View allAll Photos Tagged India...
Ahmedabad - Gujarat - India
Daily life on the street
Ahmedabad is the largest city and former capital of Gujarat. It is the administrative headquarters of the Ahmedabad district and the seat of the Gujarat High Court. With a population of more than 6.3 million and an extended population of 7.2 million, it is the sixth largest city and seventh largest metropolitan area of India. Ahmedabad is located on the banks of the Sabarmati River, 30 km from the state capital Gandhinagar.
Ahmedabad has emerged as an important economic and industrial hub in India. It is the second largest producer of cotton in India, and its stock exchange is the country's second oldest. The effects of liberalisation of the Indian economy have energized the city's economy towards tertiary sector activities like commerce, communication and construction.
en.wikipedia.org/wiki/Ahmedabad
We bezoeken Calico house of Textiles and Sarabhai Foundation collection.
Met de tuktuk rijden we naar de Shree Swami Narayan tempel
Ahmedabad - Gujarat - India
Daily life on the street
Ahmedabad is the largest city and former capital of Gujarat. It is the administrative headquarters of the Ahmedabad district and the seat of the Gujarat High Court. With a population of more than 6.3 million and an extended population of 7.2 million, it is the sixth largest city and seventh largest metropolitan area of India. Ahmedabad is located on the banks of the Sabarmati River, 30 km from the state capital Gandhinagar.
Ahmedabad has emerged as an important economic and industrial hub in India. It is the second largest producer of cotton in India, and its stock exchange is the country's second oldest. The effects of liberalisation of the Indian economy have energized the city's economy towards tertiary sector activities like commerce, communication and construction.
en.wikipedia.org/wiki/Ahmedabad
We bezoeken Calico house of Textiles and Sarabhai Foundation collection.
Met de tuktuk rijden we naar de Shree Swami Narayan tempel
Local women at Adalaj step-well.
Adalaj is a village 18 kms to the north of Ahmedabad . The 'Vav' (step-well) at Adalaj derives its name from the lady patron, Ruda, wife of the Vaghela chief, Virsinh; who built it in the 15th or 16th century AD.
The 'Vav', laid out in the north-south direction, the step well with the well in the north and the entrance in the south, has a total length of 75.3 metres. It is the only major monument of its kind, having three entrance stairs leading to the stepped corridor. These three entrances meet in the first storey, underground, in a huge square platform. The platform has an octagonal opening on the top.
The platform rests on 16 pillars, eight on the corners, and two in front of each main side. Four built-in shrines, with doors, windows and balconies, mark the four corners of the platform. The stepped corridor begins from this square platform.
The corridor is entirely surrounded by a one-metre high parapet wall with a rounded topping. It descends with four pavilion towers for five storeys. The walls of the 'Vav' are veritable showcases of sculptures and ornamentation. The sculptures range from a king sitting on a stool under a parasol, to erotic scenes; and from ladies churning buttermilk to dancing girls.
The frames of the doors around the entrances of the spiral staircases to the octagonal shaft are surrounded by a 'parikrama', which is an enlarged version of the frames around the niches. Stringcourses running along the sidewalls embellish all parts of the structure, sometimes dividing the wall into horizontal sections. They also appear on the walls of the octagonal shaft, depicting floral or leaf patterns, or rows of animals..
Rabari people on the way.
The region of Gujarat has played host to many a tribal culture and nourished them from the very earliest periods of history. One such tribe here, the Rabaris, still pursue a pastoral lifestyle—much in the same way as they did ages ago.
The Rabaris are a semi-nomadic tribe—pursuing a pre-agrarian, pastoral lifestyle—found mainly in the Kutch and Saurashtra regions of Gujarat. Though living today in permanent settlements, they are believed to have originally migrated from Baluchistan more than a millennium ago.
But over these thousand and more years, the Rabaris have undergone many changes and have been widely influenced by the local cultures with which they came in contact. Not only are they divided into distinct clans, they also prefer to trace their origin to Hindu Gods and even the Rajputs.
Without delving into the garbled clues provided by folk lore about their origin, a closer look at the Rabari today leads one into his quaint, colourful and rugged lifestyle.
By no means are the Rabaris an isolated people. The men are on the move—almost 10 out of the 12 months—in search of grazing pastures for their livestock; while the women and children remain in their villages. These villages are normally small, devoid of more than superficial amenities and, almost always, set in bleak, barren suroundings.
In a typical village, their rectangular houses, called vandhas, are built in rows. The white-washed mud walls and tiled roofs may have an appearance of starkness when viewed from outside. But within each house, the Rabari’s fondness for patterns is easily visible from the many geometric patterns that adorn its interiors. The tiny mirrors embedded into these mud-plaster patterns only enhance their beauty as they catch the faint glimmer of light streaming in from a small window or a low doorway. A home usually consists of two rooms, and an extended enclosure in the verandah which forms the kitchen.
The room at the back is normally used as a storehouse—a virtual treasure house of embroidered clothes and quilts kept in carved wooden pataras (chests); and the kothis and kothlas (granaries) made of mud and cowdung. The other room is mainly a living room decorated with embroidered torans or decorated doorways, while the doors are covered with brass foil etched in a myriad patterns. Often, the only piece of furniture that one might find is a carved, wooden cradle.
The community’s main stay is milk and milk produce from their livestock in order to purchase commodities that they trade in various forms at the local village or town markets.
Much of the handiwork seen in their decorated homes is that of their women. In fact, Rabari women are famous for their embroidery work, called bharat kaam, from which they make numerous traditional garments and furnishings. The kediyun, a gathered jacket with an embroidered smock, worn by young Rabari men and children, skirts and blouses for the women and girls—are al dexterously embroidered. Interestingly, the Rabari girl, completes over the years, her entire dowry which includes clothes as well as beautiful quilts or derkee.
Kokulashtami, after the rains, is marriage time. The men are back from their wanderings for this al important occasion. All marriages take place on this one day. Since child marriage is still very much in vogue within this tribe, outsiders are distrusted. Again, the Rabari marries only within the tribe and often into families which are closely located. Marrying outside the fold leads to social castigation and is very rare. While Rabari couples are probably the most exotically dressed, the marriage is a simple ritual performed by a Brahmin priest.
Rabaris, by and large, and ardent followers and worshippers of the Mother Goddess. Each clan has its own tribal goddess as the patron deity, though their homes often have pictures of other gods and goddesses as well. Strong tendencies of deifying and invoking the dead are still prevalent—a pointer to the community’s old world origin.
Another old world custom that has persisted is the custom of tattooing and there is a marked similarity In the motifs used in their embroideries and tattoos.
As an outsider it is difficult to communicate with these people since they speak a dialect which is a mixture of Marwari and Gujarati. But once they understand the visitor’s innocent curiosity, they exude the warmth and friendship that has always been a part of their make-up.
India Day 3 - Delhi to Jaipur
In the fields near our lunch stop a mother takes a rest in the fields with her young child.
Scenes from India.
The Paper.
Jaipur - Rajasthan - India.
Video "INDIA - Jaipur, Washing Carpets": youtu.be/K_MnVvqsQf0
Video "Stamp, ... Carpets. Jaipur": youtu.be/8-emiaMjZeM
*******
Vadodara - Gujarat - India
Everyday life and the market in Vadodara
Vadodara which used to be known as Baroda, is the third largest city in the Western Indian State of Gujarat, after Ahmedabad and Surat. It is the administrative headquarters of Vadodara District and is located on the banks of the Vishwamitri river, southeast of Ahmedabad, 139 kilometres from the state capital Gandhinagar.
The city is the site of the Lakshmi Vilas Palace, the residence of the Maharaja of Baroda and the royal family; and his erstwhile Darbar. It is also the home of the Maharaja Sayajirao University of Baroda (Vadodara), the largest university in Gujarat. An important industrial, cultural and educational hub of western India, the city houses several institutions of national and regional importance while its major industries include petrochemicals, engineering, chemicals, pharmaceuticals, plastics, IT and foreign exchange services amongst others.
Vadodara has been selected as one of the hundred Indian cities to be developed as a smart city under Prime Minister Narendra Modi's flagship Smart Cities Mission.
en.wikipedia.org/wiki/Vadodara
We bezoeken de markt in Kwant/Kavant waar we de mannen zien met rode tulband (Rathwa) geel/witte tulband (Nayak) Lohar (ijzerwerk verkopers) Saddhu en tempelpriesters.
Had a chance to visit Delhi while going to Ladakh...one didn't dare to visit most of common places due to the weather conditions,coming from South India,facing Delhi 's climate was lil challenging .
India Gate looked terrificwith the evening skies .
HAPPY SANKRANTHI !!!!
Happy Pongal !!!!
Vadodara - Gujarat - India
Everyday life and the market in Vadodara
Vadodara which used to be known as Baroda, is the third largest city in the Western Indian State of Gujarat, after Ahmedabad and Surat. It is the administrative headquarters of Vadodara District and is located on the banks of the Vishwamitri river, southeast of Ahmedabad, 139 kilometres from the state capital Gandhinagar.
The city is the site of the Lakshmi Vilas Palace, the residence of the Maharaja of Baroda and the royal family; and his erstwhile Darbar. It is also the home of the Maharaja Sayajirao University of Baroda (Vadodara), the largest university in Gujarat. An important industrial, cultural and educational hub of western India, the city houses several institutions of national and regional importance while its major industries include petrochemicals, engineering, chemicals, pharmaceuticals, plastics, IT and foreign exchange services amongst others.
Vadodara has been selected as one of the hundred Indian cities to be developed as a smart city under Prime Minister Narendra Modi's flagship Smart Cities Mission.
en.wikipedia.org/wiki/Vadodara
We bezoeken de markt in Kwant/Kavant waar we de mannen zien met rode tulband (Rathwa) geel/witte tulband (Nayak) Lohar (ijzerwerk verkopers) Saddhu en tempelpriesters.
Mandawa.
Mandawa is part of Shekhawati region. The town has been referred to as the "open art gallery" of Rajasthan become the entire Shekhawati region and not just Mandawa is dotted with fascinating havelis (mansions) that have lavishly painting walls.
The fort of Mandawa was founded in 18th century. Situated in the middle of town, the Mandawa fort has been converted in a heritage hotel.
Devote Rabari man in Dubhrej village (Gujarat).
The region of Gujarat has played host to many a tribal culture and nourished them from the very earliest periods of history. One such tribe here, the Rabaris, still pursue a pastoral lifestyle—much in the same way as they did ages ago.
The Rabaris are a semi-nomadic tribe—pursuing a pre-agrarian, pastoral lifestyle—found mainly in the Kutch and Saurashtra regions of Gujarat. Though living today in permanent settlements, they are believed to have originally migrated from Baluchistan more than a millennium ago.
But over these thousand and more years, the Rabaris have undergone many changes and have been widely influenced by the local cultures with which they came in contact. Not only are they divided into distinct clans, they also prefer to trace their origin to Hindu Gods and even the Rajputs.
Without delving into the garbled clues provided by folk lore about their origin, a closer look at the Rabari today leads one into his quaint, colourful and rugged lifestyle.
By no means are the Rabaris an isolated people. The men are on the move—almost 10 out of the 12 months—in search of grazing pastures for their livestock; while the women and children remain in their villages. These villages are normally small, devoid of more than superficial amenities and, almost always, set in bleak, barren suroundings.
In a typical village, their rectangular houses, called vandhas, are built in rows. The white-washed mud walls and tiled roofs may have an appearance of starkness when viewed from outside. But within each house, the Rabari’s fondness for patterns is easily visible from the many geometric patterns that adorn its interiors. The tiny mirrors embedded into these mud-plaster patterns only enhance their beauty as they catch the faint glimmer of light streaming in from a small window or a low doorway. A home usually consists of two rooms, and an extended enclosure in the verandah which forms the kitchen.
The room at the back is normally used as a storehouse—a virtual treasure house of embroidered clothes and quilts kept in carved wooden pataras (chests); and the kothis and kothlas (granaries) made of mud and cowdung. The other room is mainly a living room decorated with embroidered torans or decorated doorways, while the doors are covered with brass foil etched in a myriad patterns. Often, the only piece of furniture that one might find is a carved, wooden cradle.
The community’s main stay is milk and milk produce from their livestock in order to purchase commodities that they trade in various forms at the local village or town markets.
Much of the handiwork seen in their decorated homes is that of their women. In fact, Rabari women are famous for their embroidery work, called bharat kaam, from which they make numerous traditional garments and furnishings. The kediyun, a gathered jacket with an embroidered smock, worn by young Rabari men and children, skirts and blouses for the women and girls—are al dexterously embroidered. Interestingly, the Rabari girl, completes over the years, her entire dowry which includes clothes as well as beautiful quilts or derkee.
Kokulashtami, after the rains, is marriage time. The men are back from their wanderings for this al important occasion. All marriages take place on this one day. Since child marriage is still very much in vogue within this tribe, outsiders are distrusted. Again, the Rabari marries only within the tribe and often into families which are closely located. Marrying outside the fold leads to social castigation and is very rare. While Rabari couples are probably the most exotically dressed, the marriage is a simple ritual performed by a Brahmin priest.
Rabaris, by and large, and ardent followers and worshippers of the Mother Goddess. Each clan has its own tribal goddess as the patron deity, though their homes often have pictures of other gods and goddesses as well. Strong tendencies of deifying and invoking the dead are still prevalent—a pointer to the community’s old world origin.
Another old world custom that has persisted is the custom of tattooing and there is a marked similarity In the motifs used in their embroideries and tattoos.
As an outsider it is difficult to communicate with these people since they speak a dialect which is a mixture of Marwari and Gujarati. But once they understand the visitor’s innocent curiosity, they exude the warmth and friendship that has always been a part of their make-up.
Holi 2020 in Mathura-Vrindavan, India.
The celebrations were much smaller because of the coming pandemic. I didnt shot many photos this time, and I stayed most of the time in my hotel room and participated only for one short afternoon (the day before Holi), to avoid big crowds and too much contact.
Check the previous year Photos of the Holi Festival on my website: www.alfieianni.com/
Ranakpur is widely known for its marble Jain temple, said to the most spectacular of the Jain temples.
Chammukha temple is built in the 15 th century.
Women at sunset on the beach at Puri, a former British beach resort about eight hours south of Calcutta.
Dabhoi - Vadodara - India
Dabhoi also called as Darbhavati is a city and a municipality in Vadodara district in the state of Gujarat, India. It was originally known as Darbhavati.
Graveyard of the Garasia people.
Garasia, an interesting ethnic group inhabiting the Aravali foothills of remote Sabarkatha district in Gujarat has a curious history. Though a depressed class and classified as a de-notified tribe, the Garasias resembles closely with the advanced Rajput clans in many ways. Due to these, the British administration had even categorized the Garasias as a branch of Rajputs who were petty land holders. Even today amidst poverty and deep isolation I was surprised to see Garasias not only as prime agriculturalists but also holders of large chunk of lands in the remote slopes of Aravali Mountains. Their houses are widely dispersed each surround by a large farmstead.
Yet the Garasias are poor and deprived of basic services like, health, education
and safe drinking water. Farming is mostly rain fed. According to historical records, in colonial India as land became scarce both through colonial expansion and slash-and-burn agriculture Garasias became further marginalized and associated themselves with Bhils, a more primitive tribal group. The nationalist movement created further division between groups as the Rajput identity was grounded in traditional customs and their heritage as rulers.
Garasias of Sabarkatha form two distinct groups – the Garasia Rajputs and the
Garasia Bhils.
The Garasia Rajputs: In the medieval time the Rajputs from Rajasthan and surrounding plains of Gujarat had appropriated Bhil territories and in part to strengthen their rule and maintain peace, some of them married to Bhil women.
Their offspring formed a distinct caste – the Garasia Rajputs. They served as delegates between the ruling Rajputs and Bhils. The Garasia Rajputs are a lower
status caste than the Rajputs but consider themselves higher to Bhils with whom
they do not inter marry. Garasia Rajputs see themselves as tribalized Rajputs and they believe that that their Rajput ancestors moved to remote forest to avoid subjugation by a conquering group.
The Garasia Bhils: The Garasia Bhils are those who married to Bhil women and were not accepted into Garasia society because of the lower status of the Bhils. The Bhil Garasias are also called Dungri Garasias.
The Garasias live mostly in huts consisting of two/three rooms with mud wall partitions. The roofs are built of flat tiled roofs. There is a smaller hut attached to the main one meant for cattle. However, for the other animals like goats and hens there
are open air facilities. The Garasia women are known for their colourful attires and silver jewellery. Dhols (drums) and bow-arrows are also part of the material culture of the Garasias.
The huts belonging to various families are widely dispersed and there is no central place where people can meet together. I visited a few houses in the village and while interacting with the inhabitants I discovered the gender divisions - women’s responsibility include cooking, tending to cattle, milking the animals and looking after the children. The men do the physical labour such as ploughing, harvesting and building the houses. There is a strong prevalence of joint family system though there is very little unity or cooperation between the village clans.
By luck of the draw my driver was this guy. www.marketplace.org/2012/04/27/world/indias-rickshaw-driv...