View allAll Photos Tagged IlfordFP4
built in the 1920s both elevators are 100 +/- years . A former Sask Pool elevator is closest the second is a former Pioneer. The cupolas on both have been damaged by windstorms the last 3 years
Frankfurt am Main, Sommer 2022
Nach einem dreiviertel Jahr habe ich mal wieder einen SW-Film entwickelt. Hat hingehauen.
film: FP4
develop: Caffenol (coffe) C-L Salty stand
cam: Rolleiflex E2
place: Amsterdam without any drop shadow on the floor
Leica M6, Voigtländer Ultron 28mm 1:2.0, Ilford FP4
Ilford Fp4 film
All rights reserved Davide Zappettini 2020
Use without permission is illegal
contatti: groovemagic@hotmail.it
follow me on Instagram: www.instagram.com/davidezappettini/
www.lensculture.com/davide-zappettini
www.photographers.it/gallery_image.php?id=42811#img
www.facebook.com/david.zappettini
1x.com/member/groovemagic/photos/all
500px.com/davidezappettini
The K6 'phone box was designed by Sir Giles Gilbert Scott (architect of Liverpool Cathedral and Battersea Power Station) in 1936. Up to 1968 when the K7 'modernist' aluminium and plastic panelled telephone box was introduced, some 60,000 K6's had been installed. This one at Grindonmoor Gate is one of just 2,500 listed today.
This is Rydal Water in the English Lake District.
The image is quite special to me. I took it 37 years ago, in November 1988 on a photography day trip to the lakes. It was that day that switched me on to the absolute beauty of the Lake District. I was using my first SLR, an Olympus OM10 and my favourite film of the time Ilford FP4.
In those days I was bombing around in my Ford Fiesta XR2, no sat nav or Google map and from a camera perspective, manual focus, manual wind on, a max of 36 images to a roll and all at the same ISO.
It’s one of 3 really good images I got on the same roll in the foggy November conditions. I found an old print of the scene recently which prompted me to scan the original. The negative appears fairly thin but actually, a good amount of detail has been picked up.
Im not a retouching expert but ive employed the tools I know in Adobe to make the best of the image after cloning out hundreds of dust marks and scratches. I would have loved to create a brighter image but I felt like I was compromising the mid tones too much and the grain is heavier than I would have liked. Nevertheless I feel the digital 2025 version is an improvement on the 1988 print which is just flat without any dodging and burning.
From a retouching perspective I would be really happy to take feedback on what I could do to maximise the potential of the image. I'm keen to learn and know how I could do better👍👍
the view north, Long Reef, Sydney, March 2022.
Camera: Leica CL rangefinder
Lens: Voigtlander Heliar 15mm f/4.5 LTM with M-adapter
Film: Ilford FP4+
Developer: Ilfotec HC 1+31
Scan: Epson V700 + Epson Scan software
post-processing: split tone in Lightroom 6
Please don't use this image on websites, blogs or other media without my explicit written permission. © copyright 2022 Lynn Burdekin. All Rights Reserved.