View allAll Photos Tagged INTERCONNECTEDNESS
© all rights reserved by B℮n
The Netherlands is a small country of 16 million people, but it boasts a quarter of a million competitive speedskaters, and millions more who skate for fun. What's the story? Natural ice in the Netherlands is a rare occurrence. In fact, some winters there's no natural ice at all. Maybe that explains why the Dutch love to skate outdoors. They hardly ever get the chance! But when a cold wave hits, and the interconnected maze of canals, rivers and lakes freeze over, it's a spontaneous celebration, a national holiday. Infinite sea of ice is perfect for ice skating journeys. Ice skating is not only a Dutch sport, it also underwrites the history, art and culture of the Netherlands. Perhaps most importantly a good freeze provides the Dutch a chance to discover the wilderness and an outdoor challenge within their own landscape. The Netherlands are a long distance skater's dream. Hundreds of kilometres of potential routes can carry the skater to the heart of a wild landscape. Today after 4 years we went ice skating on the Ankeveense Plassen.
The Ankeveense Plassen is a real skater’s paradise. As temperatures plunge across Europe, many are cursing the cold. But not in the Netherlands. Many are hoping for further frigid conditions. Photo taken of Dutch people on the lakes of Ankeveen. A first time skating in 2017 is such a rare occurrence. Skating myself when I took this photo. Have a look at this great skating video taken with a drone: youtu.be/jjydi6dWc_M
Schaatsen op natuurijs is het leukste wat er is. Warm inpakken, muts op, handschoenen, schaatsen geslepen, slee mee en gaan. Helaas is het in Nederland niet zo vaak zo koud dat we echt kunnen schaatsen. Veel mensen grijpen vandaag nog even de kans om te schaatsen. Ondanks de waarschuwingen van schaatsbond KNSB om weg te blijven van meren, sloten en kanalen. Het ijs is op veel plekken niet dik genoeg. Daar lieten veel schaatsliefhebbers zich dus niet door weerhouden.. Op 26 januari 2017 verzamelden meerdere mensen op de Ankeveense plassen. Dat is de plek waar het ijs het sterkst was. Vaak wordt er aangehouden dat het ijs een centimeter of 10 dik moet zijn om veilig op te kunnen schaatsen, en het ijs op de Ankeveense plassen is op het dikste gedeelte maar een centimeter of vijf dik, maar dat weerhield tientallen mensen er niet van om toch even het ijs op te gaan. In Ankeveen was de meest gehoorde reactie: “het is dun, maar het kan wel…”. En dat leverde mooie plaatjes op. Mensen van alle leeftijden op schaatsen, kinderen die een buikschuiver willen maken, mensen die voorzichtig even willen voelen hoe het is om op het ijs te staan. De aantrekkingskracht van het ijs is enorm. Opvallend veel Amsterdammers zoeken hun toevlucht in Ankeveen. ,,Hier kan het al, bij ons op de grachten nog lang niet”, grijnst een meneer. ,,Het is windstil, lekker zonnetje, het is ijs is goed. Wat wil je nog meer?” ,,Natuurlijk kan je door het ijs zakken, maar het leven is niet zonder risico's. Je kan ook onder een auto komen, of er kan een vliegtuig op je huis neerstorten.”
Excerpt from www.k11musea.com/about-k11-musea/:
Located at Victoria Dockside, K11 Art and Cultural District of Tsim Sha Tsui, K11 MUSEA is Hong Kong’s pioneering cultural-retail landmark. Inspired by ‘A Muse by the Sea’, K11 MUSEA is designed to enrich the new consumer’s daily life through the power of creativity, culture and innovation.
A destination 10 years in the making, K11 MUSEA was crafted by renowned entrepreneur Adrian Cheng together with 100 Creative Powers, a roster of more than 100 international architects, artists and designers who sought to create the ultimate space for all to embark on a “journey of imagination”. Since opening its doors in 2019, the museum-worthy landmark has ushered in a new era of cultural retail which speaks to the growing consumer demand for immersive experiences in art, culture, nature and commerce.
K11 Group was founded by renowned entrepreneur Adrian Cheng in 2008 with a social mission to incubate talent and propagate culture. In creating Victoria Dockside, K11 Art and Cultural District — K11 Group’s most ambitious project to date — Cheng’s vision is to inspire global millennials through establishing K11 MUSEA as the Silicon Valley of Culture, while facilitating a broader discussion on the interconnectedness of creativity, culture and innovation.
K11 MUSEA is located at the heart of Victoria Dockside,K11 Art and Cultural District. The art and design district is built on a historic site formerly known as Holt’s Wharf, a freight and logistics hub that transformed Hong Kong into one of the busiest ports in the world. Paying tribute to Hong Kong’s unique history and cultural cosmopolitanism, K11 MUSEA is committed to incubating the local cultural scene with a world-class rotation of art events, collaborations, experiences, and workshops throughout the year.
The architecture of K11 MUSEA was designed by Kohn Pedersen Fox and James Corner Field Operations in collaboration with 100 Creative Powers, including Rotterdam-based OMA and Hong Kong-based architecture studios LAAB and AB Concept.
Prompt
A highly detailed digital artwork presents a fantastical representation of Mother Nature as a contemplative human figure, seamlessly blending natural elements. The central focus is a humanoid shape formed by Earth's surface, with the head depicted as a realistic planet showing continents, oceans, and swirling cloud formations in shades of blue, white, and gray against a dark navy blue sky. The figure is captured in a deep, reflective pose, kneeling with the left hand resting thoughtfully on the chin, mirroring the classic 'Thinker' pose by Rodin. The torso and limbs are intricately designed with lush forests, cliffs, valleys, and waterfalls cascading down the figure, creating a surreal landscape. Waterfalls of varying sizes and colors, from clear to turquoise, flow from the upper body into the lower body, with some waterfalls dripping from the head. The background features a vast expanse of rugged mountains with snow-capped peaks, while the foreground showcases dense forests covering the mountainsides. Small lakes and rivers with vibrant turquoise waters are nestled within the landscape, some forming natural reservoirs. The sky above is a deep navy blue, dotted with numerous scattered stars, enhancing the ethereal quality of the scene. The lighting is soft yet bright, illuminating the entire composition evenly and highlighting the vivid colors and intricate details of the natural elements. The color palette includes various shades of green, blue, brown, and white, creating a harmonious and balanced composition that evokes a serene, contemplative, and majestic mood, emphasizing the interconnectedness of nature and the beauty of the natural world.
The development of mimicry has got to be one of the most fascinating topics in evolutionary biology. The complex interrelationship between species which has come to be reflected in each players' very DNA and further enhanced by behavioural adaptation which has come to echo that of their model organism, oftentimes with stunning and frightful accuracy. Co-evolution, the so-called evolutionary arms race of one-upsmanship between models and mimics. This is natural history drama sewn into the fabric of this tremendous ecosystem, with new threads being woven daily.
Let's follow one such thread. It leads up and into the rainforest mid-story, and to a small colony of ants. Unassuming, if slightly oddly shaped, the turtle or gliding ants (Cephalotes sp.). Of course these ants have their own rich biological history and heritage. But the thread we are following leads further. In fact, it twines itself around these ants, strangling them. It has become inextricably linked. It is the story of Aphantochilus rogersi, the gliding ant-mimicking crab spider. Perhaps one of the very finest of mimics, it's likeness is awe-inspiring. Most mimics have evolved this habitus, this way of life of mimicry, as a means of protection through verisimilitude with a toxic, or aggressive model. Defensive mimicry in other words. This is not that! Aphantochilus is not content to simply take advantage of the 'herd immunity' provided by a semblance to the gliding ant, it also preys on its model. This is offensive mimicry, is less common, and more complex. Feeding on its model requires constant proximity to the source, the nest. This puts Aphantochilus at greater risk. However, its deception is not just chitin-deep, it has changed its behaviour as well. How it feeds. Most crab spiders will grab prey, usually pollinators (since most are ambush predators around flowers and nectar sources). Aphantochilus must grab one ant out of a colony of thousands, without drawing attention to itself, without raising an alarm. It does so by grabbing ants after they have left the nest and they are more isolated and vulnerable. After delivering the fatal bite, they hold their ant prey close. They are feeding, but they also appear as two ants engaged in trophollaxis (food/biochemical liquid exchange) or else an ant carrying a dead companion.
This rainforest ecosystem is a tapestry of millions of these threads. It is naive to think that cutting one will not affect the rest. The degree of interconnectedness is so bafflingly complex that don't be surprised if that lowly fungus that disappears today, and that no one thought twice about, leads to fewer Jaguars tomorrow and we're all left scratching our heads wondering how this came to be...Protect and cherish the RAINFOREST, not just a few flagship and charismatic species that call it home.
Oh, you thought we were done did you? Complexity. Look again at the image, what do you see? Peaking over the ant's dead carcass is a predaceous beetle. It has not killed this ant, but it is all too happy to reap some of the rewards of the fresh kill. Whether it is actually a kleptoparasite or just an opportunist is a question for another day, the beetle is simply happy to take advantage of this bounty and good fortune.
See more amazing #spidersofSani.
Photographed for the #SaniProject2017. Follow us at Destination Ecuador #Paulbertner #Sanilodge.
Excerpt from www.k11musea.com/about-k11-musea/:
Located at Victoria Dockside, K11 Art and Cultural District of Tsim Sha Tsui, K11 MUSEA is Hong Kong’s pioneering cultural-retail landmark. Inspired by ‘A Muse by the Sea’, K11 MUSEA is designed to enrich the new consumer’s daily life through the power of creativity, culture and innovation.
A destination 10 years in the making, K11 MUSEA was crafted by renowned entrepreneur Adrian Cheng together with 100 Creative Powers, a roster of more than 100 international architects, artists and designers who sought to create the ultimate space for all to embark on a “journey of imagination”. Since opening its doors in 2019, the museum-worthy landmark has ushered in a new era of cultural retail which speaks to the growing consumer demand for immersive experiences in art, culture, nature and commerce.
K11 Group was founded by renowned entrepreneur Adrian Cheng in 2008 with a social mission to incubate talent and propagate culture. In creating Victoria Dockside, K11 Art and Cultural District — K11 Group’s most ambitious project to date — Cheng’s vision is to inspire global millennials through establishing K11 MUSEA as the Silicon Valley of Culture, while facilitating a broader discussion on the interconnectedness of creativity, culture and innovation.
K11 MUSEA is located at the heart of Victoria Dockside,K11 Art and Cultural District. The art and design district is built on a historic site formerly known as Holt’s Wharf, a freight and logistics hub that transformed Hong Kong into one of the busiest ports in the world. Paying tribute to Hong Kong’s unique history and cultural cosmopolitanism, K11 MUSEA is committed to incubating the local cultural scene with a world-class rotation of art events, collaborations, experiences, and workshops throughout the year.
The architecture of K11 MUSEA was designed by Kohn Pedersen Fox and James Corner Field Operations in collaboration with 100 Creative Powers, including Rotterdam-based OMA and Hong Kong-based architecture studios LAAB and AB Concept.
© all rights reserved by B℮n
The Netherlands is a small country of 16 million people, but it boasts a quarter of a million competitive speedskaters, and millions more who skate for fun. What's the story? Natural ice in the Netherlands is a rare occurrence. In fact, some winters there's no natural ice at all. Maybe that explains why the Dutch love to skate outdoors. They hardly ever get the chance! But when a cold wave hits, and the interconnected maze of canals, rivers and lakes freeze over, it's a spontaneous celebration, a national holiday. Infinite sea of ice is perfect for ice skating journeys. Ice skating is not only a Dutch sport, it also underwrites the history, art and culture of the Netherlands. Perhaps most importantly a good freeze provides the Dutch a chance to discover the wilderness and an outdoor challenge within their own landscape. The Netherlands are a long distance skater's dream. Hundreds of kilometres of potential routes can carry the skater to the heart of a wild landscape. Today after 4 years we went ice skating on the Ankeveense Plassen.
The Ankeveense Plassen is a real skater’s paradise. As temperatures plunge across Europe, many are cursing the cold. But not in the Netherlands. Many are hoping for further frigid conditions. Photo taken of Dutch people on the lakes of Ankeveen. A first time skating in 2017 is such a rare occurrence. Have a look at this great skating video taken with a drone: youtu.be/J6TPqMteEOU
Schaatsen op natuurijs is het leukste wat er is. Warm inpakken, muts op, handschoenen, schaatsen geslepen, slee mee en gaan. Helaas is het in Nederland niet zo vaak zo koud dat we echt kunnen schaatsen. Veel mensen grijpen vandaag nog even de kans om te schaatsen. Ondanks de waarschuwingen van schaatsbond KNSB om weg te blijven van meren, sloten en kanalen. Het ijs is op veel plekken niet dik genoeg. Daar lieten veel schaatsliefhebbers zich dus niet door weerhouden.. Op 26 januari 2017 verzamelden meerdere mensen op de Ankeveense plassen. Dat is de plek waar het ijs het sterkst was. Vaak wordt er aangehouden dat het ijs een centimeter of 10 dik moet zijn om veilig op te kunnen schaatsen, en het ijs op de Ankeveense plassen is op het dikste gedeelte maar een centimeter of vijf dik, maar dat weerhield tientallen mensen er niet van om toch even het ijs op te gaan. In Ankeveen was de meest gehoorde reactie: “het is dun, maar het kan wel…”. En dat leverde mooie plaatjes op. Mensen van alle leeftijden op schaatsen, kinderen die een buikschuiver willen maken, mensen die voorzichtig even willen voelen hoe het is om op het ijs te staan. De aantrekkingskracht van het ijs is enorm. Opvallend veel Amsterdammers zoeken hun toevlucht in Ankeveen. ,,Hier kan het al, bij ons op de grachten nog lang niet”, grijnst een meneer. ,,Het is windstil, lekker zonnetje, het is ijs is goed. Wat wil je nog meer?” ,,Natuurlijk kan je door het ijs zakken, maar het leven is niet zonder risico's. Je kan ook onder een auto komen, of er kan een vliegtuig op je huis neerstorten.”
Inspired by a wool eye dazzler rug woven by his grandmother in the 1970s, Wilson made his rug with 76,050 4mm glass beads, taking over 1000 hours of artistic labour. The work speaks to the notion of digital arising from both human hands and new media. At the centre of this classic handwoven Navajo rug design, two central QR codes link to short videos that affirm the continuance of Diné cosmologies and ecologies as well as the multi-dimensional and interconnectedness with earthly, celestial, human and spiritual relations that Indigenous peoples carry.
The transient beauty of the coast is intricately intertwined with the captivating patterns that emerge in the sand, crafted by the relentless forces of wind and wave. These natural sculptors shape the shoreline, leaving behind ephemeral masterpieces.
As the tides ebb and flow, they orchestrate a delicate dance with the sand. With each advancing wave, the water gently caresses the shore, carrying particles of sand along its journey. As the wave recedes, it relinquishes its cargo, depositing the grains in a meticulous arrangement. This cyclical process, repeated countless times, creates intricate patterns that stretch along the coastline.
The patterns left behind by the retreating tide mimic the ebb and flow of life itself. Swirling ripples, reminiscent of a miniature desert landscape, emerge as the water recedes, their graceful curves and undulating lines transforming the beach into a living work of art. The patterns are at once orderly and chaotic, with intricate geometrical formations intermingling with whimsical curves and asymmetrical shapes.
The wind, a silent artist in its own right, adds its touch to the sculpting process. As it sweeps across the coast, it whispers secrets to the sand, coaxing it to dance in its invisible embrace. The wind's gentle touch lifts fine particles from the beach, carrying them aloft in an intricate ballet. It sculpts the sand into delicate ripples, resembling the soft undulations of fabric.
The interplay between the wind and the tide results in an ever-changing landscape. The patterns shift and evolve, shaped by the combined forces of these elemental sculptors. Ripples become miniature mountains, rising and falling in a transient topography that mirrors the larger contours of the surrounding coast. Each gust of wind and every advancing or receding wave leaves its mark, etching new patterns and erasing old ones, in an eternal cycle of creation and destruction.
These ephemeral patterns serve as a reminder of the impermanence of existence and the transient nature of beauty, as each passing moment alters the landscape, erasing what once was and creating something new. The sands become a canvas for the symphony of time, a tangible reflection of the ever-changing nature of our lives.
The beauty of these fleeting patterns lies not only in their visual allure but also in the emotions they evoke. They inspire a sense of wonder and awe, inviting us to pause and appreciate the intricate designs that nature creates with such effortless grace. The patterns speak of the interconnectedness of all things, the harmonious interplay between the elements, and the constant flux that defines our existence.
In these patterns of nature, we find a profound lesson: that life, like the shifting sands, is ever-changing, and that true beauty lies not in permanence but in the appreciation of the fleeting moments that grace our journey.
We need a new world-culture, a global synthesis of interconnectedness and global consciousness. We need a global citizenship movement that will promote social justice and social transformation. We must fight for fundamental human rights, over all national law and cultural identity—there must be equality for everyone! Global citizens are not born; they are created through social engineering. Children, you lack a global perspective on shared humanity, but we will indoctrinate you over time. Since you are part of this cult, you must help bridge the gap and rectify all misinformation. Remember, we global citizens are New World Order ambassadors. We must not only reflect on the virtues of globalism, but we must also act on them. As we reeducate the sheep, we must live a lifestyle of activism. True leaders are global citizens, whether they are CEOs, prime ministers, or just like you: Children of the Corn (Children of the Beast).
The number one (propaganda) issue that underscores our interconnectedness is climate change. The earth depends on our collective stewardship, which transcends all geopolitical borders and economies. One of our most important duties is to protect and enforce our global(ist) compacts. The health of the planet and society depends on useful idiots like us to lead the charge.
Smart cities are the engines of global control. They are full of opportunities, which we’ll exploit. This is a classic case of global multidimensionalism, which not only involves all facets of life, but is also omnipresent (The internet is borderless, and so is globalization). The most successful city is a smart city, because it’s interconnected globally. It reaches to the corners of the earth through smart technologies like the Internet of things, Artificial Intelligence, and Machine Learning. Now we are faced with a secular humanist phenomenology and a new age cosmology in which we must develop new and efficient methodologies. This paradigm shift is in perfect alignment with the values of global citizenship.
Take the jab, take the Mark. Be a sheep, awaken the dark. Bow the knee, bow in submission. Worship the Beast, son of perdition.
Children of the Corn—deeply rooted, widespread. Children of the Beast—tares uprooted, twice dead.
Matthew 24:4 “Then Jesus replied to them: ‘Watch out that no one deceives you.’”
QUBE QL019, CF4404 'Americain' & CF4406 'Kiwi' trundle through Tahmoor with loaded Grain Train no. 3966 bound for Port Kembla
QL019 along with QL020 (not in this photo) are wrapped in an Indigenous artwork created by Wiradjuri man, Darren Charlwood, created for QUBE's reconciliation action plan. Titled 'Yindyamarra,' the artwork depicts the balance and interconnectedness between people, the sea, and the country
7/3/24
Excerpt from www.k11musea.com/about-k11-musea/:
Located at Victoria Dockside, K11 Art and Cultural District of Tsim Sha Tsui, K11 MUSEA is Hong Kong’s pioneering cultural-retail landmark. Inspired by ‘A Muse by the Sea’, K11 MUSEA is designed to enrich the new consumer’s daily life through the power of creativity, culture and innovation.
A destination 10 years in the making, K11 MUSEA was crafted by renowned entrepreneur Adrian Cheng together with 100 Creative Powers, a roster of more than 100 international architects, artists and designers who sought to create the ultimate space for all to embark on a “journey of imagination”. Since opening its doors in 2019, the museum-worthy landmark has ushered in a new era of cultural retail which speaks to the growing consumer demand for immersive experiences in art, culture, nature and commerce.
K11 Group was founded by renowned entrepreneur Adrian Cheng in 2008 with a social mission to incubate talent and propagate culture. In creating Victoria Dockside, K11 Art and Cultural District — K11 Group’s most ambitious project to date — Cheng’s vision is to inspire global millennials through establishing K11 MUSEA as the Silicon Valley of Culture, while facilitating a broader discussion on the interconnectedness of creativity, culture and innovation.
K11 MUSEA is located at the heart of Victoria Dockside,K11 Art and Cultural District. The art and design district is built on a historic site formerly known as Holt’s Wharf, a freight and logistics hub that transformed Hong Kong into one of the busiest ports in the world. Paying tribute to Hong Kong’s unique history and cultural cosmopolitanism, K11 MUSEA is committed to incubating the local cultural scene with a world-class rotation of art events, collaborations, experiences, and workshops throughout the year.
The architecture of K11 MUSEA was designed by Kohn Pedersen Fox and James Corner Field Operations in collaboration with 100 Creative Powers, including Rotterdam-based OMA and Hong Kong-based architecture studios LAAB and AB Concept.
Excerpt from www.newswire.ca/news-releases/cadillac-fairview-introduce...:
Cadillac Fairview Introduces Art Corridor on Yonge Street with new Billboard Campaign at CF Toronto Eaton Centre in Partnership with OCAD University.
The 'Imagine Together' exhibit showcases three emerging Canadian artists from OCAD University, bringing the community together through art and design.
Cadillac Fairview (CF) is proud to announce the CF Toronto Eaton Centre Art Corridor in partnership with OCAD University (OCAD U). The 18-month long exhibit features nine vibrant and inspiring designs created by three diverse and emerging OCAD U artists Raquel Da Silva, Jason Zante and Daria Joyce. Their art will transform a popular portion of Yonge Street into a beautiful outdoor gallery located directly above the iconic shopping centre.
In alignment with CF's recently shared Purpose, Transforming Communities for a Vibrant Tomorrow, CF issued a call for submission to graduate students of OCAD U's Faculty of Design to represent how art can bring people together and build community. The resulting exhibit entitled 'Imagine Together' highlights the vibrancy of human connection that is vital to healthy and happy communities and serves as a reminder of the power of collaboration and interconnectedness.
"CF is committed to creating dynamic, inviting spaces and we recognize the important role art plays in enabling expressive and meaningful places in our buildings and the neighbourhoods we are proud to be a part of," said Sheila Jennings, General Manager, CF Toronto Eaton Centre. "Our centre is located in the heart of downtown Toronto, serving as a regular meeting place for our engaged student community. It was only natural that we collaborate with young emerging talent to transcend a message of hope, positivity and togetherness through art."
Each artist was asked to reflect on their own experiences at CF Toronto Eaton Centre, weaving in physical, emotional and sensory elements to highlight the importance of inclusivity, togetherness and social connections. A mainstay in Toronto for more than 44 years, CF Toronto Eaton Centre is one of North America's most visited retail destinations that features a collection of digital signage and billboards, typically reserved for advertising, from Dundas Street down to Queen Street. For the first time, the billboards will showcase community artwork that will be on display for the next year and a half. This area, which neighbours the city's highly visited Yonge-Dundas Square, is home to some of Canada's largest digital displays, providing optimal visibility for the artists.
"OCAD University is dedicated to fostering communities that integrate multiple perspectives and we are inspired by the creativity and passion our students showed in bringing this mission to life," said Ana Serrano, President and Vice-Chancellor at OCAD University. "We are grateful to partners like Cadillac Fairview for their strong community support and providing a tremendous platform, especially at one of their landmark properties, to serve as a showcase for our students."
"This exhibit is a great addition to Downtown Yonge, highlighting the cultural significance of this neighbourhood with a positive and inspiring message. It is also important economically: arts and culture are crucial to bringing people back to this area as we re-open, and we are excited to see this art activation showcasing the talent of emerging artists," says Mark Garner, Chief Operating Office of the Downtown Yonge BIA.
About the Artists
The three artists participating in the CF Toronto Eaton Centre Art Corridor are Faculty of Design students from OCAD U. Aligned with CF's purpose, the Faculty encourages students to create designs that nurture community and empower individuals.
Raquel Da Silva - Raquel is a Toronto-based artist and designer, working primarily in painting and sculptural objects. Her work is focused on creating abstract environments with two and three-dimensional forms and shapes. Raquel's pieces created for 'Imagine Together' are meant to evoke the cultural vibrancy of the city and reflect the energy that it creates to inform, inspire and regenerate.
Jason Zante - Jason is a Filipino Canadian multidisciplinary artist. He infuses vibrant colours in his compositions that depict stillness in time, Philippine culture, and ethereal landscapes. Jason's pieces created for 'Imagine Together' emphasize how art and design influence social change and have the potential to create conversations that matter through captivating visuals.
Daria Joyce - Daria is an illustration artist, creating work that is inclusive, playful, and vibrant, as she aspires to create art that connects and illuminates. Her pieces created for 'Imagine Together' reflect the power of CF Toronto Eaton Centre as the heart of Toronto, a destination that brings people together in a visually inspiring environment, creating an emotionally enriching and communal experience.
~Geometrical archetypes~
I found these words this morning by Bruce Rawles:
"In nature, we find patterns, designs and structures from the most minuscule particles, to expressions of life discernible by human eyes, to the greater cosmos. These inevitably follow geometrical archetypes, which reveal to us the nature of each form and its vibrational resonances. They are also symbolic of the underlying metaphysical principle of the inseparable relationship of the part to the whole. It is this principle of oneness underlying all geometry that permeates the architecture of all form in its myriad diversity. This principle of interconnectedness, inseparability and union provides us with a continuous reminder of our relationship to the whole, a blueprint for the mind to the sacred foundation of all things created."
The transient beauty of the coast is intricately intertwined with the captivating patterns that emerge in the sand, crafted by the relentless forces of wind and wave. These natural sculptors shape the shoreline, leaving behind ephemeral masterpieces.
As the tides ebb and flow, they orchestrate a delicate dance with the sand. With each advancing wave, the water gently caresses the shore, carrying particles of sand along its journey. As the wave recedes, it relinquishes its cargo, depositing the grains in a meticulous arrangement. This cyclical process, repeated countless times, creates intricate patterns that stretch along the coastline.
The patterns left behind by the retreating tide mimic the ebb and flow of life itself. Swirling ripples, reminiscent of a miniature desert landscape, emerge as the water recedes, their graceful curves and undulating lines transforming the beach into a living work of art. The patterns are at once orderly and chaotic, with intricate geometrical formations intermingling with whimsical curves and asymmetrical shapes.
The wind, a silent artist in its own right, adds its touch to the sculpting process. As it sweeps across the coast, it whispers secrets to the sand, coaxing it to dance in its invisible embrace. The wind's gentle touch lifts fine particles from the beach, carrying them aloft in an intricate ballet. It sculpts the sand into delicate ripples, resembling the soft undulations of fabric.
The interplay between the wind and the tide results in an ever-changing landscape. The patterns shift and evolve, shaped by the combined forces of these elemental sculptors. Ripples become miniature mountains, rising and falling in a transient topography that mirrors the larger contours of the surrounding coast. Each gust of wind and every advancing or receding wave leaves its mark, etching new patterns and erasing old ones, in an eternal cycle of creation and destruction.
These ephemeral patterns serve as a reminder of the impermanence of existence and the transient nature of beauty, as each passing moment alters the landscape, erasing what once was and creating something new. The sands become a canvas for the symphony of time, a tangible reflection of the ever-changing nature of our lives.
The beauty of these fleeting patterns lies not only in their visual allure but also in the emotions they evoke. They inspire a sense of wonder and awe, inviting us to pause and appreciate the intricate designs that nature creates with such effortless grace. The patterns speak of the interconnectedness of all things, the harmonious interplay between the elements, and the constant flux that defines our existence.
In these patterns of nature, we find a profound lesson: that life, like the shifting sands, is ever-changing, and that true beauty lies not in permanence but in the appreciation of the fleeting moments that grace our journey.
Excerpt from www.newswire.ca/news-releases/cadillac-fairview-introduce...:
Cadillac Fairview Introduces Art Corridor on Yonge Street with new Billboard Campaign at CF Toronto Eaton Centre in Partnership with OCAD University.
The 'Imagine Together' exhibit showcases three emerging Canadian artists from OCAD University, bringing the community together through art and design.
Cadillac Fairview (CF) is proud to announce the CF Toronto Eaton Centre Art Corridor in partnership with OCAD University (OCAD U). The 18-month long exhibit features nine vibrant and inspiring designs created by three diverse and emerging OCAD U artists Raquel Da Silva, Jason Zante and Daria Joyce. Their art will transform a popular portion of Yonge Street into a beautiful outdoor gallery located directly above the iconic shopping centre.
In alignment with CF's recently shared Purpose, Transforming Communities for a Vibrant Tomorrow, CF issued a call for submission to graduate students of OCAD U's Faculty of Design to represent how art can bring people together and build community. The resulting exhibit entitled 'Imagine Together' highlights the vibrancy of human connection that is vital to healthy and happy communities and serves as a reminder of the power of collaboration and interconnectedness.
"CF is committed to creating dynamic, inviting spaces and we recognize the important role art plays in enabling expressive and meaningful places in our buildings and the neighbourhoods we are proud to be a part of," said Sheila Jennings, General Manager, CF Toronto Eaton Centre. "Our centre is located in the heart of downtown Toronto, serving as a regular meeting place for our engaged student community. It was only natural that we collaborate with young emerging talent to transcend a message of hope, positivity and togetherness through art."
Each artist was asked to reflect on their own experiences at CF Toronto Eaton Centre, weaving in physical, emotional and sensory elements to highlight the importance of inclusivity, togetherness and social connections. A mainstay in Toronto for more than 44 years, CF Toronto Eaton Centre is one of North America's most visited retail destinations that features a collection of digital signage and billboards, typically reserved for advertising, from Dundas Street down to Queen Street. For the first time, the billboards will showcase community artwork that will be on display for the next year and a half. This area, which neighbours the city's highly visited Yonge-Dundas Square, is home to some of Canada's largest digital displays, providing optimal visibility for the artists.
"OCAD University is dedicated to fostering communities that integrate multiple perspectives and we are inspired by the creativity and passion our students showed in bringing this mission to life," said Ana Serrano, President and Vice-Chancellor at OCAD University. "We are grateful to partners like Cadillac Fairview for their strong community support and providing a tremendous platform, especially at one of their landmark properties, to serve as a showcase for our students."
"This exhibit is a great addition to Downtown Yonge, highlighting the cultural significance of this neighbourhood with a positive and inspiring message. It is also important economically: arts and culture are crucial to bringing people back to this area as we re-open, and we are excited to see this art activation showcasing the talent of emerging artists," says Mark Garner, Chief Operating Office of the Downtown Yonge BIA.
About the Artists
The three artists participating in the CF Toronto Eaton Centre Art Corridor are Faculty of Design students from OCAD U. Aligned with CF's purpose, the Faculty encourages students to create designs that nurture community and empower individuals.
Raquel Da Silva - Raquel is a Toronto-based artist and designer, working primarily in painting and sculptural objects. Her work is focused on creating abstract environments with two and three-dimensional forms and shapes. Raquel's pieces created for 'Imagine Together' are meant to evoke the cultural vibrancy of the city and reflect the energy that it creates to inform, inspire and regenerate.
Jason Zante - Jason is a Filipino Canadian multidisciplinary artist. He infuses vibrant colours in his compositions that depict stillness in time, Philippine culture, and ethereal landscapes. Jason's pieces created for 'Imagine Together' emphasize how art and design influence social change and have the potential to create conversations that matter through captivating visuals.
Daria Joyce - Daria is an illustration artist, creating work that is inclusive, playful, and vibrant, as she aspires to create art that connects and illuminates. Her pieces created for 'Imagine Together' reflect the power of CF Toronto Eaton Centre as the heart of Toronto, a destination that brings people together in a visually inspiring environment, creating an emotionally enriching and communal experience.
A suprisingly difficult building to photograph! It looks best from a distance so that you can capture the height of the central core 'petals' and showcase the structure's pleasing proportions. The closer you get the more 'stubby' the Temple looks.
Also, its very white, and when I was there the glare reflected from the marbled surface cancelled out shadows, negated any contrast and hid the sophisticated interconnectedness of the 'petals.' To get the petals to stand out in this image I had to do some tweaks in post.
This is a rather old public housing structure in Singapore. Located in Taman Jurong, it had in recent years become place rented out to families who are waiting for their Build-to-Order houses to be completed.
The simplicity of the design lies in the interconnectedness of the four blocks joined by 4 lift columns. There is also a supermarket right in the middle. When I visited this place last week, the occupants have already moved out. I'm crossing fingers that it won't be demolished just yet. When there were still occupants, children playing games at the first floor common area was a rather common sight. However, in the recent times, no thanks to technological advancements, children playing games outdoors appears to be a less common sight.
© all rights reserved by B℮n
The Netherlands is a small country of 16 million people, but it boasts a quarter of a million competitive speedskaters, and millions more who skate for fun. What's the story? Natural ice in the Netherlands is a rare occurrence. In fact, some winters there's no natural ice at all. Maybe that explains why the Dutch love to skate outdoors. They hardly ever get the chance! But when a cold wave hits, and the interconnected maze of canals, rivers and lakes freeze over, it's a spontaneous celebration, a national holiday. Infinite sea of ice is perfect for ice skating journeys. Ice skating is not only a Dutch sport, it also underwrites the history, art and culture of the Netherlands. Perhaps most importantly a good freeze provides the Dutch a chance to discover the wilderness and an outdoor challenge within their own landscape. The Netherlands are a long distance skater's dream. Hundreds of kilometres of potential routes can carry the skater to the heart of a wild landscape. Today after 4 years we went ice skating on the Ankeveense Plassen.
The Ankeveense Plassen is a real skater’s paradise. As temperatures plunge across Europe, many are cursing the cold. But not in the Netherlands. Many are hoping for further frigid conditions. Photo taken of Dutch people on the lakes of Ankeveen. A first time skating in 2017 is such a rare occurrence. Have a look at this great skating video taken with a drone: youtu.be/J6TPqMteEOU
Schaatsen op natuurijs is het leukste wat er is. Warm inpakken, muts op, handschoenen, schaatsen geslepen, slee mee en gaan. Helaas is het in Nederland niet zo vaak zo koud dat we echt kunnen schaatsen. Veel mensen grijpen vandaag nog even de kans om te schaatsen. Ondanks de waarschuwingen van schaatsbond KNSB om weg te blijven van meren, sloten en kanalen. Het ijs is op veel plekken niet dik genoeg. Daar lieten veel schaatsliefhebbers zich dus niet door weerhouden.. Op 26 januari 2017 verzamelden meerdere mensen op de Ankeveense plassen. Dat is de plek waar het ijs het sterkst was. Vaak wordt er aangehouden dat het ijs een centimeter of 10 dik moet zijn om veilig op te kunnen schaatsen, en het ijs op de Ankeveense plassen is op het dikste gedeelte maar een centimeter of vijf dik, maar dat weerhield tientallen mensen er niet van om toch even het ijs op te gaan. In Ankeveen was de meest gehoorde reactie: “het is dun, maar het kan wel…”. En dat leverde mooie plaatjes op. Mensen van alle leeftijden op schaatsen, kinderen die een buikschuiver willen maken, mensen die voorzichtig even willen voelen hoe het is om op het ijs te staan. De aantrekkingskracht van het ijs is enorm. Opvallend veel Amsterdammers zoeken hun toevlucht in Ankeveen. ,,Hier kan het al, bij ons op de grachten nog lang niet”, grijnst een meneer. ,,Het is windstil, lekker zonnetje, het is ijs is goed. Wat wil je nog meer?” ,,Natuurlijk kan je door het ijs zakken, maar het leven is niet zonder risico's. Je kan ook onder een auto komen, of er kan een vliegtuig op je huis neerstorten.”
Excerpt from www.newswire.ca/news-releases/cadillac-fairview-introduce...:
Cadillac Fairview Introduces Art Corridor on Yonge Street with new Billboard Campaign at CF Toronto Eaton Centre in Partnership with OCAD University.
The 'Imagine Together' exhibit showcases three emerging Canadian artists from OCAD University, bringing the community together through art and design.
Cadillac Fairview (CF) is proud to announce the CF Toronto Eaton Centre Art Corridor in partnership with OCAD University (OCAD U). The 18-month long exhibit features nine vibrant and inspiring designs created by three diverse and emerging OCAD U artists Raquel Da Silva, Jason Zante and Daria Joyce. Their art will transform a popular portion of Yonge Street into a beautiful outdoor gallery located directly above the iconic shopping centre.
In alignment with CF's recently shared Purpose, Transforming Communities for a Vibrant Tomorrow, CF issued a call for submission to graduate students of OCAD U's Faculty of Design to represent how art can bring people together and build community. The resulting exhibit entitled 'Imagine Together' highlights the vibrancy of human connection that is vital to healthy and happy communities and serves as a reminder of the power of collaboration and interconnectedness.
"CF is committed to creating dynamic, inviting spaces and we recognize the important role art plays in enabling expressive and meaningful places in our buildings and the neighbourhoods we are proud to be a part of," said Sheila Jennings, General Manager, CF Toronto Eaton Centre. "Our centre is located in the heart of downtown Toronto, serving as a regular meeting place for our engaged student community. It was only natural that we collaborate with young emerging talent to transcend a message of hope, positivity and togetherness through art."
Each artist was asked to reflect on their own experiences at CF Toronto Eaton Centre, weaving in physical, emotional and sensory elements to highlight the importance of inclusivity, togetherness and social connections. A mainstay in Toronto for more than 44 years, CF Toronto Eaton Centre is one of North America's most visited retail destinations that features a collection of digital signage and billboards, typically reserved for advertising, from Dundas Street down to Queen Street. For the first time, the billboards will showcase community artwork that will be on display for the next year and a half. This area, which neighbours the city's highly visited Yonge-Dundas Square, is home to some of Canada's largest digital displays, providing optimal visibility for the artists.
"OCAD University is dedicated to fostering communities that integrate multiple perspectives and we are inspired by the creativity and passion our students showed in bringing this mission to life," said Ana Serrano, President and Vice-Chancellor at OCAD University. "We are grateful to partners like Cadillac Fairview for their strong community support and providing a tremendous platform, especially at one of their landmark properties, to serve as a showcase for our students."
"This exhibit is a great addition to Downtown Yonge, highlighting the cultural significance of this neighbourhood with a positive and inspiring message. It is also important economically: arts and culture are crucial to bringing people back to this area as we re-open, and we are excited to see this art activation showcasing the talent of emerging artists," says Mark Garner, Chief Operating Office of the Downtown Yonge BIA.
About the Artists
The three artists participating in the CF Toronto Eaton Centre Art Corridor are Faculty of Design students from OCAD U. Aligned with CF's purpose, the Faculty encourages students to create designs that nurture community and empower individuals.
Raquel Da Silva - Raquel is a Toronto-based artist and designer, working primarily in painting and sculptural objects. Her work is focused on creating abstract environments with two and three-dimensional forms and shapes. Raquel's pieces created for 'Imagine Together' are meant to evoke the cultural vibrancy of the city and reflect the energy that it creates to inform, inspire and regenerate.
Jason Zante - Jason is a Filipino Canadian multidisciplinary artist. He infuses vibrant colours in his compositions that depict stillness in time, Philippine culture, and ethereal landscapes. Jason's pieces created for 'Imagine Together' emphasize how art and design influence social change and have the potential to create conversations that matter through captivating visuals.
Daria Joyce - Daria is an illustration artist, creating work that is inclusive, playful, and vibrant, as she aspires to create art that connects and illuminates. Her pieces created for 'Imagine Together' reflect the power of CF Toronto Eaton Centre as the heart of Toronto, a destination that brings people together in a visually inspiring environment, creating an emotionally enriching and communal experience.
Municipal marina on Lake Michigan, Upper Peninsula, Michigan - July 12 2024
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All the thoughts I had while taking this photo have been overcome by Steve Gleason's Arthur Ashe Award speech that I was listening to while editing.
"Through this lens, you can see we're all in this together. We are all citizens of the world. Given our interconnectedness, the greatest aspect of our purpose is to generously help, serve, and love others. Do we have the courage to unconditionally love our neighbors, our so-called enemies, and love ourselves?"
That last part isn't easy.
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The Netherlands is a small country of 16 million people, but it boasts a quarter of a million competitive speedskaters, and millions more who skate for fun. What's the story? Natural ice in the Netherlands is a rare occurrence. In fact, some winters there's no natural ice at all. Maybe that explains why the Dutch love to skate outdoors. They hardly ever get the chance! But when a cold wave hits, and the interconnected maze of canals, rivers and lakes freeze over, it's a spontaneous celebration, a national holiday.
Photo taken in Ransdorp at the Ransdorper Die nearby Amsterdam. Dutch kids on skates enjoying the natural ice. Took this photo while I was skating too. Today, Jan 6th, I took a day off enjoying the natural ice. I did skate a tour from Amsterdam - Ransdorp - Holysloot - Uitdam - Zuiderwoude - Broek in Waterland and back - about 40km. This photo I took on my way home to Amsterdam. The kids having fun skating behind each other like a train ;-)
Op 6 Januari 2009 een middag vrij genomen en een lange schaatstocht gemaakt van Amsterdam - Zunderdorp - Ransdorp - Holysloot - Uitdam - Zuiderwoude - Broek in Waterland - Ransdorp - Zunderdorp. Voor het eerste weer op de schaats en een geweldige rondtocht gemaakt. Je komt op plaatsen waar je normaal nooit komt. De Ransdorper Die ligt tussen de weilanden geïsoleerd en is normaal onbereikbaar per weg, fietspad of zelfs per voet. Holysloot is ook een dorp waar je nooit naar toe rijdt omdat de weg dood loopt op de Holysloter Die. Via het ijs zijn nu alle dorpjes makkelijk toegankelijk. Het gezicht vanuit het ijs is prachtig vooral uniek omdat een hele generatie niet weet wat natuurijs is maar nu eindelijk na 12 jaar weer een vorst periode aangebroken waar op natuurijs geschaatst kan worden. Foto genomen op een zijtak van de Ransdorper Die. Veel wateren (rivieren, beken, meren) hebben een naam die Aa, Ae, E, Ee, Ie, of IJ in zich hebben. Dit betekende oorspronkelijk gewoon 'water' en heeft zijn oorsprong in het Oudgermaanse aha of ahwô (ook verwant met het Latijnse aqua en tevens terug te vinden in het Deense en Zweedse Å.) In het Nederlands is Aa door betekenisverenging meer specifiek een naam voor rivieren en is het weer lokaal verder verbasterd tot Ee, Ie of IJ. Soms is het aan de naam voorafgaande lidwoord de geassimileerd met ie en wordt zo Die. Zoals hierboven op de Ransdorper Die en even verderop op de Holysloter Die.
"The Allegorical Tap" is a surrealist work that evokes a profound reflection on the interconnectedness of human existence. The intertwined and connected pipes create an aesthetically beautiful visual labyrinth that symbolizes the different trajectories of life that, despite their different origins and paths, converge towards a common point, represented by the tap. This point of convergence can be interpreted as a significant event or a shared goal that unites individual experiences. The work challenges the viewer to consider how lives intertwine in complex and unexpected ways, reflecting the beauty and complexity of the human journey.
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Classic Surrealist Digital Art
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Mitákuye Oyás’iŋ (All Are Related) is a phrase from the Lakota language. It reflects the world view of interconnectedness held by the Lakota people of North America.[1] This concept and phrase is expressed in many Yankton Sioux prayers,[2] as well as by ceremonial people in other Lakota communities.[3][4]
The phrase translates in English as "all my relatives," "we are all related," or "all my relations." It is a prayer of oneness and harmony with all forms of life: other people, animals, birds, insects, trees and plants, and even rocks, rivers, mountains and valleys.[2]
From work in the 1940s, American scholar Joseph Epes Brown wrote a study of Mitákuye Oyás’iŋ and its relevance in the Sioux ideology of "underlying connection" and "oneness." He noted how the phrase has been misappropriated and misused as a slogan and salutation by peoples from outside the Lakota cultures.[4]
Francis White Bird asserts that only Lakota can use this phrase because it applies only to Lakota culture.[5]
Regardless it has become a sign of recognition by all peoples of native ancestry, especially those who are alienated from tribal tradition.
‘The Golden Torus is the ancient geometric metaphor of unity. It symbolises the interconnectedness of all living things’ – interpretative sign.
Artists: Lorenna Grant and Alan Clark #SouthCoast 018 – Walpole
Swarbrick is one of three sites that make up the Walpole Wilderness Discovery Centre. Swarbrick is home to some of the state’s oldest karri trees.
The art works range from a sculpture depicting Aboriginal message sticks to a giant suspended ring, the Golden Torus, through which the artist prompts the visitor to explore the interconnectedness of all things.
South Coast #10 – Walpole
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Please take your time... to View it large on black
The Netherlands is a small country of 16 million people, but it boasts a quarter of a million competitive speedskaters, and millions more who skate for fun. What's the story? Natural ice in the Netherlands is a rare occurrence. In fact, some winters there's no natural ice at all. Maybe that explains why the Dutch love to skate outdoors. They hardly ever get the chance! But when a cold wave hits, and the interconnected maze of canals, rivers and lakes freeze over, it's a spontaneous celebration, a national holiday. Today same as last year we could ice skating on the Gouwsea. Ice skating can be done from Monnickendam to Marken and from Marken to Volendam. Infinite sea of ice is perfect for ice skating journeys. Besides ice skating Dutch also love Ice yachting. This is the sport of sailing and racing iceboats and is very popular in the Netherlands. Ice boats are racing at a speed of 100 km an hour over the ice of the Gouwsea.
Photo taken of Ice yachting on the Gouwsea at Monnickendam. A ice sailor getting speed and on his way to Marken. On the background you can see a snow kitesurfer making his last moves located nearby Monnickendam. A historical moment since crossing the Gouwsea by skates is such a rare occurrence. Today I skate from Monnickendam - Nes - Marken - Nes and back to Monnickendam a trip of 16km, such a beautiful sea of ice to enjoy. For the ice-yacht sailors it's always a race who will cross the Gouwsea first to Marken. When the first Ice-boats tested and crossed the Gouwsea the skaters will follow soon.
Op 25 januari 2013 een schaatstocht gemaakt rond de Gouwzee van Monnickendam - Nes - Marken - Monnickendam. Bij Volendam lag dit keer te veel sneeuw en onbegaanbaar. Een prachtige tocht van zo'n 16km met top ijs. Tot mijn verbazing was de Gouwzee helemaal dichtbevroren. Dus alweer een historische ijstocht gemaakt. Een groot ijsoppervlakte tussen Monnickendam en Marken met prima ijs. Een oneindig mooi gezicht op deze ijszee anno 2013. Het was genieten. Jong en oud staan op het ijs, zelfs koek en zopie is present in de haven van Monnickendam. Ook zijn er weer ijszeilers te zien. Met spectaculaire snelheden van wel 80 tot 100 kilometer per uur razen ze over bevroren meren en plassen: ijszeilers hebben deze dagen de tijd van hun leven. In elke ijszeiler schuilt een pionier die nieuw terrein wil ontginnen. Wie steekt er als eerste over naar Marken? Wakduikers heten de onfortuinlijken die in een overmoedige bui te ver gingen en met behulp van collega's uit het wak gehaald moesten worden. Het mag de pret niet drukken. IJszeilen is een gezamenlijke gekte, een collectieve spanning die vanwege de natuurlijke elementen zo bijzonder is. Op pure windkracht zeilen over de eindeloze ijsvlakte, geruisloos en snoeihard. De ijszeilers steken altijd het eerst de Gouwzee over. Is het veilig dan kunnen de schaatsers makkelijk volgen. Op de achtergrond zie je iemand aan het Snowkiten. Dit lijkt heel erg op kitesurfen. Het wordt alleen in de sneeuw gedaan, met ski's of een snowboard. Meestal worden dezelfde kites als bij het kitesurfen gebruikt. Het wordt door relatief weinig mensen beoefend, omdat er maar weinig locaties zijn om te snowkiten. In Nederland gebeurt het maar zelden dat er genoeg sneeuw en wind is om te snowkiten. Nu is het eindelijk zo ver om op de Gouwzee te snowkiten.
"Introducing 'Holistic' 🌿 available at The Dubai Event 04/20 today. - Holistic is about the interconnectedness of all elements, creating a sense of completeness and harmony.
The set includes:
🍃A wooden shelf which carries a rustic charm.
🍃Abstract Wooden sculptures: In nature, nothing exists alone.Each piece telling a unique story and adding character.
🍃Earthy terracotta pots: bring warmth and grounding to the collection.
🍃The leaf carpet rug: lush green hues and delicate leaf pattern, creates a serene and inviting atmosphere.
Embrace the interconnectedness of design and nature.
Excerpt from www.brainproject.ca:
From Top Left:
Brain #: 406
Covered with lush greenery, vibrant flowers and a host of birds, A Fertile Mind is artist Steven Nederveen’s miniature creation of the mind’s ecosystem. Vegetation pollinates the mind with fresh life and ideas, while the birds carry strings of thoughts connecting one busy cluster of growth to another. The greenery contains all kinds of flowers, from herbal remedies and spiritual lotus flowers to the poisonous berries of the Nightshade plant. A healthy ecosystem embraces renewal and decay. Problems arise when an aspect of the system falls out of balance. With the brain, there are physical and chemical imbalances, but psychological issues may be equally debilitating. With a view to disease and trauma, the vegetation that wraps around this brain can be seen as an invasive and parasitic overgrowth that feeds off its host.
Brain #: 414
New York-based artist and trendsetter Hunt Slonem is considered one of the great colorists of his time. As vibrant a dresser and decorator as he is a painter and sculptor, this creative force of nature is well known for his neo-expressionist works of butterflies, rabbits and tropical birds, the latter often inspired by the exotic feathered friends he houses in an aviary in his 30,000 square foot studio. Slonem has had more than 300 one-man shows in galleries and museums around the world. His work is also in the permanent collections of 250 museums, including the Guggenheim, the Metropolitan Museum of Art and the Whitney.
Brain #: 344
The magnolia tree and the figure are recurring threads in the artist’s work. In fact, Darlene Cole has a map in her brain locating particular magnolia trees that she visits each spring; some are at farms, others in historic neighbourhoods. Cole sees fragility coexisting with strength and interconnectedness in the trees, and wants viewers of this piece to experience their haunting beauty with a new emotional connection.
Brain #: 364
When Janna Watson is creating abstract art, she strives to get out of her head and into her body. This brain sculpture is the opposite of that goal. This is Nothing is Real & Everything is Possible.
Step into the vivacious realm of Ueno, where a symphony of colors and bustling energy converge to create an unforgettable experience. Amidst this captivating district, Ameyayokocho stands as a vibrant street market, a tapestry of life waiting to be explored. In this photo, taken during the enchanting blue hour, I invite you to immerse yourself in the myriad layers that unfold before your eyes.
At the forefront, a pedestrian crossing acts as a stage, drawing people from all walks of life. Patiently waiting to traverse the bustling streets, they embark on their journeys, be it to the lively market or the nearby Ueno station. The setting sun casts its final glow behind the towering buildings, lending a tranquil ambiance to the scene.
As the city transitions into the night, a passing train adds a dynamic element to the composition. It symbolizes the perpetual rhythm of urban life, reminding us of the constant movement and interconnectedness that define this bustling district. The layers of the image reflect the tapestry of experiences waiting to be unraveled, revealing the diverse stories and vibrant spirit that pulse through the streets of Ueno.
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This major retrospective—the first to be organized by a US institution in 30 years—builds on the wealth of new research, scholarship, and perspectives that has emerged since Andy Warhol’s early death at age 58 in 1987. More than 400 works offer a new view of the beloved and iconic American Pop artist, not only illuminating the breadth, depth, and interconnectedness of Warhol’s production across the entirety of his career but also highlighting the ways that he anticipated the issues, effects, and pace of our current digital age.
Warhol gained fame in the 1960s for his Pop masterpieces, widely known and reproduced works that often eclipse his equally significant late work as well as his crucial beginnings in the commercial art world. This exhibition brings together all aspects and periods of his varied and prolific career and includes paintings, sculpture, drawings, prints, videos, archival and printed material, installation, films, and media works. By showcasing the full continuum of Warhol’s work, rather than focusing on a certain period, this presentation demonstrates that the artist didn’t slow down after surviving the assassination attempt that nearly took his life in 1968 but entered into a period of intense experimentation.
Warhol, with obvious self-deprecation, described his philosophy as spanning from A to B. As this exhibition decidedly proves, his thinking and artistic production ranged well beyond that, but his true genius lies in his ability to identify cultural patterns and to use repetition, distortion, and recycled images in a way that challenges our faith in images and questions the meaning of our cultural icons.
This exhibition was organized by the Whitney Museum of American Art, New York.
Gleam, Olbrich Botanical Gardens, Madison, Wisconsin.
Gleam - Art in New Light consists of multiple artist installations that light up the night in Olbrich Botanical Gardens. Attendees follow a dimly lighted path through the gardens passing from one installation to another.
Artists Katherine Cannistra and Geoff Landrum describe their three installations: "The Atomic Forest is comprised of free-standing "trees," each with floral attributes, at the top of a "stem." A canopy of networked LEDs animates patterns that visualize the nano-processes of our digital interconnectedness."
Забытая страсть
Пока я бродил по болоту, нагруженный громоздким фотообордованием, неожиданное зрелище вырвало меня из моей текущей реальности. Среди мрачной торфяной местности я наткнулся на кучу старых ржавых охотничьих гильз.
В это мгновение на меня нахлынули воспоминания о забытой страсти к охоте в моей молодости , наполнив мои мысли ностальгией и стыдом. Как будто я смотрел на две версии себя — прошлое и настоящее — пораженный резким контрастом в мировоззрении . Это как текущая река в которой все постоянно обновляется , а то что принесет течение одновременно зависит и не зависит от тебя.
Это зажгло во мне обновленное понимание, которое созвучно с убеждением, что каждое живое существо обладает неотъемлемым правом на жизнь. Размышляя об этом, я думаю о взаимосвязанности всех живых существ и нашей ответственности за сохранение их существования.
И если порой кажутся ничтожными твои усилия , то я всегда понимаю, что в потоке бурной реки сходятся даже мельчайшие капли, обретая силу в единстве.
А.Суховский
Украина .Киев
Forgotten Passion
As I wandered through the swamp, loaded down with bulky photo gear, an unexpected sight pulled me out of my current reality. Among the gloomy peatland, I came across a bunch of old rusty hunting shells.
In that moment, memories of the forgotten passion for hunting in my youth flooded over me, filling my thoughts with nostalgia and shame. It was as if I was looking at two versions of myself—past and present—struck by the stark contrast in worldview. It's like a flowing river in which everything is constantly updated, and what the current will bring at the same time depends and does not depend on you.
It ignited in me a renewed understanding that is consonant with the conviction that every living being has an inalienable right to life. In thinking about this, I think about the interconnectedness of all living beings and our responsibility to keep them alive.
And if sometimes your efforts seem insignificant, then I always understand that even the smallest drops converge in the flow of a stormy river, gaining strength in unity.
A . Sukhovsky
Ukraine, Kiev
Portrait of the priest of the Temple of Thunder during an offering to the Venavi dolls (Benin).
Twins hold a special and sacred place in the Voodoo culture in Benin.
The reverence for twins reflects a broader African belief in the interconnectedness of the physical and spiritual worlds, highlighting the sacred role that twins play in their communities.
The birth of twins is considered a powerful spiritual event, as twins are thought to embody a dual spiritual force, one connected to the physical world and the other to the spiritual realm.
If one twin passes away, the family commissions a small wooden figurine called a "Venavi doll", which represents the deceased twin.
The doll is treated with care, fed, clothed, and spoken to as if it were still alive, ensuring the spirit remains within the family and brings blessings rather than misfortune.
Extensive mourning rituals are conducted to ensure their spirit transitions peacefully and the families often continue to acknowledge the deceased twin’s presence through annual remembrance ceremonies.
Website: www.robertopazziphoto.com/
Instagram: www.instagram.com/roberto_pazzi_photo/
The transient beauty of the coast is intricately intertwined with the captivating patterns that emerge in the sand, crafted by the relentless forces of wind and wave. These natural sculptors shape the shoreline, leaving behind ephemeral masterpieces.
As the tides ebb and flow, they orchestrate a delicate dance with the sand. With each advancing wave, the water gently caresses the shore, carrying particles of sand along its journey. As the wave recedes, it relinquishes its cargo, depositing the grains in a meticulous arrangement. This cyclical process, repeated countless times, creates intricate patterns that stretch along the coastline.
The patterns left behind by the retreating tide mimic the ebb and flow of life itself. Swirling ripples, reminiscent of a miniature desert landscape, emerge as the water recedes, their graceful curves and undulating lines transforming the beach into a living work of art. The patterns are at once orderly and chaotic, with intricate geometrical formations intermingling with whimsical curves and asymmetrical shapes.
The wind, a silent artist in its own right, adds its touch to the sculpting process. As it sweeps across the coast, it whispers secrets to the sand, coaxing it to dance in its invisible embrace. The wind's gentle touch lifts fine particles from the beach, carrying them aloft in an intricate ballet. It sculpts the sand into delicate ripples, resembling the soft undulations of fabric.
The interplay between the wind and the tide results in an ever-changing landscape. The patterns shift and evolve, shaped by the combined forces of these elemental sculptors. Ripples become miniature mountains, rising and falling in a transient topography that mirrors the larger contours of the surrounding coast. Each gust of wind and every advancing or receding wave leaves its mark, etching new patterns and erasing old ones, in an eternal cycle of creation and destruction.
These ephemeral patterns serve as a reminder of the impermanence of existence and the transient nature of beauty, as each passing moment alters the landscape, erasing what once was and creating something new. The sands become a canvas for the symphony of time, a tangible reflection of the ever-changing nature of our lives.
The beauty of these fleeting patterns lies not only in their visual allure but also in the emotions they evoke. They inspire a sense of wonder and awe, inviting us to pause and appreciate the intricate designs that nature creates with such effortless grace. The patterns speak of the interconnectedness of all things, the harmonious interplay between the elements, and the constant flux that defines our existence.
In these patterns of nature, we find a profound lesson: that life, like the shifting sands, is ever-changing, and that true beauty lies not in permanence but in the appreciation of the fleeting moments that grace our journey.
The photograph shows the interconnectedness of life in a dump yard, where humans, pigs, and crows have to struggle to survive for food and materials. It is the harsh realities of life for people and animals who live in these communities, and the importance of taking care of our environment.
In this captivating photograph, a magnificent and colossal intertwined tree, with branches painted in a pristine white hue, stands proudly on the Caribbean island of Haiti. The sheer scale and complexity of the interwoven branches create a mesmerizing display of natural artistry. The tree's distinctive white color adds a unique and enchanting touch to the lush, tropical landscape, setting it apart in striking contrast against the vibrant greenery that surrounds it.
This arboreal giant, though its specific name remains unknown, captures the essence of the untamed beauty and resilience found in the heart of Haiti. The intricate network of branches seems to tell a story of strength, endurance, and interconnectedness, reflecting the spirit of the island itself. As sunlight filters through the foliage, creating a play of shadows and highlights, the tree becomes a focal point of serenity and wonder in the Caribbean landscape.
This photograph invites viewers to appreciate the natural wonders of Haiti, showcasing the mysterious allure of a colossal, intertwined tree that stands as a silent testament to the island's rich and diverse ecosystems. It's a visual testament to the harmonious coexistence of nature's elements, leaving observers to marvel at the beauty of this majestic and unnamed arboreal wonder in the heart of the Caribbean.
Available in the gallery here - james-insogna.pixels.com/featured/magnificent-and-colossa...
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Excerpt from www.k11musea.com/about-k11-musea/:
Located at Victoria Dockside, K11 Art and Cultural District of Tsim Sha Tsui, K11 MUSEA is Hong Kong’s pioneering cultural-retail landmark. Inspired by ‘A Muse by the Sea’, K11 MUSEA is designed to enrich the new consumer’s daily life through the power of creativity, culture and innovation.
A destination 10 years in the making, K11 MUSEA was crafted by renowned entrepreneur Adrian Cheng together with 100 Creative Powers, a roster of more than 100 international architects, artists and designers who sought to create the ultimate space for all to embark on a “journey of imagination”. Since opening its doors in 2019, the museum-worthy landmark has ushered in a new era of cultural retail which speaks to the growing consumer demand for immersive experiences in art, culture, nature and commerce.
K11 Group was founded by renowned entrepreneur Adrian Cheng in 2008 with a social mission to incubate talent and propagate culture. In creating Victoria Dockside, K11 Art and Cultural District — K11 Group’s most ambitious project to date — Cheng’s vision is to inspire global millennials through establishing K11 MUSEA as the Silicon Valley of Culture, while facilitating a broader discussion on the interconnectedness of creativity, culture and innovation.
K11 MUSEA is located at the heart of Victoria Dockside,K11 Art and Cultural District. The art and design district is built on a historic site formerly known as Holt’s Wharf, a freight and logistics hub that transformed Hong Kong into one of the busiest ports in the world. Paying tribute to Hong Kong’s unique history and cultural cosmopolitanism, K11 MUSEA is committed to incubating the local cultural scene with a world-class rotation of art events, collaborations, experiences, and workshops throughout the year.
The architecture of K11 MUSEA was designed by Kohn Pedersen Fox and James Corner Field Operations in collaboration with 100 Creative Powers, including Rotterdam-based OMA and Hong Kong-based architecture studios LAAB and AB Concept.
Pull a thread here and you’ll find it’s attached to the rest of the world.
[Nadeem Aslam]
enjoying the interconnectedness of glass, granite and my hand-made soaps...
Lord Shiva, one of the principal deities in Hinduism, is known as the "Destroyer" within the Trimurti, which also includes Brahma the Creator and Vishnu the Preserver. He is a complex and multifaceted god, representing the cycle of creation, preservation, destruction, and regeneration. Shiva is often depicted with a third eye, symbolizing wisdom and insight, a crescent moon in his hair, representing time and cycles, and the river Ganga flowing from his matted locks, indicating purification and sustenance.
He is also depicted in the form of the Nataraja, the cosmic dancer who performs the dance of creation and destruction. Worshipped widely across India.
His importance in Hindu culture extends beyond mythology and religious practices; Shiva's presence is felt in art, music, and literature, symbolizing transformation and the interconnectedness of life and death. His festivals, such as Maha Shivaratri, are celebrated with great fervor, marking his role as a pivotal figure in Hindu devotion and spirituality.
A running theme - the future overturning of the tyranny of the right angle. We love our 90 degree angles and we build our lives around them, internally, externally. Why is that? Purely straight lines don't even exist in nature. In some esoteric circles the right angle is seen as an expression of "male" energy, while the curve or the spiral connotes the "feminine".
With the coming quantum paradigm and it's interconnectedness of all things, of everything affecting everything else, immediately, and that all things proceed from consciousness and not the opposite, we find ourselves moving into a more 'feminine" energy.
This balancing will be the recovery of the planet and what Morris Berman called, "the reenchantment of the world".
Music Link: Talking Heads - "The Great Curve" from their iconic album, "Remain in Light".
www.youtube.com/watch?v=CHZua9rdFvQ
View Large on Black.
The transient beauty of the coast is intricately intertwined with the captivating patterns that emerge in the sand, crafted by the relentless forces of wind and wave. These natural sculptors shape the shoreline, leaving behind ephemeral masterpieces.
As the tides ebb and flow, they orchestrate a delicate dance with the sand. With each advancing wave, the water gently caresses the shore, carrying particles of sand along its journey. As the wave recedes, it relinquishes its cargo, depositing the grains in a meticulous arrangement. This cyclical process, repeated countless times, creates intricate patterns that stretch along the coastline.
The patterns left behind by the retreating tide mimic the ebb and flow of life itself. Swirling ripples, reminiscent of a miniature desert landscape, emerge as the water recedes, their graceful curves and undulating lines transforming the beach into a living work of art. The patterns are at once orderly and chaotic, with intricate geometrical formations intermingling with whimsical curves and asymmetrical shapes.
The wind, a silent artist in its own right, adds its touch to the sculpting process. As it sweeps across the coast, it whispers secrets to the sand, coaxing it to dance in its invisible embrace. The wind's gentle touch lifts fine particles from the beach, carrying them aloft in an intricate ballet. It sculpts the sand into delicate ripples, resembling the soft undulations of fabric.
The interplay between the wind and the tide results in an ever-changing landscape. The patterns shift and evolve, shaped by the combined forces of these elemental sculptors. Ripples become miniature mountains, rising and falling in a transient topography that mirrors the larger contours of the surrounding coast. Each gust of wind and every advancing or receding wave leaves its mark, etching new patterns and erasing old ones, in an eternal cycle of creation and destruction.
These ephemeral patterns serve as a reminder of the impermanence of existence and the transient nature of beauty, as each passing moment alters the landscape, erasing what once was and creating something new. The sands become a canvas for the symphony of time, a tangible reflection of the ever-changing nature of our lives.
The beauty of these fleeting patterns lies not only in their visual allure but also in the emotions they evoke. They inspire a sense of wonder and awe, inviting us to pause and appreciate the intricate designs that nature creates with such effortless grace. The patterns speak of the interconnectedness of all things, the harmonious interplay between the elements, and the constant flux that defines our existence.
In these patterns of nature, we find a profound lesson: that life, like the shifting sands, is ever-changing, and that true beauty lies not in permanence but in the appreciation of the fleeting moments that grace our journey.
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Please take your time... and enjoy it large on black
The Netherlands is a small country of 16 million people, but it boasts a quarter of a million competitive speedskaters, and millions more who skate for fun. What's the story? Natural ice in the Netherlands is a rare occurrence. In fact, some winters there's no natural ice at all. Maybe that explains why the Dutch love to skate outdoors. They hardly ever get the chance! But when a cold wave hits, and the interconnected maze of canals, rivers and lakes freeze over, it's a spontaneous celebration, a national holiday. Today same as last year we could ice skating on the Gouwsea. Ice skating can be done from Monnickendam to Marken and from Marken to Volendam. Infinite sea of ice is perfect for ice skating journeys. Besides ice skating Dutch also love Ice yachting. This is the sport of sailing and racing iceboats and is very popular in the Netherlands. Ice boats are racing at a speed of 100 km an hour over the ice of the Gouwsea.
Photo taken of Ice yachting on the Gouwsea near Volendam. A historical moment since crossing the Gouwsea by skates is such a rare occurrence. Crossing this Gouwzee was last possible in 2009 and 1996. Today 13 February 2010, I skate from Monnickendam - Marken - Volendam and back to Monnickendam a round-trip of 16km, such a beautiful sea of ice to enjoy. Here I skate on my way to Volendam, catching ice yachting and a helicopter flying low. In the distance you can see the little harbor of Volendam.
Op 13 februari 2010 een schaatstocht gemaakt rond de Gouwzee van Monnickendam - Volendam - Marken - Monnickendam. Een prachtige ronde van zo'n 16km met top ijs. Tot mijn verbazing was de Gouwzee helemaal dichtbevroren, dit is laatst in 2009 en 1996 gebeurd. Dus alweer een historische ijstocht gemaakt. Een groot ijsoppervlakte tussen Monnickendam en Marken met prima ijs. Een oneindig mooi gezicht op deze ijszee anno 2010. Het was genieten. Jong en oud staan op het ijs, zelfs koek en zopie is present in de haven van Monnickendam, Marken en Volendam. Ook zijn er weer ijszeilers te zien. Met spectaculaire snelheden van wel 80 tot 100 kilometer per uur razen ze over bevroren meren en plassen: ijszeilers hebben deze dagen de tijd van hun leven. In elke ijszeiler schuilt een pionier die nieuw terrein wil ontginnen. Wie steekt er als eerste over naar Marken? Wakduikers heten de onfortuinlijken die in een overmoedige bui te ver gingen en met behulp van collega's uit het wak gehaald moesten worden. Het mag de pret niet drukken. IJszeilen is een gezamenlijke gekte, een collectieve spanning die vanwege de natuurlijke elementen zo bijzonder is. Op pure windkracht zeilen over de eindeloze ijsvlakte, geruisloos en snoeihard. Nog sneller was de helicopter die laag langs vloog richting Volendam.
1.26 was an installation by Janet Echelman at the Signal Festival in Prague. The festival as a whole was really impressive and a great way to see the city in a new light (pun intended...). With this picture there was a fairly boring foreground from where I had set up my camera, so I waited for a tram to pass and had a relatively long exposure in order to make the pic a bit more interesting. This is one of my favourite photos from 2015.
A description of the installation taken from the festival website is as follows:
This spectacular seven-meter installation by American artist Janet Echelman creates an expansive net that floats in an ethereal manner over the heads of the viewer. This combination of monumental forms with apparently light materials creates an unconventional conceptual canvas for a play of light created by variable waves of contrasting colours.
The concept of the work is inspired by the interconnectedness of terrestrial phenomena and systems. The artist used data from NASA laboratories (the National Aeronautics and Space Administration in the USA) and NOAA (the American National Oceanic and Atmospheric Administration) related to the effects of the 2010 earthquake in Chile, which caused the shortening of Earth days by 1.26 microseconds. The shape of the net is defined by the various heights of Tsunami waves across the ocean.
Visually and conceptually this engaging installation invites not only festival visitors but passing pedestrians to pause and contemplate.
American artist Janet Echelman excels in all categories and definitions. Her unique sculptures and installations on a monumental scale change depending on the effects of wind, water or light. Echelman became inspired in India by the lives of local fishermen, and she began using unusual materials for her installations, such as fishing nets. In her work, she combines traditional crafts with the latest technology, and she cooperates with experts from various fields, ranging from aviation engineering to rural architecture and light design.
She has been awarded several times for her work by the professional public. She earned the prestigious Guggenheim and Fulbright scholarship as well as several other important prizes and recognitions, in recent years, for example, from the Smithsonian Institute, the Society of Architects in Boston and the Aspen Institute.
Portrait of the priest of the Temple of Thunder during an offering to the Venavi dolls (Benin).
Twins hold a special and sacred place in the Voodoo culture in Benin.
The reverence for twins reflects a broader African belief in the interconnectedness of the physical and spiritual worlds, highlighting the sacred role that twins play in their communities.
The birth of twins is considered a powerful spiritual event, as twins are thought to embody a dual spiritual force, one connected to the physical world and the other to the spiritual realm.
If one twin passes away, the family commissions a small wooden figurine called a "Venavi doll", which represents the deceased twin.
The doll is treated with care, fed, clothed, and spoken to as if it were still alive, ensuring the spirit remains within the family and brings blessings rather than misfortune.
Extensive mourning rituals are conducted to ensure their spirit transitions peacefully and the families often continue to acknowledge the deceased twin’s presence through annual remembrance ceremonies.
Website: www.robertopazziphoto.com/
Instagram: www.instagram.com/roberto_pazzi_photo/
The transient beauty of the coast is intricately intertwined with the captivating patterns that emerge in the sand, crafted by the relentless forces of wind and wave. These natural sculptors shape the shoreline, leaving behind ephemeral masterpieces.
As the tides ebb and flow, they orchestrate a delicate dance with the sand. With each advancing wave, the water gently caresses the shore, carrying particles of sand along its journey. As the wave recedes, it relinquishes its cargo, depositing the grains in a meticulous arrangement. This cyclical process, repeated countless times, creates intricate patterns that stretch along the coastline.
The patterns left behind by the retreating tide mimic the ebb and flow of life itself. Swirling ripples, reminiscent of a miniature desert landscape, emerge as the water recedes, their graceful curves and undulating lines transforming the beach into a living work of art. The patterns are at once orderly and chaotic, with intricate geometrical formations intermingling with whimsical curves and asymmetrical shapes.
The wind, a silent artist in its own right, adds its touch to the sculpting process. As it sweeps across the coast, it whispers secrets to the sand, coaxing it to dance in its invisible embrace. The wind's gentle touch lifts fine particles from the beach, carrying them aloft in an intricate ballet. It sculpts the sand into delicate ripples, resembling the soft undulations of fabric.
The interplay between the wind and the tide results in an ever-changing landscape. The patterns shift and evolve, shaped by the combined forces of these elemental sculptors. Ripples become miniature mountains, rising and falling in a transient topography that mirrors the larger contours of the surrounding coast. Each gust of wind and every advancing or receding wave leaves its mark, etching new patterns and erasing old ones, in an eternal cycle of creation and destruction.
These ephemeral patterns serve as a reminder of the impermanence of existence and the transient nature of beauty, as each passing moment alters the landscape, erasing what once was and creating something new. The sands become a canvas for the symphony of time, a tangible reflection of the ever-changing nature of our lives.
The beauty of these fleeting patterns lies not only in their visual allure but also in the emotions they evoke. They inspire a sense of wonder and awe, inviting us to pause and appreciate the intricate designs that nature creates with such effortless grace. The patterns speak of the interconnectedness of all things, the harmonious interplay between the elements, and the constant flux that defines our existence.
In these patterns of nature, we find a profound lesson: that life, like the shifting sands, is ever-changing, and that true beauty lies not in permanence but in the appreciation of the fleeting moments that grace our journey.