US world dominance
2.2 Excessive focus on military strategies, neglect of diplomatic strategies
2.3 "New Pearl Harbor"
2.4 Inexperienced in realities of war
2.5 PNAC role in promoting invasion of Iraq
2.6 PNAC role in promoting genetically operating racist bioweapons
3 Persons associated with the PNAC
3.1 Project directors
3.2 Project staff
3.3 Former directors and staff
3.4 Signatories to Statement of Principles
3.5 Signatories or contributors to other significant letters or reports[15]
3.6 Associations with Bush administration
4 See also
5 Notes
6 References
6.1 External links
6.2 Further reading and media programs: Analysis and criticism
History Statement of PrinciplesPNAC's first public act was releasing a "Statement of Principles" on June 3, 1997, which was signed by both its members and a variety of other notable conservative politicians and journalists (see Signatories to Statement of Principles). The statement began by framing a series of questions, which the rest of the document proposes to answer:
As the 20th century draws to a close, the United States stands as the world's pre-eminent power. Having led the West to victory in the Cold War, America faces an opportunity and a challenge: Does the United States have the vision to build upon the achievements of past decades? Does the United States have the resolve to shape a new century favorable to American principles and interests?[5]
In response to these questions, the PNAC states its aim to "remind America" of "lessons" learned from American history, drawing the following "four consequences" for America in 1997:
we need to increase defense spending significantly if we are to carry out our global responsibilities today and modernize our armed forces for the future;
we need to strengthen our ties to democratic allies and to challenge regimes hostile to our interests and values;
we need to promote the cause of political and economic freedom abroad; [and]
we need to accept responsibility for America's unique role in preserving and extending an international order friendly to our security, our prosperity, and our principles.
While "Such a Reaganite policy of military strength and moral clarity may not be fashionable today," the "Statement of Principles" concludes, "it is necessary if the United States is to build on the successes of this past century and to ensure our security and our greatness in the next."[5]
[edit] Calls for regime change in Iraq during Clinton yearsThe goal of regime change in Iraq remained the consistent position of PNAC throughout the 1997-2000 Iraq disarmament crisis.[6][7]
Richard Perle, who later became a core member of PNAC, was involved in similar activities to those pursued by PNAC after its formal organization. For instance, in 1996 Perle composed a report that proposed regime changes in order to restructure power in the Middle East. The report was titled A Clean Break: A New Strategy for Securing the Realm and called for removing Saddam Hussein from power, as well as other ideas to bring change to the region. The report was delivered to Prime Minister Benjamin Netanyahu.[8] Two years later, in 1998, Perle and other core members of the PNAC - Paul Wolfowitz, R. James Woolsey, Elliot Abrams, and John Bolton - "were among the signatories of a letter to President Clinton calling for the removal of Hussein."[8] Clinton did seek regime change in Iraq, and this position was sanctioned by the United Nations. These UN sanctions were considered ineffective by the neoconservative forces driving the PNAC.
The PNAC core members followed up these early efforts with a letter to Republican members of the U.S. Congress Newt Gingrich and Trent Lott,[9] urging Congress to act. The PNAC also supported the Iraq Liberation Act of 1998 (H.R.4655), which President Clinton had signed into law.[10]
On January 16, 1998, following perceived Iraqi unwillingness to co-operate with UN weapons inspections, members of the PNAC, including Donald Rumsfeld, Paul Wolfowitz, and Robert Zoellick drafted an open letter to President Bill Clinton, posted on its website, urging President Clinton to remove Saddam Hussein from power using U.S. diplomatic, political, and military power. The signers argue that Saddam would pose a threat to the United States, its Middle East allies, and oil resources in the region, if he succeeded in maintaining what they asserted was a stockpile of Weapons of Mass Destruction. They also state: "we can no longer depend on our partners in the Gulf War to continue to uphold the sanctions or to punish Saddam when he blocks or evades UN inspections" and "American policy cannot continue to be crippled by a misguided insistence on unanimity in the UN Security Council." They argue that an Iraq war would be justified by Hussein's defiance of UN "containment" policy and his persistent threat to U.S. interests.[11]
On November 16, 1998, citing Iraq's demand for the expulsion of UN weapons inspectors and the removal of Richard Butler as head of the inspections regime, Kristol called again for regime change in an editorial in his online magazine, The Weekly Standard: "...any sustained bombing and missile campaign against Iraq should be part of any overall political-military strategy aimed at removing Saddam from power."[12] Kristol states that Paul Wolfowitz and others believed that the goal was to create "a 'liberated zone' in southern Iraq that would provide a safe haven where opponents of Saddam could rally and organize a credible alternative to the present regime ... The liberated zone would have to be protected by U.S. military might, both from the air and, if necessary, on the ground."
In January 1999, the PNAC circulated a memo that criticized the December 1998 bombing of Iraq in Operation Desert Fox as ineffective, questioned the viability of Iraqi democratic opposition which the U.S. was supporting through the Iraq Liberation Act, and referred to any "containment" policy as an illusion.[13]
[edit] Rebuilding America's DefensesIn September 2000, the PNAC published a controversial 90-page report entitled Rebuilding America's Defenses: Strategies, Forces, and Resources For a New Century. The report, which lists as Project Chairmen Donald Kagan and Gary Schmitt and as Principal Authors. Thomas Donnelly, quotes from the PNAC's June 1997 "Statement of Principles" and proceeds "from the belief that America should seek to preserve and extend its position of global leadership by maintaining the preeminence of U.S. military forces."[14][15]
The report argues:
The American peace has proven itself peaceful, stable, and durable. It has, over the past decade, provided the geopolitical framework for widespread economic growth and the spread of American principles of liberty and democracy. Yet no moment in international politics can be frozen in time; even a global Pax Americana will not preserve itself.[14]
After its title page, the report features a page entitled "About the Project for the New American Century", quoting key passages from its 1997 "Statement of Principles":
“ [What we require is] a military that is strong and ready to meet both present and future challenges; a foreign policy that boldly and purposefully promotes American principles abroad; and national leadership that accepts the United States’ global responsibilities. Of course, the United States must be prudent in how it exercises its power. But we cannot safely avoid the responsibilities of global leadership of the costs that are associated with its exercise. America has a vital role in maintaining peace and security in Europe, Asia, and the Middle East. If we shirk our responsibilities, we invite challenges to our fundamental interests. The history of the 20th century should have taught us that it is important to shape circumstances before crises emerge, and to meet threats before they become dire. The history of the past century should have taught us to embrace the cause of American leadership.[14]
”
In its "Preface", in highlighted boxes, Rebuilding America's Defenses states that it aims to:
ESTABLISH FOUR CORE MISSIONS for the U.S. military:
defend the American homeland;
fight and decisively win multiple, simultaneous major theater wars;
perform the “constabulary” duties associated with shaping the security environment in critical regions;
transform U.S. forces to exploit the “revolution in military affairs”;
and that
To carry out these core missions, we need to provide sufficient force and budgetary allocations. In particular, the United States must:
MAINTAIN NUCLEAR STRATEGIC SUPERIORITY, basing the U.S. deterrent upon a global, nuclear net assessment that weighs the full range of current and emerging threats, not merely the U.S.-Russia balance.
RESTORE THE PERSONNEL STRENGTH of today’s force to roughly the levels anticipated in the “Base Force” outlined by the Bush Administration, an increase in active-duty strength from 1.4 million to 1.6 million.
REPOSITION U.S. FORCES to respond to 21st century strategic realities by shifting permanently-based forces to Southeast Europe and Southeast Asia, and by changing naval deployment patterns to reflect growing U.S. strategic concerns in East Asia. (iv)
It specifies the following goals:
MODERNIZE CURRENT U.S. FORCES SELECTIVELY, proceeding with the F-22 program while increasing purchases of lift, electronic support and other aircraft; expanding submarine and surface combatant fleets; purchasing Comanche helicopters and medium-weight ground vehicles for the Army, and the V-22 Osprey “tilt-rotor” aircraft for the Marine Corps.
CANCEL “ROADBLOCK” PROGRAMS such as the Joint Strike Fighter, CVX aircraft carrier,[16] and Crusader howitzer system that would absorb exorbitant amounts of Pentagon funding while providing limited improvements to current capabilities. Savings from these canceled programs should be used to spur the process of military transformation.
DEVELOP AND DEPLOY GLOBAL MISSILE DEFENSES to defend the American homeland and American allies, and to provide a secure basis for U.S. power projection around the world.[17]
CONTROL THE NEW “INTERNATIONAL COMMONS” OF SPACE AND “CYBERSPACE,” and pave the way for the creation of a new military service – U.S. Space Forces – with the mission of space control.
EXPLOIT THE “REVOLUTION IN MILITARY AFFAIRS” to insure the long-term superiority of U.S. conventional forces. Establish a two-stage transformation process which
• maximizes the value of current weapons systems through the application of advanced technologies, and,
• produces more profound improvements in military capabilities, encourages competition between single services and joint-service experimentation efforts.
INCREASE DEFENSE SPENDING gradually to a minimum level of 3.5 to 3.8 percent of gross domestic product, adding $15 billion to $20 billion to total defense spending annually. (v)
The report emphasizes:
Fulfilling these requirements is essential if America is to retain its militarily dominant status for the coming decades. Conversely, the failure to meet any of these needs must result in some form of strategic retreat. At current levels of defense spending, the only option is to try ineffectually to “manage” increasingly large risks: paying for today’s needs by shortchanging tomorrow’s; withdrawing from constabulary missions to retain strength for large-scale wars; “choosing” between presence in Europe or presence in Asia; and so on. These are bad choices. They are also false economies. The “savings” from withdrawing from the Balkans, for example, will not free up anywhere near the magnitude of funds needed for military modernization or transformation. But these are false economies in other, more profound ways as well. The true cost of not meeting our defense requirements will be a lessened capacity for American global leadership and, ultimately, the loss of a global security order that is uniquely friendly to American principles and prosperity. (v-vi)
In relation to the Persian Gulf, citing particularly Iraq and Iran, Rebuilding America's Defenses states that "while the unresolved conflict in Iraq provides the immediate justification [for U.S. military presence], the need for a substantial American force presence in the [Persian] Gulf transcends the issue of the regime of Saddam Hussein" and "Over the long term, Iran may well prove as large a threat to U.S. interests in the [Persian] Gulf as Iraq has. And even should U.S.-Iranian relations improve, retaining forward-based forces in the region would still be an essential element in U.S. security strategy given the longstanding American interests in the region."[14]
One of the core missions outlined in the 2000 report Rebuilding America's Defenses is "fight and decisively win multiple, simultaneous major theater wars."[4][18]
[edit] Post-9/11 call for regime change in IraqOn September 20, 2001 (nine days after the September 11, 2001 attacks), the PNAC sent a letter to President George W. Bush, advocating "a determined effort to remove Saddam Hussein from power in Iraq," or regime change:
...even if evidence does not link Iraq directly to the attack, any strategy aiming at the eradication of terrorism and its sponsors must include a determined effort to remove Saddam Hussein from power in Iraq. Failure to undertake such an effort will constitute an early and perhaps decisive surrender in the war on international terrorism.[4][19]
From 2001 through 2002, the co-founders and other members of the PNAC published articles supporting the United States' invasion of Iraq.[20] On its website, the PNAC promoted its point of view that leaving Saddam Hussein in power would be "surrender to terrorism."[21][22][23][24]
In 2003, during the period leading up to the 2003 invasion of Iraq, the PNAC had seven full-time staff members in addition to its board of directors.[1]
[edit] Human Rights and the EU Arms EmbargoIn 2005, the European Union considered lifting the arms embargo placed on Beijing. The embargo was put in place after the events at Tiananmen Square in 1989. The PNAC, along with other concerned countries, composed a letter to Javier Solana, asking that the EU not lift the embargo until three conditions were met:
A general amnesty of all prisoners of conscience, including those imprisoned in connection to peaceful protest in 1989, and public trials by independent court for those charged with ‘criminal’ acts.
A reversal of the official verdict on the 1989 movement as a ‘counter-revolution riot,’ allowing an independent ‘truth commission’ to investigate and provide a comprehensive account of the killings, torture, and arbitrary detention, and bringing to justice those responsible for the violations of human rights involved.
Adoption and implementation of the International Covenant on Civil Political Rights, taking concrete actions to enforce other international human rights conventions and treaties that China has joined.
The justification for these conditions was explained as follows:
“Doing away with this sanction without corresponding improvements in human rights... would send the wrong signal to the Chinese people, including especially those of us who lost loved ones, who are persecuted, and for all Chinese who continue to struggle for the ideal that inspired the 1989 movement.”[25]
[edit] End of the organizationBy the end of 2006, PNAC was "reduced to a voice-mail box and a ghostly website", with "a single employee" "left to wrap things up", according to the BBC News.[26] According to Tom Barry, "The glory days of the Project for the New American Century (PNAC) quickly passed."[27] In 2006, Gary Schmitt, former executive director of the PNAC, a resident scholar at the American Enterprise Institute and director of its program in Advanced Strategic Studies, stated that PNAC had come to a natural end:
When the project started, it was not intended to go forever. That is why we are shutting it down. We would have had to spend too much time raising money for it and it has already done its job. We felt at the time that there were flaws in American foreign policy, that it was neo-isolationist. We tried to resurrect a Reaganite policy. Our view has been adopted. Even during the Clinton administration we had an effect, with Madeleine Albright [then secretary of state] saying that the United States was 'the indispensable nation'. But our ideas have not necessarily dominated. We did not have anyone sitting on Bush's shoulder. So the work now is to see how they are implemented.[26]
PNAC's successor organization is the Foreign Policy Initiative.[28][29]
[edit] Controversy[edit] US world dominanceAccording to critics, including Paul Reynolds, PNAC promoted American "hegemony" and "full-spectrum" dominance in its publications.[30][31][32][33]
Ebrahim Afsah, in "Creed, Cabal, or Conspiracy – The Origins of the Current Neo-Conservative Revolution in US Strategic Thinking", published in the German Law Journal, cited Jochen Bölsche's view that the goal of the PNAC was world dominance or global hegemony by the United States.[34][35] According to Bölsche, Rebuilding America's Defenses "was developed by Rumsfeld, Cheney, Wolfowitz and Libby, and is devoted to matters of 'maintaining US pre-eminence, thwarting rival powers and shaping the global security system according to US interests.'"[34][35]
George Monbiot, a political activist from the United Kingdom, stated: "...to pretend that this battle begins and ends in Iraq requires a willful denial of the context in which it occurs. That context is a blunt attempt by the superpower to reshape the world to suit itself."[36]
PNAC co-founder Robert Kagan countered such criticism in his statement during a debate on whether or not "The United States Is, and Should Be, an Empire":
"There is a vital distinction between being powerful--even most powerful in the world--and being an empire. Economic expansion does not equal imperialism, and there is no such thing as "cultural imperialism". If America is an empire, then why was it unable to mobilize its subjects to support the war against Saddam Hussein? America is not an empire, and its power stems from voluntary associations and alliances. American hegemony is relatively well accepted because people all over the world know that U.S. forces will eventually withdraw from the occupied territories. The effect of declaring that the United States is an empire would not only be factually wrong, but strategically catastrophic. Contrary to the exploitative purposes of the British, the American intentions of spreading democracy and individual rights are incompatible with the notion of an empire. The genius of American power is expressed in the movie The Godfather II, where, like Hyman Roth, the United States has always made money for its partners. America has not turned countries in which it intervened into deserts; it enriched them. Even the Russians knew they could surrender after the Cold War without being subjected to occupation."[37]
[edit] Excessive focus on military strategies, neglect of diplomatic strategiesJeffrey Record, of the Strategic Studies Institute, in his monograph Bounding the Global War on Terrorism, Gabriel Kolko, research professor emeritus at York University in Toronto, and author of Another Century of War? (The New Press, 2002), in his article published in CounterPunch, and William Rivers Pitt, in Truthout, respectively, argued that the PNAC's goals of military hegemony exaggerated what the military can accomplish, that they failed to recognize "the limits of US power", and that favoring pre-emptive exercise of military might over diplomatic strategies could have "adverse side effects."[38][39][40] (Paul Reynolds and Max Boot have made similar observations.[30][31])
The Sydney Morning Herald published an English translation of an article published in German in Der Spiegel summarizing former President Jimmy Carter's position and stating that President Carter:
judges the PNAC agenda in the same way. At first, argues Carter, Bush responded to the challenge of September 11 in an effective and intelligent way, "but in the meantime a group of conservatives worked to get approval for their long held ambitions under the mantle of 'the war on terror'." The restrictions on civil rights in the US and at Guantanamo, cancellation of international accords, "contempt for the rest of the world", and finally an attack on Iraq "although there is no threat to the US from Baghdad" - all these things will have devastating consequences, according to Carter. "This entire unilateralism", warns the ex-President, "will increasingly isolate the US from those nations that we need in order to do battle with terrorism".[34]
[edit] "New Pearl Harbor"Section V of Rebuilding America's Defenses, entitled "Creating Tomorrow's Dominant Force", includes the sentence: "Further, the process of transformation, even if it brings revolutionary change, is likely to be a long one, absent some catastrophic and catalyzing event––like a new Pearl Harbor" (51).[14]
Though not arguing that Bush administration PNAC members were complicit in those attacks, other social critics such as commentator Manuel Valenzuela and journalist Mark Danner,[41][42][43] investigative journalist John Pilger, in New Statesman,[44] and former editor of The San Francisco Chronicle Bernard Weiner, in CounterPunch,[45] all argue that PNAC members used the events of 9/11 as the "Pearl Harbor" that they needed––that is, as an "opportunity" to "capitalize on" (in Pilger's words), in order to enact long-desired plans.
[edit] Inexperienced in realities of warFormer US Congressman Lionel Van Deerlin and UK Labour MP and Father of the House of Commons, Tam Dalyell, criticized PNAC members for promoting policies which support an idealized version of war, even though only a handful of PNAC members have served in the military or, if they served, never seen combat.[46]
As quoted in Paul Reynolds' BBC News report, David Rothkopf stated:
Their [The Project for the New American Century's] signal enterprise was the invasion of Iraq and their failure to produce results is clear. Precisely the opposite has happened. The US use of force has been seen as doing wrong and as inflaming a region that has been less than susceptible to democracy. Their plan has fallen on hard times. There were flaws in the conception and horrendously bad execution. The neo-cons have been undone by their own ideas and the incompetence of the Bush administration.[26]
In discussing the PNAC report Rebuilding America's Defenses (2000), Neil MacKay, investigations editor for the Scottish Sunday Herald, quoted Tam Dalyell: "'This is garbage from right-wing think-tanks stuffed with chicken-hawks -- men who have never seen the horror of war but are in love with the idea of war. Men like Cheney, who were draft-dodgers in the Vietnam war. These are the thought processes of fanaticist Americans who want to control the world.'"[47]
Eliot A. Cohen, a signatory to the PNAC "Statement of Principles", responded in The Washington Post: "There is no evidence that generals as a class make wiser national security policymakers than civilians. George C. Marshall, our greatest soldier statesman after George Washington, opposed shipping arms to Britain in 1940. His boss, Franklin D. Roosevelt, with nary a day in uniform, thought otherwise. Whose judgment looks better?"[48]
[edit] PNAC role in promoting invasion of IraqCommentators from divergent parts of the political spectrum––such as Democracy Now! and American Free Press, including Nobel Peace Prize Laureate Jody Williams and former Republican Congressmen Pete McCloskey and Paul Findley––voiced their concerns about the influence of the PNAC on the decision by President George W. Bush to invade Iraq.[49][50] Some have regarded the PNAC's January 16, 1998 letter to President Clinton, which urged him to embrace a plan for "the removal of Saddam Hussein’s regime from power,"[11] and the large number of members of PNAC appointed to the Bush administration as evidence that the 2003 invasion of Iraq was a foregone conclusion.[42][51]
The television program Frontline, broadcast on PBS, presented the PNAC's letter to President Clinton as a notable event in the leadup to the Iraq war.[52]
Media commentators have found it significant that signatories to the PNAC's January 16, 1998 letter to President Clinton (and some of its other position papers, letters, and reports) included such later Bush administration officials as Donald Rumsfeld, Paul Wolfowitz, Richard Perle, John Bolton, Richard Armitage, and Elliott Abrams.[30][38][41][52]
[edit] PNAC role in promoting genetically operating racist bioweapons"And advanced forms of biological warfare that can “target” specific genotypes may transform biological warfare from the realm of terror to a politically useful tool"(60). [14] This quote shows PNAC thoughts about genetically operating racist bioweapons and mentions them as "a politically useful tool".
[edit] Persons associated with the PNAC[edit] Project directors[as listed on the PNAC website:]
William Kristol, Co-founder and Chairman[1]
Robert Kagan, Co-founder[1]
Bruce P. Jackson[1]
Mark Gerson[1]
Randy Scheunemann[1]
[edit] Project staffEllen Bork, Deputy Director[1]
Gary Schmitt, Senior Fellow[1][53]
Thomas Donnelly, Senior Fellow[1]
Reuel Marc Gerecht, Senior Fellow[1]
Mitch Jackson, Senior Fellow
Timothy Lehmann, Assistant Director[1]
Michael Goldfarb, Research Associate[1]
[edit] Former directors and staffDaniel McKivergan, Deputy Director[54]
[edit] Signatories to Statement of PrinciplesElliott Abrams[5]
Gary Bauer[5]
William J. Bennett[5]
John Ellis "Jeb" Bush[5]
Richard B. Cheney[5]
Eliot A. Cohen[5]
Midge Decter[5]
Paula Dobriansky[5]
Steve Forbes[5]
Aaron Friedberg[5]
Francis Fukuyama[5]
Frank Gaffney[5]
Fred C. Ikle[5]
Donald Kagan[5]
Zalmay Khalilzad[5]
I. Lewis "Scooter" Libby[5]
Norman Podhoretz[5]
J. Danforth Quayle[5]
Peter W. Rodman[5]
Stephen P. Rosen[5]
Henry S. Rowen[5]
Donald Rumsfeld[5]
Vin Weber[5]
George Weigel[5]
Paul Wolfowitz[5]
[edit] Signatories or contributors to other significant letters or reports[15]Elliott Abrams[9][11]
Kenneth Adelman[55]
Richard V. Allen[19]
Richard L. Armitage[11]
Gary Bauer[19][55]
Jeffrey Bell[19][55]
William J. Bennett[9][11][19][55]
Jeffrey Bergner[9][11][19]
John Bolton[9][11]
Ellen Bork[55]
Rudy Boschwitz[19]
Linda Chavez[55]
Eliot Cohen[14][19][55]
Seth Cropsey[19]
Midge Decter[19][55]
Paula Dobriansky[9][11]
Thomas Donnelly[14][19][55]
Nicholas Eberstadt,[19][55][56]
Hillel Fradkin[19][55][57]
Aaron Friedberg[19]
Francis Fukuyama[9][11][19]
Frank Gaffney[19][55]
Jeffrey Gedmin[19][55]
Reuel Marc Gerecht[19][55]
Charles Hill[19][55]
Bruce P. Jackson[19][55]
Eli S. Jacobs[19]
Michael Joyce[19]
Donald Kagan[14][19][55]
Robert Kagan[9][11][14][19][55]
Stephen Kantany
Zalmay Khalilzad[9][11]
Jeane Kirkpatrick[19]
Charles Krauthammer[19]
William Kristol[9][11][14][19]
John Lehman[19][55]
I. Lewis Libby[14]
Tod Lindberg[55][58]
Rich Lowry[55]
Clifford May[19][55]
John McCain[59]
Joshua Muravchik[55]
Michael O'Hanlon [60][61]
Martin Peretz[19][55]
Richard Perle[9][11][19][55]
Daniel Pipes[55]
Norman Podhoretz[19][55]
Peter W. Rodman[9][11][19]
Stephen P. Rosen[14][19][55]
Donald Rumsfeld[9][11]
Randy Scheunemann[19][55]
Gary Schmitt[14][19][53][55]
William Schneider, Jr.[9][11][19][55]
Richard H. Shultz[19][62]
Henry Sokolski[19]
Stephen J. Solarz[19]
Vin Weber[9][11][19]
Leon Wieseltier[19]
Marshall Wittmann[19][55]
Paul Wolfowitz[9][11][14]
R. James Woolsey[9][11][55]
Dov Zakheim[14][63]
Robert B. Zoellick[9][11]
[edit] Associations with Bush administrationAfter the election of George W. Bush in 2000, a number of PNAC's members or signatories were appointed to key positions within the President's administration:
Name Position(s) held
Elliott Abrams Special Assistant to the President and Senior Director for Democracy, Human Rights, and International Operations (2001–2002), Special Assistant to the President and Senior Director for Near East and North African Affairs (2002–2005), Deputy Assistant to the President and Deputy National Security Advisor for Global Democracy Strategy (2005–2009) (all within the National Security Council)
Richard Armitage Deputy Secretary of State (2001–2005)
John R. Bolton Under-Secretary of State for Arms Control and International Security Affairs (2001–2005), U.S. Ambassador to the United Nations (2005–2006)
Dick Cheney Vice President (2001–2009)
Eliot A. Cohen Member of the Defense Policy Advisory Board (2007–2009)[64]
Seth Cropsey Director of the International Broadcasting Bureau (12/2002-12/2004)
Paula Dobriansky Under-Secretary of State for Global Affairs (2001–2007)
Aaron Friedberg Deputy Assistant for National Security Affairs and Director of Policy Planning, Office of the Vice President (2003–2005)
Francis Fukuyama Member of The President's Council on Bioethics (2001–2005)
Zalmay Khalilzad U.S. Ambassador to Afghanistan (11/2003 - 6/2005), U.S. Ambassador to Iraq (6/2005 - 3/2007) U.S. Ambassador to the United Nations (2007–2009)
I. Lewis "Scooter" Libby Chief of Staff to the Vice President of the United States (2001–2005)
Richard Perle Chairman of the Board, Defense Policy Board Advisory Committee (2001–2003)
Peter W. Rodman Assistant Secretary of Defense for International Security (2001–2007)
Donald Rumsfeld Secretary of Defense (2001–2006)
Randy Scheunemann Member of the U.S. Committee on NATO, Project on Transitional Democracies, International Republican Institute
Paul Wolfowitz Deputy Secretary of Defense (2001–2005) 10th President of the World Bank (2005-2007)
Dov S. Zakheim Department of Defense Comptroller (2001–2004)
Robert B. Zoellick Office of the United States Trade Representative (2001–2005), Deputy Secretary of State (2005–2006), 11th President of the World Bank (2007–Present)
[edit] See alsoCenter for a New American Security
American Century
A Clean Break: A New Strategy for Securing the Realm
Committee for the Liberation of Iraq
Jewish Institute for National Security Affairs
Office of Special Plans
The New American
[edit] Notes^ a b c d e f g h i j k l m "About PNAC", newamericancentury.org, n.d., accessed May 30, 2007: "Established in the spring of 1997, the Project for the New American Century is a non-profit, educational organization whose goal is to promote American global leadership. The Project is an initiative of the New Citizenship Project (501c3); the New Citizenship Project's chairman is William Kristol and its president is Gary Schmitt."
^ Home page of the Project for the New American Century, accessed May 30, 2007.
^ "Empire builders - Neoconservatives and their blueprint for US power", The Christian Science Monitor (Copyright © 2004), accessed May 22, 2007.
^ a b c The PNAC was often identified as a "neo-con" or "right-wing think tank" in profiles featured on the websites of "left-wing" and "progressive" "policy institute" and "media watchdog" organizations, which were critical of it; see, e.g., "Profile: Project for the New American Century", Right Web (International Relations Center), November 22, 2003, accessed June 1, 2007.
^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa Elliott Abrams, et al., "Statement of Principles", June 3, 1997, newamericancentury.org, accessed May 28, 2007.
^ Kristol, William; Kagan, Robert (January 30, 1998). "Bombing Iraq Isn't Enough". The New York Times. www.nytimes.com/1998/01/30/opinion/bombing-iraq-isn-t-eno...
^ Kristol, William; Kagan, Robert (February 26, 1998). "A 'Great Victory' for Iraq". The Washington Post. www.newamericancentury.org/iraq-022698.htm
^ a b Wedel, Janine (2009). Shadow Elite. New York: Basic Books. p. 170.
^ a b c d e f g h i j k l m n o p q r Elliott Abrams, et al.,Letter to Newt Gingrich and Trent Lott, May 28, 1998, newamericancentury.org, accessed May 30, 2007.
^ "ENR H.R. 4655: Iraq Liberation Act of 1998 (Enrolled as Agreed to or Passed by Both House and Senate)", 105th Congress of the United States, thomas.loc.gov (THOMAS online database at the Library of Congress), January 27, 1998, accessed June 1, 2007.
^ a b c d e f g h i j k l m n o p q r s t "Open Letter to President Bill Clinton", January 16, 1998, accessed May 28, 2007.
^ William Kristol, "How to Attack Iraq", The Weekly Standard, November 16, 1998, editorial, online posting, newamericancentury.org, web.archive.org, accessed May 30,
This beauty distortion is not only affecting women, but young girls.
Image Source: cynicalreview.wordpress.com/2010/09/09/child-beauty-pagea...
“Mountains have a decent influence on men. I have never met along the trails of the high mountains a mean man who would cheat and steal. Certainly most men who are raised there or who work there are as wholesome as the mountains themselves. Those who explore them or foot or horseback usually are open, friendly men.”
William Orville Douglas
This Nestorian Church officially known as the Church of St. George the Exiler, lies within the walls of the old town of Famagusta.
St. George of the Greeks, not to be confused with the similarly named St. George of the Latins, is the second largest church in Famagusta, and during the middle ages it served as the Cathedral for the Greek Orthodox community. It was built in the 12th century, to the west of a much earlier church dedicated to St. George and around a similar time the grand building of the Latin St. Nicholas Cathedral was initiated.
The build is thought to be financed by East Syrian Nestorian merchants, the Lakhas brothers, who were known for their immense wealth. The architecture and decorations of the building were reminiscent of the Southern French and Italian Gothic churches of the time and may have been influenced by King Peter I’s visit to Avignon in 1363. This version of the church’s history represents the virtual consensus of scholars of medieval Famagusta – however its architecture is also reminiscent of the 12th–13th century Crusader architecture in Palestine and Syria.
The Orthodox Cathedral
When the French Catholic Lusignans took rule of the island in 1191, they inherited an island that was predominately eastern Orthodox, and they immediately reduced the power of the church. In doing so, the southeast corner of Famagusta became a compact Greek quarter, and a conglomeration of several churches came about, most still inherent today and within close proximity of one another.
Although there was a perfectly serviceable cathedral church, namely the small Byzantine St. Simeon Church, the Orthodox community wanted a place of worship that rivalled its neighbouring counterparts. They built the much greater church with a wide central nave, two side aisles and huge columns that held up the nave vaulting.
Gothic elements were also added to the church’s north side to create a hybrid form of architecture that makes this 14th century Byzantine figure somewhat rare amongst Mediterranean churches, let alone those found in North Cyprus. The central nave also featured chapels on both sides, leading to a cross nave, all with rounded apses.
St. George of the Greeks became theOrthodox cathedral of Famagusta and was dedicated to St. Epiphanius Bishop of Salamis, who had gained a reputation as a strong defender of orthodoxy. It is believed the saint’s remains were formerly buried at the adjacent St. Simeon before his body was hauled off to the former Eastern Roman Empire capital of Constantinople, by Emperor Leo in the 9th century.
Unfortunately however, the structure was too large, with insufficient buttressing and a roof that was just too heavy, and years of modifications and renovations followed. The pillars throughout the nave were expanded to take more weight and the roof was inserted with large upturned terracotta pots to spread the load.
The church was not in existence long enough to find out if the revised compositions were sustainable. Taking the brunt of the Ottomans, evidence of which is still very evident in the remaining walls, the main of the build stood for a little over a hundred years.
Siege of Famagusta
After the capture of the city, the church was converted into a stable for camels, with worship here only being permitted once a year, during the feast of St. George the Exiler.
The Ottoman siege in 1571 left its marks on the structure and visitors today can still see cannon ball marks on the top of the church – look closely enough and you will also see some of the cannonballs still embedded in the walls. Consequently, little remains of its vaulted roof.
It is believed that during this era the apse was used as a shooting gallery, and there is much evidence in the form of bullet holes to be seen. By the 18th century, the walled city of Famagusta was more or less abandoned, with only a handful of residents living near to the desolate churches. Sailors from the nearby port would disembark and come into the city, sometimes sketching drawings of their ships into the plaster of these derelict churches. Some of these etchings can be seen at the western end of the St. George Greek church.
A passing glance and you will miss them though, a careful inspection of the wall is required.
British Era
In 1905, the British administration handed the church to the Greek Cypriots, who used it as their parish. By the 1930’s, many frescoes that were previously observed had disappeared, and between 1937 and 1939, Greek Cypriots undertook excavations and repaired some parts of the build.
Present Ruins
The church is still nevertheless home to numerous frescoes dated to the 14th and 15th centuries, depicting the life of Christ. Unlike Byzantine Orthodox churches, the frescoes in the Nestorian Church were not part of a unified design, and many were painted in differing periods by various artists. Visitors can still make out the faint outlines of once-rich frescos upon the interior stone walls.
The apse on the other hand may have had a unified design, but this is impossible to ascertain given the level of damage.
The church walls are made of ashlarand the structure has three naves and three apses. All three naves have entrances to their west. Originally, the church was built with a single nave and a protruding apse – the other two naves and two minor apses were added at a later date.
Some fragments of wall paintings still cling to the walls of the eastern apse and pieces of pottery jars sit within ceiling, which were thought to improve the church acoustics.
During the pre-Ottoman modifications, collars were added to support the overweight, and visitors will notice the remains of the iron clamps that were used to hold the blocks together.
A drawing of the church from the 18th century shows a dome on the church, not unlike the one on the nearby St. Nikolas Church, an octagonal drum with the dome sat on top. Even with the extra support added to the pillars, eventually the dome has fallen to inexistence.
Along the walls of the church, you can see several arched niches. These alcoves were the tombs of the patrons of the church. The sarcophagus was at ground level, while the brackets you can see would have held a stone slab, probably with an effigy of the deceased carved on it. It is believed that these niches were built after the walls, and their construction further weakened the roof support.
Excavations on this site have also unearthed coloured glass, most likely from the old church windows.
The only church in Famagusta that still has a bell, the Church of St. George of the Greeks is one of the best-preserved ones from the medieval times albeit the damage incurred and yet another impressive ruin to add to your visit list with much to discover.
Famagusta is a city on the east coast of the de facto state Northern Cyprus. It is located east of Nicosia and possesses the deepest harbour of the island. During the Middle Ages (especially under the maritime republics of Genoa and Venice), Famagusta was the island's most important port city and a gateway to trade with the ports of the Levant, from where the Silk Road merchants carried their goods to Western Europe. The old walled city and parts of the modern city are de facto part of Northern Cyprus as the capital of the Gazimağusa District.
The city was known as Arsinoe or Arsinoë (Greek: Ἀρσινόη, Arsinóē) in antiquity, after Ptolemy II of Egypt's sister and wife Arsinoe II.
By the 3rd century, the city appears as Ammochostos (Greek: Ἀμμόχωστος or Αμμόχωστος, Ammókhōstos, "Hidden in Sand") in the Stadiasmus Maris Magni.[5] This name is still used in modern Greek with the pronunciation [aˈmːoxostos], while it developed into Latin Fama Augusta, French Famagouste, Italian Famagosta, and English Famagusta during the medieval period. Its informal modern Turkish name Mağusa (Turkish pronunciation: [maˈusa]) came from the same source. Since 1974, it has formally been known to Turkey and Northern Cyprus as Gazimağusa ([ɡaːzimaˈusa]), from the addition of the title gazi, meaning "veteran" or "one who has faught in a holy war".
In the early medieval period, the city was also known as New Justiniana (Greek: Νέα Ἰουστινιανία, Néa Ioustinianía) in appreciation for the patronage of the Byzantine emperor Justinian, whose wife Theodora was born there.
The old town of Famagusta has also been nicknamed "the City of 365 Churches" from the legend that, at its peak, it boasted a church for every day of the year.
The city was founded around 274 BC, after the serious damage to Salamis by an earthquake, by Ptolemy II Philadelphus and named "Arsinoe" after his sister.[6] Arsinoe was described as a "fishing town" by Strabo in his Geographica in the first century BC. In essence, Famagusta was the successor of the most famous and most important ancient city of Cyprus, Salamis. According to Greek mythology, Salamis was founded after the end of the Trojan War by Teucros, the son of Telamon and brother of Aedes, from the Greek island of Salamis.
The city experienced great prosperity much later, during the time of the Byzantine emperor Justinian. To honor the city, from which his wife Theodora came, Justinian enriched it with many buildings, while the inhabitants named it New Justiniania to express their gratitude. In AD 647, when the neighboring cities were destroyed by Arab raiding, the inhabitants of these cities moved to Famagusta, as a result of which the city's population increased significantly and the city experienced another boom.
Later, when Jerusalem was occupied by the Arabs, the Christian population fled to Famagusta, as a result of which the city became an important Christian center, but also one of the most important commercial centers in the eastern Mediterranean.
The turning point for Famagusta was 1192 with the onset of Lusignan rule. It was during this period that Famagusta developed as a fully-fledged town. It increased in importance to the Eastern Mediterranean due to its natural harbour and the walls that protected its inner town. Its population began to increase. This development accelerated in the 13th century as the town became a centre of commerce for both the East and West. An influx of Christian refugees fleeing the downfall of Acre (1291) in Palestine transformed it from a tiny village into one of the richest cities in Christendom.
In 1372 the port was seized by Genoa and in 1489 by Venice. This commercial activity turned Famagusta into a place where merchants and ship owners led lives of luxury. By the mid-14th century, Famagusta was said to have the richest citizens in the world. The belief that people's wealth could be measured by the churches they built inspired these merchants to have churches built in varying styles. These churches, which still exist, were the reason Famagusta came to be known as "the district of churches". The development of the town focused on the social lives of the wealthy people and was centred upon the Lusignan palace, the cathedral, the Square and the harbour.
In 1570–1571, Famagusta was the last stronghold in Venetian Cyprus to hold out against the Turks under Mustafa Pasha. It resisted a siege of thirteen months and a terrible bombardment, until at last the garrison surrendered. The Ottoman forces had lost 50,000 men, including Mustafa Pasha's son. Although the surrender terms had stipulated that the Venetian forces be allowed to return home, the Venetian commander, Marco Antonio Bragadin, was flayed alive, his lieutenant Tiepolo was hanged, and many other Christians were killed.
With the advent of the Ottoman rule, Latins lost their privileged status in Famagusta and were expelled from the city. Greek Cypriots natives were at first allowed to own and buy property in the city, but were banished from the walled city in 1573–74 and had to settle outside in the area that later developed into Varosha. Turkish families from Anatolia were resettled in the walled city but could not fill the buildings that previously hosted a population of 10,000. This caused a drastic decrease in the population of Famagusta. Merchants from Famagusta, who mostly consisted of Latins that had been expelled, resettled in Larnaca and as Larnaca flourished, Famagusta lost its importance as a trade centre. Over time, Varosha developed into a prosperous agricultural town thanks to its location away from the marshes, whilst the walled city remained dilapidated.
In the walled city, some buildings were repurposed to serve the interests of the Muslim population: the Cathedral of St. Nicholas was converted to a mosque (now known as Lala Mustafa Pasha Mosque), a bazaar was developed, public baths, fountains and a theological school were built to accommodate the inhabitants' needs. Dead end streets, an Ottoman urban characteristic, was imported to the city and a communal spirit developed in which a small number of two-storey houses inhabited by the small upper class co-existed with the widespread one-storey houses.
With the British takeover, Famagusta regained its significance as a port and an economic centre and its development was specifically targeted in British plans. As soon as the British took over the island, a Famagusta Development Act was passed that aimed at the reconstruction and redevelopment of the city's streets and dilapidated buildings as well as better hygiene. The port was developed and expanded between 1903 and 1906 and Cyprus Government Railway, with its terminus in Famagusta, started construction in 1904. Whilst Larnaca continued to be used as the main port of the island for some time, after Famagusta's use as a military base in World War I trade significantly shifted to Famagusta. The city outside the walls grew at an accelerated rate, with development being centred around Varosha. Varosha became the administrative centre as the British moved their headquarters and residences there and tourism grew significantly in the last years of the British rule. Pottery and production of citrus and potatoes also significantly grew in the city outside the walls, whilst agriculture within the walled city declined to non-existence.
New residential areas were built to accommodate the increasing population towards the end of the British rule,[11] and by 1960, Famagusta was a modern port city extending far beyond Varosha and the walled city.
The British period saw a significant demographic shift in the city. In 1881, Christians constituted 60% of the city's population while Muslims were at 40%. By 1960, the Turkish Cypriot population had dropped to 17.5% of the overall population, while the Greek Cypriot population had risen to 70%. The city was also the site for one of the British internment camps for nearly 50,000 Jewish survivors of the Holocaust trying to emigrate to Palestine.
From independence in 1960 to the Turkish invasion of Cyprus of 1974, Famagusta developed toward the south west of Varosha as a well-known entertainment and tourist centre. The contribution of Famagusta to the country's economic activity by 1974 far exceeded its proportional dimensions within the country. Whilst its population was only about 7% of the total of the country, Famagusta by 1974 accounted for over 10% of the total industrial employment and production of Cyprus, concentrating mainly on light industry compatible with its activity as a tourist resort and turning out high-quality products ranging from food, beverages and tobacco to clothing, footwear, plastics, light machinery and transport equipment. It contributed 19.3% of the business units and employed 21.3% of the total number of persons engaged in commerce on the island. It acted as the main tourist destination of Cyprus, hosting 31.5% of the hotels and 45% of Cyprus' total bed capacity. Varosha acted as the main touristic and business quarters.
In this period, the urbanisation of Famagusta slowed down and the development of the rural areas accelerated. Therefore, economic growth was shared between the city of Famagusta and the district, which had a balanced agricultural economy, with citrus, potatoes, tobacco and wheat as main products. Famagusta maintained good communications with this hinterland. The city's port remained the island's main seaport and in 1961, it was expanded to double its capacity in order to accommodate the growing volume of exports and imports. The port handled 42.7% of Cypriot exports, 48.6% of imports and 49% of passenger traffic.
There has not been an official census since 1960 but the population of the town in 1974 was estimated to be around 39,000 not counting about 12,000–15,000 persons commuting daily from the surrounding villages and suburbs to work in Famagusta. The number of people staying in the city would swell to about 90,000–100,000 during the peak summer tourist period, with the influx of tourists from numerous European countries, mainly Britain, France, Germany and the Scandinavian countries. The majority of the city population were Greek Cypriots (26,500), with 8,500 Turkish Cypriots and 4,000 people from other ethnic groups.
During the second phase of the Turkish invasion of Cyprus on 14 August 1974 the Mesaoria plain was overrun by Turkish tanks and Famagusta was bombed by Turkish aircraft. It took two days for the Turkish Army to occupy the city, prior to which Famagusta's entire Greek Cypriot population had fled into surrounding fields. As a result of Turkish airstrikes dozens of civilians died, including tourists.
Unlike other parts of the Turkish-controlled areas of Cyprus, the Varosha suburb of Famagusta was fenced off by the Turkish army immediately after being captured and remained fenced off until October 2020, when the TRNC reopened some streets to visitors. Some Greek Cypriots who had fled Varosha have been allowed to view the town and journalists have been allowed in.
UN Security Council resolution 550 (1984) considers any attempts to settle any part of Famagusta by people other than its inhabitants as inadmissible and calls for the transfer of this area to the administration of the UN. The UN's Security Council resolution 789 (1992) also urges that with a view to the implementation of resolution 550 (1984), the area at present under the control of the United Nations Peace-keeping Force in Cyprus be extended to include Varosha.
Famagusta's historic city centre is surrounded by the fortifications of Famagusta, which have a roughly rectangular shape, built mainly by the Venetians in the 15th and 16th centuries, though some sections of the walls have been dated earlier times, as far as 1211.
Some important landmarks and visitor attractions in the old city are:
The Lala Mustafa Pasha Mosque
The Othello Castle
Palazzo del Provveditore - the Venetian palace of the governor, built on the site of the former Lusignan royal palace
St. Francis' Church
Sinan Pasha Mosque
Church of St. George of the Greeks
Church of St. George of the Latins
Twin Churches
Nestorian Church (of St George the Exiler)
Namık Kemal Dungeon
Agios Ioannis Church
Venetian House
Akkule Masjid
Mustafa Pasha Mosque
Ganchvor monastery
In an October 2010 report titled Saving Our Vanishing Heritage, Global Heritage Fund listed Famagusta, a "maritime ancient city of crusader kings", among the 12 sites most "On the Verge" of irreparable loss and destruction, citing insufficient management and development pressures.
Famagusta is an important commercial hub of Northern Cyprus. The main economic activities in the city are tourism, education, construction and industrial production. It has a 115-acre free port, which is the most important seaport of Northern Cyprus for travel and commerce. The port is an important source of income and employment for the city, though its volume of trade is restricted by the embargo against Northern Cyprus. Its historical sites, including the walled city, Salamis, the Othello Castle and the St Barnabas Church, as well as the sandy beaches surrounding it make it a tourist attraction; efforts are also underway to make the city more attractive for international congresses. The Eastern Mediterranean University is also an important employer and supplies significant income and activity, as well as opportunities for the construction sector. The university also raises a qualified workforce that stimulates the city's industry and makes communications industry viable. The city has two industrial zones: the Large Industrial Zone and the Little Industrial Zone. The city is also home to a fishing port, but inadequate infrastructure of the port restricts the growth of this sector. The industry in the city has traditionally been concentrated on processing agricultural products.
Historically, the port was the primary source of income and employment for the city, especially right after 1974. However, it gradually lost some of its importance to the economy as the share of its employees in the population of Famagusta diminished due to various reasons. However, it still is the primary port for commerce in Northern Cyprus, with more than half of ships that came to Northern Cyprus in 2013 coming to Famagusta. It is the second most popular seaport for passengers, after Kyrenia, with around 20,000 passengers using the port in 2013.
The mayor-in-exile of Famagusta is Simos Ioannou. Süleyman Uluçay heads the Turkish Cypriot municipal administration of Famagusta, which remains legal as a communal-based body under the constitutional system of the Republic of Cyprus.
Since 1974, Greek Cypriots submitted a number of proposals within the context of bicommunal discussions for the return of Varosha to UN administration, allowing the return of its previous inhabitants, requesting also the opening of Famagusta harbour for use by both communities. Varosha would have been returned to Greek Cypriot control as part of the 2004 Annan Plan but the plan had been rejected by a majority(3/4) of Greek Cypriot voters.
The walled city of Famagusta contains many unique buildings. Famagusta has a walled city popular with tourists.
Every year, the International Famagusta Art and Culture Festival is organized in Famagusta. Concerts, dance shows and theater plays take place during the festival.
A growth in tourism and the city's university have fueled the development of Famagusta's vibrant nightlife. Nightlife in the city is especially active on Wednesday, Friday and Saturday nights and in the hotter months of the year, starting from April. Larger hotels in the city have casinos that cater to their customers. Salamis Road is an area of Famagusta with a heavy concentration of bars frequented by students and locals.
Famagusta's Othello Castle is the setting for Shakespeare's play Othello. The city was also the setting for Victoria Hislop's 2015 novel The Sunrise, and Michael Paraskos's 2016 novel In Search of Sixpence. The city is the birthplace of the eponymous hero of the Renaissance proto-novel Fortunatus.
Famagusta was home to many Greek Cypriot sport teams that left the city because of the Turkish invasion and still bear their original names. Most notable football clubs originally from the city are Anorthosis Famagusta FC and Nea Salamis Famagusta FC, both of the Cypriot First Division, which are now based in Larnaca. Usually Anorthosis Famagusta fans are politically right wing where Nea Salamis fans are left wing.
Famagusta is represented by Mağusa Türk Gücü in the Turkish Cypriot First Division. Dr. Fazıl Küçük Stadium is the largest football stadium in Famagusta. Many Turkish Cypriot sport teams that left Southern Cyprus because of the Cypriot intercommunal violence are based in Famagusta.
Famagusta is represented by DAÜ Sports Club and Magem Sports Club in North Cyprus First Volleyball Division. Gazimağusa Türk Maarif Koleji represents Famagusta in the North Cyprus High School Volleyball League.
Famagusta has a modern volleyball stadium called the Mağusa Arena.
The Eastern Mediterranean University was founded in the city in 1979. The Istanbul Technical University founded a campus in the city in 2010.
The Cyprus College of Art was founded in Famagusta by the Cypriot artist Stass Paraskos in 1969, before moving to Paphos in 1972 after protests from local hoteliers that the presence of art students in the city was putting off holidaymakers.
Famagusta has three general hospitals. Gazimağusa Devlet Hastahanesi, a state hospital, is the biggest hospital in city. Gazimağusa Tıp Merkezi and Gazimağusa Yaşam Hastahanesi are private hospitals.
Personalities
Saint Barnabas, born and died in Salamis, Famagusta
Chris Achilleos, illustrator of the book versions on the BBC children's series Doctor Who
Beran Bertuğ, former Governor of Famagusta, first Cypriot woman to hold this position
Marios Constantinou, former international Cypriot football midfielder and current manager.
Eleftheria Eleftheriou, Cypriot singer.
Derviş Eroğlu, former President of Northern Cyprus
Alexis Galanos, 7th President of the House of Representatives and Famagusta mayor-in-exile (2006-2019) (Republic of Cyprus)
Xanthos Hadjisoteriou, Cypriot painter
Oz Karahan, political activist, President of the Union of Cypriots
Oktay Kayalp, former Turkish Cypriot Famagusta mayor (Northern Cyprus)
Harry Luke British diplomat
Angelos Misos, former international footballer
Costas Montis was an influential and prolific Greek Cypriot poet, novelist, and playwright born in Famagusta.
Hal Ozsan, actor (Dawson's Creek, Kyle XY)
Dimitris Papadakis, a Greek Cypriot politician, who served as a Member of the European Parliament.
Ṣubḥ-i-Azal, Persian religious leader, lived and died in exile in Famagusta
Touker Suleyman (born Türker Süleyman), British Turkish Cypriot fashion retail entrepreneur, investor and reality television personality.
Alexia Vassiliou, singer, left here as a refugee when the town was invaded.
George Vasiliou, former President of Cyprus
Vamik Volkan, Emeritus Professor of Psychiatry
Derviş Zaim, film director
Famagusta is twinned with:
İzmir, Turkey (since 1974)
Corfu, Greece (since 1994)
Patras, Greece (since 1994)
Antalya, Turkey (since 1997)
Salamina (city), Greece (since 1998)
Struga, North Macedonia
Athens, Greece (since 2005)
Mersin, Turkey
Northern Cyprus, officially the Turkish Republic of Northern Cyprus (TRNC), is a de facto state that comprises the northeastern portion of the island of Cyprus. It is recognised only by Turkey, and its territory is considered by all other states to be part of the Republic of Cyprus.
Northern Cyprus extends from the tip of the Karpass Peninsula in the northeast to Morphou Bay, Cape Kormakitis and its westernmost point, the Kokkina exclave in the west. Its southernmost point is the village of Louroujina. A buffer zone under the control of the United Nations stretches between Northern Cyprus and the rest of the island and divides Nicosia, the island's largest city and capital of both sides.
A coup d'état in 1974, performed as part of an attempt to annex the island to Greece, prompted the Turkish invasion of Cyprus. This resulted in the eviction of much of the north's Greek Cypriot population, the flight of Turkish Cypriots from the south, and the partitioning of the island, leading to a unilateral declaration of independence by the north in 1983. Due to its lack of recognition, Northern Cyprus is heavily dependent on Turkey for economic, political and military support.
Attempts to reach a solution to the Cyprus dispute have been unsuccessful. The Turkish Army maintains a large force in Northern Cyprus with the support and approval of the TRNC government, while the Republic of Cyprus, the European Union as a whole, and the international community regard it as an occupation force. This military presence has been denounced in several United Nations Security Council resolutions.
Northern Cyprus is a semi-presidential, democratic republic with a cultural heritage incorporating various influences and an economy that is dominated by the services sector. The economy has seen growth through the 2000s and 2010s, with the GNP per capita more than tripling in the 2000s, but is held back by an international embargo due to the official closure of the ports in Northern Cyprus by the Republic of Cyprus. The official language is Turkish, with a distinct local dialect being spoken. The vast majority of the population consists of Sunni Muslims, while religious attitudes are mostly moderate and secular. Northern Cyprus is an observer state of ECO and OIC under the name "Turkish Cypriot State", PACE under the name "Turkish Cypriot Community", and Organization of Turkic States with its own name.
Several distinct periods of Cypriot intercommunal violence involving the two main ethnic communities, Greek Cypriots and Turkish Cypriots, marked mid-20th century Cyprus. These included the Cyprus Emergency of 1955–59 during British rule, the post-independence Cyprus crisis of 1963–64, and the Cyprus crisis of 1967. Hostilities culminated in the 1974 de facto division of the island along the Green Line following the Turkish invasion of Cyprus. The region has been relatively peaceful since then, but the Cyprus dispute has continued, with various attempts to solve it diplomatically having been generally unsuccessful.
Cyprus, an island lying in the eastern Mediterranean, hosted a population of Greeks and Turks (four-fifths and one-fifth, respectively), who lived under British rule in the late nineteenth-century and the first half of the twentieth-century. Christian Orthodox Church of Cyprus played a prominent political role among the Greek Cypriot community, a privilege that it acquired during the Ottoman Empire with the employment of the millet system, which gave the archbishop an unofficial ethnarch status.
The repeated rejections by the British of Greek Cypriot demands for enosis, union with Greece, led to armed resistance, organised by the National Organization of Cypriot Struggle, or EOKA. EOKA, led by the Greek-Cypriot commander George Grivas, systematically targeted British colonial authorities. One of the effects of EOKA's campaign was to alter the Turkish position from demanding full reincorporation into Turkey to a demand for taksim (partition). EOKA's mission and activities caused a "Cretan syndrome" (see Turkish Resistance Organisation) within the Turkish Cypriot community, as its members feared that they would be forced to leave the island in such a case as had been the case with Cretan Turks. As such, they preferred the continuation of British colonial rule and then taksim, the division of the island. Due to the Turkish Cypriots' support for the British, EOKA's leader, Georgios Grivas, declared them to be enemies. The fact that the Turks were a minority was, according to Nihat Erim, to be addressed by the transfer of thousands of Turks from mainland Turkey so that Greek Cypriots would cease to be the majority. When Erim visited Cyprus as the Turkish representative, he was advised by Field Marshal Sir John Harding, the then Governor of Cyprus, that Turkey should send educated Turks to settle in Cyprus.
Turkey actively promoted the idea that on the island of Cyprus two distinctive communities existed, and sidestepped its former claim that "the people of Cyprus were all Turkish subjects". In doing so, Turkey's aim to have self-determination of two to-be equal communities in effect led to de jure partition of the island.[citation needed] This could be justified to the international community against the will of the majority Greek population of the island. Dr. Fazil Küçük in 1954 had already proposed Cyprus be divided in two at the 35° parallel.
Lindley Dan, from Notre Dame University, spotted the roots of intercommunal violence to different visions among the two communities of Cyprus (enosis for Greek Cypriots, taksim for Turkish Cypriots). Also, Lindlay wrote that "the merging of church, schools/education, and politics in divisive and nationalistic ways" had played a crucial role in creation of havoc in Cyprus' history. Attalides Michael also pointed to the opposing nationalisms as the cause of the Cyprus problem.
By the mid-1950's, the "Cyprus is Turkish" party, movement, and slogan gained force in both Cyprus and Turkey. In a 1954 editorial, Turkish Cypriot leader Dr. Fazil Kuchuk expressed the sentiment that the Turkish youth had grown up with the idea that "as soon as Great Britain leaves the island, it will be taken over by the Turks", and that "Turkey cannot tolerate otherwise". This perspective contributed to the willingness of Turkish Cypriots to align themselves with the British, who started recruiting Turkish Cypriots into the police force that patrolled Cyprus to fight EOKA, a Greek Cypriot nationalist organisation that sought to rid the island of British rule.
EOKA targeted colonial authorities, including police, but Georgios Grivas, the leader of EOKA, did not initially wish to open up a new front by fighting Turkish Cypriots and reassured them that EOKA would not harm their people. In 1956, some Turkish Cypriot policemen were killed by EOKA members and this provoked some intercommunal violence in the spring and summer, but these attacks on policemen were not motivated by the fact that they were Turkish Cypriots.
However, in January 1957, Grivas changed his policy as his forces in the mountains became increasingly pressured by the British Crown forces. In order to divert the attention of the Crown forces, EOKA members started to target Turkish Cypriot policemen intentionally in the towns, so that Turkish Cypriots would riot against the Greek Cypriots and the security forces would have to be diverted to the towns to restore order. The killing of a Turkish Cypriot policeman on 19 January, when a power station was bombed, and the injury of three others, provoked three days of intercommunal violence in Nicosia. The two communities targeted each other in reprisals, at least one Greek Cypriot was killed and the British Army was deployed in the streets. Greek Cypriot stores were burned and their neighbourhoods attacked. Following the events, the Greek Cypriot leadership spread the propaganda that the riots had merely been an act of Turkish Cypriot aggression. Such events created chaos and drove the communities apart both in Cyprus and in Turkey.
On 22 October 1957 Sir Hugh Mackintosh Foot replaced Sir John Harding as the British Governor of Cyprus. Foot suggested five to seven years of self-government before any final decision. His plan rejected both enosis and taksim. The Turkish Cypriot response to this plan was a series of anti-British demonstrations in Nicosia on 27 and 28 January 1958 rejecting the proposed plan because the plan did not include partition. The British then withdrew the plan.
In 1957, Black Gang, a Turkish Cypriot pro-taksim paramilitary organisation, was formed to patrol a Turkish Cypriot enclave, the Tahtakale district of Nicosia, against activities of EOKA. The organisation later attempted to grow into a national scale, but failed to gain public support.
By 1958, signs of dissatisfaction with the British increased on both sides, with a group of Turkish Cypriots forming Volkan (later renamed to the Turkish Resistance Organisation) paramilitary group to promote partition and the annexation of Cyprus to Turkey as dictated by the Menderes plan. Volkan initially consisted of roughly 100 members, with the stated aim of raising awareness in Turkey of the Cyprus issue and courting military training and support for Turkish Cypriot fighters from the Turkish government.
In June 1958, the British Prime Minister, Harold Macmillan, was expected to propose a plan to resolve the Cyprus issue. In light of the new development, the Turks rioted in Nicosia to promote the idea that Greek and Turkish Cypriots could not live together and therefore any plan that did not include partition would not be viable. This violence was soon followed by bombing, Greek Cypriot deaths and looting of Greek Cypriot-owned shops and houses. Greek and Turkish Cypriots started to flee mixed population villages where they were a minority in search of safety. This was effectively the beginning of the segregation of the two communities. On 7 June 1958, a bomb exploded at the entrance of the Turkish Embassy in Cyprus. Following the bombing, Turkish Cypriots looted Greek Cypriot properties. On 26 June 1984, the Turkish Cypriot leader, Rauf Denktaş, admitted on British channel ITV that the bomb was placed by the Turks themselves in order to create tension. On 9 January 1995, Rauf Denktaş repeated his claim to the famous Turkish newspaper Milliyet in Turkey.
The crisis reached a climax on 12 June 1958, when eight Greeks, out of an armed group of thirty five arrested by soldiers of the Royal Horse Guards on suspicion of preparing an attack on the Turkish quarter of Skylloura, were killed in a suspected attack by Turkish Cypriot locals, near the village of Geunyeli, having been ordered to walk back to their village of Kondemenos.
After the EOKA campaign had begun, the British government successfully began to turn the Cyprus issue from a British colonial problem into a Greek-Turkish issue. British diplomacy exerted backstage influence on the Adnan Menderes government, with the aim of making Turkey active in Cyprus. For the British, the attempt had a twofold objective. The EOKA campaign would be silenced as quickly as possible, and Turkish Cypriots would not side with Greek Cypriots against the British colonial claims over the island, which would thus remain under the British. The Turkish Cypriot leadership visited Menderes to discuss the Cyprus issue. When asked how the Turkish Cypriots should respond to the Greek Cypriot claim of enosis, Menderes replied: "You should go to the British foreign minister and request the status quo be prolonged, Cyprus to remain as a British colony". When the Turkish Cypriots visited the British Foreign Secretary and requested for Cyprus to remain a colony, he replied: "You should not be asking for colonialism at this day and age, you should be asking for Cyprus be returned to Turkey, its former owner".
As Turkish Cypriots began to look to Turkey for protection, Greek Cypriots soon understood that enosis was extremely unlikely. The Greek Cypriot leader, Archbishop Makarios III, now set independence for the island as his objective.
Britain resolved to solve the dispute by creating an independent Cyprus. In 1959, all involved parties signed the Zurich Agreements: Britain, Turkey, Greece, and the Greek and Turkish Cypriot leaders, Makarios and Dr. Fazil Kucuk, respectively. The new constitution drew heavily on the ethnic composition of the island. The President would be a Greek Cypriot, and the Vice-President a Turkish Cypriot with an equal veto. The contribution to the public service would be set at a ratio of 70:30, and the Supreme Court would consist of an equal number of judges from both communities as well as an independent judge who was not Greek, Turkish or British. The Zurich Agreements were supplemented by a number of treaties. The Treaty of Guarantee stated that secession or union with any state was forbidden, and that Greece, Turkey and Britain would be given guarantor status to intervene if that was violated. The Treaty of Alliance allowed for two small Greek and Turkish military contingents to be stationed on the island, and the Treaty of Establishment gave Britain sovereignty over two bases in Akrotiri and Dhekelia.
On 15 August 1960, the Colony of Cyprus became fully independent as the Republic of Cyprus. The new republic remained within the Commonwealth of Nations.
The new constitution brought dissatisfaction to Greek Cypriots, who felt it to be highly unjust for them for historical, demographic and contributional reasons. Although 80% of the island's population were Greek Cypriots and these indigenous people had lived on the island for thousands of years and paid 94% of taxes, the new constitution was giving the 17% of the population that was Turkish Cypriots, who paid 6% of taxes, around 30% of government jobs and 40% of national security jobs.
Within three years tensions between the two communities in administrative affairs began to show. In particular disputes over separate municipalities and taxation created a deadlock in government. A constitutional court ruled in 1963 Makarios had failed to uphold article 173 of the constitution which called for the establishment of separate municipalities for Turkish Cypriots. Makarios subsequently declared his intention to ignore the judgement, resulting in the West German judge resigning from his position. Makarios proposed thirteen amendments to the constitution, which would have had the effect of resolving most of the issues in the Greek Cypriot favour. Under the proposals, the President and Vice-President would lose their veto, the separate municipalities as sought after by the Turkish Cypriots would be abandoned, the need for separate majorities by both communities in passing legislation would be discarded and the civil service contribution would be set at actual population ratios (82:18) instead of the slightly higher figure for Turkish Cypriots.
The intention behind the amendments has long been called into question. The Akritas plan, written in the height of the constitutional dispute by the Greek Cypriot interior minister Polycarpos Georkadjis, called for the removal of undesirable elements of the constitution so as to allow power-sharing to work. The plan envisaged a swift retaliatory attack on Turkish Cypriot strongholds should Turkish Cypriots resort to violence to resist the measures, stating "In the event of a planned or staged Turkish attack, it is imperative to overcome it by force in the shortest possible time, because if we succeed in gaining command of the situation (in one or two days), no outside, intervention would be either justified or possible." Whether Makarios's proposals were part of the Akritas plan is unclear, however it remains that sentiment towards enosis had not completely disappeared with independence. Makarios described independence as "a step on the road to enosis".[31] Preparations for conflict were not entirely absent from Turkish Cypriots either, with right wing elements still believing taksim (partition) the best safeguard against enosis.
Greek Cypriots however believe the amendments were a necessity stemming from a perceived attempt by Turkish Cypriots to frustrate the working of government. Turkish Cypriots saw it as a means to reduce their status within the state from one of co-founder to that of minority, seeing it as a first step towards enosis. The security situation deteriorated rapidly.
Main articles: Bloody Christmas (1963) and Battle of Tillyria
An armed conflict was triggered after December 21, 1963, a period remembered by Turkish Cypriots as Bloody Christmas, when a Greek Cypriot policemen that had been called to help deal with a taxi driver refusing officers already on the scene access to check the identification documents of his customers, took out his gun upon arrival and shot and killed the taxi driver and his partner. Eric Solsten summarised the events as follows: "a Greek Cypriot police patrol, ostensibly checking identification documents, stopped a Turkish Cypriot couple on the edge of the Turkish quarter. A hostile crowd gathered, shots were fired, and two Turkish Cypriots were killed."
In the morning after the shooting, crowds gathered in protest in Northern Nicosia, likely encouraged by the TMT, without incident. On the evening of the 22nd, gunfire broke out, communication lines to the Turkish neighbourhoods were cut, and the Greek Cypriot police occupied the nearby airport. On the 23rd, a ceasefire was negotiated, but did not hold. Fighting, including automatic weapons fire, between Greek and Turkish Cypriots and militias increased in Nicosia and Larnaca. A force of Greek Cypriot irregulars led by Nikos Sampson entered the Nicosia suburb of Omorphita and engaged in heavy firing on armed, as well as by some accounts unarmed, Turkish Cypriots. The Omorphita clash has been described by Turkish Cypriots as a massacre, while this view has generally not been acknowledged by Greek Cypriots.
Further ceasefires were arranged between the two sides, but also failed. By Christmas Eve, the 24th, Britain, Greece, and Turkey had joined talks, with all sides calling for a truce. On Christmas day, Turkish fighter jets overflew Nicosia in a show of support. Finally it was agreed to allow a force of 2,700 British soldiers to help enforce a ceasefire. In the next days, a "buffer zone" was created in Nicosia, and a British officer marked a line on a map with green ink, separating the two sides of the city, which was the beginning of the "Green Line". Fighting continued across the island for the next several weeks.
In total 364 Turkish Cypriots and 174 Greek Cypriots were killed during the violence. 25,000 Turkish Cypriots from 103-109 villages fled and were displaced into enclaves and thousands of Turkish Cypriot houses were ransacked or completely destroyed.
Contemporary newspapers also reported on the forceful exodus of the Turkish Cypriots from their homes. According to The Times in 1964, threats, shootings and attempts of arson were committed against the Turkish Cypriots to force them out of their homes. The Daily Express wrote that "25,000 Turks have already been forced to leave their homes". The Guardian reported a massacre of Turks at Limassol on 16 February 1964.
Turkey had by now readied its fleet and its fighter jets appeared over Nicosia. Turkey was dissuaded from direct involvement by the creation of a United Nations Peacekeeping Force in Cyprus (UNFICYP) in 1964. Despite the negotiated ceasefire in Nicosia, attacks on the Turkish Cypriot persisted, particularly in Limassol. Concerned about the possibility of a Turkish invasion, Makarios undertook the creation of a Greek Cypriot conscript-based army called the "National Guard". A general from Greece took charge of the army, whilst a further 20,000 well-equipped officers and men were smuggled from Greece into Cyprus. Turkey threatened to intervene once more, but was prevented by a strongly worded letter from the American President Lyndon B. Johnson, anxious to avoid a conflict between NATO allies Greece and Turkey at the height of the Cold War.
Turkish Cypriots had by now established an important bridgehead at Kokkina, provided with arms, volunteers and materials from Turkey and abroad. Seeing this incursion of foreign weapons and troops as a major threat, the Cypriot government invited George Grivas to return from Greece as commander of the Greek troops on the island and launch a major attack on the bridgehead. Turkey retaliated by dispatching its fighter jets to bomb Greek positions, causing Makarios to threaten an attack on every Turkish Cypriot village on the island if the bombings did not cease. The conflict had now drawn in Greece and Turkey, with both countries amassing troops on their Thracian borders. Efforts at mediation by Dean Acheson, a former U.S. Secretary of State, and UN-appointed mediator Galo Plaza had failed, all the while the division of the two communities becoming more apparent. Greek Cypriot forces were estimated at some 30,000, including the National Guard and the large contingent from Greece. Defending the Turkish Cypriot enclaves was a force of approximately 5,000 irregulars, led by a Turkish colonel, but lacking the equipment and organisation of the Greek forces.
The Secretary-General of the United Nations in 1964, U Thant, reported the damage during the conflicts:
UNFICYP carried out a detailed survey of all damage to properties throughout the island during the disturbances; it shows that in 109 villages, most of them Turkish-Cypriot or mixed villages, 527 houses have been destroyed while 2,000 others have suffered damage from looting.
The situation worsened in 1967, when a military junta overthrew the democratically elected government of Greece, and began applying pressure on Makarios to achieve enosis. Makarios, not wishing to become part of a military dictatorship or trigger a Turkish invasion, began to distance himself from the goal of enosis. This caused tensions with the junta in Greece as well as George Grivas in Cyprus. Grivas's control over the National Guard and Greek contingent was seen as a threat to Makarios's position, who now feared a possible coup.[citation needed] The National Guard and Cyprus Police began patrolling the Turkish Cypriot enclaves of Ayios Theodoros and Kophinou, and on November 15 engaged in heavy fighting with the Turkish Cypriots.
By the time of his withdrawal 26 Turkish Cypriots had been killed. Turkey replied with an ultimatum demanding that Grivas be removed from the island, that the troops smuggled from Greece in excess of the limits of the Treaty of Alliance be removed, and that the economic blockades on the Turkish Cypriot enclaves be lifted. Grivas was recalled by the Athens Junta and the 12,000 Greek troops were withdrawn. Makarios now attempted to consolidate his position by reducing the number of National Guard troops, and by creating a paramilitary force loyal to Cypriot independence. In 1968, acknowledging that enosis was now all but impossible, Makarios stated, "A solution by necessity must be sought within the limits of what is feasible which does not always coincide with the limits of what is desirable."
After 1967 tensions between the Greek and Turkish Cypriots subsided. Instead, the main source of tension on the island came from factions within the Greek Cypriot community. Although Makarios had effectively abandoned enosis in favour of an 'attainable solution', many others continued to believe that the only legitimate political aspiration for Greek Cypriots was union with Greece.
On his arrival, Grivas began by establishing a nationalist paramilitary group known as the National Organization of Cypriot Fighters (Ethniki Organosis Kyprion Agoniston B or EOKA-B), drawing comparisons with the EOKA struggle for enosis under the British colonial administration of the 1950s.
The military junta in Athens saw Makarios as an obstacle. Makarios's failure to disband the National Guard, whose officer class was dominated by mainland Greeks, had meant the junta had practical control over the Cypriot military establishment, leaving Makarios isolated and a vulnerable target.
During the first Turkish invasion, Turkish troops invaded Cyprus territory on 20 July 1974, invoking its rights under the Treaty of Guarantee. This expansion of Turkish-occupied zone violated International Law as well as the Charter of the United Nations. Turkish troops managed to capture 3% of the island which was accompanied by the burning of the Turkish Cypriot quarter, as well as the raping and killing of women and children. A temporary cease-fire followed which was mitigated by the UN Security Council. Subsequently, the Greek military Junta collapsed on July 23, 1974, and peace talks commenced in which a democratic government was installed. The Resolution 353 was broken after Turkey attacked a second time and managed to get a hold of 37% of Cyprus territory. The Island of Cyprus was appointed a Buffer Zone by the United Nations, which divided the island into two zones through the 'Green Line' and put an end to the Turkish invasion. Although Turkey announced that the occupied areas of Cyprus to be called the Federated Turkish State in 1975, it is not legitimised on a worldwide political scale. The United Nations called for the international recognition of independence for the Republic of Cyprus in the Security Council Resolution 367.
In the years after the Turkish invasion of northern Cyprus one can observe a history of failed talks between the two parties. The 1983 declaration of the independent Turkish Republic of Cyprus resulted in a rise of inter-communal tensions and made it increasingly hard to find mutual understanding. With Cyprus' interest of a possible EU membership and a new UN Secretary-General Kofi Annan in 1997 new hopes arose for a fresh start. International involvement from sides of the US and UK, wanting a solution to the Cyprus dispute prior to the EU accession led to political pressures for new talks. The believe that an accession without a solution would threaten Greek-Turkish relations and acknowledge the partition of the island would direct the coming negotiations.
Over the course of two years a concrete plan, the Annan plan was formulated. In 2004 the fifth version agreed upon from both sides and with the endorsement of Turkey, US, UK and EU then was presented to the public and was given a referendum in both Cypriot communities to assure the legitimisation of the resolution. The Turkish Cypriots voted with 65% for the plan, however the Greek Cypriots voted with a 76% majority against. The Annan plan contained multiple important topics. Firstly it established a confederation of two separate states called the United Cyprus Republic. Both communities would have autonomous states combined under one unified government. The members of parliament would be chosen according to the percentage in population numbers to ensure a just involvement from both communities. The paper proposed a demilitarisation of the island over the next years. Furthermore it agreed upon a number of 45000 Turkish settlers that could remain on the island. These settlers became a very important issue concerning peace talks. Originally the Turkish government encouraged Turks to settle in Cyprus providing transfer and property, to establish a counterpart to the Greek Cypriot population due to their 1 to 5 minority. With the economic situation many Turkish-Cypriot decided to leave the island, however their departure is made up by incoming Turkish settlers leaving the population ratio between Turkish Cypriots and Greek Cypriots stable. However all these points where criticised and as seen in the vote rejected mainly by the Greek Cypriots. These name the dissolution of the „Republic of Cyprus", economic consequences of a reunion and the remaining Turkish settlers as reason. Many claim that the plan was indeed drawing more from Turkish-Cypriot demands then Greek-Cypriot interests. Taking in consideration that the US wanted to keep Turkey as a strategic partner in future Middle Eastern conflicts.
A week after the failed referendum the Republic of Cyprus joined the EU. In multiple instances the EU tried to promote trade with Northern Cyprus but without internationally recognised ports this spiked a grand debate. Both side endure their intention of negotiations, however without the prospect of any new compromises or agreements the UN is unwilling to start the process again. Since 2004 negotiations took place in numbers but without any results, both sides are strongly holding on to their position without an agreeable solution in sight that would suit both parties.
Syracuse is a historic city in Sicily, the capital of the province of Syracuse. The city is notable for its rich Greek history, culture, amphitheatres, architecture, and as the birthplace of the preeminent mathematician and engineer Archimedes.This 2,700-year-old city played a key role in ancient times, when it was one of the major powers of the Mediterranean world. Syracuse is located in the southeast corner of the island of Sicily, next to the Gulf of Syracuse beside the Ionian Sea.
The city was founded by Ancient Greek Corinthians and Teneans and became a very powerful city-state. Syracuse was allied with Sparta and Corinth and exerted influence over the entirety of Magna Graecia, of which it was the most important city. Described by Cicero as "the greatest Greek city and the most beautiful of them all", it equaled Athens in size during the fifth century BC. It later became part of the Roman Republic and Byzantine Empire. After this Palermo overtook it in importance, as the capital of the Kingdom of Sicily. Eventually the kingdom would be united with the Kingdom of Naples to form the Two Sicilies until the Italian unification of 1860.
In the modern day, the city is listed by UNESCO as a World Heritage Site along with the Necropolis of Pantalica. In the central area, the city itself has a population of around 125,000 people. The inhabitants are known as Siracusans. Syracuse is mentioned in the Bible in the Acts of the Apostles book at 28:12 as Paul stayed there. The patron saint of the city is Saint Lucy; she was born in Syracuse and her feast day, Saint Lucy's Day, is celebrated on 13 December.
Syracuse and its surrounding area have been inhabited since ancient times, as shown by the findings in the villages of Stentinello, Ognina, Plemmirio, Matrensa, Cozzo Pantano and Thapsos, which already had a relationship with Mycenaean Greece.
Syracuse was founded in 734 or 733 BC by Greek settlers from Corinth and Tenea, led by the oecist (colonizer) Archias. There are many attested variants of the name of the city including Συράκουσαι Syrakousai, Συράκοσαι Syrakosai and Συρακώ Syrako. A possible origin of the city's name was given by Vibius Sequester citing first Stephanus Byzantium] in that there was a Syracusian marsh (λίμνη) called Syrako and secondly Marcian's Periegesis wherein Archias gave the city the name of a nearby marsh; hence one gets Syrako (and thereby Syrakousai and other variants) for the name of Syracuse, a name also attested by Epicharmus. The settlement of Syracuse was a planned event, as a strong central leader, Arkhias the aristocrat, laid out how property would be divided up for the settlers, as well as plans for how the streets of the settlement should be arranged, and how wide they should be. The nucleus of the ancient city was the small island of Ortygia. The settlers found the land fertile and the native tribes to be reasonably well-disposed to their presence. The city grew and prospered, and for some time stood as the most powerful Greek city anywhere in the Mediterranean. Colonies were founded at Akrai (664 BC), Kasmenai (643 BC), Akrillai (7th century BC), Helorus (7th century BC) and Kamarina (598 BC).
The descendants of the first colonists, called Gamoroi, held power until they were expelled by the Killichiroi, the lower class of the city. The former, however, returned to power in 485 BC, thanks to the help of Gelo, ruler of Gela. Gelo himself became the despot of the city, and moved many inhabitants of Gela, Kamarina and Megera to Syracuse, building the new quarters of Tyche and Neapolis outside the walls. His program of new constructions included a new theatre, designed by Damocopos, which gave the city a flourishing cultural life: this in turn attracted personalities as Aeschylus, Ario of Methymna, Eumelos of Corinth and Sappho, who had been exiled here from Mytilene. The enlarged power of Syracuse made unavoidable the clash against the Carthaginians, who ruled western Sicily. In the Battle of Himera, Gelo, who had allied with Theron of Agrigento, decisively defeated the African force led by Hamilcar. A temple dedicated to Athena (on the site of today's Cathedral), was erected in the city to commemorate the event.
Syracuse grew considerably during this time. Its walls encircled 120 hectares (300 acres) in the fifth century, but as early as the 470's BC the inhabitants started building outside the walls. The complete population of its territory approximately numbered 250,000 in 415 BC and the population size of the city itself was probably similar to Athens.
Gelo was succeeded by his brother Hiero, who fought against the Etruscans at Cumae in 474 BC. His rule was eulogized by poets like Simonides of Ceos, Bacchylides and Pindar, who visited his court. A democratic regime was introduced by Thrasybulos (467 BC).[13] The city continued to expand in Sicily, fighting against the rebellious Siculi, and on the Tyrrhenian Sea, making expeditions up to Corsica and Elba. In the late 5th century BC, Syracuse found itself at war with Athens, which sought more resources to fight the Peloponnesian War. The Syracusans enlisted the aid of a general from Sparta, Athens' foe in the war, to defeat the Athenians, destroy their ships, and leave them to starve on the island (see Sicilian Expedition). In 401 BC, Syracuse contributed a force of 3,000 hoplites and a general to Cyrus the Younger's Army of the Ten Thousand.
Then in the early 4th century BC, the tyrant Dionysius the Elder was again at war against Carthage and, although losing Gela and Camarina, kept that power from capturing the whole of Sicily. After the end of the conflict Dionysius built a massive fortress on Ortygia and 22 km-long walls around all of Syracuse. Another period of expansion saw the destruction of Naxos, Catania and Lentini; then Syracuse entered again in war against Carthage (397 BC). After various changes of fortune, the Carthaginians managed to besiege Syracuse itself, but were eventually pushed back by a pestilence. A treaty in 392 BC allowed Syracuse to enlarge further its possessions, founding the cities of Adranon, Tyndarion and Tauromenos, and conquering Rhegion on the continent. In the Adriatic, to facilitate trade, Dionysius the Elder founded Ancona, Adria and Issa. Apart from his battle deeds, Dionysius was famous as a patron of art, and Plato himself visited Syracuse several times.
His successor was Dionysius the Younger, who was however expelled by Dion in 356 BC. But the latter's despotic rule led in turn to his expulsion, and Dionysius reclaimed his throne in 347 BC. Dionysius was besieged in Syracuse by the Syracusan general Hicetas in 344 BC. The following year the Corinthian Timoleon installed a democratic regime in the city after he exiled Dionysius and defeated Hicetas. The long series of internal struggles had weakened Syracuse's power on the island, and Timoleon tried to remedy this, defeating the Carthaginians in the Battle of the Crimissus (339 BC).
After Timoleon's death the struggle among the city's parties restarted and ended with the rise of another tyrant, Agathocles, who seized power with a coup in 317 BC. He resumed the war against Carthage, with alternate fortunes. He was besieged in Syracuse by the Carthaginians in 311 BC, but he escaped from the city with a small fleet. He scored a moral success, bringing the war to the Carthaginians' native African soil, inflicting heavy losses to the enemy. The defenders of Syracuse destroyed the Carthaginian army which besieged them. However, Agathocles was eventually defeated in Africa as well. The war ended with another treaty of peace which did not prevent the Carthaginians from interfering in the politics of Syracuse after the death of Agathocles (289 BC). They laid siege to Syracuse for the fourth and last time in 278 BC. They retreated at the arrival of king Pyrrhus of Epirus, whom Syracuse had asked for help. After a brief period under the rule of Epirus, Hiero II seized power in 275 BC.
Hiero inaugurated a period of 50 years of peace and prosperity, in which Syracuse became one of the most renowned capitals of Antiquity. He issued the so-called Lex Hieronica, which was later adopted by the Romans for their administration of Sicily; he also had the theatre enlarged and a new immense altar, the "Hiero's Ara", built. Under his rule lived the most famous Syracusan, the mathematician and natural philosopher Archimedes. Among his many inventions were various military engines including the claw of Archimedes, later used to resist the Roman siege of 214 BC–212 BC. Literary figures included Theocritus and others.
Hiero's successor, the young Hieronymus (ruled from 215 BC), broke the alliance with the Romans after their defeat at the Battle of Cannae and accepted Carthage's support. The Romans, led by consul Marcus Claudius Marcellus, besieged the city in 214 BC. The city held out for three years, but fell in 212 BC. The successes of the Syracusians in repelling the Roman siege had made them overconfident. In 212 BC, the Romans received information that the city's inhabitants were to participate in the annual festival to their goddess Artemis. A small party of Roman soldiers approached the city under the cover of night and managed to scale the walls to get into the outer city and with reinforcements soon took control, killing Archimedes in the process, but the main fortress remained firm. After an eight-month siege and with parleys in progress, an Iberian captain named Moeriscus is believed to have let the Romans in near the Fountains of Arethusa. On the agreed signal, during a diversionary attack, he opened the gate. After setting guards on the houses of the pro-Roman faction, Marcellus gave Syracuse to plunder.
Imperial Roman and Byzantine period include
The Roman amphitheatre
The Temple of Apollo
Piazza Duomo
The Cathedral
Though declining slowly through the years, Syracuse maintained the status of capital of the Roman government of Sicily and seat of the praetor. It remained an important port for trade between the Eastern and the Western parts of the Empire. Christianity spread in the city through the efforts of Paul of Tarsus and Saint Marziano, the first bishop of the city, who made it one of the main centres of proselytism in the West. In the age of persecutions by Christians massive catacombs were carved, whose size is second only to those of Rome.
After a period of Vandal rule, Syracuse and the island was recovered by Belisarius for the Byzantine Empire (31 December 535). From 663 to 668 Syracuse was the seat of Emperor Constans II, as well as metropolis of the whole Sicilian Church.
Emirate of Sicily.
The city was besieged by the Aghlabids for almost a year in 827–828, but Byzantine reinforcements prevented its fall. It remained the center of Byzantine resistance to the gradual Muslim conquest of Sicily until it fell to the Aghlabids after another siege on 20/21 May 878. During the two centuries of Muslim rule, the capital of the Emirate of Sicily was moved from Syracuse to Palermo. The Cathedral was converted into a mosque and the quarter on the Ortygia island was gradually rebuilt along Islamic styles. The city, nevertheless, maintained important trade relationships, and housed a relatively flourishing cultural and artistic life: several Arab poets, including Ibn Hamdis, the most important Sicilian Arab poet of the 12th century, flourished in the city.
In 1038, the Byzantine general George Maniakes reconquered the city, sending the relics of St. Lucy to Constantinople. The eponymous castle on the cape of Ortygia bears his name, although it was built under the Hohenstaufen rule. In 1085 the Normans entered Syracuse, one of the last Arab strongholds, after a summer-long siege by Roger I of Sicily and his son Jordan of Hauteville, who was given the city as count. New quarters were built, and the cathedral was restored, as well as other churches.
In 1194, Emperor Henry VI occupied the Sicilian kingdom, including Syracuse. After a short period of Genoese rule (1205–1220) under the notorious admiral and pirate Alamanno da Costa, which favoured a rise of trades, royal authority was re-asserted in the city by Frederick II. He began the construction of the Castello Maniace, the Bishops' Palace and the Bellomo Palace. Frederick's death brought a period of unrest and feudal anarchy. In the War of the Sicilian Vespers between the Angevin and Aragonese dynasties for control of Sicily, Syracuse sided with the Aragonese and expelled the Angevins in 1298, receiving from the Spanish sovereigns great privileges in reward. The preeminence of baronal families is also shown by the construction of the palaces of Abela, Chiaramonte, Nava, Montalto.
The city was struck by two ruinous earthquakes in 1542 and 1693, and a plague in 1729. The 17th century destruction changed the appearance of Syracuse forever, as well as the entire Val di Noto, whose cities were rebuilt along the typical lines of Sicilian Baroque, considered one of the most typical expressions of art of Southern Italy. The spread of cholera in 1837 led to a revolt against the Bourbon government. The punishment was the move of the province capital seat to Noto, but the unrest had not been totally choked, as the Siracusani took part in the Sicilian revolution of independence of 1848.
After the Unification of Italy of 1865, Syracuse regained its status of provincial capital. In 1870 the walls were demolished and a bridge connecting the mainland to Ortygia island was built. In the following year a railway link was constructed.
Heavy destruction was caused during World War II by both the Allied and German bombings in 1943. Operation Husky, the codename for the Allied invasion of Sicily, was launched on the night between 9–10 July 1943 with British forces attacking the west of the island. The British 5th Infantry Division, part of General Sir Bernard Montgomery's Eighth Army, captured Syracuse on the first day of the invasion almost unopposed. The port was then used as a base for the British Royal Navy. To the west of the city is a Commonwealth War Graves cemetery where about 1,000 men are buried. After the end of the war the northern quarters of Syracuse experienced a heavy, often chaotic, expansion, favoured by the quick process of industrialization.
Syracuse today has about 125,000 inhabitants and numerous attractions for the visitor interested in historical sites (such as the Ear of Dionysius). A process of recovering and restoring the historical centre has been ongoing since the 1990s. Nearby places of note include Catania, Noto, Modica and Ragusa.
Syracuse experiences a hot-summer Mediterranean climate (Köppen climate classification Csa) with mild, wet winters and warm to hot, dry summers. Snow is infrequent but not rare at all; the last heavy snowfall in the city occurred in December but frosts are very rare, the last one happening in December
In 2016, there were 122,051[1] people residing in Syracuse, located in the province of Syracuse, Sicily, of whom 48.7% were male and 51.3% were female. Minors (children ages 18 and younger) totalled 18.87 percent of the population compared to pensioners who number 16.87 percent. This compares with the Italian average of 18.06 percent (minors) and 19.94 percent (pensioners). The average age of Syracuse resident is 40 compared to the Italian average of 42. In the five years between 2002 and 2007, the population of Syracuse declined by 0.49 percent, while Italy as a whole grew by 3.56 percent. The reason for decline is a population flight to the suburbs, and northern Italy.[18][19] The current birth rate of Syracuse is 9.75 births per 1,000 inhabitants compared to the Italian average of 9.45 births.
As of 2006, 97.9% of the population was of Italian descent. The largest immigrant group came from other European nations (particularly those from Poland, and the United Kingdom): 0.61%, North Africa (mostly Tunisian): 0.51%, and South Asia: 0.37%.
Since 2005, the entire city of Syracuse, along with the Necropolis of Pantalica which falls within the province of Syracuse, were listed as a World Heritage Site by UNESCO. This programme aims to catalogue, name and conserve sites of outstanding cultural or natural importance to the common heritage of humanity. The deciding committee which evaluates potential candidates described their reasons for choosing Syracuse because "monuments and archeological sites situated in Syracuse are the finest example of outstanding architectural creation spanning several cultural aspects; Greek, Roman and Baroque", following on that Ancient Syracuse was "directly linked to events, ideas and literary works of outstanding universal significance".
Buildings of the Greek period include,
The Temple of Apollo, at Piazza Emanuele Pancali, adapted to a church in Byzantine times and to a mosque under Arab rule.
The Fountain of Arethusa, on the Ortygia island. According to a legend, the nymph Arethusa, hunted by Alpheus, took shelter here.
The Greek Theatre, whose cavea is one of the largest ever built by the ancient Greeks: it has 67 rows, divided into nine sections with eight aisles. Only traces of the scene and the orchestra remain. The edifice (still used today) was modified by the Romans, who adapted it to their different style of spectacles, including also circus games. Near the theatre are the latomìe, stone quarries, also used as prisons in ancient times. The most famous latomìa is the Orecchio di Dionisio ("Ear of Dionysius").
The Roman amphitheatre. It was partly carved out from the rock. In the centre of the area is a rectangular space which was used for the scenic machinery.
The Tomb of Archimede, in the Grotticelli Nechropolis. Decorated with two Doric columns.
The Temple of Olympian Zeus, about 3 kilometres (2 miles) outside the city, built around 6th century BC.
The Cathedral of Syracuse (Italian: Duomo) was built by bishop Zosimo in the 7th century over the great Temple of Athena (5th century BC), on Ortygia island. This was a Doric edifice with six columns on the short sides and 14 on the long sides: these can still be seen incorporated in the walls of the current church. The base of the temple had three steps. The interior of the church has a nave and two aisles. The roof of the nave is from Norman times, as well as the mosaics in the apses. The façade was rebuilt by Andrea Palma in 1725–1753, with a double order of Corinthian columns, and statues by Ignazio Marabitti. The most interesting pieces of the interior are a font with marble basin (12th–13th century), a silver statue of St. Lucy by Pietro Rizzo (1599), a ciborium by Luigi Vanvitelli, and a statue of the Madonna della Neve ("Madonna of the Snow", 1512) by Antonello Gagini.
Basilica of Santa Lucia extra Moenia, a Byzantine church built, according to tradition, in the same place of the martyrdom of the saint in 303 AD. The current appearance is from the 15th-16th centuries. The most ancient parts still preserved include the portal, the three half-circular apses and the first two orders of the belfry. Under the church are the Catacombs of St. Lucy. For this church Caravaggio painted the Burial of St. Lucy, now housed in the Church of Santa Lucìa alla Badìa.
Our Lady of Tears Shrine (20th century).
Church of San Paolo (18th century).
Church of San Cristoforo (14th century, rebuilt in the 18th century).
Church of Santa Lucìa alla Badìa, a Baroque edifice built after the 1693 earthquake. It houses the Burial of St. Lucy by Caravaggio
Church of Santa Maria dei Miracoli (13th century).
Church of the Spirito Santo (18th century).
Church of the Jesuit College, a majestic, Baroque building.
Church of St. Benedict (16th century, restored after 1693). It houses a painting of the Death of Saint Benedict by the Caravaggisti Mario Minniti.
Chiesa della Concezione (14th century, rebuilt in the 18th century), with the annexed Benedictine convent.
Church of San Francesco all'Immacolata, with a convex façade intermingled by columns and pilaster strips. It housed and ancient celebration, the Svelata ("Revelation"), in which an image of the Madonna was unveiled at dawn of 29 November.
Basilica of St. John the Evangelist, built by the Normans and destroyed in 1693. Only partially restored, it was erected over an ancient crypt of the martyr San Marciano, later destroyed by the Arabs. The main altar is Byzantine. It includes the Catacombs of San Giovanni, featuring a maze of tunnels and passages, with thousands of tombs and several frescoes.
Castello Maniace, constructed between 1232 and 1240, is an example of the military architecture of Frederick II's reign. It is a square structure with circular towers at each of the four corners. The most striking feature is the pointed portal, decorated with polychrome marbles.
The important Archaeological Museum, with collections including findings from the mid-Bronze Age to 5th century BC.
Palazzo Lanza Buccheri (16th century).
Palazzo Bellomo (12th century), which contains an art museum that houses Antonello da Messina's Annunciation (1474).
Palazzo Montalto (14th century), which conserves the old façade from the 14th century, with a pointed portal.
The Archbishop's Palace (17th century, modified in the following century). It houses the Alagonian Library, founded in the late 18th century.
The Palazzo Vermexio, the current Town Hall, which includes fragments of an Ionic temple of the 5th century BC.
Palazzo Francica Nava, with parts of the original 16th century building surviving.
Palazzo Beneventano del Bosco, originally built in the Middle Ages but extensively modified between 1779 and 1788. It has a pleasant internal court.
Palazzo Migliaccio (15th century), with notable lava inlay decorations.
The Senate Palace, housing in the court an 18th-century coach.
The Castle of Euryalos, built 9 kilometres (6 miles) outside the city by Dionysius the Elder and which was one of the most powerful fortresses of ancient times. It had three moats with a series of underground galleries which allowed the defenders to remove the materials the attackers could use to fill them.
The Mikveh: a bath used for the purpose of ritual immersion in Judaism, built during the Byzantine era. It is situated in the Giudecca: the ancient Jewish Ghetto of Syracuse.
The BMW i8 is a plug-in hybrid sports car developed by BMW. The i8 is part of BMW's electric fleet "Project i" being marketed as a new sub-brand, BMW i. The 2015 model year BMW i8 has a 7.1 kWh lithium-ion battery pack that delivers an all-electric range of 37 km under the New European Driving Cycle. Under the United States Environmental Protection Agency cycle, the range in EV mode is 24 km with a small amount of gasoline consumption. Its design is heavily influenced by the BMW M1 Homage concept car, which in turn pays homage to BMW's last production mid-engined sports car prior to the i8: the BMW M1.
The BMW i8 can accelerate from a dead-stop to 100 km/h in 4.4 seconds and has an electronic limited top speed of 250 km/h. The BMW i8 has a fuel efficiency of 2.1 L/100 km (134.5 mpg‑imp; 112.0 mpg‑US) under the NEDC test with carbon emissions of 49 g/km. The EPA rated the i8 combined fuel economy at 76 MPGe (3.1 L gasoline equivalent/100 km; 91 mpg-imp gasoline equivalent) and 29 miles per gallon (6.7L) when running in pure gasoline mode (after the battery is drained empty).
The initial turbodiesel concept car was unveiled at the 2009 International Motor Show Germany. The production version of the BMW i8 was unveiled at the 2013 Frankfurt Motor Show. The i8 was released in Germany in June 2014. Deliveries to retail customers in the U.S. began in August 2014. By early November 2016 global sales since mid-2014 totaled more than 10,000 BMW i8s, making the i8 the world's top selling plug-in electrified sports car. The top selling markets are the United States, the United Kingdom and Germany.
HISTORY
First introduced as the Concept Vision EfficientDynamics, the i8 is part of BMW's "Project i" and it is being marketed as a new brand, BMW i, sold separately from BMW or Mini. The BMW i3, launched for retail customers in Europe in the fourth quarter of 2013, was the first model of the i brand available in the market, and it was followed by the i8, released in Germany in June 2014 as a 2015 model year. Other i models are expected to follow.
The initial turbodiesel concept car was unveiled at the 2009 International Motor Show Germany, In 2010, BMW announced the mass production of the Vision Efficient Dynamics concept in Leipzig beginning in 2013 as the BMW i8. The BMW i8 gasoline-powered concept car destined for production was unveiled at the 2011 Frankfurt Motor Show. The production version of the BMW i8 was unveiled at the 2013 International Motor Show Germany. The following are the concept and pre-production models developed by BMW that preceded the production version.
BMW VISION EFFICIENT DYNAMICS (2009)
BMW Vision EfficientDynamics concept car is a plug-in hybrid with a three cylinder turbo-diesel engine. Additionally, there are two electric motors with 139 horsepower. It allows an acceleration to 100 km/h in 4.8 seconds and an electronically limited top speed of 250 km/h.
According to BMW, the average fuel consumption in the EU test cycle (KV01) is 3.76 liters/100 kilometers, and has a carbon dioxide emission rating of 99 grams per kilometer (1,3 l/100 km and 33g CO2/kabelham; EU-PHEV ECE-R101). The estimated all-electric range is 50 km, and the 24-liter petrol tank extends the total vehicle range to up to 700 km. The lightweight chassis is made mainly from aluminum. The windshield, top, doors and fenders are made from polycarbonate glass, with the body having a drag coefficient of 0.22.
The designers of the BMW Vision EfficientDynamics concept were Mario Majdandzic for the exterior and Jochen Paesen for the interior.
The vehicle was unveiled in 2009 International Motor Show Germany, followed by Auto China 2010.
BMW i8 CONCEPT (2011)
BMW i8 Concept plug-in hybrid electric vehicle includes an electric motor located in the front axle powering the front wheels rated 96 kW (131 PS; 129 hp) and 250 N⋅m, a turbocharged 1.5-liter 3-cylinder gasoline engine driving rear wheels rated 164 kW (223 PS; 220 hp) and 300 N⋅m of torque, with combined output of 260 kW (354 PS; 349 hp) and 550 N⋅m, a 7.2 kWh (26 MJ) lithium-ion battery pack that allows an all-electric range of 35 km. All four wheels provide regenerative braking. The location of the battery pack in the energy tunnel gives the vehicle a low centre of gravity, enhancing its dynamics. Its top speed is electronically limited to 250 km/h and is expected to go from 0 to 100 km/h in 4.6 seconds. Under normal driving conditions the i8 is expected to deliver 80 mpg‑US (2.9 L/100 km; 96 mpg‑imp) under the European cycle. A full charge of the battery will take less than 2 hours using 220 V. The positioning of the motor and engine over the axles results in optimum 50/50 weight distribution.
The vehicle was unveiled at the 2011 International Motor Show Germany, followed by CENTER 548 in New York City, 42nd Tokyo Motor Show 2011, 82nd Geneva Motor Show 2012, BMW i Born Electric Tour at the Palazzo delle Esposizioni at Via Nazionale 194 in Rome, Auto Shanghai 2013.
This concept car was featured in the film Mission: Impossible – Ghost Protocol.
BMW i8 CONCEPT SPYDER (2012)
The BMW i8 Concept Spyder included a slightly shorter wheelbase and overall length over the BMW i8 Concept, carbon-fibre-reinforced plastic (CFRP) Life module, drive modules made primarily from aluminium components, interlocking of surfaces and lines, 22.4 cm screen display, off-white outer layer, orange tone naturally tanned leather upholstery.
The vehicle was unveiled in Auto China 2012 in Beijing and won Concept Car of the Year, followed by 83rd Geneva International Motor Show 2013. The designer of the BMW i8 Concept Spyder was Richard Kim.
BMW i8 COUPE PROTOTYPE (2013)
The design of the BMW i8 coupe prototype was based on the BMW i8 Concept. The BMW i8 prototype has an average fuel efficiency of less than 2.5 L/100 km (113.0 mpg‑imp; 94.1 mpg‑US) under the New European Driving Cycle with carbon emissions of less than 59 g/km. The i8 with its carbon-fiber-reinforced plastic (CFRP) passenger cell lightweight, aerodynamically optimized body, and BMW eDrive technology offers the dynamic performance of a sports car, with an expected 0–100 km sprint time of less than 4.5 seconds using both power sources. The plug-in hybrid system of the BMW i8 comprises a three-cylinder, 1.5-liter BMW TwinPower turbo gasoline engine combined with BMW eDrive technology used in the BMW i3 and develops maximum power of 170 kW (230 hp). The BMW i8 is the first BMW production model to be powered by a three-cylinder gasoline engine and the resulting specific output of 115 kW (154 hp) per liter of displacement is on a par with high-performance sports car engines and is the highest of any engine produced by the BMW Group. The BMW i8's second power source is a hybrid synchronous electric motor specially developed and produced by the BMW Group for BMW i. The electric motor develops maximum power of 96 kW and produces its maximum torque of around 320 N⋅m from standstill. Typical of an electric motor, responsive power is instantly available when starting and this continues into the higher load ranges. As well as providing a power boost to assist the gasoline engine during acceleration, the electric motor can also power the vehicle by itself. Top speed in electric mode is approximately 120 km/h), with a maximum driving range of up to 35 km. Linear acceleration is maintained even at higher speeds since the interplay between the two power sources efficiently absorbs any power flow interruptions when shifting gears. The model-specific version of the high-voltage 7.2 lithium-ion battery has a liquid cooling system and can be recharged at a conventional household power socket, at a BMW i Wallbox or at a public charging station. In the US a full recharge takes approximately 3.5 hours from a conventional 120 V, 12 amp household circuit or approximately 1.5 hours from a 220 V Level 2 charger.
The driver can also select several driving modes: SPORT, COMFORT and ECO PRO. Using the gear selector, the driver can either select position D for automated gear selection or can switch to SPORT mode. SPORT mode offers manual gear selection and at the same time switches to very sporty drive and suspension settings. In SPORT mode, the engine and electric motor deliver extra performance, accelerator response is faster and the power boost from the electric motor is maximized. And to keep the battery topped up, SPORT mode also activates maximum energy recuperation during overrun and braking as the electric motor’s generator function, which recharges the battery using kinetic energy, switches to a more powerful setting. The Driving Experience Control switch on the center console offers a choice of two settings. On starting, COMFORT mode is activated, which offers a balance between sporty performance and fuel efficiency, with unrestricted access to all convenience functions. Alternatively, the ECO PRO mode can be engaged, which, on the BMW i8 as on other models, supports an efficiency-optimized driving style. On this mode the powertrain controller coordinates the cooperation between the gasoline engine and the electric motor for maximum fuel economy. On deceleration, the intelligent energy management system automatically decides, in line with the driving situation and vehicle status, whether to recuperate braking energy or to coast with the powertrain disengaged. At the same time, ECO PRO mode also programs electrical convenience functions such as the air conditioning, seat heating and heated mirrors to operate at minimum power consumption, but without compromising safety. The maximum driving range of the BMW i8 on a full fuel tank and with a fully charged battery is more than 500 km in COMFORT mode, which can be increased by up to 20% in ECO PRO mode. The BMW i8’s ECO PRO mode can also be used during all-electric operation. The vehicle is then powered solely by the electric motor. Only if the battery charge drops below a given level, or under sudden intense throttle application such as kickdown, is the internal combustion engine automatically activated.
The vehicle was unveiled in BMW Group's Miramas test track in France.
PRODUCTION VERSION
The production BMW i8 was designed by Benoit Jacob. The production version was unveiled at the 2013 International Motor Show Germany, followed by 2013 Les Voiles de Saint-Tropez. It features butterfly doors, head-up display, rear-view cameras and partially false engine noise. Series production of customer vehicles began in April 2014. The electric two-speed drivetrain is developed and produced by GKN. It is the first production car with laser headlights, reaching further than LED lights.
The i8 has a vehicle weight of 1,485 kg (DIN kerb weight) and a low drag coefficient (Cd) of 0.26. In all-electric mode the BMW i8 has a top speed of 120 km/h. In Sport mode the i8 delivers a mid-range acceleration from 80 to 120 km/h in 2.6 seconds. The electronically controlled top speed is 250 km/h.
RANGE AND FUEL ECONOMY
The production i8 has a 7.1 kWh lithium-ion battery pack with a usable capacity of 5.2 kWh and intelligent energy management that delivers an all-electric range of 37 km under the NEDC cycle. Under the EPA cycle, the range in EV mode is 24 km, with a gasoline consumption of 0.1 gallons per 100 mi, and as a result, EPA's all-electric range is zero. The total range is 530 km.
The production version has a fuel efficiency of 2.1 L/100 km (134.5 mpg‑imp; 112.0 mpg‑US) under the NEDC test with carbon emissions of 49 g/km. Under EPA cycle, the i8 combined fuel economy in EV mode was rated 76 equivalent (MPG-equivalent) (3.1 L gasoline equivalent/100 km; 91 mpg-imp gasoline equivalent), with an energy consumption of 43 kW-hrs/100 mi and gasoline consumption of 0.1 gal-US/100 mi. The combined fuel economy when running only with gasoline is 28 mpg‑US (8.4 L/100 km; 34 mpg‑imp) for city driving, and 29 mpg‑US (8.1 L/100 km; 35 mpg‑imp) in highway.
The U.S. Environmental Protection Agency's 2014 edition of the "Light-Duty Automotive Technology, Carbon Dioxide Emissions, and Fuel Economy Trends" introduced utility factors for plug-in hybrids to represent the percentage of miles that will be driven using electricity by an average driver, in electric only or blended modes. The BMW i8 roadster has a utility factor in EV mode of 37%, compared with 83% for the BMW i3 REx, 66% for the Chevrolet Volt, 65% for the Cadillac ELR, 45% for the Ford Energi models, 43% for the McLaren P1, 39% for the Porsche Panamera S E-Hybrid, and 29% for the Toyota Prius PHV.
SPECIAL EDITION
The special-edition BMW i8 Protonic Red Edition model was unveiled at the 2016 Geneva International Motor Show.[51] The Protonic Red Edition will be produced at BMW Plant Leipzig from July 2016. This special edition car sports a Protonic Red paint finish with accents in Frozen Grey metallic. The colour scheme is complemented by BMW W-spoke 470 light-alloy wheels painted in Orbit Grey metallic with hubs painted in Aluminium matt and mixed-size tires (front: 215/45 R20, rear: 245/40 R20). Inside the car features red double-stitching and applications in high-grade carbon fibre and ceramic trim.
ROADSTER
The BMW i8 Spyder concept was unveiled at the 2012 Beijing Auto Show. In October 2016, BMW announced that the roadster variant would be added to the BMW i line-up in 2018.
The i8 Roadster is expected to get a longer-range battery and will have only 2 seats. The car's roof is an electric 2-piece unit, which neatly folds into the space where the rear seats would normally be.
SALES AND MARKETS
BMW originally planned to sell the i8 in about 50 countries, with the U.S. expected to be the largest sales market. In Europe, BMW expected the UK, Germany and France to be the top markets. On November 14, 2013, BMW announced they are taking orders for the i8 in Japan. Pricing starts at ¥19,170,000 (US$191,500) which includes the 8% consumption tax.
Global deliveries to retail customers totaled 1,741 units in 2014, and 5,456 in 2015, totaling cumulative sales of 7,197 units worldwide through December 2015. In 2015 global sales of the BMW i8 exceeded the combined figure of all other hybrid sports cars produced by other manufacturers. The United States is the leading market with 4,108 units delivered through October 2016, followed by the UK with about 1,700 units sold through October 2016, and Germany with 986 i8s registered through September 2016. Since mid-2014 more than 10,000 BMW i8s have been sold worldwide by early November 2016, representing 10% of BMW global electrified model sales, and making the i8 the world's top selling plug-in
AWARDS AND RECOGNITION
In July 2012 the BMW i8 won the 2012 North American Concept Vehicle of the Year. The BMW i8 Spyder won the 2013 Best Production Preview Vehicle award. The i8 won AutoGuide's 2015 Reader’s Choice Green Car of the Year. BMW’s i8 has been the winner of the coveted title ‘World Green car of the Year’ at Fame India Eco Drive 2015 It also was selected as Autoblog's 2014 Technology of the Year. Top Gear Magazine awarded the i8 with their coveted Car of the Year award for 2014. Green Car Journal awarded the BMW i8 with its 2015 Luxury Green Car of the Year. The i8 won the UK Car of the Year 2015 and also UK Performance Car of the Year 2015. The World Car of the Year organization declared the i8 as the winner of the 2015 World Green Car Award.
WIKIPEDIA
For the 2011 SEMA show, the Chrysler Group’s Mopar Underground team created a Challenger image vehicle with some cool ties to modern history. Influenced by the success of the Mopar Drag Pak Challenger and more recently, the Dodge Viper SRT10® ACR resetting the production car lap record at the Nürburgring Nordschleife track in Germany, Mopar Underground created the Dodge Challenger ACR based on the stellar Challenger SRT8 392. Some of Dodge’s and SRT’s best handling vehicles of all-time come with the ACR acronym attached to them, and the Challenger ACR is no different. The Challenger ACR is a no-frills homage to the original option-delete cars of the 1960s and 70s.
Equipped with Mopar parts, such as a coil-over suspension, front-and rear-strut tower braces, short-throw shifter, front splitter, cat-back exhaust, custom exhaust headers and a set of Goodyear F1 Supercar performance tires, the Challenger ACR is an animal that has as much bark as its cornering bite. Performance enhancements in the interior include carbon fiber door panels, front race bucket seats with openings for a racing harness and the rear seat is removed and replaced by a roll bar and fire extinguisher. An SRT three-spoke flat-bottom steering wheel, SRT gauge cluster, custom bright pedal kit, Mopar Drag Pack center stack and a carbon fiber center console finish off the interior modifications.
The exterior has design cues similar to those found on the Viper SRT10 ACR, including a white body, charcoal painted roof, carbon fiber hood, rear deck lid, rear spoiler and tail lamp surround and an offset flame red stripe that runs the length of the car. Red painted mirror caps and brake calipers, unique black painted five-spoke 20-inch alloy wheels and red “ACR” fender badging finish off the exterior design details. The white and red theme carries over to the interior with white accents on the carbon fiber door panels, red armrest bars with white foam padding, red door latch release tethers, red painted roll bars and red accents on the carbon fiber racing seats covered in black Katzkin leather.