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The Harlan County Reservoir includes a dam and a reservoir of 13,250 acres (54 km2) located in Harlan County in south-central Nebraska. Its southernmost part extends into northern Phillips County, Kansas. The reservoir is formed by a dam in the Republican River, which starts in Colorado and ends in Kansas.
The two closest towns are Republican City and Alma. Republican City offers fishing supplies, boat rentals, restaurants and cabins. When the lake is at normal pool, Alma is on the shore line of the lake and offers lodging, restaurants, stores, and churches.
A number of Native American tribes lived in the Republican River Valley throughout history. The Pawnee, Arapahoe and Cheyenne relied on the land for their survival. Early settlers and trappers arrived in the 1850s when the Nebraska Territory was formed. The rich river bottom soil lured many farmers into the area. According to the U.S. Army Corps of Engineers, Native Americans told early settlers not to build big houses close to the river because of the "big water." In 1872, Dr. John McPherson moved from his Brownville, Nebraska home to the river valley. McPherson opened several stores and laid out lots in a town he called Republican. Once a post office was built, the town took the official name of Republican City. The Burlington Railroad reached the town in 1881, creating a booming trade center.
On May 31, 1935 a storm dumped 24 inches (610 mm) of rain on the Republican River watershed, which averaged nine inches (229 mm) annually. The flood wiped out Republican City within minutes, and 100 people lost their lives. Nearly 10,000 cattle were reportedly lost along the Republican River Valley along with 300 county bridges and over 300 miles (480 km) of roads and railway. The flood was responsible for over $26 million in damages.
The town moved to avoid further damage, and the U.S. Army Corps of Engineers researched a potential location for the dam would work the best to prevent such flood loss. They chose an area between Republican City and Naponee. Republican City was rebuilt two miles (3 km) north on higher ground in 1952, with a few original buildings. Some of the original buildings' foundations are visible when the water level is low.
With a surface covering 13,250 acres (54 km2), the Harlan County Reservoir lake sits in bottom lands of the Republican River Valley. Located seven miles (11 km) from the Nebraska/Kansas border, the lake is nine miles (14 km) long and has about 75 miles (121 km) of shore line. The Reservoir's dam sits on the Republican River two miles (3 km) south of Republican City. According to the U.S. Army Corps of Engineers, the river valley got its name from the Republican Pawnee Indian tribe who inhabited the area. The land consists of thick trees and brush as most river bottoms do. Harlan County Reservoir is Nebraska’s second largest lake.
en.wikipedia.org/wiki/Harlan_County_Reservoir
en.wikipedia.org/wiki/Wikipedia:Text_of_Creative_Commons_...
Pickering Castle is situated on the southern edge of the North York Moors on a limestone bluff which formerly overlooked the meeting point of two of the main highways through the north of England: the east-west route along the Vale of Pickering and the north-south route through Newton Dale to Malton. The monument consists of a single area which includes the site of the 11th century motte and bailey castle and the 13th century shell keep castle. The former was built by William the Conqueror either during or shortly after the 'harrying of the north' in 1069-70. It consisted of an earth motte crowned by a timber palisade, flanked on the north-west side by a crescent-shaped inner bailey and, on the south-east side, by a contemporary or slightly later outer bailey. The inner bailey measured c.120m by c.35m and was bounded to the north by a steep natural slope surmounted by a palisade and to the south by deep 15m wide ditches linked to the ditch encircling the motte. The outer bailey, which measured c.185m by c.25m, was protected on the north side by these same ditches and, on the south side, by a 5-8m high palisaded bank with an outer ditch. To the immediate east of the outer bailey ditch a further earthwork bank may have provided additional defence on this side; alternatively it may be part of a medieval defence system associated with the adjacent settlement. The motte is c.20m high and has a base diameter of c.60m. It is not yet clear whether this is the original 11th century motte or a later medieval reconstruction. In the latter case, the earlier motte will have been preserved inside the later while, in addition, the buried remains of a wide range of domestic and service buildings will survive within the open areas of the baileys.
The reconstruction of the castle in stone largely took place between 1180 and 1236. There were three main phases to the work at this time, the earliest involving the late 12th century replacement of the palisade round the inner bailey with a curtain wall and also the probable construction of the first shell keep on the motte. In its present form the shell keep dates to the early 13th century but the foundations of the earlier wall will survive underneath. The remains of the early curtain wall still stand round the inner bailey, surviving best where the curtain was incorporated into later buildings. The earliest buildings so far identified are the early or mid- 12th century Old Hall, a free-standing residence whose surviving foundations show it to have been half-timbered, and the Coleman Tower, constructed at the same time as the inner curtain and an integral part of it. The Coleman Tower guarded the entry across the inner bailey ditch and was also a prison; hence its earlier name, the King's Prison. It was square in plan and had its entrance on the first floor, the level underneath being where the prisoners were kept. On the east side are the remains of a small building and also a stairway leading onto an adjacent wall. This wall, built across the motte ditch in the late 12th century, replaced an earlier palisade and provided access to the summit of the motte. A similar and contemporary length survives on the opposite side of the motte, crossing the ditch and joining the curtain alongside the later Rosamund's Tower. The keep consisted of a rubble wall enclosing a roughly circular area 20m wide. A wall walk would have lined the inside of the wall above a series of garrison buildings. The foundations of some of these buildings survive but it is not certain whether they date to the 13th or the 14th century. In some cases they will have replaced earlier timber structures whose buried remains will also survive. Also of uncertain date are the foundations of a number of buildings in the inner bailey, including a service range to the south-west and a group of buildings referred to as the Constable's Place in the accounts of the years 1441-43. The latter were half-timbered and some sections predate the inner curtain though others were clearly added later. A survey of 1537 lists a number of distinct structures, including the Constable's hall, a kitchen, buttery and pantry, and quarters for staff and servants. At the southern end of the group were a number of storage buildings, one of which is believed to have been the wool house. Two additional service buildings lay adjacent to the Old Hall and are thought, originally, to have been contemporary with it. To the south of these is the chantry-chapel which dates from c.1227 and is still complete though in a much altered state.
To the west of this is the early 14th century New Hall, initially built as a residence for Countess Alice, wife of Earl Thomas of Lancaster. This was later used as a courthouse which gave rise to it being named King's Hall or Motte (moot) Hall in later surveys. It was a penticed or lean-to building of two storeys which utilised the inner curtain for its outer wall. The inner walls were timber-framed and, as much of the surviving stonework is late 12th or early 13th century, it clearly replaced an earlier building. The upper chamber or solar of the 14th century hall was an elaborate plastered room with a decorated fireplace. The last major programme of building dates to 1324-26 when Edward II ordered extensive works to be carried out which included replacing the whole of the timber palisade round the outer bailey with a stone wall. This outer curtain included three projecting towers, a gatehouse with a drawbridge over the outer ditch and a postern gate which led from the north-east arm of the inner bailey ditch, underneath Rosamund's Tower and out onto the rampart. A second gate and drawbridge, built at this time alongside the Coleman Tower, had fallen out of use by the 16th century and can now no longer be seen. The three projecting towers, named from north-east to south-west, Rosamund's Tower, Diate Hill Tower and Mill Tower, are all square in plan and all would have led out onto the wall-walk along the inside of the curtain though, in the case of the Mill Tower, the curtain to either side has not survived sufficiently well to demonstrate this. The ground-floor entrance to the Mill Tower consisted of two doors linked by a short passage, in which the first door opened inwards and the second outwards indicating that the tower was built as a prison, a role it took over from the Coleman Tower. North of the Mill Tower, the outer curtain crossed the inner bailey ditch which can also be seen outside the castle walls on the west and north sides. This section of the ditch was part of the original 11th century defences and was quarried out of the rock on which the castle was built.
A levelled area alongside the inner edge indicates that quarrying of the rock-face continued after the ditch was cut. The quarried stone would have gone towards the construction of at least some of the castle buildings. Aside from its strategic and administrative roles, Pickering Castle had two other functions: to guard and manage the large forest which lay adjacent and to provide a court and place of detention for those found guilty of offences against it, such as poaching, unauthorised clearance and the theft of timber. The forest was an extremely important economic resource during the Middle Ages and its particular importance at Pickering can be seen in the great use made of wood in the castle buildings and also, most significantly, its continuous use in the defences down to the 14th century. Also important to the castle economy during the 14th century was the sale of wool, and it also had responsibility for managing the royal stud created by Edward II in c.1322. Possibly the stables known to have been located against the outer curtain at this time, between the gatehouse and Diate Hill tower, were connected with this. According to the Domesday Book, in 1086 the manor of Pickering was held by the king, that is, William the Conqueror. The castle established at this time as part of the subjugation of the rebellious North remained in royal hands until 1267 when it was conferred with the title Earl of Lancaster on Edmund Crouchback, younger son of Henry III. Edmund's son Thomas succeeded to both title and estates in 1296 but was executed for treason by Edward II in 1322, whereupon his estates reverted to the king. Following the unsuccessful Scottish campaign of the same year, and the ensuing retaliatory attacks on the north of England by Robert the Bruce, Edward ordered the building works noted above, clearly intending to keep Pickering a royal castle. However, in 1326 his son Edward III confirmed Henry, the younger brother of Thomas, Earl of Lancaster, in his brother's titles and estates, and, in 1351, the castle became part of the Duchy of Lancaster when that title was created. Upon the elevation of the House of Lancaster to the throne in 1399, and in 1413, the succession of Henry V, the Duchy reverted to the Crown and Pickering became a royal castle once again. It has been in State care since 1926. A number of features within the protected area are excluded from the scheduling. These include the ticket office/sales point and its paved base and steps, all English Heritage fixtures and fittings such as bins, bridges, safety grilles, signs, railings and interpretation boards, the surfaces of all modern steps and paths inside and outside the castle walls, lighting and the modern walls and fences round the outside edge of the protected area but the ground beneath all these features is included.
From a quick visit to Sheffield Park (NT), to view the Autumn colours before they disappeared. Not the right light for wide views, so I went for a mainly macro approach
Includes:
4 Fish Fountains
10 Seating Cushions
4 Candle Lanterns
Roman Structure
Remove the water and use it instead for a lovely outdoor meeting area.
Prims =
Structure = 44
Braziers = 3 each x 4 included = 12 prims
Fish Fountains = 13 each x 4 included = 52 prims
Candle Lanterns = 4 each x 4 included = 16 prims
Sitting Cushion = 1 each x 10 included = 10 prims
Water = 1 prim
TOTAL PRIMS = 135 prims
Footprint = 24 wide x 24 deep x 10.7781 tall
Many Spanish festivals include costumed figures known as gigantes y cabezudos, roughly, “Giants and Big-Heads”, or, in Catalan, gegants i capgrossos. The main feature of these figures is typically their papier maché head; bodies are covered in clothing matching the costume's theme. These figures are particularly omnipresent in festivals of Catalonia, where many cities and towns have their own gegants i capgrossos, used in the cercavila and in conjunction with other local dances (http://en.wikipedia.org/wiki/Gigantes_y_cabezudos).
NOLA 2018 - Easter Sunday Parades
The story goes that the daughter of Count Arnaud started the Historic French Quarter Parade close to 100 years ago. Today the parade starts at 9:45 a.m. at Antoine's Restaurant (715 Rue St. Louis). It includes a stop for the 11 a.m. mass at the St. Louis Cathedral and resume parading at noon after a promenade in Jackson Square.
The parade features stylish ladies in lovely hats handing out goodies via both carriages and convertibles and disbands in front of Antoine's where the ladies promenade through the main dining room handing out stuffed bunnies and Easter trinkets to the patrons.
Easter Sunday's lineup of parades starts early that morning with The Historic French Quarter Easter Parade from Antoine's Restaurant at 9:45 a.m. to St. Louis Cathedral for 11:00 a.m. Mass. The parade, consisting largely of mule-drawn carriages and old convertibles, makes its leisurely, roundabout way through the French Quarter, handing out stuffed Easter bunnies to the kids, along with other trinkets.
Following Mass, participants in the parade promenade to Jackson Square opposite the Cathedral to show off their Easter bonnets and other finery before returning to Antoine's. Awards are given out for the best Easter bonnets, Easter baskets and overall Easter attire.
Later, around 1:00 p.m. is the Chris Owens French Quarter Easter Parade. This tradition, which began back in the early 1980s, features renowned French Quarter singer, dancer and all-around entertainer Chris Owens as the Grand Duchess. She stands proudly on her gaily decorated float, assisted by elegantly attired attendants while decked out in one of her stunning, tight-fitting outfits.
The parade starts at the corner of Canal and Bourbon streets and makes its way through the French Quarter, past the Chris Owens Club at 500 Bourbon, with colorful floats and vintage convertibles and accompanied by one or more of the city's famous brass bands. Plus dance groups and other entertainers. And, of course, since this is a New Orleans parade, there will be plenty of throws - Easter-themed - to catch from the floats and the open-top cars. This parade is a sight you'll never forget!
Then, later in the afternoon, is yet another parade, the Gay Easter Parade, put on by the city's GLBT community. Being nowhere near as wild or extravagant as a Mardi Gras parade, but rather family-friendly, the Gay Easter Parade takes a leisurely route through the French Quarter, passing every gay bar and many gay-owned restaurants and retail shops. The paraders ride horse-drawn carriages or floats while wearing showy versions of their Easter Sunday finest. Don't be surprised if you see a gaggle of motorcycle dudes in leather and Easter bonnets might roar by. Spectators can expect to see (and catch!) plenty of beads and other throws.
( Deux semaines a Nola pour la ville et pour WWE Wrestlemania XXXIV
Two weeks Nola for the city and for WWE Wrestlemania XXXIV )
Includes park entrance, Portage Creek, bath house, zoo area and a group of picnickers.
KPL catalog number P-1201
Includes photos from the David Thompson Highway 11 Rocky Mountains Alberta near Nordegg and the David Thompson Resort
Lake Abraham Lake Reservoir
The view includes the ships "David", "Henry Porcher", "Goshawk", "Eden" and "Emerald".
Date of original: 1839
Photographer : William Light, artist
include;
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-eyebrow
-facelight
-styling card
To buy;
marketplace.secondlife.com/p/No-Turning-Back-Ivan-Shape/4...
Demo;
marketplace.secondlife.com/p/No-Turning-Back-Ivan-Shape-D...
The Bluebells are out - from an enjoyable wander around the woods at Patching with the South East Gang
Workout 13.4
MEN - includes Masters Men up to 54 years old
Complete as many reps as possible in 7 minutes following the rep scheme below:
135 pound Clean and jerk, 3 reps
3 Toes-to-bar
135 pound Clean and jerk, 6 reps
6 Toes-to-bar
135 pound Clean and jerk, 9 reps
9 Toes-to-bar
135 pound Clean and jerk, 12 reps
12 Toes-to-bar
135 pound Clean and jerk, 15 reps
15 Toes-to-bar
135 pound Clean and jerk, 18 reps
18 Toes-to-bar...
This is a timed workout. If you complete the round of 18, go on to 21. If you complete 21, go on to 24, etc.
WOMEN - includes Masters Women up to 54 years old
Complete as many reps as possible in 7 minutes following the rep scheme below:
95 pound Clean and jerk, 3 reps
3 Toes-to-bar
95 pound Clean and jerk, 6 reps
6 Toes-to-bar
95 pound Clean and jerk, 9 reps
9 Toes-to-bar
95 pound Clean and jerk, 12 reps
12 Toes-to-bar
95 pound Clean and jerk, 15 reps
15 Toes-to-bar
95 pound Clean and jerk, 18 reps
18 Toes-to-bar...
This is a timed workout. If you complete the round of 18, go on to 21. If you complete 21, go on to 24, etc.
The Canyon Diablo meteorites include the many fragments of the asteroid that created the Barringer Crater (Meteor Crater), Arizona, USA. Meteorites have been found around the crater rim, and are named for nearby Canyon Diablo, which lies about three to four miles west of the crater.
The asteroid fell about 50,000 years ago. The meteorites have been known and collected since the mid-19th century and were known and used by pre-historic Native Americans. The Barringer Crater, from the late 19th to the mid-20th century, was the center of a long dispute over the origin of craters that showed little evidence of volcanism. That debate was settled in the 1950s thanks to Eugene Shoemaker's study of the crater.
In 1953, Clair Cameron Patterson measured ratios of the lead isotopes in samples of the meteorite. The result permitted a refinement of the estimate of the age of the Earth to 4.550 billion years (± 70 million years).
Bio Med Personal Eye Wash Stations conveniently include four 7 ounce canisters of Bio-Med Wash for safe removal of irritating chemicals from the eyes and skin. The Bio Med Personal Eye Wash Station is ideal for use by first responders, police officers, industrial first aid, emergency medical technicians, emergency room personnel, military personnel and medics. Bio Med Wash Stations feature an economically designed, wall mounted fixture available as a screw mount or self-adhering mount for easy installation on all surfaces. The Bio Med 47081 Personal Eye Wash Station requires screw mount assembly to the wall. The Bio Med 47085 Personal Eye Wash Station comes pre-assembled with self-adhering tape. Each station includes two 7 ounce canisters of Bio-Med Wash, mirror, wall mount station and two canister holding brackets.
A decade of research has revealed Bio Med Wash as the most effective and safe first aid wash for eyes and skin. The Bio Med All-Natural, Sterile First Aid Wash is the first product that replaces saline solution for washing abrasions, cuts and lacerations. This emergency eye wash product is invaluable in the initial washing of eyes irritated by foreign particles, heavy smoke, dust and perspiration. Bio Med Wash helps cleanse and dilute harmful liquid chemicals from skin or eyes. Proudly made in the U.S.A., Bio Med Wash is chemical and saline-free, composed of tissue culture grade water with no impurities or contaminants. The first aid eye wash has a natural pH of 6.4. Due to the combination of purity, a slightly acidic pH, and an ideal mineral nutrient content, Bio Med Wash is quickly and beneficially absorbed by damaged tissue.
The Bio Med Wash Eye Emergency Eye Wash Station exceeds Occupational Safety and Health Administration (OSHA) and American National Standards Institute (ANSI) portable requirements. Bio Med Personal Eye Wash Stations are excellent for construction sites, maritime operations, portable trailers and border patrols.
Page from the report of the Keighley Boys' Grammar School for the year ended 31st July 1954, prepared for the school's Speech Day held at Temple Street Methodist Church on Monday 29th November 1954. The page includes an overview of the year.
The Speech 'Day' started at 7pm with an address from the Chairman of Governors, Councillor John Edward Brownbridge. This was Brownbridge's second year in the post, having succeeded J. H. F. Wilson (who had served as Chairman of the Governors from 1938 to 1953). Then the Headmaster, Neville Hind, spoke, before those assembled were addressed by guest speaker Professor R. N. Armfelt, the Professor of Education at the University of Leeds. There were then three pieces of music/songs, before the prize-giving took place.
The prizes included The Shakespeare Tercentenary Award given to J. D. Bastow; The Herbert Hugill Memorial Prize for Mathematics, awarded to P. T. Baxter; The Willie Keighley History Prize, awarded to R. Rowe; The Kenneth Ogston French Prize, given to R. Hodgson; The Robert Calverley 1923-25 Chemistry Prize, awarded to C. Moore; The Arthur Smith 1925-26 Physics Prize, given to R. Robson; The Locarno Prize for Higher Mathematics, awarded to B. H. Slater; and The Quarmby Prize for English Literature, awarded to B. Thornton.
The evening concluded with a rendition of 'The Song of the Shipbuilders' by Gustav Holst, a vote of thanks, and the singing of God Save the Queen.
The school roll as of 1st October 1953 was 600. 1953/54 was a key year for the school, as it was the year that the Town Council approved the recommendation of requesting the acquisition of a school site at Oak Bank (the school finally relocated to Oak Bank in the early 1960s). A production by the Dramatic Society of Shakespeare's 'The Merchant of Venice', performed on 6th April 1954, had included three parts played by girls from Keighley Girls' Grammar School. The usual annual School Holiday Camp at Kirkcudbright had taken place, as did trips to Amsterdam and the Alps.
The report was donated to Keighley and District Local History Society by John Shires in 2020. His father had attended the school and had kept the report. It was scanned and uploaded on behalf of the History Society by Tim Neal in 2022.
The Society's history record book includes notes on the progress of the orphans it placed in new homes. The left page here includes the notes on Mary Martens as transcribed below:
Mary Martens
Aged 11 years Sept. 1./58
Aug. 25./58 Brought to the "Home" by her mother & legally committed by her. The same day to the AFG Society. Mary's father Jacob Martens died about 4 years since leaving four children, one girl older than Mary & a boy & girl younger than she. The oldest girl left home some years ago & has never been heard from since. The other girl & boy are at home.
Mary's mother married again about 3 years since a man by the name of George Slinger, has two children by second husband - girl & boy. Mary's parents were natives of Germany. Mary's mother now lives in West 25 St. No. 89 between 6 & 7 Ave.
Sept. 14./58 Mary went west in care of Mrs. Penfield to live with Mr. Albert Lockhart of Millersburg, Holmes Co., Ohio.
Nov. 6./58 Heard from through Mrs. Beegle says Mary has an excellent home.
Dec. 22./ 58 Received a letter from Mrs. Lockhart saying Mary was well & seemed contented and happy, was attending school & learning well.
Feb. 2d/59 A good report received by letter. Mary is well & doing well. Visited by Miss Goodrich in April of /59. Is well situated & a good girl.
Oct. 26./59 A less favorable report of Mary by letter from Mrs. Lockhart, says she has proved untruthful & dishonest. Is slow to learn, both at home & in school.
March 31./60 Heard from again by letter - is doing no better.
Written to Mar/63
Mar. 24/63 A very unfavorable report, makes very little progress in her studies, untruthful &c.
Sept. 18/65 Of age, and her address given to her Mother.
Khiva (Uzbek: Xiva/Хива, خىۋا; Persian: خیوه, Xīveh; Russian: Хива; alternative or historical names include Khorasam, Khoresm, Khwarezm, Khwarizm, Khwarazm, Chorezm, and Persian: خوارزم) is a city of approximately 50,000 people located in Xorazm Region, Uzbekistan. According to archaeological data, the city was established in the beginning of the Christian era.[1] It is the former capital of Khwarezmia and the Khanate of Khiva. Itchan Kala in Khiva was the first site in Uzbekistan to be inscribed in the World Heritage List (1991)
Khiva is split into two parts. The outer town, called Dichan Kala, was formerly protected by a wall with 11 gates. The inner town, or Itchan Kala, is encircled by brick walls, whose foundations are believed to have been laid in the 10th century. Present-day crenellated walls date back to the late 17th century and attain the height of 10 meters.
The large blue tower in the central city square was supposed to be a minaret, but the Khan died and the succeeding Khan did not complete it.
The old town retains more than 50 historic monuments and 250 old houses, mostly dating from the 18th or the 19th centuries. Djuma Mosque, for instance, was established in the 10th century and rebuilt in 1788-89, although its celebrated hypostyle hall still retains 112 columns taken from ancient structures.
The Wexford Half Marathon and 10KM Road Race and Fun Run was held in Wexford Town, Co. Wexford, Ireland at 10:30 and 10:40 on Sunday 21st April 2013. There was a huge attendance at this race. The weather didn't start off as the runners would have wished with very heavy April showers making for a wet start. However, these showers cleared and a bright sunny day greeted runners in both races for the finish.
We did not take part in this race but feedback from runners was very positive about the race overall.
This is a selection of photographs which includes: the start of both races, the finish of the 10KM and finishers of the half marathon until about 1:50 finishing time.
Timing was provided by Red Tag Timing.
Overall Race Summary
Participants: Approximately 1,000 people over both races (700 in the half marathon and over 300 in the 10KM)
Weather: Started off wet but both races finished with dry sunny weather.
Course: A very well marshalled course around the town of Wexford and surrounding areas.
Refreshments: There was water, bananas and soup & rolls at the finish.
Timing: Both races 10KM and Half Marathon were electronically timed using chip timing provided by RedtagTiming (www.redtagtiming.com/).
Some links, related to this race, which you might find useful:
The official Race website [www.wexfordhalfmarathon.com/]
Results of the Wexford Half Marathon and 10KM 2013 [www.redtagtiming.com/]
The official Facebook page for the race [www.facebook.com/pages/Pettitts-SuperValu-Wexford-Half-Ma...]
Finish line on Google Street View [goo.gl/maps/d9ALs]
Start area of the race, on the Quays of Wexford, on Google Street View [goo.gl/maps/JWE1G]
Boards.ie Athletics Forumn Discussion of this race: www.boards.ie/vbulletin/showthread.php?t=2056777595
A Youtube Video which includes a course overview: www.youtube.com/watch?v=UPgWTncBOlo&feature=plcp
Pixels Promotions have official course photography: www.facebook.com/pages/Pixels-Promotions/134057570021199
Please note: that we cannot be responsible for the content of any external links (outside of ourown Flickr account) as we have no control over them. Links are provided for your information only. Responsibility lies solely with the operators of those websites.
How can I get a full resolution copy of these photographs?
All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available, free, at no cost, at full resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not know of any other photographers who operate such a policy. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, Google Orkut etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also means the use of these images for Facebook profile pictures. In these cases please make a wall post with a link to our Flickr page. If you do not know how this should be done for Facebook or other media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
I ran the race - but my photograph doesn't appear here in your Flickr set!
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
You were hidden behind another participant as you passed our camera
Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
If you want to contribute something for these images?
We do not charge for these images. We take these photographs as our contribution to the running community in Ireland. If you feel that the image(s) you request are good enough that you would ordinarily pay for their purchase we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible.
Roxy Music are an English art rock group formed in 1971 by Bryan Ferry, who became the group's lead vocalist and chief songwriter. The other members are Phil Manzanera (guitar), Andy Mackay (saxophone and oboe) and Paul Thompson (drums and percussion). Former members include Brian Eno (synthesizer and "treatments"), and Eddie Jobson (synthesizer and violin). Although the band took a break from group activities in 1983, they reunited for a concert tour in 2001, and have toured together intermittently since that time.
Roxy Music attained popular and critical success in the UK, Europe and Australia during the 1970s and early 1980s, beginning with their debut album, Roxy Music (1972).[1] The band was highly influential, as leading proponents of the more experimental, musically sophisticated element of glam, as well as a significant influence on early English punk music. They also provided a model for many New Wave acts and the experimental electronic groups of the early 1980s. The group is distinguished by their visual and musical sophistication and their preoccupation with style and glamour.[2] Ferry and co-founding member Eno have also had influential solo careers, the latter becoming one of the most significant record producers and collaborators of the late 20th century.
Rolling Stone magazine ranked Roxy Music #98 on its "The Immortals – 100 The Greatest Artists of All Time" list.[3]
A new studio album, which would have been their ninth, began recording in 2005. It would have been Roxy's first record with Brian Eno since 1973, who wrote two songs for it as well as played keyboards.[4] However, Bryan Ferry eventually confirmed that material from these sessions would be released as a Ferry solo album, with Eno playing on "a couple of tracks,"[5] and that he doesn't think they'll record as Roxy Music again.[6] Subsequently, this was confirmed by the announcement of a solo Bryan Ferry album, entitled Olympia.
Hungerley Hall Farm on the eastern edge of Coventry includes a Grade II listed farmhouse, probably dating from about 1700, and separately listed Grade II listed farm buildings.
Clifford Bridge Road, Wyken. Hungerley Hall Farm House, Granary Cow Shed Stable and Barn
Farmhouse. Probably late C17/early C18 with mid C18 extensions and late C18/ C19 alterations. Red brick with plain-tile roof and brick ridge and end stacks. Complex plan. Main front faces garden. 2 storeys and cellar.4-window range of 3-light casement windows the 2 to centre under brick cambered arches. Under these the door within wooden lattice porch with gabled hood. Similar 3-light casement to right and 2-light to left. Two 2-light casement to far right. Blocked window to far left, where also 1st floor band. The differences in brickwork together with interior evidence suggest that a timber-framed 3-unit-plan house was extended on either end in brick in mid C18, then the framing refronted in brick late C18/early C19 and then the section of roof to centre and left slightly raised mid C19. The rendered left end has a 4-light casement with 3-light over, and the right end various casements, lean- tos and steps leading to 1st floor doorway. Rear has mainly 3-light casements, and a cross-wing projecting to centre-left with a 2nd span extension to its left, gable facing left. Further single-storey extension to centre right with doorway to left and small canted bay to right of it. Interior: chamfered beams; open fireplace and bressumer, Cellar has brick thrawls. Plank door and 2-panel door on 1st floor, together with hood to open fireplace, timber- framed partition)old floor boards, a 2nd fireplace hood and wall posts.
historicengland.org.uk/listing/the-list/list-entry/126569...
Mappers include Leif Percifeld, Hans and Eymund Diegel -
Gowanus Canal Conservancy: www.gowanuscanalconservancy.org
Gowanus Dredgers Canoe Club: www.gowanuscanal.org/
Public Laboratory: publiclaboratory.org
Grassroots Mapping: grassrootsmapping.org
The Norooz holiday season includes several symbolic and meaningful celebrations and rituals begining with the last Wednesday of the year, called the Chahar Shanbe Soori (translation yields "Wednesday Fire").On Tuesday evening (the night before the last Wednesday) every family celebrates the Chahar Shanbe Soori.
At the center of this traditional celebration is giving thanks for the fortune of having made it through another healthy year and to exchange any remaining paleness and evil with the life and warmth of the fire. Chahar Shanbe Soori is deeply rooted in Iranians' Zoroastrian past (Persian people's dominant religion prior to Islam). The part of this night especially popular with the youngsters is the bonfire. Every family gathers several piles of wood or brush to be lit shortly after the sunset.
All family members line up and take turns jumping safely along (and over) the burning piles, singing to the fire:
"Sorkheeyeh toe az man; zardeeyeh man az toe."
This translates to:
"Your redness (health) is mine; my paleness (pain) is yours."
Although a recent addition and generally against the law in the urban areas, the sights and sounds of fireworks are very common to this night.
Another routine of the Chahar Shanbe Soori festival is the Iranian version of Trick or Treating associated with the Western Halloween night. Flocks of often young trick or treaters, hidden under a traditional Chador (veil) go from door to door banging a spoon against a metal bowl asking for treats or money.
Another old and almost obsolete Chahar Shanbe Soori ritual is Falgoosh (fortune hearing!) This ritual was carried out usually by young women wanting to know their chances of finding the "Mr. Right" in the coming year. Falgoosh is the act of standing in a dark corner spot or behind a fence and listening to the conversations of the passers by and trying to interpret their statements or the subject of their dialogue as an answer to one's question(s)! This is analogous to calling a psychic reader to find out your fortune!!!
In the past several decades falgoosh has gradually become an almost unacceptable and "politically incorrect" ritual and is seldom practiced in the major urban areas.
As a visitor, you come in and circle under a waterfall, climbing to this higher level. There is a walkway to the other end. It is drier at that end, allowing different plants. Down the stairs, you can then wander through the lower gardens. The conservatory is over 20 years old, and I like that they have allowed plants to multiply and climb around, making it feel like a garden, not just a collection of specimens. Crystal Bridge Facts
The giant sized effigy of a swashbuckling buccaneer guarding Shoreham's Crown & Anchor Pub
Taken on the phone - it did a much better job than attempts on my compact, due to the big aperture/low ISO combination
I just received recently an AF-Nikkor 1:2 f=35mm lens to complete a small kit around my Nikon F4 year 1989 (see below for details). The kit is now includes 3 very classical AF-Nikkor lenses of the same period of the Nikon F4 camera body, including the standard 1.4/50mm, the 1.8/85mm and now the 2/35mm. The choice of fixed-focal lenses instead of zooms was already in 1989 a bit old-fashioned. However many photographers preferred still the homogenous rendering of a photo series done with a single focal lens. Generally speaking, a 35mm focal is a charming moderate wide-angle, very easy to use and particularly adapted for architectural and street-photography.
The AF-Nikkor 1:2 f=35mm is not a rare lens. However, when looking on eBay there was not tens of them available. I bought a good one form a Belgian seller at a normal price (180€). The lens is in very good mechanical and optical condition and came with the rear and front caps. I sourced the dedicated Nikon HN-3 shade hood separately for 10€ but here I preferred (only for the look!) to use a rectangular Minolta D54KC designed for the MC-Rokkor 1:2.8 f=35mm.
For testing the lens, I loaded my Nikon F4 with a Rollei RPX 400 which is the former formula of the Agfa APX 400. The film cartridge is DX-coded and I did not modify the nominal DX-coded 400 ISO sensitivity.
The AF Nikkor lens 1:2 f=35mm was equipped for the whole session with a generic 52mm screw-on yellow filter. The light metering was done through tteh lens (TTL) either in the matrix or the spot metering of the Nikon F4 used in the "A" aperture-priority auto mode or the manual mode. The weather was very clear and a bit cold (-1°C outside).
La Part-Dieu, January 12, 2024
69003 Lyon
France
I did not use my Nikon SB-26 flashlight for any views in this session. After completion the film was rewound and processed using 350 mL of Adox Adonal (Agfa Rodinal) developer prepared at the dilution 1+25 for 12min at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta Auto Bellows with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The light source was a LED panel CineStill Cine-lite.
The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.1.1) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.
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About the camera :
Maybe it would have been better not to ask for this question: « what’s new do you have at the moment?» to my local photo store, because Christine grab underneath the counter, stating « I have that … » . What a beast ! A Nikon F4 in the exact state of the Nikon brochure year 1990, presented with the standard AF Nikkor 1:1.4 f=50mm. I was already hooked by the machine. After two days, I decided to buy it even with some little common issues found on early Nikon F4 (see below), fortunately not affecting the whole, numberous functions of this incredibly complex professional SLR of the year 1990’s.
Nikon F4 came to the market on September 1988 starting with the serial number 2.000.000. Fully manufactured in Japan (modules came from 3 different Nikon factories) the F4's were assembled in Mito, Ibaraki (North to Tokyo) Nikon plant (no more in the mother factory of Tokyo Oi like the Nikon’s F). When I lived in Tokyo in 1990-1991, Nikon F4 was the top-of-the-line of Nikon SLR camera’s. I saw it in particular in Shinjuku Bic Camera store when I bought there, in December 1990 my Nikonos V.
Nikon F4 incorporates many astonishing engineering features as the double vertical-travel curtain shutter capable of the 1/8000s. Compared to the Nikon F3, the F4 was an AF SLR operated by a CCD sensor (200 photo sites). The film is automatically loaded, advanced with to top speed of 5,7 frame/s !! With the MB-21 power grip (F4s version). The F4 is a very heavy camera (1.7kg with the AF Nikkor 1.4/50mm), incredibly tough and well constructed. This exemplary is devoid of any scratches or marks, and in a condition proving that it was not used for hard professional appliances, for those it was however intended. The camera has still it original Nikon neck strap, the original user manual in French. The lens is protected by a Cokin (Franc) Skylight 1A 52mm filter and the original Nikon front cap. The two small LCD displays (one on the F4 body, one in the DP-20 finder) are both affected by the classical syndrome of « bleeding ». Fortunately, all information could still be read. One says that 70% of the early Nikon F4 suffer from this problem but also found on other models.
According its serial number and the production rate of about 5000 units/month, this Nikon F4s was probably manufactured in Mito, Ibaraki, Japan in May 1989.
The camera was exported abroad thereafter attested by the presence of the golden oval little sticker("Passed" on the DP-20 viewfinder. In order to certify the quality production, two Japanese organizations, the Japan Camera Industry Institute (JCII) and the Japan Machinery Design Center (JMDC), joined forces to verify and mark the conformity of products for the foreign market. This is how, between the 1950s and 1980s, this famous little gold sticker was affixed, with the legendary "Passed", meaning that the device had been checked. Finally, when we say that the device had been checked, the production line had been checked because each device could not be checked individually.
____________
About the flash :
I received from a German seller for 50€ this Nikon Speedlight electronic flash SB-26 that was, at the time of Nikon F4, the most powerful dedicated Nikon flash (Guide Number 36 at full power and 100 ISO).
The SB-26 communicates with the Nikon F4 body (and many other Nikon camera's) and can be operated in many different modes including TTL real-time metering with automatic equilibration of the ambient light using the 5-zone matrix metering done by the DP-20 photometric viewer as well in the center-weighted mode. Other possibilities include the normal TTL mode, an Auto mode using the own sensor of the flash and a manual mode with 7 power levels.
The flash head can cover the optical field from super-wide angle lenses 18-20mm, wide-angle lenses 28mm and 35mm, normal lenses 50mm, and long-focal lenses at 70mm and 85mm. The head can be rotated according two axis for indirect lightening. In addition, the SB-26 has a special focusing aid for the Nikon F4 autofocus system, projecting in the the darkness a red focusing image. SB-23 flash can be also used as master or slave flash in a coordinated flash system.
The flash requires 4 AA alkaline cells for approximately 100 lights at full power and much more with energy recycling at lower power levels.
This is a photograph from the finish of the 6th annual Kinnegad 5KM Road Race and Fun Run 2015 which was held in the town of Kinnegad, Co. Westmeath, Ireland on Wednesday 8th July 2015 at 20:00. This race has firmly estbalished itself on the local race calender and yet again the race got wonderful support from local clubs and runners. The race is flat and fast and takes runners on traffic free route which includes 3KM on the local road 'Boreen Bradach'. The finish is on the famous main street of Kinnegad in front of Harry's Hotel. Over 200 people took part and the results by Premier Timing Systems are available here [www.premiertimingsystems.ie/]. Our full set of photographs from tonight's race is available here www.flickr.com/photos/peterm7/sets/72157653300652864
The race is organised by Coralstown Kinnegad GAA Club with proceeds from the race going towards the development of the club.
USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
The Lidl Run Kildare Events 2013 were held at the Curragh Racecourse, Newbridge, Co. Kildare, Ireland on Sunday 12th May 2013. There were three events: a 10KM, a half marathon, and a full marathon. This is a selection of photographs which includes all events. The photographs are taken from the start and finish of the marathon, the finish of the 10KM, and the finish of the half marathon. Due to the large numbers participating we did not manage to photograph everyone - which was not helped by the weather. Congratulations to Jo Cawley and her RunKildare crew for another great event. The weather didn't dampen the spirits of the many happy participants.
Electronic timing was provided by Red Tag Timing [www.redtagtiming.com/]
Overall Race Summary
Participants: There were approximately 3,000 participants over the 3 race events - there were runners, joggers, and walkers participating.
Weather: A cold breezy morning with heavy rain at the start. The weather dried up for the 10KM and the Half Marathon races
Course: This is an undulating course with some good flat stretches on the Curragh.
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Some Useful Links
GPS Garmin Trace of the Kildare Marathon Route: connect.garmin.com/activity/175709313
Homepage of the Lidl Run Kildare Event: www.kildaremarathon.ie/index.html
Facebook Group page of the Lidl Run Kildare Event: www.facebook.com/RunKildare
Boards.ie Athletics Discussion Board pages about the race series: www.boards.ie/vbulletin/showthread.php?t=2056815306
Our photographs from Run Kildare 2012: www.flickr.com/photos/peterm7/sets/72157629707887620/
Our photographs from Run Kildare 2011: www.flickr.com/photos/peterm7/sets/72157626725200956/
A small selection of photographs from Run Kildare 2010: www.flickr.com/photos/peterm7/sets/72157623899845567/ (first event)
Can I use the photograph with the watermark?
Yes! Absolutely - you can post this photograph to your social networks, blogs, micro-blogging, etc.
How can I get a full resolution, no watermark, copy of these photographs?
All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available, free, at no cost, at full resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not know of any other photographers who operate such a policy. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. Taking the photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Some people offer payment for our photographs. We do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would pay for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
Cold and clear for the Ricardo Fireworks Party. Traditional foreground rides for the kids, a bar, food, an impressive display and a chance to catch up with current and former colleagues.
$112 BASE PRICE [INCLUDES WRIST STRAP]
$15 ADD MESSENGER STRAP
APPROXIMATE SIZE:
7.5" WIDE BY 4.5" TALL BY 1.25" DEEP
INCLUDES:
3 slip pockets
6 credit card slots
2 Clear ID Slots
1 zippered coin pocket
1 pen loop
1 lip gloss loop
TWO EXTERIOR ZIPPER POUCHES - GREAT FOR PHONE AND/OR OTHER FLAT/SMALL ITEMS
WHAT JJB ITEM CAN BE USED TO MAKE THIS ITEM?
ONE CHANGE PAD IS GREAT FOR THIS ITEM
MORE PHOTOS:
www.flickr.com/photos/thehappihippo/32819397922/in/album-...
Includes plan (20×33cms.) showing sewers, unhealthy districts, fever cases, deaths from fever, cholera cases, deaths from cholera, fever ward in Chester St., and house in which first case of cholera appeared; section and elevation of three storey back to back houses with cellars; details of families in twenty cellars, 7 Oct 1849 (mostly Irish names); table showing number of houses, population; residences of patients treated by the Chorlton Dispensary and Union, 1847-51, annual percen of deaths, total number of fever, diarrhoea and dysentery, scarlet fever and measles, 1847-1851, and total number of cases of cholera treated under the Union, 1848-1849; total deaths, 1847-1851, with number of houses, population, annual average and annual percent of deaths; deaths in specific streets from fever, smallpox, diarrhoea and dysentery, 1847-1851, cholera deaths per street, 1847-1851; causes of death in specific streets, 1847-1851; deaths under five years old; number of persons relieved and cost, 1847-51; number of ashpits requiring draining and other nuisances per street, 31 Dec 1853; number of back to back houses per street; streets and courts where privies face houses; streets and courts requiring draining; overcrowded houses per street "occupied by a low class of Irish, who are known to live together in large numbers", number of houses with privies under sleeping rooms.
GB127.M126/5/1/17