View allAll Photos Tagged INTERPRETATIONS
Centre d'Interpretation de la Nature du Lac Boivin, Granby.
" Gotcha!!! "
These little devils are so small and so shy, they are very tough to spot and photograph. But when you are lucky enough to have a juvenile this close that is as hungry as show-off, you get 5 grown men shooting like crazy!
This is my interpretation of an image of Christ by the famous C14th Russian icon painter Andrei Rublev, which was accidentally found in a dilapitated wood shed in 1919. Arguably in need of restoration, the original, named 'Christ the Redeemer', endures to this day as one of his finest masterpieces.
Do you see the interpretation of one’s soul in one’s ️eye?
f/6.3, 1/200 sec, ISO-1600
#sea #underwaterphotography #marinelife #scubadiving #diving #scuba #ocean #dive #scubadiver #uwphotography #sea #underwaterworld #scubadive #travel #photography #nature #scubalife #underwaterphoto #underwaterlife #uwphoto #sealife
Newburgh is a large stone-built village on the wide sandy estuary of the River Ythan, close to the point at which it is bridged by the A975. he origins of the village date back to 1261 when a charter was drawn up by Lord Sinclair establishing a settlement here. A little later it acquired the Chapel of the Holy Rood and St Thomas the Martyr in Inch Road. The Chapel is long gone, but the Udny Family Mausoleum which formed part of it can still be seen in the Holyrood Cemetery. art of the name of the original chapel also survives, in the imposing Holyrood Chapel on Main Street. This was originally built as a school in 1838, and the clock tower was added in 1892. The village itself developed as a centre for salmon fishing, and later as a small port. By the 1850s there was a steady traffic of boats and barges calling at the newly built quays on the River Ythan. And by the 1880s there was a small fleet of sailing vessels based here, alongside a dozen resident fishing boats. A little earlier, in 1828, Newburgh became the first port in Scotland to have a Lifeboat Station, then called the Shipwreck Institution. The RNLI, as the Institution became, based a lifeboat in Newburgh until 1961, when it moved to Peterhead. In the 1950s Newburgh remained an active port with quays and a mill. Much of its economic base had declined by 1970, but the corner was turned - as with so many settlements in north east Scotland - with the discovery of oil under the North Sea. Newburgh, with its attractive setting and within commuting range of both Aberdeen and Peterhead rapidly became a desirable place to live. Today's Newburgh is an active and thriving settlement. At its centre is the Udny Arms Hotel providing accommodation, great views over the River Ythan, and an excellent restaurant. Beyond the River Ythan lies one of the oddest landscapes in Britain. Forvie Sands comprises an area of dunes some three miles long and a mile wide. At its heart are the remains of Forvie Kirk, built in the 1100s. This is all that can now be seen of the village of Forvie, once a thriving community but buried by shifting dunes during a storm in 1413. www.undiscoveredscotland.co.uk/newburgh/newburgh/
Sands of Forvie Nature Reserve: www.visitscotland.com/info/towns-villages/forvie-national... Shifting sands and seabirds The stark beauty of empty sand dunes is complemented by the call of eider ducks, wafting like gentle gossiping across the Ythan estuary. With the constant shifting of the dunes, layers of history have come and gone, revealing the half buried remains of a twelfth century church. Bird life is plentiful and you can watch the summer acrobatics of diving terns or the determined stabbing of the carrot-coloured beaks of wading oystercatchers.
U-Bahn Station Hamburg Hafencity
Wenn du an Lichtkunst interessiert bist, solltest du unbedingt einmal an der U-Bahn-Haltestelle „HafenCity Universität“ verweilen. An der Decke hängen Lampen, die in unterschiedlichen Farben leuchten. Gedacht ist das Lichtspiel als Interpretation der Tageszeit, Jahreszeit und des Wetters. Das spiegelt sich auch an den Stahlwänden wieder, die ein tolles Farbspiel wiedergeben.
Diese 12 Containerleuchten wechseln ihre Farben entweder synchron oder asynchron, sodass du ruhig – wenn du die Zeit hast – ein bisschen sitzenbleiben solltest, um es dir anzusehen.
Painterly interpretation.
The foxtail season has regrettably begun, when the seeds from wild oats bury themselves in your socks, pants, your pet, and anything else they can find.
Frank Hurley's images, of Ernest Shackleton fame, interpreted by my Sony RX100 watercolor feature, distorted by digital zoom.
Be Still 52 - Open to your interpretation
edit based on Kim's preset 'serendipitous'
The spark a lovely layout from Anthropologie magazine,
inspired by the color palette, brown-orange and green ...
I used the backside of my green painted wooden table top
and some dried roses from my birthday bouquet ...
Photography is characterized by speculation, contemplation. And of course an interpretation of life. I want to to observe the relationship between photography and reality, to rouse the viewer to project her/his own meaning, so it becomes an integral part of the creative process.
Also I try to pay a lot of attention to emotion and association. I want to communicate how I felt when I looked at a subject/scene, with the viewers. This is sheer joy. It is my way of photography. I have a long way to go, though.
Shot from, Nikon D300. Focal Length: 26 mm. Aperture F/7.1. ISO 320. Exposure 1/100sec.
Exposure: Manual. Metering: Pattern. Auto Focus. White Balance: Auto, EV -0.3 Color Mode used: www.flickr.com/muha
Processing: Adobe Photoshop CS3. New Layer Canvas size increased by 3mm.
have a nice weekend you all!
If you have a moment, please take a look at this gallery about an amazing artist. I know some of you don't like videos, but believe me Jill's ones are so special that you could change your mind
My photographic interpretation of the recent minimalist work by the new generation of Black painters that are pushing the boundaries of abstract art. This particular photograph is a combined and layered homage to Rashid Johnson’s “Cosmic Slop ‘Black Orpheus’” (2011) and to Mark Bradford’s “Q3” (2020) from his “Quarantine Paintings” that utilizes agitated-looking layers of sanded paint and paper to represent a topographical map of isolation.
This photo was taken from a section of the front of a shut-down local shop, a casualty of the pandemic. The storefront was used by street artists who added layers upon layers of colorful posters and stickers during the pandemic to eventually all be painted over by a shroud of black paint. Glimpses of those colorful mosaics can still be seen just a layer under the black paint.
Recommended reading: www.nytimes.com/2021/02/12/t-magazine/black-abstract-pain...
Black Orpheus: static01.nyt.com/images/2021/02/12/t-magazine/12tmag-abst...
Q3: static01.nyt.com/images/2021/02/12/t-magazine/12tmag-abst...
"innerspace"
Model: Sayaka @ Nada, Kobe, Japan
Camera: Canon EOS 5D Mark II + EF14mm f2.8L USM
I' ve re-connected to the internet ;)
My interpretation of the year 2020 🤔 Maybe I should save this one for Halloween? lol
Stacked image, one stack for foreground, one for sky (focus stacking). 13 images each, 24 mm f/1.4 lens at f/2.8, 13 sec, ISO 5000. A long time ago in a desert far, far away. Goodbye 2020! Excited about the prospects for 2021! BTW, notice all the little critter tracks in the sand. The desert is full of life!
Os Passadiços do Cerro da Candosa, em Vila Nova do Ceira (Góis), oferecem um percurso pedestre seguro pelas encostas do vale do Rio Ceira, afluente do Mondego. Com cerca de 600 metros e 450 degraus, a estrutura de madeira serpenteia pelas fragas quartzíticas de 440 milhões de anos, resultado da transformação de areias marinhas. A iniciativa, promovida pela Junta de Freguesia e pelo município, visa revitalizar a região após os incêndios de 2017, permitindo o acesso a miradouros com vistas panorâmicas sobre o rio, a malha rural de Vila Nova do Ceira, e a Serra da Lousã. O percurso culmina no desfiladeiro conhecido como Cabril ou Portas do Ceira, um canhão fluvial com escarpas íngremes e vegetação exuberante. A intervenção integra-se numa estratégia de turismo sustentável, valorizando o património natural e promovendo a observação de aves e a interpretação ambiental nesta área de biodiversidade mediterrânica.
The Cerro da Candosa footbridges, in Vila Nova do Ceira (Góis), offer a safe pedestrian route along the slopes of the Ceira River valley, a tributary of the Mondego. With about 600 meters and 450 steps, the wooden structure winds through the 440 million year old quartzite cliffs, the result of the transformation of marine sands. The initiative, promoted by the Parish Council and the municipality, aims to revitalize the region after the 2017 fires, allowing access to viewpoints with panoramic views of the river, the rural network of Vila Nova do Ceira, and the Serra da Lousã. The route culminates in the gorge known as Cabril or Portas do Ceira, a river canyon with steep cliffs and lush vegetation. The intervention is part of a sustainable tourism strategy, valuing the natural heritage and promoting bird watching and environmental interpretation in this area of Mediterranean biodiversity.
Rather than something weird and wonderful this week I thought I would give you something warm and arty (and wonderful too, of course ;) ).
These are two painterly versions both done with Topaz Studio based on the same edit of a picture I took in the local woods last autumn.
I think pictures of trees and woods lend themselves to a painterly interpretation, especially if there is a bit of colour and some sort of composition focus.
These two are quite similar but I’d still be interested to hear if you have time to say which you prefer. I tend to choose the one I am currently looking at! The commentary is the same for both and I’ll post a link to the in-camera version (or at least a plain conversion of the raw file) in the first comments.
The two versions take different approaches using very different filters in Topaz. After correcting some perspective and developing in Capture One for a vibrant colour mix (always a good starting point if you are copy and artistic approach), Topaz Studio did the biz and then a slight dark vignette was added in Affinity, and that was it.
The first variant uses the Impression filter starting from the Watercolor II preset, and building from there. I love the dreamy look this gives - walking in the autumn woods is quite a dreamy experience!
The second uses the Abstraction filter.
I have a great fondness for this particular filter because we go back a long way. Before Topaz took it over it was called Buzz Simplify (and originally in Topaz it was called Topaz Simplify). It was written by a programmer in England as a filter for photoshop.
I first came across it in an exhibition by a photographer-artist and it was the first time I had really seen a filter produce painterly results like it. I’ve been using it for over twenty years.
Interestingly the artist then used it primarily for scenes of woods and trees. It produces great results with pictures of buildings, landscapes and street scenes too. Or you can use it as a starting place for further painterly attention.
Ok. Enough of me babbling. I’ll use the watercolour version for Sliders Sunday this week.
Thank you for taking the time to look. I hope you enjoy the image. Happy Sliders Sunday :)
remember how she said that we would meet again
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i was inspired by pink floyd -- as i tend to be! -- and decided to portray my interpretation of "vera".
ok, i'm a dork who knows her stuff - vera is vera lynn, who was a singer during ww2. pink floyd (well, roger waters) is referring to her song "we'll meet again" when he asks, "remember how she said that we would meet again some sunny day?" in the film, pink (waters) loses his father in the war, someone he'll never meet again, as vera may have led him to believe. also, vera herself is a bit of an elusive character, since waters (pink) asks "what has become of you?" which implies that she, like her words, are no longer there, either not accessible or not applicable.
it's a sad feeling, because if you reject the belief that "we *will* meet again", you probably are left skeptical and feeling hopeless. in my photo, i tried to create that mood. the despondency, the heartache, the loss.. and it seems to me that those feelings would paint a pretty bleak picture of the future. even though MY vera has her eyes closed, she is not at peace with herself or her situation. instead, i'm having her revisiting memories, remembering the most beautiful times and reliving them over and over again. clinging to the blanket like she does to the past. lastly, i thought that with such a gloomy way of living/thinking, the pitchblack room save for the two floating lights was right on target... tiny lights, swallowed up in the sea of darkness and misery.
aaaand... that's me in the shawl blanket thing, perched atop the glass dining room table. you can't see the table, because it's glass, and the two green things are stone pillars that hold up the glass. i took all the chairs away from the table, switched off every light except for the three that hang from the ceiling over the table - those two (pictured) and another one that i cloned out because it was the closest to the camera, so bigger and kind of obstructive. i like these two little guys hanging out, hovering around me. it makes me look like princess leia :P
i'm actually really pleased with how this came out! pink floyd is my favorite band and i couldn't give them anything but (what i judge to be) my best.
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hmm. i'm really happy to explain all of the thoughts, plans, ideas, setting up the stage, etc. that go into my shots. of course i always have these silly mustache shots or grrrawrr clint shots, or just blah "look at my beautiful eyes and lips" close-up shots, but i really love when i try to create a scene. a mood. play a character, one who's real, who's been done a million times, or that i just make up as i go along. the most consistent compliment (at least, i think it is a compliment!) i get from you peeps and others who look at my portfolio is that i create a cast of characters, i put on a show for myself and the camera just happens to be there. i love using props, and i love paying tribute to my literary, artistic & musical heroes and heroines (and obama!), but only if i do it well. i do put an awful lot of pressure on myself, especially for tribute shots; i always end up thinking, well, thom yorke did it better! or whatever.. sometimes my safest bet is to aim for a certain style. noir, or vintage in general, outlandish, ethereal, surreal, rough/raw. i don't know what i'm talking about now, but i'm kind of having this renaissance with my 365... embracing it again, really excited about what i can do next and happy with what i've been doing.
(sorry, london, but you had some weeeeird effect on me! poo faces)
▶ Russkaya - Mandragura Animation
▶ ::Fluffy Stuff:: Cheeky Toys
▶ OPALE.Mei Hair
▶ NANIKA - Francine Top
Maitreya / Legacy / Perky / Legacy PushUp by Nerido / eBODY / eBODY Juicy Boobs
▶ REKT - Taki Pants
DENALI - The Great One - That's the common interpretation of the native Athabaskan name for Mt. McKinley (since officially renamed), North America's highest mountain at 20,310 ft. in elevation. On a clear day the mountain can be seen from Anchorage 150 miles to the south and in Fairbanks 150 miles to the north and at many other points in between along the route of Alaska's own railroad. Nowhere is the view more spectacular than in the Talkeetna area where the summit is less than 40 miles distant as the raven flies.
Here the Alaska Railroad's southbound weekly passenger train, the Aurora (235S), has paused to give the lucky visitors a spectacular view across the frozen Big Susitna River near MP 224 on the ARR's mainline. Eight miles to the south of Denali (left in the photo) is the 14,573 ft Mount Hunter.
This is what visiting Alaska and riding the Alaska Railroad is all about!
South of Talkeetna, Alaska
Sunday March 20, 2011
A personal interpretation of a sunrise captured from my hills
I hope you like it and thanks for looking : )
Una interpretacion personal de un amanecer tomado desde mis colinas. Espero que os guste y gracias por pasar por aqui : )
I know someday you'll have a beautiful life /
I know you'll be a star in somebody else's sky /
But why, why, why can't it be /
Oh, can't it be mine?
--Pearl Jam, "Black"
"The song is about letting go... I've heard it said that you can't really have a true love unless it was a love unrequited. It's a harsh one, because then your truest one is the one you can't have forever."
--Eddie Vedder, on "Black"
Bridgewater Canal, Worsley
A little disheartened to find that the Delph Project was finally finished and all the barriers removed mid-week... and no one bothered to tell me! It was only by chance I came across a few images on a Facebook group on Wednesday and tonight was my first opportunity to see how things have turned out for myself.
This is definitely my quickest, location shoot, post-processing and uploading to Flickr since I joined. A little rushed as I'm in the middle of packing for our hols (Mrs R has done 99% of that to be honest, I've just made sure my tripod fits in the suitcase). Anyway hope you like the end result of the project and I just wanted to get one posted ahead of the rush.
To view more of my images, of Belton House, please click "here" ! Click any image to view large!
Belton House is a Grade I listed country house in Belton near Grantham, Lincolnshire, England. The mansion is surrounded by formal gardens and a series of avenues leading to follies within a larger wooded park. Belton has been described as a compilation of all that is finest of Carolean architecture, the only truly vernacular style of architecture that England had produced since the Tudor period. The house has also been described as the most complete example of a typical English country house; the claim has even been made that Belton's principal facade was the inspiration for the modern British motorway signs which give directions to stately homes. Only Brympton d'Evercy has been similarly lauded as the perfect English country house. For three hundred years, Belton House was the seat of the Brownlow and Cust family, who had first acquired land in the area in the late 16th century. Between 1685 and 1688 Sir John Brownlow and his wife had the present mansion built. Despite great wealth they chose to build a modest country house rather than a grand contemporary Baroque palace. The contemporary, if provincial, Carolean style was the selected choice of design. However, the new house was fitted with the latest innovations such as sash windows for the principal rooms, and more importantly completely separate areas for the staff. As the Brownlows rose from baronets to barons upward to earls and then once again became barons, successive generations made changes to the interior of the house which reflected their changing social position and tastes, yet the fabric and design of the house changed little. Following World War I (a period when the Machine Gun Corps was based in the park), the Brownlows, like many of their peers, were faced with mounting financial problems. In 1984 they gave the house away—complete with most of its contents. The recipients of their gift, the National Trust, today fully open Belton to the public. It is in a good state of repair and visited by many thousands of tourists each year The Brownlow family, a dynasty of lawyers, began accumulating land in the Belton area from approximately 1598. In 1609 they acquired the reversion of the manor of Belton itself from the Pakenham family, who finally sold the manor house to Sir John Brownlow I in 1619. The old house was situated near the church in the garden of the present house and remained largely unoccupied, since the family preferred their other houses elsewhere. John Brownlow had married an heiress but was childless. He became attached to two of his more distant blood relations: a great-nephew, also called John Brownlow, and a great-niece, Alice Sherard. The two cousins married each other in 1676 when both were aged 16; three years later, the couple inherited the Brownlow estates from their great-uncle together with an income of £9,000 per annum (about £ 1.17 million in present day terms) and £20,000 in cash (equivalent to about £ 2.59 million now). They immediately bought a town house in the newly fashionable Southampton Square in Bloomsbury, and decided to build a new country house at Belton. Work on the new house began in 1685. The architect thought to have been responsible for the initial design is William Winde, although the house has also been attributed to Sir Christopher Wren, while others believe the design to be so similar to Roger Pratt's Clarendon House, London, that it could have been the work of any talented draughtsman. The assumption popular today, that Winde was the architect, is based on the stylistic similarity between Belton and Coombe Abbey, which was remodelled by Winde between 1682 and 1685. Further evidence is a letter dated 1690, in which Winde recommends a plasterer who worked at Belton to another of his patrons. Whoever the architect, Belton follows closely the design of Clarendon House, completed in 1667. This great London town house (demolished circa 1683) has been one of the most admired buildings of its era due to "its elegant symmetry and confident and common-sensical design". Sir John Summerson described Clarendon House as "the most influential house of its time among those who aimed at the grand manner" and Belton as "much the finest surviving example of its class". John and Alice Brownlow assembled one of the finest teams of craftsmen available at the time to work on the project. This dream team was headed by the master mason William Stanton who oversaw the project. His second in command, John Thompson, had worked with Sir Christopher Wren on several of the latter's London churches, while the chief joiner John Sturges had worked at Chatsworth under William Talman. The wrought-ironworker John Warren worked under Stanton at Denham Place, Buckinghamshire, and the fine wrought iron gates and overthrow at Belton may be his. Thus so competent were the builders of Belton that Winde may have done little more than provide the original plans and drawings, leaving the interpretation to the on-site craftsmen. This theory is further demonstrated by the external appearance of the adjoining stable block. More provincial, and less masterful in proportion, it is known to have been entirely the work of Stanton.
From Wikipedia, the free encyclopedia
Wharf and floating Interpretation Center for Sea Change Marine Conservation Society - Marine Ecology Center
??? - VCC - AT = Victoria Camera Club - Alternate Tuesday
Photographer: Fred H. Politinsky
Subject: Jazz Greats
View my photographs on the following websites:
www.flickriver.com/photos/jackpot999
www.fluidr.com/photos/jackpot999
www.flickr.com/photos/jackpot999
GOOGLE at NPR JAZZ PHOTOGRAPHY POOL - FLICKRIVER (Look for photographs by Bebop18.)
The best photography is a form of witness, a way of bringing a single vision to the larger world.
---- Ben Goldberger, Nation editor, Time Magizine
ALL OF MY PHOTOGRAPHS ARE COPYRIGHTED. ALL RIGHTS ARE RESERVED. DO NOT USE, EDIT OR COPY ANY OF MY PHOTOGRAPHS WITHOUT MY PERMISSION.
Surrealist free interpretation of the painting "Le déjeuner sur l'herbe" as "stretching on the pavement". Taking advantage of the reflection of the sky on the windows of the Hotel W and superimposing the moment of relaxation transmitted by the scene, you get what would be a triple exposure.
The Many-Worlds Interpretation (MWI) of quantum mechanics holds that there are many worlds which exist in parallel at the same space and time as our own. The existence of the other worlds makes it possible to remove randomness and action at a distance from quantum theory and thus from all physics. Which is awesome for Schrödinger's cat! ;-p
First proposed by Hugh Everett in 1957.
More detailed info for those interested:-
en.wikipedia.org/wiki/Many-worlds_interpretation
The nylon wire is 0.14mm the drops are between 1.5 and 2mm.
Richmond, BC Canada
A commercial crab-fishing boat pulling a smaller boat up the Steveston Channel past Garry Point Park.
Garry Point Park is large 75 acres waterfront park, located close to historic Steveston Village.
The park provides spectacular views of the South Arm of the Fraser River and the Gulf Islands. With plenty of beach and waterfront access, just bring your beach blanket, a picnic dinner and enjoy yourself at one of the BEST places to watch the sunset in Richmond.
The unique rolling landscape of Garry Point includes such features as Kuno Garden - a Japanese style memorial garden, beached logs and sandy beach access, expansive open areas for picnicking and kite flying, interpretation signage dots the landscape and a prominent public art piece - the Fisherman's Memorial Needle on the south side of the park. Additional heritage aspects in the park include a heritage moorage facility with buildings and docks at historic Scotch Pond.
This image is best viewed in Large screen.
Thank-you for your visit, and any faves or comments are always sincerely appreciated.
Sonja
I'd love to hear your interpretations on this one. I'd tell you what ideas I was intending to explore, but that'd spoil the mystery. Thank you for all of your kind words for this year's pieces so far.
Hope you're all well. When I'm not working or playing with Lucy, I've been spending my days binge watching Sherlock.
Photography is about interpretation of a scene in reality. There are so many ways to interpret a scene. You can use different cameras or lenses, different compositions, different settings and exposure, or even different processing and editing in post-production.
When a photographer relies very much on post-production, he/she departs more from reality. In the extreme case, you can create an image without a real shot from camera!
You can do a fake infrared shot solely by post-production or software. I still do it with the low-tech way i.e. using my little Fuji X10 and the Hoya R72 infrared filter. The sunny summer day in Minoru Park means abundance of infrared light too. This is good day for infrared shot.
Wish you a good Sunday!
Fuji X10 compact
Hoya R72 infrared filter
B&W with red filter Film Simulation
An artistic interpretation of Sydney's Opera House.
I'm enjoying the return to landscape photography after a mild hiatus through the wedding season. Weddings are fantastic and fun to shoot but very different to the often careful and precise capture of an age old landscape or beautiful piece of architecture. I love both but am keen to get back into 'scaping with gusto over the xmas break.
5 shot pano processed with PS CC.
Dred Van Winkle wakes every 100-years for the solar eclipse, and free ranges for 48 hours, then, back to sleep....
My artistic interpretation of the four elements: Earth Wind and Fire and water! The flame is obvious. On the left, it looks like a moody cloudy sky with earth below it. The swirly specks represent wind and the whole thing is shot through water. The reality: A water bottle that has a pyramid shaped crystal inside of it and it is full of water. The candle sits behind the whole thing. :) Mmm.. it also kind of looks like a brown planet in the upper right corner. Don't know where that came from! LOL. HMM everyone!
Interprétation de la Square du Vert-Galant en couleurs d'automne.
Paris 2017
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Jan 9 009/366
"the concept of continuous existence." This is one of the definitions for Time. Time is an interesting concept and as I grow older it becomes more and more an enigma.
In regards to this photo. Does it read as my artistic interpretation of Time? or does it look like a photo for a timepiece in a catalog? Oh well. (:-)
That is not blood on the teabags, its the colour of the Rooibos tea;-) This is my interpretation of Nature for : 30 day Photo a Day group. It should reperesent plants and animals, here's why...
..... My older sister by five years has been a veggie since before her teen years and having grown up in South Africa with its strong meat eating culture, it was not easy for her. I remember many a meal sitting with a churning stomach because she got a sadistic delight in telling me, in great detail, how animals were slaughtered and exactly what sinew and muscle I was about to chew. I wish I could say it eventually just made my stomach stronger but the truth be told I still struggle with needing to eat red meat for the iron and my stomach churning everytime I do so :-))... So what about you... are you a veggie or a meat lover??
texture~Les Brumes