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This photograph of the Stadhuis (City Hall) of Antwerp showcases the grandeur and elegance of one of Belgium’s most iconic Renaissance buildings. The Stadhuis, with its impressive facade, stands as a testament to the architectural prowess of the 16th century. The building's ornate decorations, intricate carvings, and balanced symmetry exemplify the opulence and sophistication of Flemish Renaissance architecture. Flags from various countries adorn the front, adding vibrant colors and symbolizing the city's international connections and rich trade history.
In front of the Stadhuis, the Brabo Fountain commands attention with its dramatic and dynamic composition. At the top of the fountain, a statue depicts the legendary Roman soldier Silvius Brabo. He stands triumphantly holding the severed hand of the giant Antigoon, a formidable figure from local folklore. The statue, sculpted with meticulous detail, captures the moment of victory and adds a sense of mythic grandeur to the scene. Water cascades around the statue, adding a lively and refreshing element to the historic square.
The legend behind the fountain and statue is deeply embedded in Antwerp’s cultural identity. According to the myth, the giant Antigoon used to terrorize the city by demanding a toll from those wishing to cross the River Scheldt. If the travelers refused to pay, Antigoon would cut off their hands and throw them into the river. Silvius Brabo, a brave Roman soldier, eventually confronted and defeated Antigoon, severing the giant’s hand and throwing it into the river as retribution. This act of heroism is said to have inspired the name of the city, with "Antwerp" believed to derive from “hand werpen,” meaning “hand throwing” in Dutch.
The photograph captures not only the architectural splendor of the Stadhuis but also the rich tapestry of stories and legends that contribute to Antwerp’s unique charm. The interplay between history, mythology, and art is palpable, inviting viewers to delve deeper into the city’s past. The combination of the grandiose Stadhuis and the evocative Brabo Fountain encapsulates the essence of Antwerp, where every corner holds a piece of history waiting to be discovered. The serene morning light casts a soft glow on the scene, enhancing the timeless beauty and historical significance of this remarkable location.
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Southwell Minster, located in the picturesque town of Southwell, Nottinghamshire, is a stunning example of medieval architecture and rich history. This magnificent cathedral is renowned for its breathtaking Norman and Gothic features, including the exquisite carved stonework of the Chapter House, famously known as the "Leaves of Southwell." These intricate carvings depict plants, animals, and human figures, showcasing the incredible craftsmanship of the 13th century.
The Minster has been a place of worship for over 1,000 years, with its origins dating back to Saxon times. Today, it serves as the cathedral for the Diocese of Southwell and Nottingham, offering a place of reflection, community, and beauty. Whether you're drawn by its history, stunning architecture, or peaceful atmosphere, Southwell Minster is a must-visit for lovers of art, history, and photography.
It is late April............
Year after year in the month of April..........
In a quiet and sheltered corner of my garden, the beautiful deep green Bracken Fern and it's fiddleheads signal the arrival of Spring..........
The intricate detail and intense green color of the of the Bracken Fern and fiddleheads are best viewed large on black and 'Fullscreen' in the light-box, please push the 'L' key or click here, then click 'Fullscreen'...........
www.flickr.com/photos/32197870@N04/8674887856/in/photostr...
In Cartagena Columbia Lion head door knockers represented members of the army, militia leaders, and other protectors of the city.
While rain drops enjoy being on the Green beauty, a complex, intricate web woven by an eight legged beauty appears to add more beauty.
Barred in feather and solemn in gaze, this Barred Owl watches from its perch with the kind of stillness only a seasoned predator can master. Photographed in the lush confines of a wildlife park in Homosassa, Florida, the owl’s quiet intensity and intricate plumage reflect the quiet majesty of the forest it calls home.
Adorn your avatar with the 'Tribal XV' chest tattoo from HDesign, a BOM piece that’s a testament to intricate tribal artistry. Embracing the chest with a symphony of ornate patterns and dangling charms, this design is available in 60%, 70%, 80%, and 90% opacities, perfect for a bold statement in SecondLife.
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I'm always amazed by the colours and the discoveries you can make along the beach just like this intricate web of vibrant colour which appeared to be some kind of plant or seaweed in amongst the rock pools along the beachfront at Brighton Beach.
These gears pass some the energy provided by the operator turning a crank to the rear section of Tide Predicting Machine No. 2, a special purpose mechanical analog computer for predicting the height and time of high and low tides.
The U.S. government used Tide Predicting Machine No. 2 from 1910 to 1965 to predict tides for ports around the world. The machine, also known as “Old Brass Brains,” uses an intricate arrangement of gears, pulleys, chains, slides, and other mechanical components to perform the computations.
A person using the machine would require 2-3 days to compute a year’s tides at one location. A person performing the same calculations by hand would require hundreds of days to perform the work. The machine is 10.8 feet (3.3 m) long, 6.2 feet (1.9 m) high, and 2.0 feet (0.61 m) wide and weighs approximately 2,500 pounds (1134 kg). The operator powers the machine with a hand crank.
Mischenko’s intricate drawings arise from her observations of the topographic and sociological conditions of the ravines and waterways of the highly urbanized Golden Horseshoe area of Southern Ontario. This landscape is coveted for residential development because of its picturesque shorelines. Increasingly fragile and threatened eco-systems, such natural orders have been marred by erosion and often must be reinforced to sustain human interaction. As areas where people explore and escape, gather and play, ravines embody both the urban and natural, controlled and wild, public and private.
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The Basilica di Santa Maria del Fiore is the main church of Florence, Italy. The Duomo, as it is ordinarily called, was begun in 1296 in the Gothic style and completed structurally in 1436. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink bordered by white. The cathedral complex, located in Piazza del Duomo, includes the Baptistery and Giotto's Campanile. The three buildings are part of the UNESCO World Heritage Site covering the historic centre of Florence and are a major attraction to tourists visiting the region of Tuscany. The Italian term Campanile deriving from the word campana meaning bell, is synonymous with bell tower. The basilica is one of Italy's largest churches. The cathedral is the mother church of the Roman Catholic Archdiocese of Florence. Visitors like to joke that the cathedral was designed inside-out: its exterior boasts intricate designs and breathtaking features while the interior is surprisingly plain. For many, the main reason to visit is to climb to the top of the dome where you'll find spectacular views of the city
The Basilica di Santa Maria del Fiore known simply as the Duomo is not only Florence's religious center, it's also the city's most recognizable attraction. Kanitha, BieJee and Samantha walking to the entrance of this beautiful Duomo.
De Basilica di Santa Maria del Fiore of kortweg de Duomo is de kathedrale basiliek en het dominerende symbool van de Italiaanse stad Florence. Het is de op drie na grootste kathedraal van Europa. De Santa Maria del Fiore staat midden in het historische centrum van Florence tegenover het Baptisterium. Naast de kerk staat de campanile. Een campanile is een klokkentoren die naast een kerkgebouw staat. Het woord komt uit het Italiaans en is afgeleid van campana klok. Hij is vervaardigd van 1334 tot 1359 en is 85 meter hoog en daarmee 6 meter lager dan de dom, die 91 meter hoog is. De campanile is te beklimmen via een 414 treden tellende trap. Gedurende de middeleeuwen was Florence een van de belangrijkste steden van het Italiaanse schiereiland geworden. Bij een stad met die positie hoorde een grote kathedraal en eind 13e eeuw besloot het stadsbestuur dan ook dat de oude kathedraal van Santa Reparata moest worden vervangen door een kerkgebouw dat de macht van Florence uitstraalde. De nieuwe kathedraal werd aan Maria gewijd, maar de naam Santa Maria del Fiore verwees ook naar destijds gebruikelijke naam van de stad, Fiorenza.
I had an appointment downtown, and arriving a bit early (I'd allowed time for traffic) I grabbed the chance to relax with a spot of photography. It wasn't as relaxing as I'd hoped, as a security guard came out and told me that I wasn't allowed to take pictures of the building without written permission. When I went into the bulding to inquire how I could get that permission, the officers on duty told that I had every right to take pictures outside. From their expressions when I told them about the security guard, I suspect I'm not the first photographer who's been handed a line.
See a larger version here.
According to the official web site:
Osgoode Hall is a heritage building located at 130 Queen Street West, Toronto, Ontario. This historic site is the focus
for legal activity in Ontario and has garnered attention for over 170 years. Osgoode Hall occupies six acres and was acquired by the Law Society of Upper Canada in 1829. The name Osgoode Hall honours William Osgoode the first Chief Justice of the province. Osgoode Hall withstood more than ten major restorations. The front facade maintained its originality and is basically unaltered to reflect the 1860 design.
The interior of Osgoode Hall possesses unique architectural achievements. The heritage courtrooms are from the late 1800's. Convocation Hall boasts ten gorgeous stained glass heraldic windows covering 4,000 years of law. The Great Library touted as the most beautiful room in Canada has an intricate ceiling, cork floors and triple cube design. The rotunda is spectacular from the original tiling on the floor to the elegant arched pillars surrounded by elaborate oil paintings of former Chief Justices of the Province.
Since 1840 Osgoode Hall has been co-owned by the Ontario Government and the Law Society. The Court of Appeal for Ontario, the Superior Court Of Justice and the Law Society of Upper Canada currently reside at Osgoode Hall.
According to Wikipedia:
Osgoode Hall is a landmark building in downtown Toronto constructed between 1829 and 1832 in the late Georgian Palladian and Neoclassical styles. It houses the Ontario Court of Appeal, the Divisional Court of the Superior Court of Justice, and the Law Society of Upper Canada. The portico of Osgoode Hall's east wing was built at the head of Toronto's York Street to serve as a terminating vista, though it is now obscured by trees planted on the building's lawn.
Osgoode Hall was named in honour of the province's first chief justice, William Osgoode. The building housed Osgoode Hall Law School until 1969 when the faculty was relocated to the campus of York University in the North York community of Toronto. It was designated a National Historic Site of Canada in 1979. It was also designated by the City of Toronto under the Ontario Heritage Act in 1990.
The six-acre (24,000 m²) site at the corner of Lot Street (Queen Street West today) and College Avenue (University Avenue today) was acquired by the Law Society in 1828. At the time, the location was on the northwest edge of the city, which has since grown around the building. It was originally bounded on its north side by Osgoode Street, and on its east side by a street that would eventually be known as Chestnut Street. The former no longer exists, and the latter now stops at Armoury Street as Nathan Philips Square now lies to the east. The original 2 1⁄2-storey building was started in 1829 and finished in 1832 from a design by John Ewart and W. W. Baldwin. The structure was named after William Osgoode, the first Chief Justice of Upper Canada (what is now the Canadian province of Ontario).
Between 1838 and 1843, the hall was turned into troop barracks. When the Law Society regained possession in 1844, an expansion was designed by Henry Bowyer Lane; the West Wing and Library were built, with two domes (later removed) over the library to connect the two wings. In 1846 the Law Society entered into an agreement with the government to house the province's Superior Court at the hall.[citation needed] Today, the building is jointly owned by the Law Society and the Government of Ontario.
From 1855 to 1857 the building was refurbished and enlarged again, according to a design by the firm Cumberland and Storm, to accommodate courts with the original 1829 building becoming the east wing. From 1880 to 1891 the building was again expanded twice in order to accommodate the law school.
Despite the expansions, the hall presents a unified design in the late Palladian style. The iron fence surrounding the lawns of Osgoode Hall has become a landmark in itself. Its distinctive iron gates are narrow and restrictive; it is a long-standing myth that they were designed to keep livestock out of the grounds of the hall and in the 1950s, students did attempt to pass a cow through one of the gates (they failed). The gates were likely due to Victorian architectural fashion, rather than wandering cattle.
Two libraries are housed within Osgoode Hall: the Great Library of the Law Society of Upper Canada and a smaller library for judges. The Great Library was designed by Cumberland and Storm (1857–1860) and features an ornate plaster ceiling, cork floors, and etched glass windows. A War Memorial by Frances Norma Loring (1887–1968), sculpted in 1928, was added to the Library in honor of Ontario lawyers and law students killed during the First World War. Behind the Great Library (and accessible through it) is the American Room, designed by Burke and Horwood in 1895, a more intimate room with a spiral staircase. The courthouse at 361 University Avenue directly to the north is accessible through a connecting tunnel.
This High Dynamic Range 360° panorama was stitched from 54 RAW photographs with PTGUI Pro, tone-mapped with Photomatix, and touched up in Aperture.
And then I reprocessed the tone-mapped image when I got more software. First I used the new Life Projection mode in Affinity Photo to inpaint the area where the tripod was. (When I shot this I didn't know how to get decent nadir shots.) Then I used the Tonal Contrast filter in Color Efex to punch the image up a bit. Finally a bit more work in Life Projection mode to fix the wrap problem caused by Color Efex (it doesn't understand 360° images wrap, so the edges often don’t match), and back to Aperture for a touch of sharpening.
It's not as sharp as I'd like, as when I went inside to inquire about permission I accidentally changed my aperture, and didn't notice when I went pack out to photograph. The sky is also a bit off — adjusting the white balance so the shadows weren't blue made the sky greenish, and I can't figure out a way to adjuste the colour all the way back.
Original size: 18970 × 9485 (179.9 MP; 260.51 MB).
Location: Osgoode Hall, Toronto, Ontario, Canada
ISFAHAN, Iran —Intricate wooden geometrical mosaic on a window of a Safavid-era (17th century) palace or mosque in Isfahan, Iran. The pattern is so carefully laid out and designed that no glue or nails are used to hold this puzzle together.
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This image captures the lively atmosphere of the Fes el Bali medina in Morocco. The narrow alleyways are bustling with activity, as vendors display an array of colorful wares and produce. The intricate, wooden-beamed architecture overhead creates a captivating interplay of light and shadow, adding to the rich, historic ambiance of this iconic Moroccan marketplace.
Fes el Bali is the oldest walled part of Fez, the second largest city in Morocco.
These new versions of Webb’s first images combine its infrared data with X-rays collected by NASA’s Chandra X-ray Observatory, underscoring how the power of any of these telescopes is only enhanced when joined with others.
The four galaxies within Stephan’s Quintet are undergoing an intricate dance choreographed by gravity. (The fifth galaxy, on the left, is an interloping galaxy at a different distance.) The new Webb image (red, orange, yellow, green, blue) of this object features never-seen-before details of the results of these interactions, including sweeping tails of gas and bursts of star formation. The Chandra data (light blue) of this system has uncovered a shock wave that heats gas to tens of millions of degrees, as one of the galaxies passes through the others at speeds of around 2 million miles per hour. This new composite also includes infrared data from NASA’s now-retired Spitzer Space Telescope (red, green, blue).
Full set of images and information: chandra.si.edu/photo/2022/chandrawebb/
Image credits:
X-ray: NASA/CXC/SAO;
IR (Spitzer): NASA/JPL-Caltech;
IR (Webb): NASA/ESA/CSA/STScI
Image Description: Five galaxies known as Stephan's Quintet. Two of the galaxies appear close together at the center of the image. One appears directly above, and another slightly to our left near the bottom of the image. Each of these four galaxies presents as an irregular dot of brilliant white light surrounded by glowing haze. A fifth galaxy hides at our center left in an oval shape marbled with a tangle of golden orange lines. Similar golden orange tangles appear around the two galaxies at the center of the image, and the galaxy above them. Above the two galaxies at the center is a bright, light blue cloud. This is a shock wave uncovered by the Chandra data. Scattered across the image are specks of white and golden orange light, gleaming stars and distant galaxies.
Hubby and I got a new SUPER macro lens this weekend (100mm f 2.8) - I love it! I still need a lot of practice as it is much different than the 55mm I have been using in the past. Macro's are my favorite! :)
Intricate mass of steel makes this open mesh bridge crossing the Mississippi River at Lansing Iowa look like a super-sized erector set.
Two large Motherships with intricate details, in the style of Steampunk, hovering above the horizon of a strange alien world with vast rocky desert plains and large Hoodo peaks emerging up out of the ground. The sky is stormy and dusty. Two small alien figures are standing in the foreground on the edge of an impact crater filled with murky water.
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