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Full size image has fine detail created by glitching operations, mostly interrupted sorting and desaturation. Made with GlitchSort, using Processing in the Eclipse IDE.
Perhaps the fact that one of the planes that documented this mission was named Necessary Evil reveals the need of the American military establishment to embed its justification for horror in the event itself. But how do we explain that the other plane documenting the mission was called The Great Artiste? Did some perverse appreciation of the Aesthetic of Evil attend its naming? Does military action also evoke sentiments of beauty, of the sublime, in those who fervently embrace it as a Necessary Evil? And do even those who abhor violence gaze at it in fascination?
Glitch remix of public domain image of the Hiroshima atom bomb, commons.wikimedia.org/wiki/File:Atomic_cloud_over_Hiroshi.... From Wikipedia: At the time this photo was made, smoke billowed 20,000 feet above Hiroshima while smoke from the burst of the first atomic bomb had spread over 10,000 feet on the target at the base of the rising column. Six planes of the 509th Composite Group, participated in this mission; one to carry the bomb (Enola Gay), one to take scientific measurements of the blast (The Great Artiste), the third to take photographs (Necessary Evil) the others flew approximately an hour ahead to act as weather scouts, 08/06/1945.
This image was created with GlitchSort, but perhaps is more a cross between an image processing effect and a visualization than a glitch. I performed a statistical FFT on each channel (RGB) at different scales to isolate low frequency detail—effectively creating transparent monochrome blocks at each scale. Then I applied a statistical FFT to the brightness channel to enhance high frequency detail, resulting in a very contrasty image that also revealed horizontal and vertical alignment of color areas, roughly corresponding to brushstroke direction. Finally, I applied the denoise filter, that replaces 3x3 blocks of pixels with the median value of the block, several times over. This is the result. You can see the original here.
This is a little tribute to a beautiful woman and a beautiful and creative sight. Inspired by this photo then coupled with this one.
Various techniques: FFT, channel-swapping, interrupted sorting, compositing with a mask derived from JPEG artifacts and color quantization.
Mosaic made with ACS and WFPC2 data
www.robgendlerastropics.com/NGC660-HST-Gendler.html
Robert Gendler
email: robgendler@att.net
Website: www.robgendlerastropics.com
Experimenting with colour versions of the classic image processing technique of the Hough transform.
See more details and examples here:
www.cutsquash.com/2014/02/colour-hough-transform/
Code available here:
WFC3 Data
www.robgendlerastropics.com/M57-HST-Gendler.html
Robert Gendler
email: robgendler@att.net
Website: www.robgendlerastropics.com
Mosaic made with ACS data
www.robgendlerastropics.com/NGC3190-HST-Gendler.html
Robert Gendler
email: robgendler@att.net
Website: www.robgendlerastropics.com
A median filter, where the center pixel of a 3x3 block is replaced with the median value in the block, can be made to behave as a cellular automaton. When presented with the appropriate sort of input, it will propagate artifacts with each application until it reaches an equilibrium state. This image (originally a vulture in a blue sky) was generated with interrupted sorting + color shifting on alternating lines of pixels, followed by many applications of the median filter.
An apple label on a frozen rear window of a SMART photographed in Heilbronn / Germany after a few steps of image processing with Aperture Version 2.1.2.
It's an attitude towards life to drive a SMART, use a MAC and to shoot with a CANON DSLR.
Created with GlitchSort, using a FFT as a low pass filter on each channel (RGB) separately at different scales, then quantizing to 4-bit color.
Taking a break from tech work to do a little photo-play. Made by blurring the original image, differencing it from the original, and boosting the response curve.
Here's the original.
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