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Architecture & Interior by MICHELLE KAUFMANN DESIGNS
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NABAtélier e NABAStore sono a Milanofiori Nord, in Piazza degli Incontri, Edificio U7.
Orari di apertura:
da Lunedì a Venerdì dalle 10.00 alle 20.00
Sabato dalle 14.00 alle 20.00
Domenica dalle 17.00 alle 20.00
www.naba.it - info@futurarium.com
A Galeria Chaves é uma galeria comercial e um prédio histórico de Porto Alegre - RS (tombado pelo municÃpio desde 1986). Sua fachada é imponente, e o estilo de sua construção remete aos modelos dos palácios renascentistas.
Textura horrÃvel!!! Parece pudim, mas o gosto e o brigadeiro gourmet que cobri salvaram o Bolo!!!! Ufa!!!
Lasalle School of Arts - Singapore
HDA : Courtyard fabric roof and facades Specalist Consultants Facades and central court roof designer
Client : SIA Lasalle
Architect: RSP Architects Planners & Engineers
Date : 2004-2006
See more at : www.hda-paris.com/
The Postcard
A postally unused cartolina postale that was published by Edizioni Indaco S.N.C. The card has a divided back, and the photography was by Giancarlo Gasponi.
Giancarlo Gasponi, Postcard Photographer
Louis Inturrisi wrote an article in the New York Times about Giancarlo Gasponi which appeared on the 31st. December 1989. This is what he wrote:
'Giancarlo Gasponi has three pet peeves:
telephone wires, television antennas and
parked cars.
He is also not too fond of passers-by.
Mr. Gasponi has been the best-selling
postcard photographer in Italy for the last
five years.
His shots of Rome, Venice and Florence have
become the tourist's choice because they
present an alternative to the conventional
offerings usually sold at monuments and
churches.
Mr. Gasponi said he tries to find a compromise
between realistic images of important places
and images that evoke a memory of a place,
something more than what the eye can see:
''I try to capture a piece of a subject
that says something about the whole
subject or about the whole place,''
He said his favorite postcard, a recently issued
shot of the Piazza Navona seen through an open
window with the piazza duplicated in the reflection
on the windowpane, has sold nearly a thousand
copies.
Mr. Gasponi, who is 39 years old, started taking
pictures of tourist attractions for his own pleasure.
After a slide show at his home, several friends told
him he should try to get his work published.
Now he distributes his own postcards, selling them
in every major city in Italy, along with six photo-essay
books about Italy in three languages.
His most ambitious effort to date was to photograph
the interior domes of 25 Rome churches for his book
''Rome: A Special Journey'' (Editoria, about $30).
The best thing about photographing them, he said,
was not having to worry about telephone wires.'
The Pantheon
The Pantheon is a former Roman temple and, since AD 609, a Catholic church (Basilica Santa Maria ad Martyres) in Rome.
It was built on the site of an earlier temple commissioned by Marcus Vipsanius Agrippa during the reign of Augustus (27 BC – AD 14). After the original burnt down, the present building was ordered by the emperor Hadrian, and probably dedicated circa AD 126.
Its date of construction is uncertain, because Hadrian chose not to inscribe the new temple, but rather to retain the inscription of Agrippa's older temple.
The building is round, except for the portico with large granite Corinthian columns (eight in the first rank and two groups of four behind) under a pediment.
A rectangular vestibule links the porch to the rotunda, which is under a coffered concrete dome, with a central opening (oculus) to the sky.
Almost two thousand years after it was built, the Pantheon's dome is still the world's largest unreinforced concrete dome. The height to the oculus and the diameter of the interior circle are the same, 43 metres (142 ft).
It is one of the best-preserved of all ancient Roman buildings, in large part because it has been in continuous use throughout its history.
Since the 7th. century, it has been a church dedicated to St. Mary and the Martyrs. The square in front of the Pantheon is called Piazza della Rotonda. In 2013, the Pantheon was visited by over six million people.
The Pantheon's large circular dome with a conventional temple portico front, was unique in Roman architecture. Nevertheless, it became a standard exemplar when classical styles were revived, and has been copied many times by later architects.