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Wells Cathedral is an Anglican cathedral in Wells, Somerset, England, dedicated to St Andrew the Apostle. It is the seat of the Bishop of Bath and Wells, whose cathedra it holds as mother church of the Diocese of Bath and Wells. Built as a Roman Catholic cathedral from around 1175 to replace an earlier church on the site since 705, it became an Anglican cathedral when King Henry VIII split from Rome. It is moderately sized for an English cathedral. Its broad west front and large central tower are dominant features. It has been called "unquestionably one of the most beautiful" and "most poetic" of English cathedrals.

 

Its Gothic architecture is mostly inspired from Early English style of the late 12th to early 13th centuries, lacking the Romanesque work that survives in many other cathedrals. Building began about 1175 at the east end with the choir. Historian John Harvey sees it as Europe's first truly Gothic structure, breaking the last constraints of Romanesque. The stonework of its pointed arcades and fluted piers bears pronounced mouldings and carved capitals in a foliate, "stiff-leaf" style. Its Early English front with 300 sculpted figures is seen as a "supreme triumph of the combined plastic arts in England". The east end retains much ancient stained glass. Unlike many cathedrals of monastic foundation, Wells has many surviving secular buildings linked to its chapter of secular canons, including the Bishop's Palace and the 15th-century residential Vicars' Close It is a Grade I listed building.

 

The earliest remains of a building on the site are of a late-Roman mausoleum, identified during excavations in 1980. An abbey church was built in Wells in 705 by Aldhelm, first bishop of the newly established Diocese of Sherborne during the reign of King Ine of Wessex. It was dedicated to St Andrew and stood at the site of the cathedral's cloisters, where some excavated remains can be seen. The font in the cathedral's south transept is from this church and is the oldest part of the present building. In 766 Cynewulf, King of Wessex, signed a charter endowing the church with eleven hides of land. In 909 the seat of the diocese was moved from Sherborne to Wells.

 

The first bishop of Wells was Athelm (909), who crowned King Æthelstan. Athelm and his nephew Dunstan both became Archbishops of Canterbury. During this period a choir of boys was established to sing the liturgy. Wells Cathedral School, which was established to educate these choirboys, dates its foundation to this point. There is, however, some controversy over this. Following the Norman Conquest, John de Villula moved the seat of the bishop from Wells to Bath in 1090. The church at Wells, no longer a cathedral, had a college of secular clergy.

 

The cathedral is thought to have been conceived and commenced in about 1175 by Reginald Fitz Jocelin, who died in 1191. Although it is clear from its size that from the outset, the church was planned to be the cathedral of the diocese, the seat of the bishop moved between Wells and the abbeys of Glastonbury and Bath, before settling at Wells. In 1197 Reginald's successor, Savaric FitzGeldewin, with the approval of Pope Celestine III, officially moved his seat to Glastonbury Abbey. The title of Bishop of Bath and Glastonbury was used until the Glastonbury claim was abandoned in 1219.

 

Savaric's successor, Jocelin of Wells, again moved the bishop's seat to Bath Abbey, with the title Bishop of Bath. Jocelin was a brother of Hugh (II) of Lincoln and was present at the signing of the Magna Carta. Jocelin continued the building campaign begun by Reginald and was responsible for the Bishop's Palace, the choristers' school, a grammar school, a hospital for travellers and a chapel. He also had a manor house built at Wookey, near Wells. Jocelin saw the church dedicated in 1239 but, despite much lobbying of the Pope by Jocelin's representatives in Rome, did not live to see cathedral status granted. The delay may have been a result of inaction by Pandulf Verraccio, a Roman ecclesiastical politician, papal legate to England and Bishop of Norwich, who was asked by the Pope to investigate the situation but did not respond. Jocelin died at Wells on 19 November 1242 and was buried in the choir of the cathedral; the memorial brass on his tomb is one of the earliest brasses in England. Following his death the monks of Bath unsuccessfully attempted to regain authority over Wells.

 

In 1245 the ongoing dispute over the title of the bishop was resolved by a ruling of Pope Innocent IV, who established the title as the "Bishop of Bath and Wells", which it has remained until this day, with Wells as the principal seat of the bishop. Since the 11th century the church has had a chapter of secular clergy, like the cathedrals of Chichester, Hereford, Lincoln and York. The chapter was endowed with 22 prebends (lands from which finance was drawn) and a provost to manage them. On acquiring cathedral status, in common with other such cathedrals, it had four chief clergy, the dean, precentor, chancellor and sacristan, who were responsible for the spiritual and material care of the cathedral.

 

The building programme, begun by Reginald Fitz Jocelin, Bishop in the 12th century, continued under Jocelin of Wells, who was a canon from 1200, then bishop from 1206. Adam Locke was master mason from about 1192 until 1230. It was designed in the new style with pointed arches, later known as Gothic, which was introduced at about the same time at Canterbury Cathedral. Work was halted between 1209 and 1213 when King John was excommunicated and Jocelin was in exile, but the main parts of the church were complete by the time of the dedication by Jocelin in 1239.

 

By the time the cathedral, including the chapter house, was finished in 1306, it was already too small for the developing liturgy, and unable to accommodate increasingly grand processions of clergy. John Droxford initiated another phase of building under master mason Thomas of Whitney, during which the central tower was heightened and an eight-sided Lady chapel was added at the east end by 1326. Ralph of Shrewsbury followed, continuing the eastward extension of the choir and retrochoir beyond. He oversaw the building of Vicars' Close and the Vicars' Hall, to give the men who were employed to sing in the choir a secure place to live and dine, away from the town and its temptations. He had an uneasy relationship with the citizens of Wells, partly because of his imposition of taxes, and he surrounded his palace with crenellated walls, a moat and a drawbridge.

 

John Harewell raised money for the completion of the west front by William Wynford, who was appointed as master mason in 1365. One of the foremost master masons of his time, Wynford worked for the king at Windsor, Winchester Cathedral and New College, Oxford. At Wells, he designed the western towers of which north-west was not built until the following century. In the 14th century, the central piers of the crossing were found to be sinking under the weight of the crossing tower which had been damaged by an earthquake in the previous century. Strainer arches, sometimes described as scissor arches, were inserted by master mason William Joy to brace and stabilise the piers as a unit.

 

By the reign of Henry VII the cathedral was complete, appearing much as it does today (though the fittings have changed). From 1508 to 1546, the eminent Italian humanist scholar Polydore Vergil was active as the chapter's representative in London. He donated a set of hangings for the choir of the cathedral. While Wells survived the Dissolution of the Monasteries better than the cathedrals of monastic foundation, the abolition of chantries in 1547 resulted in a reduction in its income. Medieval brasses were sold, and a pulpit was placed in the nave for the first time. Between 1551 and 1568, in two periods as dean, William Turner established a herb garden, which was recreated between 2003 and 2010.

 

Elizabeth I gave the chapter and the Vicars Choral a new charter in 1591, creating a new governing body, consisting of a dean and eight residentiary canons with control over the church estates and authority over its affairs, but no longer entitled to elect the dean (that entitlement thenceforward belonged ultimately to the Crown). The stability brought by the new charter ended with the onset of the Civil War and the execution of Charles I. Local fighting damaged the cathedral's stonework, furniture and windows. The dean, Walter Raleigh, a nephew of the explorer Walter Raleigh, was placed under house arrest after the fall of Bridgwater to the Parliamentarians in 1645, first in the rectory at Chedzoy and then in the deanery at Wells. His jailor, the shoe maker and city constable, David Barrett, caught him writing a letter to his wife. When he refused to surrender it, Barrett ran him through with a sword and he died six weeks later, on 10 October 1646. He was buried in an unmarked grave in the choir before the dean's stall. During the Commonwealth of England under Oliver Cromwell no dean was appointed and the cathedral fell into disrepair. The bishop went into retirement and some of the clerics were reduced to performing menial tasks.

 

In 1661, after Charles II was restored to the throne, Robert Creighton, the king's chaplain in exile, was appointed dean and was bishop for two years before his death in 1672. His brass lectern, given in thanksgiving, can be seen in the cathedral. He donated the nave's great west window at a cost of £140. Following Creighton's appointment as bishop, the post of dean went to Ralph Bathurst, who had been chaplain to the king, president of Trinity College, Oxford and fellow of the Royal Society. During Bathurst's long tenure the cathedral was restored, but in the Monmouth Rebellion of 1685, Puritan soldiers damaged the west front, tore lead from the roof to make bullets, broke the windows, smashed the organ and furnishings, and for a time stabled their horses in the nave.

 

Restoration began again under Thomas Ken who was appointed by the Crown in 1685 and served until 1691. He was one of seven bishops imprisoned for refusing to sign King James II's "Declaration of Indulgence", which would have enabled Catholics to resume positions of political power, but popular support led to their acquittal. Ken refused to take the oath of allegiance to William III and Mary II because James II had not abdicated and with others, known as the Nonjurors, was put out of office. His successor, Richard Kidder, was killed in the Great Storm of 1703 when two chimney stacks on the palace fell on him and his wife, while they were asleep in bed.

 

By the middle of the 19th century, a major restoration programme was needed. Under Dean Goodenough, the monuments were moved to the cloisters and the remaining medieval paint and whitewash removed in an operation known as "the great scrape". Anthony Salvin took charge of the extensive restoration of the choir. Wooden galleries installed in the 16th century were removed and the stalls were given stone canopies and placed further back within the line of the arcade. The medieval stone pulpitum screen was extended in the centre to support a new organ.

 

In 1933 the Friends of Wells Cathedral were formed to support the cathedral's chapter in the maintenance of the fabric, life and work of the cathedral. The late 20th century saw an extensive restoration programme, particularly of the west front. The stained glass is currently under restoration, with a programme underway to conserve the large 14th-century Jesse Tree window at the eastern terminal of the choir.

 

In January 2014, as part of the Bath film festival, the cathedral hosted a special screening of Martin Scorsese's The Last Temptation of Christ. This provoked some controversy, but the church defended its decision to allow the screening.

 

In 2021, a contemporary sculpture by Anthony Gormley was unveiled on a temporary plinth outside the cathedral.

 

Since the 13th century, Wells Cathedral has been the seat of the Bishop of Bath and Wells. Its governing body, the chapter, is made up of five clerical canons (the dean, the precentor, the canon chancellor, the canon treasurer, and the archdeacon of Wells) and four lay members: the administrator (chief executive), Keeper of the Fabric, Overseer of the Estate and the chairman of the cathedral shop and catering boards. The current bishop of Bath and Wells is Peter Hancock, who was installed in a service in the cathedral on 7 June 2014. John Davies has been Dean of Wells since 2016.

 

Employed staff include the organist and master of choristers, head Verger archivist, librarian and the staff of the shop, café and restaurant. The chapter is advised by specialists such as architects, archaeologists and financial analysts.

 

More than a thousand services are held every year. There are daily services of Matins, Holy Communion and Choral Evensong, as well as major celebrations of Christian festivals such as Christmas, Easter, Pentecost and saints' days. The cathedral is also used for the baptisms, weddings and funerals of those with close connections to it. In July 2009 the cathedral undertook the funeral of Harry Patch, the last British Army veteran of World War I, who died at the age of 111.

 

Three Sunday services are led by the resident choir in school terms and choral services are sung on weekdays. The cathedral hosts visiting choirs and does outreach work with local schools as part of its Chorister Outreach Project. It is also a venue for musical events such as an annual concert by the Somerset Chamber Choir.

 

Each year about 150,000 people attend services and another 300,000 visit as tourists. Entry is free, but visitors are encouraged to make a donation towards the annual running costs of around £1.5 million in 2015.

 

Construction of the cathedral began in about 1175, to the design of an unknown master-mason. Wells is the first cathedral in England to be built, from its foundation, in Gothic style. According to art historian John Harvey, it is the first truly Gothic cathedral in the world, its architects having entirely dispensed with all features that bound the contemporary east end of Canterbury Cathedral and the earlier buildings of France, such as the east end of the Abbey of Saint Denis, to the Romanesque. Unlike these churches, Wells has clustered piers rather than columns and has a gallery of identical pointed arches rather than the typically Romanesque form of paired openings. The style, with its simple lancet arches without tracery and convoluted mouldings, is known as Early English Gothic.

 

From about 1192 to 1230, Adam Lock, the earliest master-mason at Wells for whom a name is known, continued the transept and nave in the same manner as his predecessor. Lock was also the builder of the north porch, to his own design.

 

The Early English west front was commenced around 1230 by Thomas Norreys, with building and sculpture continuing for thirty years. Its south-west tower was begun 100 years later and constructed between 1365 and 1395, and the north-west tower between 1425 and 1435, both in the Perpendicular Gothic style to the design of William Wynford, who also filled many of the cathedral's early English lancet windows with delicate tracery.

 

The undercroft and chapter house were built by unknown architects between 1275 and 1310, the undercroft in the Early English and the chapter house in the Geometric style of Decorated Gothic architecture. In about 1310 work commenced on the Lady Chapel, to the design of Thomas Witney, who also built the central tower from 1315 to 1322 in the Decorated Gothic style. The tower was later braced internally with arches by William Joy. Concurrent with this work, in 1329–45 Joy made alterations and extensions to the choir, joining it to the Lady Chapel with the retrochoir, the latter in the Flowing Decorated style.

 

Later changes include the Perpendicular vault of the tower and construction of Sugar's Chapel, 1475–1490 by William Smyth. Also, Gothic Revival renovations were made to the choir and pulpitum by Benjamin Ferrey and Anthony Salvin, 1842–1857.

 

Wells has a total length of 415 feet (126 m). Like Canterbury, Lincoln and Salisbury cathedrals, it has the distinctly English arrangement of two transepts, with the body of the church divided into distinct parts: nave, choir, and retro-choir, beyond which extends the Lady Chapel. The façade is wide, with its towers extending beyond the transepts on either side. There is a large projecting porch on the north side of the nave forming an entry into the cathedral. To the north-east is the large octagonal chapter house, entered from the north choir aisle by a passage and staircase. To the south of the nave is a large cloister, unusual in that the northern range, that adjacent the cathedral, was never built.

 

In section, the cathedral has the usual arrangement of a large church: a central nave with an aisle on each side, separated by two arcades. The elevation is in three stages, arcade, triforium gallery and clerestory. The nave is 67 feet (20 m) in height, very low compared to the Gothic cathedrals of France. It has a markedly horizontal emphasis, caused by the triforium having a unique form, a series of identical narrow openings, lacking the usual definition of the bays. The triforium is separated from the arcade by a single horizontal string course that runs unbroken the length of the nave. There are no vertical lines linking the three stages, as the shafts supporting the vault rise above the triforium.

 

The exterior of Wells Cathedral presents a relatively tidy and harmonious appearance since the greater part of the building was executed in a single style, Early English Gothic. This is uncommon among English cathedrals where the exterior usually exhibits a plethora of styles. At Wells, later changes in the Perpendicular style were universally applied, such as filling the Early English lancet windows with simple tracery, the construction of a parapet that encircles the roof, and the addition of pinnacles framing each gable, similar to those around the chapter house and on the west front. At the eastern end there is a proliferation of tracery with repeated motifs in the Reticulated style, a stage between Geometric and Flowing Decorated tracery.

 

The west front is 100 feet (30 m) high and 147 feet (45 m) wide, and built of Inferior Oolite of the Middle Jurassic period, which came from the Doulting Stone Quarry, about 8 miles (13 km) to the east. According to the architectural historian Alec Clifton-Taylor, it is "one of the great sights of England".

 

West fronts in general take three distinct forms: those that follow the elevation of the nave and aisles, those that have paired towers at the end of each aisle, framing the nave, and those that screen the form of the building. The west front at Wells has the paired-tower form, unusual in that the towers do not indicate the location of the aisles, but extend well beyond them, screening the dimensions and profile of the building.

 

The west front rises in three distinct stages, each clearly defined by a horizontal course. This horizontal emphasis is counteracted by six strongly projecting buttresses defining the cross-sectional divisions of nave, aisles and towers, and are highly decorated, each having canopied niches containing the largest statues on the façade.

 

At the lowest level of the façade is a plain base, contrasting with and stabilising the ornate arcades that rise above it. The base is penetrated by three doors, which are in stark contrast to the often imposing portals of French Gothic cathedrals. The outer two are of domestic proportion and the central door is ornamented only by a central post, quatrefoil and the fine mouldings of the arch.

 

Above the basement rise two storeys, ornamented with quatrefoils and niches originally holding about four hundred statues, with three hundred surviving until the mid-20th century. Since then, some have been restored or replaced, including the ruined figure of Christ in the gable.

 

The third stages of the flanking towers were both built in the Perpendicular style of the late 14th century, to the design of William Wynford; that on the north-west was not begun until about 1425. The design maintains the general proportions, and continues the strong projection of the buttresses.

 

The finished product has been criticised for its lack of pinnacles, and it is probable that the towers were intended to carry spires which were never built. Despite its lack of spires or pinnacles, the architectural historian Banister Fletcher describes it as "the highest development in English Gothic of this type of façade."

 

The sculptures on the west front at Wells include standing figures, seated figures, half-length angels and narratives in high relief. Many of the figures are life-sized or larger. Together they constitute the finest display of medieval carving in England. The figures and many of the architectural details were painted in bright colours, and the colouring scheme has been deduced from flakes of paint still adhering to some surfaces. The sculptures occupy nine architectural zones stretching horizontally across the entire west front and around the sides and the eastern returns of the towers which extend beyond the aisles. The strongly projecting buttresses have tiers of niches which contain many of the largest figures. Other large figures, including that of Christ, occupy the gable. A single figure stands in one of two later niches high on the northern tower.

 

In 1851 the archaeologist Charles Robert Cockerell published his analysis of the iconography, numbering the nine sculptural divisions from the lowest to the highest. He defined the theme as "a calendar for unlearned men" illustrating the doctrines and history of the Christian faith, its introduction to Britain and its protection by princes and bishops. He likens the arrangement and iconography to the Te Deum.

 

According to Cockerell, the side of the façade that is to the south of the central door is the more sacred and the scheme is divided accordingly. The lowest range of niches each contained a standing figure, of which all but four figures on the west front, two on each side, have been destroyed. More have survived on the northern and eastern sides of the north tower. Cockerell speculates that those to the south of the portal represented prophets and patriarchs of the Old Testament while those to the north represented early missionaries to Britain, of which Augustine of Canterbury, St Birinus, and Benedict Biscop are identifiable by their attributes. In the second zone, above each pair of standing figures, is a quatrefoil containing a half-length angel in relief, some of which have survived. Between the gables of the niches are quatrefoils that contain a series of narratives from the Bible, with the Old Testament stories to the south, above the prophets and patriarchs, and those from the New Testament to the north. A horizontal course runs around the west front dividing the architectural storeys at this point.

 

Above the course, zones four and five, as identified by Cockerell, contain figures which represent the Christian Church in Britain, with the spiritual lords such as bishops, abbots, abbesses and saintly founders of monasteries on the south, while kings, queens and princes occupy the north. Many of the figures survive and many have been identified in the light of their various attributes. There is a hierarchy of size, with the more significant figures larger and enthroned in their niches rather than standing. Immediately beneath the upper course are a series of small niches containing dynamic sculptures of the dead coming forth from their tombs on the Day of Judgement. Although naked, some of the dead are defined as royalty by their crowns and others as bishops by their mitres. Some emerge from their graves with joy and hope, and others with despair.

 

The niches in the lowest zone of the gable contain nine angels, of which Cockerell identifies Michael, Gabriel, Raphael and Uriel. In the next zone are the taller figures of the twelve apostles, some, such as John, Andrew and Bartholomew, clearly identifiable by the attributes that they carry. The uppermost niches of the gable contained the figure of Christ the Judge at the centre, with the Virgin Mary on his right and John the Baptist on his left. The figures all suffered from iconoclasm. A new statue of Jesus was carved for the central niche, but the two side niches now contain cherubim. Christ and the Virgin Mary are also represented by now headless figures in a Coronation of the Virgin in a niche above the central portal. A damaged figure of the Virgin and Christ Child occupies a quatrefoil in the spandrel of the door.

 

The central tower appears to date from the early 13th century. It was substantially reconstructed in the early 14th century during the remodelling of the east end, necessitating the internal bracing of the piers a decade or so later. In the 14th century the tower was given a timber and lead spire which burnt down in 1439. The exterior was then reworked in the Perpendicular style and given the present parapet and pinnacles. Alec Clifton-Taylor describes it as "outstanding even in Somerset, a county famed for the splendour of its church towers".

 

The north porch is described by art historian Nikolaus Pevsner as "sumptuously decorated", and intended as the main entrance. Externally it is simple and rectangular with plain side walls. The entrance is a steeply arched portal framed by rich mouldings of eight shafts with stiff-leaf capitals each encircled by an annular moulding at middle height. Those on the left are figurative, containing images representing the martyrdom of St Edmund the Martyr. The walls are lined with deep niches framed by narrow shafts with capitals and annulets like those of the portal. The path to the north porch is lined by four sculptures in Purbeck stone, each by Mary Spencer Watson, representing the symbols of the Evangelists.

 

The cloisters were built in the late 13th century and largely rebuilt from 1430 to 1508 and have wide openings divided by mullions and transoms, and tracery in the Perpendicular Gothic style. The vault has lierne ribs that form octagons at the centre of each compartment, the joints of each rib having decorative bosses. The eastern range is of two storeys, of which the upper is the library built in the 15th century.

 

Because Wells Cathedral was secular rather than monastic, cloisters were not a practical necessity. They were omitted from several other secular cathedrals but were built here and at Chichester. Explanations for their construction at these two secular cathedrals range from the processional to the aesthetic. As at Chichester, there is no northern range to the cloisters. In monastic cloisters it was the north range, benefiting most from winter sunlight, that was often used as a scriptorium.

 

In 1969, when a large chunk of stone fell from a statue near the main door, it became apparent that there was an urgent need for restoration of the west front. Detailed studies of the stonework and of conservation practices were undertaken under the cathedral architect, Alban D. R. Caroe and a restoration committee formed. The methods selected were those devised by Eve and Robert Baker. W. A. (Bert) Wheeler, clerk of works to the cathedral 1935–1978, had previously experimented with washing and surface treatment of architectural carvings on the building and his techniques were among those tried on the statues.

 

The conservation was carried out between 1974 and 1986, wherever possible using non-invasive procedures such as washing with water and a solution of lime, filling gaps and damaged surfaces with soft mortar to prevent the ingress of water and stabilising statues that were fracturing through corrosion of metal dowels. The surfaces were finished by painting with a thin coat of mortar and silane to resist further erosion and attack by pollutants. The restoration of the façade revealed much paint adhering to the statues and their niches, indicating that it had once been brightly coloured.

 

The particular character of this Early English interior is dependent on the proportions of the simple lancet arches. It is also dependent on the refinement of the architectural details, in particular the mouldings.

 

The arcade, which takes the same form in the nave, choir and transepts, is distinguished by the richness of both mouldings and carvings. Each pier of the arcade has a surface enrichment of 24 slender shafts in eight groups of three, rising beyond the capitals to form the deeply undulating mouldings of the arches. The capitals themselves are remarkable for the vitality of the stylised foliage, in a style known as "stiff-leaf". The liveliness contrasts with the formality of the moulded shafts and the smooth unbroken areas of ashlar masonry in the spandrels. Each capital is different, and some contain small figures illustrating narratives.

 

The vault of the nave rises steeply in a simple quadripartite form, in harmony with the nave arcade. The eastern end of the choir was extended and the whole upper part elaborated in the second quarter of the 14th century by William Joy. The vault has a multiplicity of ribs in a net-like form, which is very different from that of the nave, and is perhaps a recreation in stone of a local type of compartmented wooden roof of which examples remain from the 15th century, including those at St Cuthbert's Church, Wells. The vaults of the aisles of the choir also have a unique pattern.

 

Until the early 14th century, the interior of the cathedral was in a unified style, but it was to undergo two significant changes, to the tower and to the eastern end. Between 1315 and 1322 the central tower was heightened and topped by a spire, which caused the piers that supported it to show signs of stress. In 1338 the mason William Joy employed an unorthodox solution by inserting low arches topped by inverted arches of similar dimensions, forming scissors-like structures. These arches brace the piers of the crossing on three sides, while the easternmost side is braced by a choir screen. The bracing arches are known as "St Andrew's Cross arches", in a reference to the patron saint of the cathedral. They have been described by Wim Swaan – rightly or wrongly – as "brutally massive" and intrusive in an otherwise restrained interior.

 

Wells Cathedral has a square east end to the choir, as is usual, and like several other cathedrals including Salisbury and Lichfield, has a lower Lady Chapel projecting at the eastern end, begun by Thomas Witney in about 1310, possibly before the chapter house was completed. The Lady Chapel seems to have begun as a free-standing structure in the form of an elongated octagon, but the plan changed and it was linked to the eastern end by extension of the choir and construction of a second transept or retrochoir east of the choir, probably by William Joy.

 

The Lady Chapel has a vault of complex and somewhat irregular pattern, as the chapel is not symmetrical about both axes. The main ribs are intersected by additional non-supporting, lierne ribs, which in this case form a star-shaped pattern at the apex of the vault. It is one of the earliest lierne vaults in England. There are five large windows, of which four are filled with fragments of medieval glass. The tracery of the windows is in the style known as Reticulated Gothic, having a pattern of a single repeated shape, in this case a trefoil, giving a "reticulate" or net-like appearance.

 

The retrochoir extends across the east end of the choir and into the east transepts. At its centre the vault is supported by a remarkable structure of angled piers. Two of these are placed as to complete the octagonal shape of the Lady Chapel, a solution described by Francis Bond as "an intuition of Genius". The piers have attached shafts of marble, and, with the vaults that they support, create a vista of great complexity from every angle. The windows of the retrochoir are in the Reticulated style like those of the Lady Chapel, but are fully Flowing Decorated in that the tracery mouldings form ogival curves.

 

The chapter house was begun in the late 13th century and built in two stages, completed about 1310. It is a two-storeyed structure with the main chamber raised on an undercroft. It is entered from a staircase which divides and turns, one branch leading through the upper storey of Chain Gate to Vicars' Close. The Decorated interior is described by Alec Clifton-Taylor as "architecturally the most beautiful in England". It is octagonal, with its ribbed vault supported on a central column. The column is surrounded by shafts of Purbeck Marble, rising to a single continuous rippling foliate capital of stylised oak leaves and acorns, quite different in character from the Early English stiff-leaf foliage. Above the moulding spring 32 ribs of strong profile, giving an effect generally likened to "a great palm tree". The windows are large with Geometric Decorated tracery that is beginning to show an elongation of form, and ogees in the lesser lights that are characteristic of Flowing Decorated tracery. The tracery lights still contain ancient glass. Beneath the windows are 51 stalls, the canopies of which are enlivened by carvings including many heads carved in a light-hearted manner.

 

Wells Cathedral contains one of the most substantial collections of medieval stained glass in England, despite damage by Parliamentary troops in 1642 and 1643. The oldest surviving glass dates from the late 13th century and is in two windows on the west side of the chapter-house staircase. Two windows in the south choir aisle are from 1310 to 1320.

 

The Lady Chapel has five windows, of which four date from 1325 to 1330 and include images of a local saint, Dunstan. The east window was restored to a semblance of its original appearance by Thomas Willement in 1845. The other windows have complete canopies, but the pictorial sections are fragmented.

 

The east window of the choir is a broad, seven-light window dating from 1340 to 1345. It depicts the Tree of Jesse (the genealogy of Christ) and demonstrates the use of silver staining, a new technique that allowed the artist to paint details on the glass in yellow, as well as black. The combination of yellow and green glass and the application of the bright yellow stain gives the window its popular name, the "Golden Window". It is flanked by two windows each side in the clerestory, with large figures of saints, also dated to 1340–45. In 2010 a major conservation programme was undertaken on the Jesse Tree window.

 

The panels in the chapel of St Katherine are attributed to Arnold of Nijmegen and date from about 1520. They were acquired from the destroyed church of Saint-Jean, Rouen, with the last panel having been purchased in 1953.

 

The large triple lancet to the nave west end was glazed at the expense of Dean Creighton at a cost of £140 in 1664. It was repaired in 1813, and the central light was largely replaced to a design by Archibald Keightley Nicholson between 1925 and 1931. The main north and south transept end windows by James Powell and Sons were erected in the early 20th century.

 

The greater part of the stone carving of Wells Cathedral comprises foliate capitals in the stiff-leaf style. They are found ornamenting the piers of the nave, choir and transepts. Stiff-leaf foliage is highly abstract. Though possibly influenced by carvings of acanthus leaves or vine leaves, it cannot be easily identified with any particular plant. Here the carving of the foliage is varied and vigorous, the springing leaves and deep undercuts casting shadows that contrast with the surface of the piers. In the transepts and towards the crossing in the nave the capitals have many small figurative carvings among the leaves. These include a man with toothache and a series of four scenes depicting the "Wages of Sin" in a narrative of fruit stealers who creep into an orchard and are then beaten by the farmer. Another well-known carving is in the north transept aisle: a foliate corbel, on which climbs a lizard, sometimes identified as a salamander, a symbol of eternal life.

 

Carvings in the Decorated Gothic style may be found in the eastern end of the buildings, where there are many carved bosses. In the chapter house, the carvings of the 51 stalls include numerous small heads of great variety, many of them smiling or laughing. A well-known figure is the corbel of the dragon-slaying monk in the chapter house stair. The large continuous capital that encircles the central pillar of the chapter house is markedly different in style to the stiff-leaf of the Early English period. In contrast to the bold projections and undercutting of the earlier work, it has a rippling form and is clearly identifiable as grapevine.

 

The 15th-century cloisters have many small bosses ornamenting the vault. Two in the west cloister, near the gift shop and café, have been called sheela na gigs, i. e. female figures displaying their genitals and variously judged to depict the sin of lust or stem from ancient fertility cults.

 

Wells Cathedral has one of the finest sets of misericords in Britain. Its clergy has a long tradition of singing or reciting from the Book of Psalms each day, along with the customary daily reading of the Holy Office. In medieval times the clergy assembled in the church eight times daily for the canonical hours. As the greater part of the services was recited while standing, many monastic or collegiate churches fitted stalls whose seats tipped up to provide a ledge for the monk or cleric to lean against. These were "misericords" because their installation was an act of mercy. Misericords typically have a carved figurative bracket beneath the ledge framed by two floral motifs known, in heraldic manner, as "supporters".

 

The misericords date from 1330 to 1340. They may have been carved under the direction of Master Carpenter John Strode, although his name is not recorded before 1341. He was assisted by Bartholomew Quarter, who is documented from 1343. They originally numbered 90, of which 65 have survived. Sixty-one are installed in the choir, three are displayed in the cathedral, and one is held by the Victoria and Albert Museum. New stalls were ordered when the eastern end of the choir was extended in the early 14th century. The canons complained that they had borne the cost of the rebuilding and ordered the prebendary clerics to pay for their own stalls. When the newly refurbished choir opened in 1339 many misericords were left unfinished, including one-fifth of the surviving 65. Many of the clerics had not paid, having been called to contribute a total sum of £200. The misericords survived better than the other sections of the stalls, which during the Protestant Reformation had their canopies chopped off and galleries inserted above them. One misericord, showing a boy pulling a thorn from his foot, dates from the 17th century. In 1848 came a complete rearrangement of the choir furniture, and 61 of the misericords were reused in the restructured stalls.

 

The subject matter of the carvings of the central brackets as misericords varies, but many themes recur in different churches. Typically the themes are less unified or directly related to the Bible and Christian theology than small sculptures seen elsewhere within churches, such as bosses. This applies at Wells, where none of the misericord carvings is directly based on a Bible story. The subjects, chosen either by the woodcarver, or perhaps by the one paying for the stall, have no overriding theme. The sole unifying elements are the roundels on each side of the pictorial subject, which all show elaborately carved foliage, in most cases formal and stylised in the later Decorated manner, but with several examples of naturalistic foliage, including roses and bindweed. Many of the subjects carry traditional interpretations. The image of the "Pelican in her Piety" (believed to feed her young on her own blood) is a recognised symbol for Christ's love for the Church. A cat playing with a mouse may represent the Devil snaring a human soul. Other subjects illustrate popular fables or sayings such as "When the fox preaches, look to your geese". Many depict animals, some of which may symbolise a human vice or virtue, or an aspect of faith.

 

Twenty-seven of the carvings depict animals: rabbits, dogs, a puppy biting a cat, a ewe feeding a lamb, monkeys, lions, bats, and the Early Christian motif of two doves drinking from a ewer. Eighteen have mythological subjects, including mermaids, dragons and wyverns. Five are clearly narrative, such as the Fox and the Geese, and the story of Alexander the Great being raised to Heaven by griffins. There are three heads: a bishop in a mitre, an angel, and a woman wearing a veil over hair arranged in coils over each ear. Eleven carvings show human figures, among which are several of remarkable design, conceived by the artist specifically for their purpose of supporting a shelf. One figure lies beneath the seat, supporting the shelf with a cheek, a hand and a foot. Another sits in a contorted manner supporting the weight on his elbow, while a further figure squats with his knees wide apart and a strained look on his face.

 

Some of the cathedral's fittings and monuments are hundreds of years old. The brass lectern in the Lady Chapel dates from 1661 and has a moulded stand and foliate crest. In the north transept chapel is a 17th-century oak screen with columns, formerly used in cow stalls, with artisan Ionic capitals and cornice, set forward over the chest tomb of John Godelee. There is a bound oak chest from the 14th century, which was used to store the chapter seal and key documents. The bishop's throne dates from 1340, and has a panelled, canted front and stone doorway, and a deep nodding cusped ogee canopy above it, with three-stepped statue niches and pinnacles. The throne was restored by Anthony Salvin around 1850. Opposite the throne is a 19th-century octagonal pulpit on a coved base with panelled sides, and steps up from the north aisle. The round font in the south transept is from the former Saxon cathedral and has an arcade of round-headed arches, on a round plinth. The font cover was made in 1635 and is decorated with the heads of putti. The Chapel of St Martin is a memorial to every Somerset man who fell in World War I.

 

The monuments and tombs include Gisa, bishop; † 1088; William of Bitton, bishop; † 1274; William of March, bishop; † 1302; John Droxford; † 1329; John Godelee; † 1333; John Middleton, died †1350; Ralph of Shrewsbury, died †; John Harewell, bishop; † 1386; William Bykonyll; † c. 1448; John Bernard; † 1459; Thomas Beckington; † died 1464; John Gunthorpe; † 1498; John Still; † 1607; Robert Creighton; † 1672; Richard Kidder, bishop; † 1703; George Hooper, bishop; † 1727 and Arthur Harvey, bishop; † 1894.

 

In the north transept is Wells Cathedral clock, an astronomical clock from about 1325 believed to be by Peter Lightfoot, a monk of Glastonbury. Its mechanism, dated between 1386 and 1392, was replaced in the 19th century and the original moved to the Science Museum in London, where it still operates. It is the second oldest surviving clock in England after the Salisbury Cathedral clock.

 

The clock has its original medieval face. Apart from the time on a 24-hour dial, it shows the motion of the Sun and Moon, the phases of the Moon, and the time since the last new Moon. The astronomical dial presents a geocentric or pre-Copernican view, with the Sun and Moon revolving round a central fixed Earth, like that of the clock at Ottery St Mary. The quarters are chimed by a quarter jack: a small automaton known as Jack Blandifers, who hits two bells with hammers and two with his heels. At the striking of the clock, jousting knights appear above the clock face.

 

On the outer wall of the transept, opposite Vicars' Hall, is a second clock face of the same clock, placed there just over seventy years after the interior clock and driven by the same mechanism. The second clock face has two quarter jacks (which strike on the quarter-hour) in the form of knights in armour.

 

In 2010 the official clock-winder retired and was replaced by an electric mechanism.

 

The first record of an organ at this church dates from 1310. A smaller organ, probably for the Lady Chapel, was installed in 1415. In 1620 an organ built by Thomas Dallam was installed at a cost of £398 1s 5d.

 

The 1620 organ was destroyed by parliamentary soldiers in 1643. An organ built in 1662 was enlarged in 1786 and again in 1855. In 1909–1910 an organ was built by Harrison & Harrison of Durham, with the best parts of the old organ retained. It has been serviced by the same company ever since.

 

Since November 1996 the cathedral has also had a portable chamber organ, by the Scottish makers, Lammermuir. It is used regularly to accompany performances of Tudor and baroque music.

 

The first recorded organist of Wells was Walter Bagele (or Vageler) in 1416. The post of organist or assistant organist has been held by more than 60 people since. Peter Stanley Lyons was Master of Choristers at Wells Cathedral, and Director of Music at Wells Cathedral School in 1954–1960. The choral conductor James William Webb-Jones, father of Lyons's wife Bridget (whom he married in the cathedral), was Headmaster of Wells Cathedral School in 1955–1960. Malcolm Archer was the appointed Organist and Master of the Choristers from 1996 to 2004. Matthew Owens was the appointed organist from 2005 to 2019.

 

There has been a choir of boy choristers at Wells since 909. Currently there are 18 boy choristers and a similar number of girl choristers, aged from eight to fourteen. The Vicars Choral was formed in the 12th century and the sung liturgy provided by a traditional cathedral choir of men and boys until the formation of an additional choir of girls in 1994. The boys and girls sing alternately with the Vicars Choral and are educated at Wells Cathedral School.

 

The Vicars Choral currently number twelve men, of whom three are choral scholars. Since 1348 the College of Vicars had its own accommodation in a quadrangle converted in the early 15th century to form Vicar's Close. The Vicars Choral generally perform with the choristers, except on Wednesdays, when they sing alone, allowing them to present a different repertoire, in particular plainsong.

 

In December 2010 Wells Cathedral Choir was rated by Gramophone magazine as "the highest ranking choir with children in the world". It continues to provide music for the liturgy at Sunday and weekday services. The choir has made many recordings and toured frequently, including performances in Beijing and Hong Kong in 2012. Its repertoire ranges from the choral music of the Renaissance to recently commissioned works.

 

The Wells Cathedral Chamber Choir is a mixed adult choir of 25 members, formed in 1986 to sing at the midnight service on Christmas Eve, and invited to sing at several other special services. It now sings for about 30 services a year, when the Cathedral Choir is in recess or on tour, and spends one week a year singing as the "choir in residence" at another cathedral. Although primarily liturgical, the choir's repertoire includes other forms of music, as well as performances at engagements such as weddings and funerals.

 

The cathedral is home to Wells Cathedral Oratorio Society (WCOS), founded in 1896. With around 160 voices, the society gives three concerts a year under the direction of Matthew Owens, Organist and Master of the Choristers at the cathedral. Concerts are normally in early November, December (an annual performance of Handel's Messiah) and late March. It performs with a number of specialist orchestras including: Music for Awhile, Chameleon Arts and La Folia.

 

The bells at Wells Cathedral are the heaviest ring of ten bells in the world, the tenor bell (the 10th and largest), known as Harewell, weighing 56.25 long hundredweight (2,858 kg). They are hung for full-circle ringing in the English style of change ringing. These bells are now hung in the south-west tower, although some were originally hung in the central tower.

 

The library above the eastern cloister was built between 1430 and 1508. Its collection is in three parts: early documents housed in the Muniment Room; the collection predating 1800 housed in the Chained Library; and the post-1800 collection housed in the Reading Room. The chapter's earlier collection was destroyed during the Reformation, so that the present library consists chiefly of early printed books, rather than medieval manuscripts. The earlier books in the Chained Library number 2,800 volumes and give an indication of the variety of interests of the members of the cathedral chapter from the Reformation until 1800. The focus of the collection is predominantly theology, but there are volumes on science, medicine, exploration, and languages. Books of particular interest include Pliny's Natural History printed in 1472, an Atlas of the World by Abraham Ortelius, printed in 1606, and a set of the works by Aristotle that once belonged to Erasmus. The library is open to the public at appointed times in the summer and presents a small exhibition of documents and books.

 

Three early registers of the Dean and Chapter edited by W. H. B. Bird for the Historical Manuscripts Commissioners – Liber Albus I (White Book; R I), Liber Albus II (R III) and Liber Ruber (Red Book; R II, section i) – were published in 1907. They contain with some repetition, a cartulary of possessions of the cathedral, with grants of land back to the 8th century, well before hereditary surnames developed in England, and acts of the Dean and Chapter and surveys of their estates, mostly in Somerset.

 

Adjacent to the cathedral is a large lawned area, Cathedral Green, with three ancient gateways: Brown's Gatehouse, Penniless Porch and Chain Gate. On the green is the 12th-century Old Deanery, largely rebuilt in the late 15th century by Dean Gunthorpe and remodelled by Dean Bathurst in the late 17th century. No longer the dean's residence, it is used as diocesan offices.

 

To the south of the cathedral is the moated Bishop's Palace, begun about 1210 by Jocelin of Wells but dating mostly from the 1230s. In the 15th century Thomas Beckington added a north wing, now the bishop's residence. It was restored and extended by Benjamin Ferrey between 1846 and 1854.

 

To the north of the cathedral and connected to it by the Chain Gate is Vicars' Close, a street planned in the 14th century and claimed to be the oldest purely residential street in Europe, with all but one of its original buildings intact. Buildings in the close include the Vicars Hall and gateway at the south end, and the Vicars Chapel and Library at the north end.

 

The Liberty of St Andrew was the historic liberty and parish that encompassed the cathedral and surrounding lands closely associated with it.

 

The English painter J. M. W. Turner visited Wells in 1795, making sketches of the precinct and a water colour of the west front, now in the Tate gallery. Other artists whose paintings of the cathedral are in national collections are Albert Goodwin, John Syer and Ken Howard.

 

The cathedral served to inspire Ken Follett's 1989 novel The Pillars of the Earth and with a modified central tower, featured as the fictional Kingsbridge Cathedral at the end of the 2010 television adaptation of that novel. The interior of the cathedral was used for a 2007 Doctor Who episode, "The Lazarus Experiment", while the exterior shots were filmed at Southwark Cathedral.

 

An account of the damage to the cathedral during the Monmouth Rebellion is included in Arthur Conan Doyle's 1889 historical novel Micah Clarke.

 

The cathedral provided scenes for the 2019–2020 television series The Spanish Princess.

© Diana Yakowitz 2010 all rights reserved.

Meadow School, 1888, Belfry

 

Iron rusts from disuse; stagnant water loses its purity and in cold weather becomes frozen; even so does inaction sap the vigor of the mind.

Leonardo da Vinci (1452 - 1519), The Notebooks

 

Constant learning is the route out of boredom with a few pauses to savor the acquisitions. DY

 

I will be back latter to comment on your streams!

Maurice Morning "Maury" Wills (b. October 2, 1932) is a former MLB shortstop and switch-hitter. He played for the Los Angeles Dodgers from 1959 to 1966 and in 1969–72, Pittsburgh Pirates from 1967 to 1968, and Montreal Expos in 1969. Wills was an essential component of the Dodgers' championship teams in the mid-1960s, and is credited for reviving the stolen base as part of baseball strategy.

 

Wills was an All-Star for five seasons, an All-Star Game MVP, a National League MVP, and a Gold Glove winner for two seasons.

 

In 1962 he had a season for the ages, breaking Ty Cobb's seemingly invincible 47 year-old ML mark of 96 with a spectacular 104 swipes, enough to run off with the 1962 National League MVP.

 

MLB debut - June 6, 1959, for the Los Angeles Dodgers

Last MLB appearance - October 4, 1972, for the Los Angeles Dodgers

 

MLB statistics:

Batting average - .281

Hits - 2,134

Home runs - 20

RBI - 458

Stolen bases - 586

Managerial record 26–56

Winning % - .317

 

Teams - As player:

Los Angeles Dodgers (1959–1966)

Pittsburgh Pirates (1967–1968)

Montreal Expos (1969)

Los Angeles Dodgers (1969–1972)

 

As manager:

Seattle Mariners (1980–1981)

 

Career highlights and awards:

7× All-Star (1961–1963, 1965, 1966)

3× World Series champion (1959, 1963, 1965)

NL MVP (1962)

2× Gold Glove Award (1961, 1962)

6× NL stolen base leader (1960–1965)

 

Links to all his issued baseball cards - www.tradingcarddb.com/Person.cfm/pid/6329/col/1/yea/0/Mau...

In this shot you can see Roberto (Squadritoro on Flickr) secretely captured while he was shooting a great landscape near Sferro (Catania) during our first shooting hunt. Roberto is a very friendly, smart, good looking man, which likes enjoy his spare time together other friends sharing the photography passion.

Incredible color on this Lamborghini Murciélago by ItalDesign (Affolter)!

 

At the Magny-Cours track, during the 2012 GT Days.

 

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Shot with Canon EOS 40D + Tamron 18-200mm

 

Oh, I love so many of the shots from Paris that I can hardly stop uploading the "old" stuff.

 

Today is the christmas celebration in my company, and we celebrate in Celle, which is about 3 hours from Berlin.

Shouldnt be a problem, normally. But since the weather is freaking out like hell, its cold as f**k and the freeways are full of traffic jams (the one we have to take about 42km at the moment) it is definitely going to be interesting.

I love exceptional situations, its interesting to see how a big city like berlin reacts to it.

But its more than fucked if you are depending on punctuality.

Cross your fingers plz =)

 

For a look behind the scenes of my photography

please visit My Blog

Banketbakkerij Lamers in actie

The building was derelict, but was the focus of some controversy in the 1980s, when conservationists blamed various governments for inaction in preserving the building. It was finally torn down in 1995.

*Kyoto, Japan*

 

With an open mind enter into the mysteries of nature, and with inaction master the principle of change

(unknown Judo master)

 

Keep your faith in beautiful things; in the sun when it is hidden, in the Spring when it is gone.

 

(Roy R. Gibson)

 

An ICON for Kyoto

Sunset, viewed from the rear. The 'Clear Water temple' was famous for its giant pillars of wood supporting the main temple complex. The wooden structures stood more than a century.

View On Black

Model: Petri

 

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Ferrari FXX number 31.

While on track at Spa Francorchamps.

 

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Crotch

Entrejambe

The Israeli West Bank barrier, comprising the West Bank Wall and the West Bank fence, is a separation barrier built by Israel along the Green Line and inside parts of the West Bank. Israel describes the wall as a necessary security barrier against Palestinian political violence; whereas Palestinians describe it as an element of racial segregation and a representation of Israeli apartheid, who often call it "Wall of Apartheid". At a total length of 708 kilometres (440 mi) upon completion, the route traced by the barrier is more than double the length of the Green Line, with 15% of its length running along the Green Line or inside Israel, and the remaining 85% running as much as 18 kilometres (11 mi) inside the West Bank, effectively isolating about 9% of the land and approximately 25,000 Palestinians from the rest of the Palestinian territory.

 

The barrier was built by Israel following a wave of Palestinian political violence and incidents of terrorism inside Israel during the Second Intifada, which began in September 2000 and ended in February 2005. The Israeli government cites a decreased number of suicide bombings carried out from the West Bank as evidence of its efficacy, after such attacks fell from 73 between 2000 and July 2003 (the completion of the first continuous segment) to 12 between August 2003 and the end of 2006. While the barrier was initially presented as a temporary security measure at a time of heightened tensions, it has since been associated with a future political border between Israel and the State of Palestine.

 

The barrier has drawn criticism from Palestinians, human rights groups, and members of the international community, who have all argued that it serves as evidence of Israel's intent to annex Palestinian land under the guise of security. It has also been alleged that the construction of the wall aims to undermine the Israeli–Palestinian peace process by unilaterally establishing new de facto borders. Key points of dispute are that it substantially deviates eastward from the Green Line, severely restricts the travel of many Palestinians, and impairs their ability to commute to work within the West Bank or to Israel. The International Court of Justice issued an advisory opinion finding that the barrier qualifies as a violation of international law. In 2003, the United Nations General Assembly adopted a resolution that charged Israel's building of the barrier to be a violation of international law and demanded its removal by a vote of 144–4 with 12 abstentions.

 

The walled sections of the barrier have become a canvas for graffiti art, with its Palestinian side illustrating opposition to the barrier, Palestinian resistance, their right to return, as well as human rights in general.

 

The barrier is described by the Israeli Defense Forces as a "multi-layered composite obstacle", with parts of it being consisting of a 9 metres (30 ft) high concrete wall, while others stretches consist of a multi-layered fence system, with three fences with pyramid-shaped stacks of barbed wire on the two outer fences and a lighter-weight fence with intrusion detection equipment in the middle; an anti-vehicle ditch; patrol roads on both sides; and a smooth strip of sand for "intrusion tracking".

 

Where the multi-layered fence system is employed, it contains an exclusion area of 60-metre (200 ft) in width on average,[33] with some sections having an exclusion area that reaches up to 100 metres (330 ft). The concrete wall has a width of 3 metres (9.8 ft), and the wall is 9 metres (30 ft) high.

 

The barrier runs partly along or near the 1949 Jordanian–Israeli armistice line ("Green Line") and partly through the Israeli-occupied West Bank diverging eastward from the armistice line by up to 20 km (12 mi) to include on the western side several of the areas with concentrations of highly populated Israeli settlements, such as East Jerusalem, the Ariel Bloc (Ariel, Karnei Shomron, Kedumim, Immanuel etc.), Gush Etzion, Givat Ze'ev, Oranit, and Maale Adumim.

 

The barrier nearly encircles some Palestinian towns, about 20% follows the armistice line, and a projected 77,000 ha (191,000 acres) or about 13.5% of the West Bank area is on the west side of the wall. According to a study of the April 2006 route by the Israeli human rights organization B'Tselem, 8.5% of the West Bank area will be on the Israeli side of the barrier after completion, and 3.4% partly or completely surrounded on the eastern side. Some 27,520 to 31,000 Palestinians will be captured on the Israeli side. Another 124,000, on the other hand, will effectively be controlled and isolated. Some 230,000 Palestinians in Jerusalem will be placed on the West Bank side. Most of the barrier[vague] was built at the northern and western edges of the West Bank, mostly beyond the Green Line and created 9 enclaves, which enclosed 15,783 ha (39,000 acres). An additional barrier, circa 10 km long, run south of Ramallah.

 

Israel states that the topography does not permit putting the barrier along the Green Line in some places because hills or tall buildings on the Palestinian side would make the barrier ineffective against terrorism. The International Court of Justice states that in such cases it is only legal to build the barrier inside Israel.

 

The barrier route has been challenged in court and changed several times. Argument presented to the court has reiterated that the cease-fire line of 1949 was negotiated "without prejudice to future territorial settlements or boundary lines" (Art. VI.9).

 

In 1992, the idea of creating a physical barrier between the Israeli and Palestinian populations was proposed by then-prime minister Yitzhak Rabin, following the murder of an Israeli teenage girl in Jerusalem. Rabin said that Israel must "take Gaza out of Tel Aviv" in order to minimize friction between the peoples.

 

Following an outbreak of violent incidents in Gaza in October 1994, Rabin said: "We have to decide on separation as a philosophy. There has to be a clear border. Without demarcating the lines, whoever wants to swallow 1.8 million Arabs will just bring greater support for Hamas." Following an attack on HaSharon Junction, near the city of Netanya, Rabin made his goals more specific: "This path must lead to a separation, though not according to the borders prior to 1967. We want to reach a separation between us and them. We do not want a majority of the Jewish residents of the state of Israel, 98% of whom live within the borders of sovereign Israel, including a united Jerusalem, to be subject to terrorism."

 

In 1994, the first section of a barrier (slabs of concrete contiguous for miles) was constructed. The section follows the border between Bat Hefer and Tulkarm communities.

 

In 1995, the Shahal commission was established by Yitzhak Rabin to discuss how to implement a barrier separating Israelis and Palestinians. Israeli Prime Minister Ehud Barak, prior to the Camp David 2000 Summit with Yasser Arafat, vowed to build a separation barrier, stating that it is "essential to the Palestinian nation in order to foster its national identity and independence without being dependent on the State of Israel".

 

In November 2000, during Israeli-Palestinian peace negotiations in Washington, Prime Minister Ehud Barak approved financing of a 74 km (46 mi) fence between the Wadi Ara region and Latrun. Not until 14 April 2002, the Cabinet of Prime Minister Ariel Sharon decided to implement the plan and establish a permanent barrier in the Seam Area. On 23 June 2002, the Ariel Sharon Government definitely approved the plan in principle and work at the barrier began.

 

At the end of 2002, due to government inaction, several localities who suffered the most from lack of a border barrier had already started to build the barrier using their own funds directly on the green-line.

 

By 2003, 180 km (112 mi) had been completed and in 2004, Israel started the southern part of the barrier.

 

The barrier and behind it Beit Surik. "The Beit Surik Case (HCJ 2056/04)" [HE] of the Supreme Court of Israel in 30 June 2004 set the standards of proportionality between Israeli security and the injury to the Palestinian residents and resulted in a change in the route of the barrier.

In February 2004, the Israeli government said it would review the route of the barrier in response to US and Palestinian concerns. In particular, Israeli cabinet members said modifications would be made to reduce the number of checkpoints Palestinians had to cross, and especially to reduce Palestinian hardship in areas such as the city of Qalqilyah which the barrier completely surrounds. On February 20, 2005, the Israeli cabinet approved the barrier's route on the same day it approved the execution of the Gaza disengagement plan. The length of the route was increased to 670 km (416 mi) (about twice the length of the Green Line) and would leave about 10% of the West Bank, including East Jerusalem and nearly 50,000 Palestinians on the Israeli side. It also put the large settlement Maale Adumim and the Gush Etzion bloc on the Israeli side of the barrier, effectively annexing them. The final route, when realized, closes the Wall separating East Jerusalem, including Maale Adumim, from the West Bank. Before, the exact route of the barrier had not been determined, and it had been alleged by opponents that the barrier route would encircle the Samarian highlands of the West Bank, separating them from the Jordan valley. In June 2004, in exchange for Finance Minister Benjamin Netanyahu's support Israel's planned withdrawal from Gaza, Prime Minister Sharon pledged to build an extension of the barrier to the east of the settlement Ariel to be completed before the finish of the withdrawal from the Gaza Strip. Despite the ICJ ruling that the wall beyond the Green Line is illegal, Ariel Sharon reiterated on September 8, 2004, that the large settlement blocs of Ariel, Ma'aleh Adumim and Gush Etzion will be on the Israeli side of the Barrier. He also decided that the Barrier would run east of Ariel, but its connection with the main fence be postponed. Israel appropriated Palestinian private land to build the fence upon and started preparations for constructing the wall to the farthest point ever inside the West Bank, 22 km (14 mi) beyond the Green Line, 3.5 km (2.2 mi) long, and 100 m (330 ft) wide.

 

In 2005, the Israeli Supreme Court made reference to the conditions and history that led to the building of the barrier. The Court described the history of violence against Israeli citizens since the breakout of the Second Intifada and the loss of life that ensued on the Israeli side. The court ruling also cited the attempts Israel had made to defend its citizens, including "military operations" carried out against "terrorist acts", and stated that these actions "did not provide a sufficient answer to the immediate need to stop the severe acts of terrorism. ... Despite all these measures, the terror did not come to an end. The attacks did not cease. Innocent people paid with both life and limb. This is the background behind the decision to construct the separation fence (Id., at p. 815)."

 

In 2006, 362 km (224.9 mi) of the barrier had been completed, 88 km (54.7 mi) was under construction and 253 km (157.2 mi) had not yet been started. On April 30, 2006, the route was revised by a cabinet decision, following a suicide bombing in Tel Aviv. In the Ariel area, the new route corrects an anomaly of the previous route that would have left thousands of Palestinians on the Israeli side. The Alfei Menashe settlement bloc was reduced in size, and the new plan leaves three groups of Palestinian houses on the Palestinian side of the fence. The barrier's route in the Jerusalem area will leave Beit Iksa on the Palestinian side; and Jaba on the Israeli side, but with a crossing to the Palestinian side at Tzurif. Further changes were made to the route around Eshkolot and Metzadot Yehuda, and the route from Metzadot to Har Choled was approved.

 

In 2012, 440 km (273.4 mi) (62%) of the barrier had been completed.

 

In September 2014, eight years after approving the 45 km stretch of barrier enclosing Gush Etzion, no progress had been made on it, and Israel reopened the debate. The fence is scheduled to go through the national park, the Nahal Rafaim valley, and the Palestinian village of Battir. The Israeli land appropriated in Gva'ot would be on the Palestinian side of the barrier. On 21 September 2014, the government voted to not reauthorize the barrier in the Gush Etzion area.

 

In 2022, 45 km (28.0 mi) of the barrier that had been built as a multi-layered fence were replaced by new sections of the 9-meter high concrete wall.

 

Bethlehem (/ˈbɛθlɪhɛm/; Arabic: بيت لحم, Bayt Laḥm, pronunciation; Hebrew: בֵּית לֶחֶם Bēṯ Leḥem) is a city in the Israeli-occupied West Bank of the State of Palestine, located about ten kilometres (six miles) south of Jerusalem. It is the capital of the Bethlehem Governorate, and has a population of approximately 25,000 people. The city's economy is largely tourist-driven; international tourism peaks around and during Christmas, when Christians embark on a pilgrimage to the Church of the Nativity, revered as the location of the Nativity of Jesus.

 

The earliest-known mention of Bethlehem is in the Amarna correspondence of ancient Egypt, dated to 1350–1330 BCE, when the town was inhabited by the Canaanites. In the Hebrew Bible, the period of the Israelites is described; it identifies Bethlehem as the birthplace of David. In the New Testament, the city is identified as the birthplace of Jesus of Nazareth. Under the Roman Empire, the city of Bethlehem was destroyed by Hadrian, but later rebuilt by Helena, and her son, Constantine the Great, who commissioned the Church of the Nativity in 327 CE. In 529, the Church of the Nativity was heavily damaged by Samaritans involved in the Samaritan revolts; following the victory of the Byzantine Empire, it was rebuilt by Justinian I.

 

Amidst the Muslim conquest of the Levant, Bethlehem became part of Jund Filastin in 637. Muslims continued to rule the city until 1099, when it was conquered by the Crusaders, who replaced the local Christian Greek Orthodox clergy with Catholic ones. In the mid-13th century, Bethlehem's walls were demolished by the Mamluk Sultanate. However, they were rebuilt by the Ottoman Empire in the 16th century, following the Ottoman–Mamluk War.[8] After the dissolution of the Ottoman Empire at the end of World War I, it became part of Mandatory Palestine until 1948, when it was annexed by Jordan during the 1948 Arab–Israeli War. During the 1967 Six Day War, Bethlehem was occupied by Israel along with the rest of the West Bank. Since the Oslo Accords between Israel and the Palestinian National Authority, Bethlehem has been designated as part of Area A of the West Bank, nominally rendering it as being under Palestinian control. Movement around the city is limited due to the Israeli West Bank barrier.

 

While it was historically a city of Arab Christians, Bethlehem now has a majority of Arab Muslims; it is still home to a significant community of Palestinian Christians, however it has dwindled significantly, mostly due to difficulties resulting from living under the Israeli occupation. Presently, Bethlehem has become encircled by dozens of Israeli settlements, which significantly hinder the ability of Palestinians in the city to openly access their land and livelihoods, which has contributed to the exodus of Palestinians.

 

The West Bank (Arabic: الضفة الغربية, romanized: aḍ-Ḍiffah al-Ġarbiyyah; Hebrew: הַגָּדָה הַמַּעֲרָבִית, romanized: HaGadáh HaMaʽarávit), so called due to its relation to the Jordan River, is the larger of the two Palestinian territories (the other being the Gaza Strip). A landlocked territory near the coast of the Mediterranean Sea in the Levant region of West Asia, it is bordered by Jordan and the Dead Sea to the east and by Israel (via the Green Line) to the south, west, and north. The territory has been under Israeli occupation since 1967.

 

The territory first emerged in the wake of the 1948 Arab–Israeli War as a region occupied and subsequently annexed by Jordan. Jordan ruled the territory until the 1967 Six-Day War, when it was occupied by Israel. Since then, Israel has administered the West Bank as the Judea and Samaria Area, expanding its claim into East Jerusalem in 1980. The mid-1990s Oslo Accords split the West Bank into three regional levels of Palestinian sovereignty, via the Palestinian National Authority (PNA): Area A (PNA), Area B (PNA and Israel), and Area C (Israel, comprising 60% of the West Bank). The PNA exercises total or partial civil administration over 165 Palestinian enclaves across the three areas.

 

The West Bank remains central to the Israeli–Palestinian conflict. The Palestinians consider it the heart of their envisioned state, along with the Gaza Strip. Right-wing and religious Israelis see it as their ancestral homeland, with numerous biblical sites. There is a push among some Israelis for partial or complete annexation of this land. Additionally, it is home to a rising number of Israeli settlers. Area C contains 230 Israeli settlements into which Israeli law is applied and under the Oslo Accords was supposed to be mostly transferred to the PNA by 1997, but this did not occur. The international community considers Israeli settlements in the West Bank to be illegal under international law. Citing the 1980 law in which Israel claimed Jerusalem as its capital, the 1994 Israel–Jordan peace treaty, and the Oslo Accords, a 2004 advisory ruling by the International Court of Justice concluded that the West Bank, including East Jerusalem, remain Israeli-occupied territory.

 

Palestine (Arabic: فلسطين, romanized: Filasṭīn), officially the State of Palestine (دولة فلسطين, Dawlat Filasṭīn), is a state in the Southern Levant region of West Asia. Founded on 15 November 1988 and officially governed by the Palestine Liberation Organization (PLO), it claims the West Bank (including East Jerusalem) and the Gaza Strip as its territory, all of which have been Israeli-occupied territories since the 1967 Six-Day War. The West Bank contains 165 Palestinian enclaves that are under partial Palestinian rule, but the remainder, including 200 Israeli settlements, is under full Israeli control. The Gaza Strip was governed by Egypt but conquered by Israel in 1967. Israel governed the region until it withdrew in 2005. The United Nations, the International Committee of the Red Cross, and various human-rights organizations still consider Gaza to be held under Israeli military occupation, due to what they regard as Israel's effective military control over the territory; Israel disputes this. Hamas seized power after winning the 2006 Palestinian legislative election. This has since been ensued by a blockade of the Gaza Strip by Israel and Egypt.

 

After World War II, in 1947, the United Nations (UN) adopted a Partition Plan for Mandatory Palestine, which recommended the creation of independent Arab and Jewish states and an internationalized Jerusalem. Immediately after the United Nations General Assembly adopted the plan as Resolution 181, a civil war broke out in Palestine, and the plan was not implemented. The day after the establishment of the State of Israel on 14 May 1948, neighboring Arab countries invaded the former British Mandate and engaged Israeli forces in the 1948 Arab–Israeli War. Later, the All-Palestine Government was established by the Arab League on 22 September 1948 to govern the All-Palestine Protectorate in the Egyptian-occupied Gaza Strip. It was soon recognized by all Arab League members except Transjordan, which had occupied and later annexed the West Bank, including East Jerusalem. Palestine is currently recognized by 138 of the 193 United Nations (UN) member states. Though jurisdiction of the All-Palestine Government was declared to cover the whole of the former Mandatory Palestine, its effective jurisdiction was limited to the Gaza Strip. During the Six-Day War in June 1967, Israel captured the Gaza Strip and the Sinai Peninsula from Egypt, the West Bank and East Jerusalem from Jordan, and the Golan Heights from Syria.

 

On 15 November 1988 in Algiers, Yasser Arafat, as Chairman of the PLO, issued the Palestinian Declaration of Independence, which established the State of Palestine. A year after the signing of the Oslo Accords in 1993, the Palestinian National Authority (PNA) was formed to govern (in varying degrees) areas A and B in the West Bank, comprising 165 enclaves, and the Gaza Strip. After Hamas became the PNA parliament's leading party in the most recent elections (2006), a conflict broke out between it and the Fatah party, leading to the Gaza Strip being taken over by Hamas in 2007 (two years after the Israeli disengagement).

 

The State of Palestine's mid-year population in 2021 was 5,227,193. Although Palestine claims Jerusalem as its capital, the city is under the control of Israel; both Palestinian and Israeli claims to the city are mostly unrecognized by the international community. Palestine is a member of the Arab League, the Organisation of Islamic Cooperation, the G77, the International Olympic Committee, as well as UNESCO, UNCTAD and the International Criminal Court. Following a failed attempt in 2011 to secure full United Nations member state status, the United Nations General Assembly voted in 2012 to recognize Palestine as a non-member observer state. On 26 February 2024, the Palestinian government collapsed, with the entire Palestinian government resigning, including the prime minister.

"A Little Tale"...

 

Sue was a very pretty, somewhat shy, and very resourceful gal. She always used her common sense and was able to think clearly in any situation. This is a wonderful attribute to possess.

 

It certainly came in handy on the day Sue was taking a walk along the coast on a beautiful summer day when without warning, she was grabbed from behind, knocked unconscious with chloroform, and woke up in a glass jar in the back of some moving vehicle. It was dark inside, so she was unable to tell if she was in a van or something else. Whatever it was, it was moving very fast.

 

Knowing she was trapped inside a glass jar caused panic to set in. Her throat closed. She thought she was going to suffocate. She started to scream, but that only fogged up her glass tomb so she stopped. Once quiet, she thought she heard other sounds and, when her eyes became adjusted to the darkness, she could just make out other glass jars with other people in them. She was not alone. There were other victims….prisoners like her.

 

Thoughts of all kinds raced through her mind... and none of them were good. Sue imagined all sorts of horrors that were going to happen to her and again panic and terror took over her mind and body. So, she began to shake violently.

 

Her shaking had one positive aspect to it. The glass was not that thick and so her shaking made it wobble. Wobble…The glass jar wobbled!

 

If it could wobble, maybe she could push it over and break it or roll it into some corner so she would not be seen. Of course, she had no idea whether the vehicle she was in had corners, but, it was worth a shot. So she began to push against the glass to get it rocking.

 

At first it was very difficult, especially since the amount of air she was getting into the jar was just enough to keep her alive, but, nonetheless, she persevered. Sweat broke out on her forehead and dripped into her eyes, stinging them, but she continued until she was successful it getting it to rock back and forth, back and forth.

 

Once this happened, the bottle fell over and she was inside the unbroken bottle on her face. Now, her plan was to get it to roll.

 

Again, she was successful and it rolled… and kept rolling until she rolled to an edge of some sort and dropped down into what seemed to be a crack. And, there she stayed… stuck…to await her fate. There was nothing she could do to move the bottle. She managed to get her own body on her back inside the glass and then, just waited and prayed. She prayed like she never prayed before.

 

After what seemed to be an eternity, the vehicle stopped and shortly the doors opened, letting in such bright eye burning sunlight. With squinting eyes, she looked up at her kidnapper from her place in the crack. He was terrifying. She realized she had rolled into one of the ridges in a ramp that was connected to the back of the vehicle.

 

The monster of a man jerked the ramp upwards to free it so he could lower it. He did not notice Sue, but looked into his van at his other victims instead. When he gave the ramp that initial jerk to pull it up to release it, Sue’s little bottle was thrown up out of the ridge and flew out of the truck and into the dirt.

 

She was, apparently, still not seen by her monster kidnapper. So, using all the strength she had left and fueling her body with the adrenaline of fear that engulfed her, she got her little bottle to roll again. And once it started to roll, it rolled away from the van and her kidnapper. Finally, it stopped rolling when it came in contact with a large fallen branch and became covered with a rather sizeable pile of dead leaves surrounding it.

 

Sue could not see anything due to the leaf blanket over her bottle. But, she assumed this was a good thing. If her kidnapper did not keep a tally of his victims in bottles and did not search for her, she would be okay. She had no idea how far she was from the van or him. She just had to wait and see what her fate would be. Breathing was hard due to the small amount of oxygen she was getting from the holes in the top of the bottle. So, she tried to calm herself to conserve air.

 

She turned her body again inside the little bottle, with great difficulty, so she was on her back and then… just waited. She could hear or see nothing. Time moved slowly. She had no idea if it was day or night.

 

She just waited and prayed.

~Marsha J. West, Author*

 

* This “A Little Tale” (story) and creation may not be copied, reproduced, republished, edited, downloaded, displayed, modified, transmitted, licensed, transferred, sold, stolen, distributed or uploaded in any way without my written permission. My work does not belong to the public domain. Marsha J. West ©all rights reserved.

  

Acai @ Zulkefli Zain

 

Nikon D80

AF Nikkor 50mm ƒ1.8D

Kuala Terengganu, Terengganu, Malaysia.

By our action or inaction all of us hurt others around us. These candles are lit for those who hurt the most. I'm devastated by the cruel deaths in Newtown, Conneticut. Yet "worldwide 34,000 children under the age of five die daily from hunger and preventable diseases". We probably can't directly do anything to make schools safer. We can, however, do something about hunger, lack of water, and diease in the world if we choose to. And save thousands of lives.

(Sources: Unesco)

 

This is a photo made on film, developed and printed by me, and then photographed to make it digital. (That's why it has the lovely film grain)

 

_DSC6661 ps 1280s

This the oldest possible building in Margate has now been demolished thanks to the inaction of the Kingborough Council in allowing this to happen despite local opposition to its removal and the loss of a business that had been operating for 29 years.Shame on you Kingborough Council for putting money before Heritage.

Responding Code 3 on Capilano Road today.

They say that one person can't ever save another, and I believe that's true, I know it is. But I want to speak for the value of action at exactly the right moment. Or is it inaction? I'm not so sure, but there's much more to being a good listener than listening.

 

The relativity of relatability saves me. We talk until time ticks away, and when it runs dry, we feel as if some likeness was achieved. I don't mean like a portrait on paper or a photographed image, I mean more in the realm of the sighing soul. You let me know all about you, and I'll tell you the same of me. That's what it means to be listening, to be speaking with the same eager reaction as the one who speaks to you. A conversation will far sooner heal your spirit than a blank and open ear. You could talk to yourself and feel better. At least you know what you need.

 

They say that one person can't ever save another, but when that one person is the only one you've got, their significance is unmatched and not to be underestimated. I've had friends in this life, but only one who was close enough to touch. I mean that in every sense of the word, because the barriers between bodies are like the walls between souls – both aching and necessary. To be reached out and touched is unlike all other sensations, come around to calm and quashing a urge for escape.

 

At some point you need to step back, and you will want to. For most, it's from a brief exchange, a handshake, a hug. Most embraces are short and silent. Where goes the closeness craved? Children are held for indeterminate time, and lovers are much the same. On a scale of miles to inches, down to not one millimeter at all, we place each of the humans in our lives on a scale away from us.

 

They say that one person can't ever save another, but I'm not sure if that's true. Perhaps not a salvation from all, but some. My lover, my closest friend, she taught me humanity in her when I only found it in myself. She brought me a canvas to paint my thoughts across, another home for brokenness while the puzzle maker comes along to put it back together – a surface to spread the scene and search for missing pieces. I feel as alone as always, but in the company of a holy soul. I may never be better than I've been, but I've never had more hope. Hold fast.

 

tumblr | etsy | blurb | facebook 1 - 2

Hope you all have an incredibly blessed 2011!

 

1. “Iron rusts from disuse; water loses its purity from stagnation ... even so does inaction sap the vigour of the mind.” --Leonardo da Vinci, 2. “Kindness is like snow - it beautifies everything it covers”, 3. L*I*L*Y, 4. SPRING has SPRUNG!!!!!, 5. Poinsett Bridge, 6. Little Drummer Baby, 7. Horsepasture River, 8. “It is not the clear-sighted who rule the world. Great achievements are accomplished in a blessed, warm fog.” --Joseph Conrad, 9. “To me, photography is an art of observation. It's about finding something interesting in an ordinary place... I've found it has little to do with the things you see and everything to do with the way you see them.” -- Elliott Erwitt, 10. “In a mood of faith and hope my work goes on. A ream of fresh paper lies on my desk waiting for the next book. I am a writer and I take up my pen to write.” -- Pearl S. Buck, 11. "Winter is an etching, spring a watercolor, summer an oil painting and autumn a mosaic of them all." - Stanley Horowitz, 12. "Christmas waves a magic wand over this world, and behold, everything is softer and more beautiful." --Norman Vincent Peale

 

Created with fd's Flickr Toys

St. Paul, Minnesota

 

April 20, 2018

 

Around 1000 students walked out of school and gathered at the Minnesota capitol as part of nationwide protests against politician inaction on preventing gun violence. They called on federal, state, and local government to take actions to reduce gun violence.

 

2018-04-20 This is licensed under the Creative Commons Attribution License. Give attribution to: Fibonacci Blue

 

Fire Drill Friday protest against inaction on climate change, by the Capitol. Diane Lane getting arrested.

Sometimes the city dangles bait. Sometimes, a wise fish ignores that bait; moves on…swims against the stream.

 

I'm always suspicious of over-promotion of anything. If whatever you're selling is so good, where's the need for all your advertising? Good stuff sells itself. With a few hours to spare before the show, I took the bait. What's this new fish market about?

 

Sure, the old fish market, apart from being an early adopter of cutting edge auction technology all those years ago, was a bit on the small and inaccessible side. Sure, they built the Fish Market stop on the Dulwich Hill light rail — a.k.a. overblown tram —and that helped. But when the plot plan to redevelop the site of the old tramway powerhouse — The Powerhouse Museum — was scuttled, along with its proponent, I naturally smelled something fishy in the new plan to move the fish market.

 

All I'd have to do to get there was catch the L1 from Central to the new stop and walk the 400m to the new site; easy! A scheduled tram leaves every 10 minutes; I wouldn't have to wait in Sydney's 30-something°C and dripping wet humidity. The sign disagreed: tree over line, catch the replacement bus. I'll admit to not liking buses. But 10mins until a bus arrived seemed alright…until 45mins later, queued in the sun on baking tarmac, one finally turned up. It only went to the casino, and fro there you could grovel about somewhere in the basement, past the car rental place, to get the tram for the next bit of the journey.

 

Out in the bush, when a tree falls down, the first Hilux to arrive unsheathes a chainsaw, converts it into chunks that the Hilux can relocate with a snigging chain, then, road open, we move on. In the city, there's the transport people consulting the city council people who form a committee to consider whether anyone heard the tree fall, contract the sign erection people for traffic control in a transparent tender process, conducts chainsaw safety and gender awareness training, fills out safe work method (SWM) statements, then knock off for tea. After tea the experimental AI completion of the SWMs is assessed, by which time, they break for lunch… The city and I aren't always singing from the same hymn sheet.

 

Anyway, you can see that I got there. You can imagine that it is bigger than the old version, certainly less user friendly with all of those steps — no matter what the architect said — and inside they sell fish, of which most is ruined by having been cooked sometime last week and left in a sloppy mess in something given the grand name of bain marie. What you can't see is that terracing — meant to sit on and contemplate the sadness of this debacle — is that it is surrounded by gull and ibis who have done the inevitable — covered it in bird sh¡t — and made it about as appealing as the horrid muck being sold to the hordes of Chinese tourists who have, like the birds, flocked here for "the experience" — see over-promotion, above. This, I expect, explains the horrendous indoor crowds, and the reluctance to sit out in the Sun, with the birds.

 

I told you it was fishy.

CLAAS JAGUAR 940 'Dynamic Power' forage harvester

CLAAS AXION 840 with the CLAAS CARGOS 8400 silage wagen

 

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Evzones

Claude Wilson Osteen (b. August 9, 1939 in Caney Springs, Tennessee, near Chapel Hill), nicknamed "Gomer" because of his resemblance to Gomer Pyle, is a former MLB left-handed pitcher. He pitched for six different teams: the Cincinnati Redlegs/Reds (1957–1961), Washington Senators (1961–1964), Los Angeles Dodgers (1965–1973), Houston Astros (1974), St. Louis Cardinals (1974), and Chicago White Sox (1975).

 

During a 18-year baseball career, Osteen compiled 196 wins, 1,612 strikeouts, and a 3.30 ERA. As a batter, Osteen had a .188 batting average with 8 home runs and 76 RBI.

 

He later became a pitching coach for the Cardinals, Philadelphia Phillies, Texas Rangers and the Dodgers as well as various minor league teams.

 

MLB debut - July 6, 1957, for the Cincinnati Redlegs

Last MLB appearance - September 27, 1975, for the Chicago White Sox

 

MLB statistics:

Win–loss record 196–195

ERA - 3.30

Strikeouts - 1,612

 

Teams:

Cincinnati Redlegs / Reds (1957, 1959–1961)

Washington Senators (1961–1964)

Los Angeles Dodgers (1965–1973)

Houston Astros (1974)

St. Louis Cardinals (1974)

Chicago White Sox (1975)

 

Career highlights and awards:

3× All-Star (1967, 1970, 1973)

World Series champion (1965)

 

Link to all of his issued baseball cards - www.tradingcarddb.com/Person.cfm/pid/4408/col/1/yea/0/Cla...