View allAll Photos Tagged INTERPRETATIONS
Bond Falls (MI)
A somewhat artistic interpretation of a huge, beautiful waterfall in the UP. A very long exposure creates the smooth look and circular patterns in the water.
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Captured: October 2016
Camera: Nikon D610
Lens: Nikon 16-35mm f/4
Settings: ISO200, 16mm, f/8, 30 sec
Damp and misty mornings make very good seittings for woodlands.
i try to replicate 'what the eye can see' because with a single exposure cannot do this, however good your camera is.
The human eye captures so much detail, highlights and contrast at the same time.
I use PS for what it was meant to be used for, and that is 'to replicate what the eye can see.
This is an artistic interpretation edit. The original shot was taken at midday in Statthes harbour on a chilly grey day. This year I have taught myself luminosity masking in PS and decided to let my imagination run wild as I love this composition.
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The International Festival of Contemporary Art ~ Liverpool Biennial ~ Artist ~ Lee Mingwei !
So far I have resisted the words of Lorenzo Fusi regarding the individual artists and have applied my own interpretation to the works as viewed by myself ~
I' m not so much into the ' Arts ' as such, but, as photography is deemed a form of art, it presents a fantastic opportunity to check out other mediums and styles from around the world ~ " A closed mind is a stagnant mind, an open mind is an active mind " ! (even at my age)
Il y a dans le centre-ville une multitude de ponts qui enjambent les canaux et relient les quartiers les uns aux autres, mais le BRUG (« pont ») de Jarosław Kozakiewicz est une interprétation contemporaine revêtue d’une autre fonction. L’artiste remplace ici les briques et les pavés par des profilés en métal et des voiles afin de créer un pont permettant de rejoindre deux rives. Cela ne signifie pas pour autant que vous pouvez poursuivre votre voyage. Le pont vous amène plus près de la sculpture Niobe de Constant Permeke, jusqu’à un endroit où vous pouvez vous arrêter brièvement avant de repartir en empruntant obligatoirement le même chemin. L’installation est un lieu de rencontre, une proposition invitant à croiser l’autre, voire – qui sait ? – entamer une conversation. La structure formelle de la construction repose sur un système proportionnel où chaque intersection de deux lignes renvoie à un point d’un visage humain. Chaque angle, chaque lien est l’instantané d’un mouvement – celui de deux visages qui se rapprochent. BRUG est une métaphore géométrique à la fois pour une rencontre mutuelle de deux êtres humains et une rencontre entre le futur et le passé. Les relations entre les personnes et leur signification profonde sont le point de départ pour l'expérience artistique dans laquelle Kozakiewicz est engagé depuis quelques années. Le projet est basé sur la recherche de nouvelles formes sculpturales et para-architecturales par la manipulation d'un module créé en joignant les orifices de la tête humaine. Les orifices corporels sont une métaphore de "la vie intérieure", ils représentent l'entrée dans le monde de l'expérience personnelle. Les frontières/ passages sont à la fois des premiers et des derniers moments de rencontres mutuelles.
There are many bridges in the city center that span the canals and connect the neighborhoods to each other, but Jarosław Kozakiewicz's BRUG ("bridge") is a contemporary interpretation with a different function. The artist here replaces the bricks and pavers with metal profiles and veils to create a bridge to reach two banks. This does not mean that you can continue your journey. The bridge will take you closer to the Constant Permeke Niobe sculpture, to a point where you can stop briefly before setting out again by borrowing the same path. The installation is a meeting place, a proposal to meet the other, or even - who knows? - start a conversation. The formal structure of construction is based on a proportional system where each intersection of two lines refers to a point on a human face. Every angle, every link is the snapshot of a movement - that of two faces that are getting closer. BRUG is a geometrical metaphor for both a mutual encounter of two human beings and a meeting between the future and the past. Relationships between people and their deep meaning are the starting point for the artistic experience in which Kozakiewicz has been engaged for some years. The project is based on the search for new sculptural and para-architectural forms through the manipulation of a module created by joining the orifices of the human head. Body openings are a metaphor for "the inner life", they represent the entry into the world of personal experience. Borders / passages are both first and last moments of mutual encounters.
Thanks for your visits, your comments and faves!
Artistic interpretation of the Milwaukee Art Museum designed by Santiago Calatrava
Another collaboration with Isabella Mariana :D
Inspired by the object "colored pencil" !
Isabella interpretation here !!!!!!!!!!!
Facebook page || 500px || Behance
The Centro de Interpretação Ambiental da Caldeira Velha (Environmental Interpretation Centre of Caldeira Velha) is located outside of the city of Ribeira Grande on São Miguel Island in the Azores. The area contains a lot of geothermal activity including geothermal pools visitors can bathe in.
- my very own interpretation of the famous Beatles cover... ;-)
Published in Hapag-Lloyd News 09/2019 as "" Picture of the month: The Beatles of the "Osaka Express" ""
www.hapag-lloyd.com/de/news-insights/insights/2019/09/the...
When the bay is empty, it becomes a vast expanse of sand that seems to go on forever. Combined with the gathering storm clouds and the protruding hill, this photo’s atmosphere is one of sadness, emptiness and perhaps loneliness. Take from this photo what you wish, but we will all have our own interpretations. You could say that’s the great thing about photography and art, its free to look at and to form interpretations upon.
© 2019 Millettarian Photographic Institute
This small collection is made of different interpretations of the same image. I was experimenting with arty looks.
The source image is an in-camera multiple-exposure of beach loungers at Koukanaries Beach on Skiathos in Greece. This subject gave me a lot of fun when we were there earlier in the year. The beach is very popular with the tourists as you can tell from the loungers, but rather than having row upon row of tourist hotels behind it, it has some protected pine forests. I just hope they haven’t burnt down in a wildfire!
The multiple exposure is made of two ICMs using horizontal and vertical swipe movements. The colour version of the scene is the closest to the original. It’s only been lightly processed with Nik Color Efex.
The monochrome version is for the Donnerstagsmonocrom group today and was created using black and white solarisation, also in Color Efex. It’s been lightly toned in deep blue (selenium). Quite a lot of work went into it (messing around and tweaking this and that) trying to get some interesting arty textures from the underlying image.
The third is a triptych using Nik Analog Efex. I’ve never really used this particular filter before (multi-lens) so it was a bit of an experiment. It was quite interesting to try and create a balanced composition with the rotations and stretches - I’m not sure I made it there but this is where I abandoned the endeavour. You can play spot-the-original-source with each of the blocks I guess .
Thanks for taking the time to look and read. I hope you enjoy the images. Happy Thursday :)
"Take me to the trees"... that's where I like to be!... a little artistc interpretation of a wonderful snowshoe hike this winter
Honfleur is a commune in the Calvados department in Normandy en.normandie-tourisme.fr/normandy-tourism-109-2.html in northwestern France. It is located on the southern bank of the estuary of the Seine across from le Havre and very close to the exit of the Pont de Normandie. Its inhabitants are called Honfleurais. It is especially known for its old, beautiful picturesque port, characterized by its houses with slate-covered frontages, painted many times by artists, including in particular Gustave Courbet, Eugène Boudin, Claude Monet and Johan Jongkind, forming the école de Honfleur (Honfleur school) which contributed to the appearance of the Impressionist movement. The Sainte-Catherine church, which has a bell tower separate from the principal building, is the largest church made out of wood in France. The first written record of Honfleur is a reference by Richard III, Duke of Normandy, in 1027. By the middle of the 12th century, the city represented a significant transit point for goods from Rouen to England. Located on the estuary of one of the principal rivers of France with a safe harbour and relatively rich hinterland, Honfleur profited from its strategic position from the start of the Hundred Years' War. The town's defences were strengthened by Charles V in order to protect the estuary of the Seine from attacks from the English. This was supported by the nearby port of Harfleur. However, Honfleur was taken and occupied by the English in 1357 and from 1419 to 1450. When under French control, raiding parties often set out from the port to ransack the English coasts, including partially destroying the town of Sandwich, in Kent, England, in the 1450s. At the end of the Hundred Years' War, Honfleur benefited from the boom in maritime trade until the end of the 18th century. Trade was disturbed during the wars of religion in the 16th century. The port saw the departure of a number of explorers, in particular in 1503 of Binot Paulmierde Gonneville to the coasts of Brazil. In 1506, local man Jean Denis departed for Newfoundland island and the mouth of the Saint Lawrence. An expedition in 1608, organised by Samuel de Champlain, founded the city of Quebec in modern day Canada. After 1608, Honfleur thrived on trade with Canada, the West Indies, the African coasts and the Azores. As a result, the town became one of the five principal ports for the slave trade in France. During this time the rapid growth of the town saw the demolition of its fortifications on the orders of Colbert. The wars of the French revolution and the First Empire, and in particular the continental blockade, caused the ruin of Honfleur. It only partially recovered during the 19th century with the trading of wood from northern Europe. Trade was however limited by the silting up of the entrance to the port and development of the modern port at Le Havre. The port however still functions today. On August 25, 1944, Honfleur was liberated together by the British army - 19th Platoon of the 12th Devon's, 6th Air Landing Brigade, the Belgian army (Brigade Piron) on 25 August 1944.[1] and the Canadian army without any combat. en.normandie-tourisme.fr/articles/honfleur-278-2.html
Hi everyone,
This is my very literal interpretation of Laura's card from Tuesday's class. For more details, please visit My Blog
Thanks for stopping by ~
Interpretations and contemplations, be free and let the thoughts wander. Like footsteps in the sand, forge your own path, be in the moment, for the winds of change will shift the sands and the moment will pass.
Panorama interpretation of sunset light on Yampire Peaks near the entrance to the North Unit of Badlands National Park, South Dakota.
Cheers!
Bob G.
Introduction
The Word of God in the Last Days "God's Work, God's Disposition, and God Himself III" (Part Five)
God's words in this video are from the book "The Word Appears in the Flesh".
The content of this video:
9. Jesus Performs Miracles
1) Jesus Feeds the Five Thousand
2) The Resurrection of Lazarus Glorifies God
Almighty God says, "When the Lord Jesus brought Lazarus back from the dead, He used one line: “Lazarus, come forth.” He said nothing aside from this—what do these words represent? They represent that God can accomplish anything through speaking, including resurrecting a dead man. When God created all things, when He created the world, He did so with words. He used spoken commands, words with authority, and just like that all things were created. It was accomplished like that. This single line spoken by the Lord Jesus was just like the words spoken by God when He created the heavens and earth and all things; it equally held the authority of God, the ability of the Creator. All things were formed and stood fast because of words from God’s mouth, and just the same, Lazarus walked out from his tomb because of the words from the Lord Jesus’ mouth. This was the authority of God, demonstrated and realized in His incarnate flesh. This type of authority and ability belonged to the Creator, and to the Son of man in whom the Creator was realized. This is the understanding taught to mankind by God bringing Lazarus back from the dead."
The cool and wet weather has discouraged the pollinators from their essential and vital function.
This dismal state of affairs adds a certain poignancy and sadness to my interpretation.
With a home like ours, I was never going to attempt to interpret any other painting.
Note: I live in the Southern Hemisphere, so as part of the "variations" I've used general light from the right hand side.
Composite of three images: Chris, Heather and our house.
50/115 - American Gothic
Interpretation of the cover of Donna Summer's Journey album.
Also used on the cover of the single of her version of Macarthur Park.
Summers track, our love, also referenced here was a big influence on New Order's Blue Monday.
Wall by Otto Schade on Shoreditch High Street.
Welcome to the second round of Enchantment and another fun photo contest! The fairy tale theme this time is Neverland! This is one of my all time favorite fairy tales and I know many of yours. This theme can encompass so many possibilities! We want to see your interpretation or favorite part of the story. It can be about Peter Pan himself, Tinkerbell, the Darling family, the Lost Boys, the mermaids, the Indians, the Pirates, including Captain Hook and much more! There will be some amazing prizes offered by several Enchantment vendors who were so kind to donate. Very generous amount of prizes! Most of all have fun with this magical, exciting theme and enjoy!!
Here are the guidelines……
1. Please submit pictures by Monday, November 30 at midnight SL time
2. You may submit up to 2 pictures
3. The picture can be taken anywhere within Second Life
4. Prizes will be given based on creativity, originality and staying within the theme of Neverland. Here is the breakdown:
FIRST PLACE
===========
2000L Giftcard from Ravenghost Interiors
1000L Giftcard from The Plastik
A special one-of-a-kind treat from A.D.D. Andel
Gifts from SWaGGa, Silence, Viv.a Kids!, & Empyrean Forge
1500L Giftcard from Kibitz
1000L Giftcard from SOUL
1000L Giftcard from Boogers
200L Giftcard from Just Design
The "Archer" Outfit Fatpack from Azuchi
600L Giftcard from Cerbrus Crossing
1500L Giftcard from Glitzz
4000L Giftcard from Cube Republic
One Month FREE rent from The Ippos Collective SIMS
3 items of your choice from Neverwish
1 fatpack of your choice from Poison Diamond
1 FULL BLOWN Photo Session with Sorcha Irelund
SECOND PLACE
=============
1500L Giftcard from Ravenghost Interiors
500L Giftcard from The Plastik
900L Giftcard from Kibitz
1000L Giftcard from Glitzz
2000L Giftcard from Cube Republic
750L Giftcard from Boogers
Gifts from SWaGGa, Silence, Viv.a Kids!, & Empyrean Forge
A special one-of-a-kind treat from A.D.D. Andel
A Photo Portrait Session with Sorcha Irelund
THIRD PLACE
============
1000L Giftcard from Ravenghost Interiors
250L Giftcard from The Plastik
1000L Giftcard from Cube Republic
500L Giftcard from Kibitz
700K Giftcard from Glitzz
500L Giftcard from Boogers
Gifts from SWaGGa, Silence, Viv.a Kids!, & Empyrean Forge
A special one-of-a-kind treat from A.D.D. Andel
A Photo Portrait Session with Sorcha Irelund
5. You may submit pictures to the Flickr Enchantment Photo Contest group here: www.flickr.com/groups/enchantmentphotocontest/ Please label "Contest Entry”.
You may also submit a notecard titled “Neverland Contest Entry” with your avie’s full name to Natalie Montagne in world.
6. Winners will be announced by Wednesday, December 2. Their pictures will be displayed at the front of The Lost Unicorn Gallery.
ENJOY!
In his interpretations of ancient myths and legends, Rinehart, who was based in Rome, avoided the extraneous detail and emotionalism favored by other American expatriate sculptors. Here, Latona (Leto in Greek), goddess of darkness, is seated beside the sleeping Apollo and Diana (Artemis), the twin children she had by Jupiter (Zeus). The goddess looks down with tranquil affection upon the putti-like infants, later to become, respectively, the god of light and the sun and the goddess of the moon and the hunt. A restrained classicism is also evident in Latona’s facial features, simplified hair pattern, and archaeologically precise clothing and sandals.
My interpretation of a seriously dreich afternoon at Loch Arklet. Found just east of Loch Lomond, the far end is dammed to create a reservoir which serves Glasgow. The distant mountains are the Trosachs looming over the far bank of unseen Loch Lomond.
Yoshikawa Kanpo (1894-1979).
Painting with chopped raw polymer clay. Size about A5 - 6 "x 8" (15X21 cm)
All three photos posted today were taken yesterday, 22 January 2016, when I was fortunate enough to get a place on a bus trip to Lake Louise and the annual Ice Sculpture display, Banff National Park, in the Rocky Mountains. It is a two-hour drive west of Calgary. Of course, any time a bus trip is organized way ahead of the day, you have no idea what the weather is going to be like. The weather was grim all day, with snow all day long, turning to really heavy, wet snow when we stood in the parking lot at the end of the day. No sign of the sun, which made photography a real challenge. There were so many people visiting the area that it was more or less impossible to get photos without at least a few people included. Even the mountains had mostly disappeared. Our bus driver, Tim, did a wonderful job of getting us to the lake and all the way back to Calgary. I was just so thankful that I wasn't driving!
This is one of my favourite views at Lake Louise, looking along a small creek with the mountains and the small, wooden cabin in the distance. The Chateau Lake Louise is behind me and most of the frozen lake is off to the right of my photo.
Some of the group chose to snowshoe, others to walk, and others to join Anne Belton's group for birding. I was expecting a stroll along the lake shore and around the Chateau grounds, lol, but instead we did a hike along the creek all the way to Lake Louise Village, roughly 4.2 km! The trail was very narrow - wide enough for heavy winter boots and icers plus maybe a couple of inches on either side. If you were unlucky enough to walk an inch further, you would have one leg plunge into snow up to your knee or higher. I was so thankful that this didn't happen to me, but it did mean that my eyes were looking downwards all the time instead of soaking up the glorious, snow-covered forest. The snow was so thick on the trees and when it became just too heavy for a branch to support, you stood the risk of being snow-bombed from high above. A lot of the trail was downhill - never fun in such conditions, but we all took it very slowly, though there were several tumbles or someone would end up travelling on their rear end. Not the easiset hike, but the surroundings couldn't have been more beautiful. Thankfully, the bus driver had driven down to the Village ready to pick us up and take us back uphill to the Lake.
As for the birds yesterday, well, they obviously didn't particularly like the grey, snowy day and stayed in hiding, other than several Common Ravens, a couple of Magpies, one or two Clark's Nutcrackers and two House Sparrows. Back at the Chateau, two of the birders did see a very distant Stellar's Jay - always a lovely bird to see, but it was too far for them to get photos.
We had time to wander round the Ice Scuptures area, in front of the Chateau. Some amazing work created by sculptors from various parts of the world.
"Winter comes alive in iconic Lake Louise, Alberta. Ice Magic Festival, January 15 - 24, 2016 is a world class event with over 20 years under its belt. Talented ice artists from around the world delicately balance grueling physical labour with precision artistry in a 34 hour International Ice Carving Competition.
Jaw-dropping scenery sets the stage as ice carving teams of 2 create sculptures illustrating their interpretations of our chosen theme for 2016: Earth, Wind, Fire & Water - Elements of Life." Taken from link below. I love that the prize money for this competition is only a comparativey small amount, which I think shows that the carvers do what they do for love of the art, not for the money : )
Team Ice Carving Competition
1st Place: $2,500
2nd Place: $1,500
3rd Place: $750
Carver's Choice: $750
People's Choice: $500
One Carver, One Hour, One Block
1st Place: $1,000
2nd Place: $300
3rd Place: $200
People's Choice: $250
www.banfflakelouise.com/Area-Events/Festivals/Winter/Snow...
So, a wonderful day trip for us all in breathtaking surroundings. I am especially appreciative, as I don't drive to the mountains, so rarely get to see them. Many thanks to FLC for doing such a great job of organizing this most enjoyable day for us. Thanks to Anne Belton for taking some of us on a beautiful hike through the forest. Definitely a day to remember.
An amazing 10 to 15 Minutes at Dungeness on the afternoon of 1st November 2015.
Dungeness is a headland on the coast of Kent, England, formed largely of a shingle beach in the form of a cuspate foreland. It shelters a large area of low-lying land, Romney Marsh. Dungeness is also the name of the power station and a few other nearby buildings near the beach, and of an important ecological site at the same location.
Dungeness is one of the largest expanses of shingle in the world. It is of international conservation importance for its geomorphology, plant and invertebrate communities and birdlife. This is recognised and protected mostly through its conservation designations as a National Nature Reserve (NNR), a Special Protection Area (SPA), a Special Area of Conservation (SAC) and part of the Site of Special Scientific Interest (SSSI) of Dungeness, Romney Marsh and Rye Bay.
There is a remarkable variety of wildlife living at Dungeness, with over 600 different types of plant: a third of all those found in Britain. It is one of the best places in Britain to find insects such as moths, bees and beetles, and spiders; many of these are very rare, some found nowhere else in Britain.
The short-haired bumblebee, Bombus subterraneus, was last found in the UK in 1988, but has survived in New Zealand after being shipped there more than 100 years ago. It is to be reintroduced at Dungeness. It is planned that the first bees will be introduced in the spring of 2010.
The flooded gravel pits on Denge Beach, both brackish and fresh water, provide an important refuge for many migratory and coastal bird species. The RSPB has a bird sanctuary there and every year thousands of bird watchers descend on the peninsula to catch a glimpse of a rare bird from the bird observatory.
One of the most remarkable features of the site is an area known as 'the patch' or, by anglers, as 'the boil'. The waste hot water and sewage from the Dungeness nuclear power stations are pumped into the sea through two outfall pipes, enriching the biological productivity of the sea bed and attracting seabirds from miles around.
Beach fishing is popular at Dungeness, with the area being a nationally recognised cod fishing venue in the winter.
The name Dungeness derives from Old Norse nes: "headland", with the first part probably connected with the nearby Denge Marsh. Popular etymology ascribes a French origin to the toponym, giving an interpretation as "dangerous nose".
This is my art installation for ONE BILLION RISING, a call to action based on the staggering statistic that 1 in 3 women on the planet will be beaten or raped during her lifetime. It is an one-day-only event that is happening on Feb 14, 2019, the seventh year where men and women in Second Life will join activists, writers, thinkers, celebrities, and people across the world to Rise, Resist and Unite as a show of unity, individual strength, and the need for change.
OBR Website:
onebillionrisingsl.wordpress.com/
My Artist Statement:
My artwork for One Billion Rising tries to capture the moment when a person who has endured rape, sexual abuse, or violence of any kind finally breaks free of the pain that they've experienced, be it physical or emotional. The rising hand-drawn particles of women floating up is a literal interpretation of "one billion rising", as they join in the collective celebration to end the abuse and suffering, rising from the darkness of their painful past. I made each particle to be scaled to our human size so that they are more relatable, and visitors could feel that they are a part of the collective.
I really wanted to give the feeling that pain or abuse - represented by black splotches in the background and on the 3D hand sculptures - doesn't have to last. This is especially expressed in the animated textures on some of the hands, representing change. As we grow as individuals, the pain that has been brought on us takes on a different form, one that can unite us to become stronger than who we used to be.
Abstract interpretation in acrylic of an aerial photo I took. From a project inspired in most part by Lanyon. A couple of inches bigger than A5 in size.
Photography, as a powerful medium of expression and communications, offers an infinite variety of perception, interpretation and execution. ~ Ansel Adams
Happy Sliders Sunday to everyone ;o)
And also for the 115 in 2015 Group - #50 Interpretation of a Famous Painting
I was out shooting a heavy frost on the trees, and one shot against the sky reminded me of the famous wood block print by Hokusai called The Wave. So I took my photo, and tried to render it with Japanese feel. Thumbnails of both shots are in the first comment field.
More about Hokusai and "The Great Wave off Kanagawa" on the Wiki en.wikipedia.org/wiki/Hokusai
My Sliders Sunday set is here: Elisa Sliders Sunday
My 115 in 2015 set is here: Elisa 115 in 2015
My Post-processing set is here: Elisa Post-processing
A new addition to my "Bayside Impressions" series
I have not done this for a while, but it felt really good to do some black and white long exposure work again. This image and another one were just about right to be added to my series "Bayside Impressions".
Long exposure black and white photography has become a very popular genre in photography and many photographers followed masters like Michael Levin, Jeff Gaydash, Marc Koegel and Joel Tjintjelaar and started experimenting with neutral density filters. I personally enjoy the idea of taking long exposure photographs a lot. It always fascinated me how light gathered on film and produces a image that not only captured light but also time. I did not like the clean and sometimes overproceseds look of some of the digitally processed images. My process is a bit different, it concentrates on the more natural look of a scene and less on the creative interpretation. This is just a different approach and something that suits my personal style more. I hope you are enjoying this photograph. The Bay Bridge and the piers in San Francisco have been photographed many times, but they are still iconic and people will continue to shoot them over th next decades. This is my interpretation, my work, my photograph - one among others but still unique.
Pier 24 is a wonderful place to view and think about photography. If you have not yet been there I highly recommend putting this on your itinerary for the next SF trip.
PLEASE, NO invitations or self promotions, THEY WILL BE DELETED. My photos are FREE to use, just give me credit and it would be nice if you let me know, thanks.
A great place to learn about the sinking of the S.S. Atlantic is located in the Interpretation Centre. It contains a large collection of artifacts salvaged from the wreck site at the time of the disaster and over time.
There are large panels that give detailed explanations of the disaster in words, pictures and artists' renditions. These informative panels take you back in time and present a story of heroism and compassion which should not be forgotten.
do you have an interpretation to share for this image as a symbol of anything on any scale, anywhere?
Centre d'interpretation et d'observation de Cap-de-Bon-Desir
Merci beaucoup pour vos visites et commentaires ♥, thank you so much for the visit and kind comments
Demander pour utilisation merci - Ask for use th anks.
© Michel Guérin. Tous droits réservés - All rights reserved ©.
My personal interpretation of Juliet's burial
© All rights reserved. Use without permission is illegal!
Thanks to Brooke Shaden for being such an inspiration for me.
Listen to this while you're watching this picture: www.youtube.com/watch?v=VAXaZQbym94&feature=related :)
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