View allAll Photos Tagged INTERGALACTIC
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◈Nadia Shirt {Ebody} - = Domus =
◈Belle Thong - Reborn- [:MILK BATH:]
◈Bebesita Lace Stocking Reborn BOM- VIENA
◈Anya Heels - Reborn- Stiff
◈Soft thighs + O-Ring Garters for Soft Thighs (eBody Reborn)- MAZE.Mods
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Alien Come With Me @ Sunny's Photo Studio
∆TAXI: maps.secondlife.com/secondlife/Sunny%20Photo%20Studio/128...
You should try their Galaxy Burger, it's out of this world! Seriously, this is the parking lot high atop Haleakala at 4:45am as the adventurous arrive at the crater to witness one of the great marvels of our universe ... sunrise at Haleakala.
-30-
Best viewed in Lightbox, press 'L' on your keypad and Full Screen option on your screen. Press 'F' on your keypad if you like this photo. © All rights reserved. Please do not use or repost images, sole property of Thuncher Photography.
Pungent smells
They consumate my home
Beyond the black horizon
Trying to take control
See my girl
She shivers in her bones
The sun and zenith rising
Trying to take us all
Theres a fire between us
So where is your god?
Theres a fire between us
I can't get off the carousel
The sickening taste of homophobic jokes
Images of fascist folks
Beam me up 'cause I can't breathe
Spaceman
I always wanted you to go into space man.
Intergalactic christ
Its time to terminate this great white world
Morbid fascination
Television takes control
Decimation
Different races fall
Electronic information tampers with your soul
Theres a fire between us
So where is your god?
Theres a fire between us
I can't get off the carousel - I can't get of this world
The sickening taste of homophobic jokes
Images of fascist folks
Beam me up 'cause I can't breathe
Spaceman
I always wanted you to go into space man-Intergalactic christ
Babylon Zoo
Spaceman
I always wanted you to go into space man-Intergalactic christ
Spaceman by BABYLON ZOO
Semaine Intergalactic zad.nadir.org/spip.php?article4677 autour du chantier de la cabane Ambazada zad.nadir.org/spip.php?article4678 du 17 au 24 aout 2017, sur la zone à Défendre de Notre-Dame-des-Landes
Charly Papanatas vas de mal en peor. Este es el resultado de no tner tiempo para dibujar. Sale lo que sale. saludos a todos fieles compis
Intergalactic Lovers.
Singer Lara Chedraoui .
Guitar Maarten Huygens .
Bass Raf De Mey .
Drums Brendan Corbey .
2 december 2011.
AB Brussels.
photo: Alex Vanhee
this is a necklace from outer space; it is an intergalactic lozenge exuding an astral glimmer, an artifact from the future.
made of the earth, it speaks of the stars; it travels across the arc of light, it beams itself through the universe.
lately, i've been really into building hollow forms - there's something about the dimension, the space, the construction.... and the finished product just makes me so happy!
I have spent the day making pictures of sculptures. This is from a place called Pilane, situated on the island Tjörn some thirty km north of Gothenburg. It's a kind of sculpture park thou it's not a park, but more of a piece of nature and an old grave field from about year 0. It's all keept tidy and open by a large herd of sheeps. More will follow.
This is a piece by the Swiss artist Lori Hersberger, it's made out of aluminium. It's apperent gigantic size, compared to the group of tiny people in the left corner is just an illusion.
Intergalactic Lovers.
Eurosonic Festival Groningen.
11 january 2012.
photo: Alex Vanhee.
Intergalactic Lovers is a Belgian indie rock band singer Chedraoui Lara,
An intergalactic contestant has entered the drome! Will the flashing neon and alien buzz dazzle the other racers... or derail them?
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◆Abductee Earrings (with lights) - Unrigged + Resizable
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◇Taxi: maps.secondlife.com/secondlife/Makai/187/78/3333
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Available @ Mainstore
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◑ ━━━━━ ━━━━━ ▣ ━━━━━ ━━━━━ ◐
◆◇Other Credits◇◆
◑ ━━━━━ ━━━━━ ▣ ━━━━━ ━━━━━ ◐
◈Kiara Hairstyle (M/Boobs)- @douxhairofficial
◈Rosen lip gloss collection- . Black Moon . Cosmetics
◈HEART CHOKER (TWS Free gift)- AZARAN
◈Nadia Shirt {Ebody} - = Domus =
◈Belle Thong - Reborn- [:MILK BATH:]
◈Bebesita Lace Stocking Reborn BOM- VIENA
◈Anya Heels - Reborn- Stiff
◈Soft thighs + O-Ring Garters for Soft Thighs (eBody Reborn)- MAZE.Mods
◈Toenails mesh (ebody) + glossy: mono HUD- @blacklotus.sl
◈[GRAY FADED] Ressignificar [F] Lelx- Miss Black
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∆∆POSE USED∆∆
Alien Come With Me @ Sunny's Photo Studio
∆TAXI: maps.secondlife.com/secondlife/Sunny%20Photo%20Studio/128...
This was done for society6's SuperHeroes San Fran exhibition and is available to buy not only as a print but also as a laptop/iphone/ipad skin for here:
Intergalactic Lovers.
Singer Lara Chedraoui .
Guitar Maarten Huygens .
Bass Raf De Mey .
Drums Brendan Corbey .
2 december 2011.
AB Brussels.
photo: Alex Vanhee
We were drunk and carsick
when we rolled into town
pulling up to the drive-in
there was no one around
when the lights unfolded from the sky
we were the only ones to be found
they were soaring through the sky
we were left on the ground.
sitting in the living room
the dog is catching caramel corn
i never wanted a change
brushing teeth and combing hair
i guess they do this everywhere
i guess it's time for a change
i never wanted a change
i think it's time for a change.
(Enlarge image to see the cluster) NGC 2419 bears the nickname "the Intergalactic Wanderer," which was bestowed when it was erroneously thought not to be in orbit around the Milky Way. Its orbit brings it further away from the galactic center than the Magellanic Clouds, but it can (with qualifications) be considered as an element of the Milky Way. At this great distance it takes three billion years to make one trip around the galaxy.[5]
The cluster is dim in comparison to more famous globular clusters such as M13. Nonetheless, NGC 2419 is a 9th magnitude object and is readily viewed, in good sky conditions, with good quality telescopes as small as 102mm (four inches) in aperture.
Astronomer Leos Ondra has noted that NGC 2419 would be the "best and brightest" for any observers in the Andromeda Galaxy, looking for globular clusters in our galaxy since it lies outside the obscuring density of the main disk.[5] This is analogous to the way the cluster G1 can be seen orbiting outside of the Andromeda Galaxy from Earth. (From Wikipedia).
Taken at Big Pine Calif. 2010 with 8 inch Newtonian and Canon 20D.
Intergalactic Lovers.
Singer Lara Chedraoui .
Guitar Maarten Huygens .
Bass Raf De Mey .
Drums Brendan Corbey .
2 december 2011.
AB Brussels.
photo: Alex Vanhee
this was fun.
we made a complete mess of mellisa's bathroom, but it was awesome.
edit: expect a handful of photos comin' at ya for the next couple days.
Taken on October 14, 2011 at Buzz Lightyear's Intergalactic Space Jam at Mickey's Halloween Party at the Tomorrowland Terrace in Tomorrowland, Disneyland (Disneyland Resort, Anaheim, CA)
Intergalactic Lovers.
Singer Lara Chedraoui .
Guitar Maarten Huygens .
Bass Raf De Mey .
Drums Brendan Corbey .
2 december 2011.
AB Brussels.
photo: Alex Vanhee
With antenna arrays equivalent to a single antenna a few kilometers in diameter at both the transmitting and receiving end, microwave communication is possible over intergalactic distances. Cyclopes, live in their "desolate caves.” The principal cost in the Cyclops design is in the antenna structures.Beacons will very likely be circularly polarized and will surely be highly monochromatic. Spectral widths of 1 Hz or less are probable.
Polyphemus, by Hughes Songe,2018
(www.flickr.com/photos/90250231n0510041136096/29927519107/...)
Their unique eye throws rays and nature catches fire. They know how to work all metals, welding them with the laser of each eye. Their talent as blacksmiths is unparalleled. In the forge of volcanoes, they found exceptional weapons, spears, bows, bows, daggers and enormous swords that only they can handle, with a wire sharper than the best swords. their engineering skills are no less surprising. the masters of lightning possess a formidable arsenal, handguns and jet weapons, deadly rays, all these weapons that will later be found in the hands of the Olympians and the Ramas. Their science comes from Heaven, that is, from Ouranos, or from aliens. They are masters of the underground kingdom that some identify with the Agartha. They forged Hades' invisibility helmet. Nowadays this headset would look like an audio headset emitting a particular wave on which brain waves tune in. This wave would cancel the reflection of the light particles on the physical body, making it "transparent" and therefore invisible. Thus, lightning was the prerogative of the first beings to come out of the encounter of heaven and earth. This may indicate that they are civilized people from the stars. We can see the representatives of a scientific-magical civilization.Project Cyclops was a 1971 NASA project that investigated how SETI should be conducted. As a NASA product the report is in the public domain. The project team created a design for coordinating large numbers of radio telescopes to search for Earth-like radio signals at a distance of up to 1,000 light-years to find intelligent life. The proposed design was shelved due to costs. However, the report became the basis for much of the SETI work to follow.The main conclusions, taken verbatim from the report. The italics are in the original, as is the flowery language:
1. It is vastly less expensive to look for and to send signals than to attempt contact by spaceship or by probes. This conclusion is based not on the present state of our technological prowess but on our present knowledge of physical law.
2. The order-of-magnitude uncertainty in the average distance between communicative civilizations in the galaxy strongly argues for an expandable search system. The search can be begun with the minimum system that would be effective for nearby stars. The system is then expanded and the search carried farther into space until success is achieved or a new search strategy is initiated.
3. Of all the communication means at our disposal, microwaves are the best. They are also the best for other races and for the same reasons. The energy required at these wavelengths is least and the necessary stabilities and collecting areas are fundamentally easier to realize and cheaper than at shorter wavelengths. Microwave window as seen by a ground-based system. From NASA report SP-419: SETI - the Search for Extraterrestrial Intelligence
4. The best part of the microwave region is the low frequency end of the "microwave window"- frequencies from about 1 to 2 or 3 GHz. Again, this is because greater absolute frequency stability is possible there, the Doppler rates are lower, beamwidths are broader for a given gain, and collecting area is cheaper than at the high end of the window.
5. Nature has provided us with a rather narrow quiet band in this best part of the spectrum that seems especially marked for interstellar contact. It lies between the spectral lines of hydrogen (1420 MHz) and the hydroxyl radical (1662 MHz). Standing like the Om and the Um on either side of a gate, these two emissions of the disassociation products of water beckon all water-based life to search for its kind at the age-old meeting place of all species: the water hole.
6. It is technologically feasible today to build phased antenna arrays operable in the 1- to 3 GHz region with total collecting areas of 100 or more square kilometers. The Cyclops system is not nearly this large, but we see no technological limits that would prevent its expansion to such a size.
7. With antenna arrays equivalent to a single antenna a few kilometers in diameter at both the transmitting and receiving end, microwave communication is possible over intergalactic distances, and high-speed communication is possible over large interstellar distances. Thus rapid information transmission can occur once contact has been confirmed between two civilizations.
8. In the search phase we cannot count on receiving signals beamed at us by directive antennas. Neither can we afford to overlook this possibility. Beamed signals may be radiated at relatively low powers by communicative races to as many as a thousand nearby likely stars and for very long times. Long range beacons, intended to be detectable at any of the million or so likely stars within 1000 light-years, will probably be omnidirectional and very high powered ( {\displaystyle >10^{9}} >10^{9} W).
9. Beacons will very likely be circularly polarized and will surely be highly monochromatic. Spectral widths of 1 Hz or less are probable. They will convey information at a slow rate and in a manner that does not seriously degrade their detectability. How best to respond will be contained in this information.
10. The efficient detection of beacons involves searching in the frequency domain with very high resolution (1 Hz or less). One of the major contributions of the Cyclops study is a data processing method that permits a 100 MHz frequency band to be searched simultaneously with a resolution of 0.1 Hz. The Cyclops system provides a receiver with a billion simultaneous narrow channel outputs. Although the Cyclops system bandwidth is 100 MHz, no very great technological barriers prevent widening it to 200 MHz. This would permit searching the entire "water hole" simultaneously. If our conclusion as to the appropriateness of this band is correct, the problem posed by the frequency dimension of the search can be considered solved.
11. The cost of a system capable of making an effective search, using the techniques we have considered, is on the order of 6 to 10 billion dollars, and this sum would be spent over a period of 10 to 15 years. If contact were achieved early in this period, we might either stop expanding the system or be encouraged to go on to make further contacts. The principal cost in the Cyclops design is in the antenna structures. Adopting an upper frequency limit of 3 GHz rather than 10 GHz could reduce the antenna cost by a factor of two.
12. The search will almost certainly take years, perhaps decades and possibly centuries. To undertake so enduring a program requires not only that the search be highly automated, it requires a long term funding commitment. This in turn requires faith. Faith that the quest is worth the effort, faith that man will survive to reap the benefits of success, and faith that other races are, and have been, equally curious and determined to expand their horizons. We are almost certainly not the first intelligent species to undertake the search. The first races to do so undoubtedly followed their listening phase with long transmission epochs, and so have later races to enter the search. Their perseverance will be our greatest asset in our beginning listening phase.
13. The search for extraterrestrial intelligent life is a legitimate scientific undertaking and should be included as part of a comprehensive and balanced space program. We believe that the exploration of the Solar System was and is a proper initial step in the space program but should not be considered its only ultimate goal. The quest for other intelligent life fires the popular imagination and might receive support from those critics who now question the value of landings on "dead" planets and moons.
14. A great deal more study of the problem and of the optimum system design should precede the commitment to fund the search program. However, it is not too early to fund these studies. Out of such studies would undoubtedly emerge a system with greater a capability-to-cost ratio than the first Cyclops design we have proposed.
15. The existence of more than one Cyclops-like system has such great value in providing complete sky coverage, continuous reception of detected signals, and in long base-line studies, that international cooperation should be solicited and encouraged by complete dissemination of information. The search should, after all, represent an effort of all mankind, not just of one country.
Many, but not all, of the conclusions have withstood the test of time - there is a chapter in the book SETI 2020[2] that revisits the conclusions of the Cyclops report. Particular differences include:
Points 4 and 5: Cyclops preferred the low end of the microwave band. With technology advances, the disadvantages of higher frequencies are smaller, and they have other advantages. Anything from microwave to optical looks roughly equivalent.
Point 6: The highest frequency of such an array can, and should be, much higher.
Point 8: Beacons will probably be pointed, and not omnidirectional. Modern processing power makes this possible, and it is much more energy efficient.
Point 9: Although not called out in SETI 2020, the point "Beacons ... will surely be highly monochromatic," has suffered substantial criticism. As Earth's communication technology moves toward spread spectrum signals, SETI observations are being augmented with searches for high bandwidth signals. Furthermore, there are now proposals for beacons that are almost as easy to detect as monochromatic signals, but can contain information as well.
Point 10: The optical processing of Cyclops should be replaced by digital signal processing.
en.wikipedia.org/wiki/Project_Cyclops
A cyclops (/ˈsaɪklɒps/ SY-klops; Ancient Greek: Κύκλωψ, Kyklōps; plural cyclopes /saɪˈkloʊpiːz/ sy-KLOH-peez; Ancient Greek: Κύκλωπες, Kyklōpes), in Greek mythology and later Roman mythology, is a member of a primordial race of giants, each with a single eye in the center of his forehead. The word "cyclops" literally means "round-eyed" or "circle-eyed". Walter Burkert suggests that the archaic groups or societies of lesser gods mirror real cult associations: "It may be surmised that smith guilds lie behind Cabeiri, Idaian Dactyloi, Telchines, and Cyclopes." Burkert also suggests that because cyclops are at times portrayed as blacksmiths, the legend of their single eye may have arisen from the practice of blacksmiths wearing an eyepatch over one eye to prevent flying sparks from blinding them in both eyes. The cyclopes seen in Homer's Odyssey are of a different type from those in the Theogony and they have no connection to blacksmithing. It is possible that independent legends associated with Polyphemus did not make him a cyclops before Homer's Odyssey; Polyphemus may have been some sort of local daemon or monster in original stories. Another possible origin for the cyclops legend, advanced by the paleontologist Othenio Abel in 1914, is the prehistoric dwarf elephant skulls – about twice the size of a human skull – that may have been found by the Greeks on Cyprus, Crete, Malta and Sicily. Abel suggested that the large, central nasal cavity (for the trunk) in the skull might have been interpreted as a large single eye-socket.[25] Given the inexperience of the locals with living elephants, they were unlikely to recognize the skull for what it actually was. Others have questioned the influence of elephant skulls on the origins of the cyclops legend. Adrienne Mayor disagrees with the theory that prehistoric dwarf elephant skulls were supposedly discovered by the ancient Greek philosopher Empedocles. According to some sources, Empedocles mistook the skulls for cyclops bones, and this was apparently later reported by the Italian Renaissance author Boccaccio. The story is not accepted as factual, in part because Empedocles in his surviving writings never mentions skulls, or cyclops, or even elephants, which were unknown to Greeks at the time; and because Boccaccio never mentions Empedocles in this regard. The Boccaccio reference was added to the story in 1940 by the speculations of another author. Veratrum album, or white hellebore, an herbal medicine used by Ancient Greeks and described by Hippocrates before 400 BC, contains the alkaloids cyclopamine and jervine, which are teratogens capable of causing cyclopia and holoprosencephaly, severe birth defects in which a fetus can be born with a single eye. Students of teratology have raised the possibility of a link between this developmental deformity in Ancient Greek infants and the myth for which it was named. Regardless of the connection between the herb and the birth abnormalities, it is possible these rare birth defects may have contributed to the myth. However, a study of deformed humans born with a single eye all have a nose above the single eye, not below. Hesiod described three one-eyed cyclopes who served as builders, blacksmiths, and craftsmen: Brontes, Steropes, and Arges, the sons of Uranus and Gaia, brothers of the Titans. Homer described another group of mortal herdsmen or shepherd cyclopes, the sons of Poseidon. Other accounts were written by the playwright Euripides, poet Theocritus and Roman epic poet Virgil. In Hesiod's Theogony, Zeus releases three cyclopes from the dark pit of Tartarus. They provide Zeus' thunderbolt, Hades' “helmet of darkness”, and Poseidon's trident, and the gods use these weapons to defeat the Titans. In an episode of Homer's Odyssey, the hero Odysseus encounters the cyclops Polyphemus, the son of Poseidon and Thoosa, who lives with his fellow cyclopes in a distant country. The connection between the two groups has been debated in antiquity and by modern scholars. It is upon Homer's account that Euripides and Virgil based their accounts of the mythical creatures. The ancient Greek geographer Strabo describes another group of seven Lycian cyclopes, also known as "Bellyhands" because they earned from their handicraft. They had built the walls of Tiryns and perhaps the caverns and the labyrinths near Nauplia, which are called cyclopean. It is often assumed that Polyphemus lives, along with the other cyclopes, on an island. That is a possibility but all that is known from Homer’s Odyssey is that Polyphemus resided in a “land” somewhere farther on from the Lotus-Eaters, in a place that is not close or distant from an uninhabited, wooded and unexploited island, where Odysseus arrives. The map location that can be drawn from this episode and the surrounding episodes in the Odyssey is variously described and discussed divergently by scholars.
Euripides in his satyr-drama, Cyclops, appears at times to follow closely the story found in Homer, and at other times contributes variations. In Euripides' play there is no mention of the unexploited island, and Euripides keeps the action of the play in one location — the place where the cyclopes live, and where Odysseus’ ship landed. Euripides also makes a significant variation from Homer to the setting: he imagines the location to be Mount Etna “where the one-eyed sons of the sea god, the man-slaying Cyclopes, live in their desolate caves.” Another source for the story of Polyphemus is Idyll XI. The Cyclops by Theocritus (circa 270 BC), in which the cyclopes’ home is, following Euripides, near Mount Etna in Sicily. Since Euripides and Theocritus the Sicilian location has become attached to the cyclops story. In Homer's epic, Odysseus lands on the island of the Cyclops during his journey home from the Trojan War and, together with some of his men, enters a cave filled with provisions. When the giant Polyphemus returns home with his flocks, he blocks the entrance with a great stone and, scoffing at the usual custom of hospitality, eats two of the men. Next morning, the giant kills and eats two more and leaves the cave to graze his sheep.
The blinding of Polyphemus, a reconstruction from the villa of Tiberius at Sperlonga, 1st century AD
After the giant returns in the evening and eats two more of the men, Odysseus offers Polyphemus some strong and undiluted wine given to him earlier on his journey. Drunk and unwary, the giant asks Odysseus his name, promising him a guest-gift if he answers. Odysseus tells him "Οὖτις", which means "nobody" and Polyphemus promises to eat this "Nobody" last of all. With that, he falls into a drunken sleep. Odysseus had meanwhile hardened a wooden stake in the fire and drives it into Polyphemus' eye. When Polyphemus shouts for help from his fellow giants, saying that "Nobody" has hurt him, they think Polyphemus is being afflicted by divine power and recommend prayer as the answer.
In the morning, the blind Cyclops lets the sheep out to graze, feeling their backs to ensure that the men are not escaping. However, Odysseus and his men have tied themselves to the undersides of the animals and so get away. As he sails off with his men, Odysseus boastfully reveals his real name, an act of hubris that was to cause problems for him later. Polyphemus prays to his father, Poseidon, for revenge and casts huge rocks towards the ship, which Odysseus barely escapes.
The story reappears in later Classical literature. In Cyclops, the 5th century BC play by Euripides, a chorus of satyrs offers comic relief from the grisly story of how Polyphemus is punished for his impious behaviour in not respecting the rites of hospitality. In his Latin epic, Virgil describes how Aeneas observes blind Polyphemus as he leads his flocks down to the sea. They have encountered Achaemenides, who re-tells the story of how Odysseus and his men escaped, leaving him behind. The giant is described as descending to the shore, using a “lopped pine tree” as a walking staff. Once Polyphemus reaches the sea, he washes his oozing, bloody eye socket and groans painfully. Achaemenides is taken aboard Aeneas’ vessel and they cast off with Polyphemus in chase. His great roar of frustration brings the rest of the Cyclopes down to the shore as Aeneas draws away in fear.
Julien d'Huy speculates that the myth may be palaeolithic. Elements of the story of Odysseus and Polyphemus are recognizable in the folklore of many other European groups. Wilhelm Grimm collected versions in Serbian, Romanian, Estonian, Finnish, Russian, and German. Versions in Basque, Lappish, Lithuanian, Gascon, Syrian, and Celtic are also known.
Intergalactic Lovers am 21. März 2017 live in Berlin in der Columbiahalle - fotografiert von Jana Legler
Here's another piece from my A Level Photography coursework, which I have since re-edited.
This was a strange new direction my Michael Paul Smith inspired forced perspective project took about halfway through. Here we have a Stormtrooper repairing his pink 1957 Corvette and demonstrating his little-known mechanical skills.
It goes without saying that the scale is a little off here because the car is 1:24 scale, whereas the Stormtrooper is 1:18 scale. I think it still works regardless.
The picture was taken late one night and so the only lighting provided came from the street lights, which actually turned out rather well. The forced perspective effect is let down somewhat by the shallow depth of field, but this piece still has a certain charm to it.
I have a big heart for italo disco. It's the music I grew up with, listening to local pirate radio stations, blasting Robotic Systematic, Theme from Flexxyball and The Years.
So when my old heroes from yesteryear show up to play in my back yard, I have to be front row.
It turned out good, with young girls (who could have been my daughter) sing along while elderly fans are standing smiling in the back.